"A view of the House of Commons showing only the Ministerial benches immediately beside and behind the Speaker's Chair, and, on the extreme right, the Speaker and the Clerk with part of the Table. Addington, scarcely caricatured, but wearing gloves, is the principal figure. He stands in profile to the right, right hand extended; in his left is the 'Treaty of Peace with ye Democratick ['Democratic' was then used as an equivalent of Jacobin, cf. BMSat 8310.] Powers'; from his pocket issues a paper: 'List of the new Administration'. On the front bench (left) next Addington's seat, marked by his hat, sits Hawkesbury, nervous and deprecating, legs crossed, crouching forward, holding his chin. Next him is a very fat man with gouty legs, his head concealed behind Addington, identified as Dickinson, see BMSat 9854. Just behind are Nicholls, clutching his cane, and Tierney (not caricatured), both gazing intently at Addington's back. Behind Nicholls is Wilberforce, much caricatured. A fat, youngish man, standing full face (right), resembles Lord Temple. Of the other heads gazing fixedly at Addington only Tyrwhitt Jones (see BMSat 9401 and Index) can be identified: according to 'London und Paris', Jekyll and Whitbread are there. The Speaker, Abbot, is dwarfishly too small for the Chair; in front of him sits the Clerk, with a melancholy expression, holding a pen, his hands folded."--British Museum online catalogue
Description:
Title etched below image. and Watermark: J Whatman.
Publisher:
Publish'd March 1st, 1802, by H. Humphrey, 27 St. James's Street
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Dickinson, William, 1756-1822, Tierney, George, 1761-1830, Nicholls, John, 1745?-1832, Wilberforce, William, 1759-1833, and Jones, Thomas Tyrwhitt, Sir, 1765-1811
"Whitbread, his body, limbs, and head covered by tubs of varying shapes and sizes, raises a drayman's pole, to which is attached a hooked chain to smite the drooping head of a thistle with the features of Melville, his profile facing the ground; the flower forms a spiky coronet. The stem is inscribed 'Me quisque impune lacerrit' (replacing the 'nemo me impune ...' of the motto of the Order of the Thistle). Whitbread's heavy pole is 'Tenth Report'. The tub on his body is 'Wormwood', those on his legs are 'Quashee' [Quassia] and 'Aloes' (allegations of adulteration against his beer, cf. British Museum Satires No. 10574). He tramples on torn papers: 'Trial by Peers' and 'Magna Charta'. Another torn paper is 'Criminal Prosecution by the Atty General'. A large intact paper is: 'New Law Inquisition Committees Torture Question Thumb Screw Peine forte [et dure]'. On the right is a ruinous ale-house, before the door of which Fox sits astride on a large cask. He holds a big frothing tankard and watches Whitbread with cynical satisfaction. The head of the cask is inscribed 'Old Hollan[ds] For Ullage Cas[k] defict . . . Millions.' (An allusion to his father, Lord Holland, as the 'public defaulter of unaccounted millions', a gibe recurring over a long period, referring to the City Petition of 1769, cf. British Museum Satires No. 9739, &c.) Beside him a man in Highland dress, resembling Lauderdale, leans against the building, watching the outrage with frank pleasure. From a broken first-floor window leans Wilberforce, a sour sectary in a steeple-crowned hat inscribed 'Puritanism'. His hands are clasped; he says: "I say. Amen to all Cantwell." Above his head is a placard: 'Hymns & Spiritual Songs on the Slave Trade by St Wilber.' From his window projects a sign-board with a bust profile portrait of St. Vincent, hunch-backed and wearing a ribbon, inscribed 'System of Terror' and 'Hoc Signo non Vincent.' [Parodying the often-quoted in 'hoc signo vinces', the inscription on a vision of a fiery cross, to which legend attributed the conversion of Constantine. The 'non' is added inconspicuously with a caret.] On the building is a torn placard: 'performed The Tragedy Timon of [Athens] Lord Timon Mr Melville Lucullus a false friend & Kinsman Mr Kinhard [Kinnaird] little more than Kin and less than kind Scotch Reel &c.' Facing the ale-house, and on the extreme left, is the corner of the poop of a ship, the Romney. From this projects a hand aiming a blunderbuss inscribed 'Pophams Defence' at the sign-board; a blast of flame and smoke issues from it. On the ship is a board inscribed 'Wanted Supply of naval Stores Inquire within'. Below her is a faint wraith-like ship, 'Melville Castle', whose poop and (unrigged) masts are behind the drooping thistle."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Six line of verse below title: Sansterre [sic] forsook his malt and grains, to mash and batter nobles brains, by lev'lling rancour led; Our brewer quits brown stout and washey, his malt his mash tub and his quashee, to mash a thistle's head., 1 print : soft-ground etching and aquatint on wove paper ; plate mark 35.5 x 25 cm, on sheet 37.5 x 26.9 cm., and Mounted on leaf 84 of James Sayers's Folio album of 144 caricatures.
Publisher:
Published by H. Humphrey, St. James's St.
Subject (Name):
Fox, Charles James, 1749-1806, Whitbread, Samuel, 1764-1815, Melville, Henry Dundas, Viscount, 1742-1811, Wilberforce, William, 1759-1833, and Popham, Home Riggs, 1762-1820
Subject (Topic):
Barrels, Thistles, Taverns (Inns), Signs (Notices), and Ships
"Whitbread, his body, limbs, and head covered by tubs of varying shapes and sizes, raises a drayman's pole, to which is attached a hooked chain to smite the drooping head of a thistle with the features of Melville, his profile facing the ground; the flower forms a spiky coronet. The stem is inscribed 'Me quisque impune lacerrit' (replacing the 'nemo me impune ...' of the motto of the Order of the Thistle). Whitbread's heavy pole is 'Tenth Report'. The tub on his body is 'Wormwood', those on his legs are 'Quashee' [Quassia] and 'Aloes' (allegations of adulteration against his beer, cf. British Museum Satires No. 10574). He tramples on torn papers: 'Trial by Peers' and 'Magna Charta'. Another torn paper is 'Criminal Prosecution by the Atty General'. A large intact paper is: 'New Law Inquisition Committees Torture Question Thumb Screw Peine forte [et dure]'. On the right is a ruinous ale-house, before the door of which Fox sits astride on a large cask. He holds a big frothing tankard and watches Whitbread with cynical satisfaction. The head of the cask is inscribed 'Old Hollan[ds] For Ullage Cas[k] defict . . . Millions.' (An allusion to his father, Lord Holland, as the 'public defaulter of unaccounted millions', a gibe recurring over a long period, referring to the City Petition of 1769, cf. British Museum Satires No. 9739, &c.) Beside him a man in Highland dress, resembling Lauderdale, leans against the building, watching the outrage with frank pleasure. From a broken first-floor window leans Wilberforce, a sour sectary in a steeple-crowned hat inscribed 'Puritanism'. His hands are clasped; he says: "I say. Amen to all Cantwell." Above his head is a placard: 'Hymns & Spiritual Songs on the Slave Trade by St Wilber.' From his window projects a sign-board with a bust profile portrait of St. Vincent, hunch-backed and wearing a ribbon, inscribed 'System of Terror' and 'Hoc Signo non Vincent.' [Parodying the often-quoted in 'hoc signo vinces', the inscription on a vision of a fiery cross, to which legend attributed the conversion of Constantine. The 'non' is added inconspicuously with a caret.] On the building is a torn placard: 'performed The Tragedy Timon of [Athens] Lord Timon Mr Melville Lucullus a false friend & Kinsman Mr Kinhard [Kinnaird] little more than Kin and less than kind Scotch Reel &c.' Facing the ale-house, and on the extreme left, is the corner of the poop of a ship, the Romney. From this projects a hand aiming a blunderbuss inscribed 'Pophams Defence' at the sign-board; a blast of flame and smoke issues from it. On the ship is a board inscribed 'Wanted Supply of naval Stores Inquire within'. Below her is a faint wraith-like ship, 'Melville Castle', whose poop and (unrigged) masts are behind the drooping thistle."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Six line of verse below title: Sansterre [sic] forsook his malt and grains, to mash and batter nobles brains, by lev'lling rancour led; Our brewer quits brown stout and washey, his malt his mash tub and his quashee, to mash a thistle's head., and Mounted on page 105.
Publisher:
Published by H. Humphrey, St. James's St.
Subject (Name):
Fox, Charles James, 1749-1806, Whitbread, Samuel, 1764-1815, Melville, Henry Dundas, Viscount, 1742-1811, Wilberforce, William, 1759-1833, and Popham, Home Riggs, 1762-1820
Subject (Topic):
Barrels, Thistles, Taverns (Inns), Signs (Notices), and Ships
"Whitbread, his body, limbs, and head covered by tubs of varying shapes and sizes, raises a drayman's pole, to which is attached a hooked chain to smite the drooping head of a thistle with the features of Melville, his profile facing the ground; the flower forms a spiky coronet. The stem is inscribed 'Me quisque impune lacerrit' (replacing the 'nemo me impune ...' of the motto of the Order of the Thistle). Whitbread's heavy pole is 'Tenth Report'. The tub on his body is 'Wormwood', those on his legs are 'Quashee' [Quassia] and 'Aloes' (allegations of adulteration against his beer, cf. British Museum Satires No. 10574). He tramples on torn papers: 'Trial by Peers' and 'Magna Charta'. Another torn paper is 'Criminal Prosecution by the Atty General'. A large intact paper is: 'New Law Inquisition Committees Torture Question Thumb Screw Peine forte [et dure]'. On the right is a ruinous ale-house, before the door of which Fox sits astride on a large cask. He holds a big frothing tankard and watches Whitbread with cynical satisfaction. The head of the cask is inscribed 'Old Hollan[ds] For Ullage Cas[k] defict . . . Millions.' (An allusion to his father, Lord Holland, as the 'public defaulter of unaccounted millions', a gibe recurring over a long period, referring to the City Petition of 1769, cf. British Museum Satires No. 9739, &c.) Beside him a man in Highland dress, resembling Lauderdale, leans against the building, watching the outrage with frank pleasure. From a broken first-floor window leans Wilberforce, a sour sectary in a steeple-crowned hat inscribed 'Puritanism'. His hands are clasped; he says: "I say. Amen to all Cantwell." Above his head is a placard: 'Hymns & Spiritual Songs on the Slave Trade by St Wilber.' From his window projects a sign-board with a bust profile portrait of St. Vincent, hunch-backed and wearing a ribbon, inscribed 'System of Terror' and 'Hoc Signo non Vincent.' [Parodying the often-quoted in 'hoc signo vinces', the inscription on a vision of a fiery cross, to which legend attributed the conversion of Constantine. The 'non' is added inconspicuously with a caret.] On the building is a torn placard: 'performed The Tragedy Timon of [Athens] Lord Timon Mr Melville Lucullus a false friend & Kinsman Mr Kinhard [Kinnaird] little more than Kin and less than kind Scotch Reel &c.' Facing the ale-house, and on the extreme left, is the corner of the poop of a ship, the Romney. From this projects a hand aiming a blunderbuss inscribed 'Pophams Defence' at the sign-board; a blast of flame and smoke issues from it. On the ship is a board inscribed 'Wanted Supply of naval Stores Inquire within'. Below her is a faint wraith-like ship, 'Melville Castle', whose poop and (unrigged) masts are behind the drooping thistle."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Six line of verse below title: Sansterre [sic] forsook his malt and grains, to mash and batter nobles brains, by lev'lling rancour led; Our brewer quits brown stout and washey, his malt his mash tub and his quashee, to mash a thistle's head., and Mounted to 48 x 34 cm.
Publisher:
Published by H. Humphrey, St. James's St.
Subject (Name):
Fox, Charles James, 1749-1806, Whitbread, Samuel, 1764-1815, Melville, Henry Dundas, Viscount, 1742-1811, Wilberforce, William, 1759-1833, and Popham, Home Riggs, 1762-1820
Subject (Topic):
Barrels, Thistles, Taverns (Inns), Signs (Notices), and Ships
"A close parody of West's picture, 'The Death of Wolfe' (1771). The three officers supporting the mortally wounded Pitt are (left to right) Burke, Pepper Arden (Master of the Rolls), and Dundas. From Burke's pocket projects a paper 'Reflections upon £3700 Pr Ann.' (The policy indicated by his famous book, see BMSat 7675, &c, had been rewarded by two pensions, see BMSat 8654.) Dundas, wearing a kilt, offers Pitt a glass of wine (in place of stanching his wound); a bottle of 'Port' projects from his coat-pocket. The officer behind holding the British flag is identified by Lord Holland as Chatham and the man who supports him as Powys, noted for his propensity to tears (see BMSat 6642). The White Horse of Hanover (cf. BMSat 8691, &c.) on the flag is more conspicuous than in West's picture, and a scroll inscribed 'Magna Chart[a]' has been added. In the group facing Pitt the place of the Mohawk Indian seated on the ground is taken by Loughborough, half-naked, the purse of the Great Seal replacing the Indian's beaded bag, the mace that of his musket, a bloodstained headsman's axe that of his tomahawk. In place of the beaded headdress is the Chancellor's wig surmounted by a monster with the head of a cock, whose limbs are snakes. The two men who lean forward to Wolfe, pointing back to the messenger with the news of victory, are dressed as running-footmen in livery and hold the long sticks with the head enclosing an egg carried by these men. Ink-pots are slung across their shoulders by bands inscribed 'Ist Treasury Runner' and '2d Tre . . .', showing that they are the two Secretaries to the Treasury, George Rose and Charles Long. Grenville, in peer's robes, stands between Lord Mansfield and Windham, who supports him. In place of West's handsome young officer who runs up with the French flag is a man with the face of a demon holding a tattered tricolour flag inscribed 'Libertas', its shaft broken. A large bonnet-rouge lies on the ground. The couple who stand on the extreme right watching Pitt with clasped hands are Richmond and a man with a wooden leg. Richmond, in general's uniform, his bald head contrasting with the luxuriant hair of West's corresponding figure, has a cannon slung to his back to indicate his Mastership of the Ordnance (cf. BMSat 6921, &c.) in which, however, he had been succeeded by Cornwallis (Feb. 1795), see BMSat 8341. His weeping companion has been identified as Wilberforce, though his wooden leg might indicate Brook Watson, Commissary-General (see vol. vi). The background differs from West's picture. In place of the confused fighting and the smoke which surrounds the Heights of Abraham, the Ministerial cavalry advance in even line, rank upon rank, and put to flight a small body of sansculottes with bonnets-rouges (left). They have a standard on which is a crown. ..."--British Museum online catalogue
Description:
Title etched below image., Text below title: "We have overcome all opposition!, exclaimed the messengers. "I'm satisfied," said the dying hero, & expired in the moment of victory., Text at botton of plate: To Benjn. West Esqr., President of the Royal Academy, this attempt to emulate the beauties of his unequal'd picture ..., Sheet trimmed within plate mark on upper and lower edges., and Temporary local subject terms: Emblems: White Horse of Hanover -- Purse of the Seal -- Allusion to French Revolution -- Treasury -- Bills: Sedition Bill.
Publisher:
Pubd. Decr. 17th, 1795, by H. Humphrey, 37 New Bond Street
Subject (Name):
Grenville, William Wyndham Grenville, Baron, 1759-1834, Dundas, Henry, 1742-1811, Mansfield, David Murray, Earl of, 1727-1796, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Pitt, William, 1759-1806, Burke, Edmund, 1729-1797, Windham, William, 1750-1810, Rose, George, 1744-1818, Wilberforce, William, 1759-1833, Long, Charles, 1760-1838, Lilford, Thomas Powys, Baron, 1743-1800, Richmond, Charles Lennox, 3d Duke of, 1735-1806, Chatham, John Pitt, Earl of, 1756-1835, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Watson, Brook, 1735-1807, Wolfe, James, 1727-1759., and West, Benjamin, 1738-1820.
"Caricature broadside with a satire of two men bowing to present a petition to Queen Caroline above three columns of letterpress."--British Museum online catalog
Description:
Title from letterpress text below image., Date of publication from the British Museum online catalogue, registration no.: 1975,0118.29., Sheet trimmed within plate mark on top edge., "Price one shilling"--Following imprint statement., Not in the Catalogue of prints and drawings in the British Museum., 1 print : etching ; sheet 40.7 x 26 cm., Printed on wove paper; hand-colored., Imperfect; sheet trimmed with loss of imprint statement and price from bottom edge., and Mounted on page 42 of: George Humphrey shop album.
Publisher:
Printed and published by S.W. Fores, 41, Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830., and Wilberforce, William, 1759-1833
"Pitt arrogantly bestrides the Speaker's chair, towering high above the galleries of the House. He plays cup (or rather spike) and ball with the globe, on which 'France' is disproportionately large, the British Isles small and obscure. His head is turned to the left towards his own followers, who crowd obsequiously towards his huge right foot which rests on the head of Wilberforce (papers inscribed 'Slave Trade' issuing from his pocket) and on the shoulder of the bulky and truculent Dundas, who wears Highland dress. Canning (the 'Trial of Betty Canning' projecting from his pocket) kneels to kiss the toe of his shoe. His left foot crushes the leaders of the Opposition: Erskine, Sheridan, Fox (all prostrate), and a fourth (? Grey) with upstretched arms. M. A. Taylor, a tiny figure, with the legs of a chicken (see BMSat 6777) and wearing a bonnet-rouge, sprawls on the floor near Fox. The rest of the party raise their arms in dismay. The Speaker (Addington) looks up (raising his hat), as do the Clerks. Pitt's coat-pockets bulge like sacks; in one (left) are papers: 'Volunteers, 200000 Seamen, 150000 Regulars, Militia'; the other is stuffed with guineas, on this his left hand rests, holding a paper 'Resources for supporting the War'."--British Museum online catalogue
Description:
Title etched below image., Temporary local subject terms: Parliamentary debates: House of Commons, 30 Dec. 1796 -- Reference to war with France -- Globes -- Games: cup and ball -- Reference to slave trade., and Mounted to 43 x 31 cm.
Publisher:
Pubd. Jan. 21st, 1797, by H. Humphrey, New Bond Street
Subject (Name):
Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, Sheridan, Richard Brinsley, 1751-1816, Erskine, Thomas Erskine, Baron, 1750-1823, and Wilberforce, William, 1759-1833
A racist and complex print purports to show a dinner held at the African Institution, becoming increasingly drunken and debauched as the evening progresses. Cruikshank employs many common 19th-century racist stereotypes of black people - drunkenness, aggressiveness, and sexual promiscuity - and lampoons the idea that black people could aspire to behave like white people. In the print, the white abolitionists are portrayed as unsuspecting and bewildered innocents who find themselves entirely out of their depth. Cruikshank seems to suggest that their association with black people has corrupted them - that they are being 'uncivilised' rather than black people becoming 'civilised'. Meanwhile, the idea of relationships between races is ridiculed. Many familiar and important figures are represented. Abolitionists like Wilberforce, Stephen and Macaulay appear next to the street entertainer Billy Waters and the radical Robert Wedderburn ... See a full description at Royal Museums Greenwich online catalogue and A design based on Gillray's 'The Union Club' with the roistering fraternizers being English and negroes, in place of English and Irish. The chairman's raised throne with its canopy is on the extreme left, at the head of the table which extends to the right across the design. The throne is an infant's chair, or commode, supported on a round tray based on two casks, one above the other. Wilberforce has risen from the chair, so far as the front bar will permit, his chairman's hammer held between flexed knees ..."--British Museum online catalogue
Description:
Title etched below image. and Place of publication transposed from end of publisher's statement.
Publisher:
Pud. July 19th 1819 by G. Humphrey, 27 St. James's Street
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Baartman, Sarah., Henri Christophe, King of Haiti, 1767-1820, Lyon, G. F. 1795-1832. (George Francis),, Macaulay, Zachary, 1768-1838, Marryat, Joseph, 1757-1824., Smith, William, 1756-1835., Stoddart, John, 1773-1856., Stephen, James, 1758-1832., Parr, Samuel, 1747-1825., Wedderburn, R. (Robert), Wilberforce, William, 1759-1833, and Anti-slavery Society (Great Britain)
Subject (Topic):
Antislavery movements, Political satire, English, Politics and government, Caricature, Clubs, Ethnic stereotypes, Intoxication, and Racism
"A lumbering wagon drawn (l. to r.) by eight asses is stuck fast, up to the axles in water; the asses strain hard to drag it up a steep slope to dry land. Its dilapidated tilt is much patched and is labelled 'British State Waggon 1804'. The wagoner, Addington (r.), kneels on an adjacent bank, and shouts to a fat and jovial John Bull, dressed as a volunteer, who stands on the opposite bank of the deeply sunken lane, his bulldog beside him. Addington wears a smock, but his powdered hair is in a black bag. He holds his long whip and his hat in his right. hand, and extends his left. arm, shouting, " - help, Johnny Bull! - help! - my Waggon's stuck fast in the Slough! - help! help." John, who holds his bayoneted musket, looks down at Addington, pointing behind him with outflung r. arm at thirteen horses with human heads above and behind him on rising ground. He answers: " - stuck fast in the Slough! - ay to be sure! - why dost'nt put better Cattle to thy Wain? - look at them there Horses doing o' nothing at all! - what ether they matches in Colour, if they do but drag the Waggon out o' the Mud! - don't ye see how the very thoughts o' being put into Harness makes 'em all love and nubble one another?" The horses, [The identifications (most being self-evident) are those of Miss Banks, the alternatives in brackets being those of E. Hawkins. Wright and Evans arrange them differently and omit Spencer and Lansdowne.] though close together, are in groups. On the extreme left., and rather behind the others, Lord Spencer (or Carlisle) rubs noses with Carlisle (or Lauderdale), Erskine (in wig and bands) with Wilberforce. In front of this group the bulky Lansdowne (or Norfolk) lies on the ground, asleep, his back to the others. Next, Grey turns his head towards the haughty Buckingham, who wears spectacles and a Garter ribbon. Their backs are turned to the main group of four: Fox, with a foreleg placed on Grenville's shoulder looks up affectionately at the latter, who responds with a complacent smile. Pitt watches the pair with haughty benignity; Canning, behind, watches them intently. On the extreme right. Sheridan (a plump piebald), scowling fiercely, kicks up his heels at Windham, who retorts with a blast of excrement, his head turned towards Fox and Grenville. In the foreground (l.) is the stage-wagon (the slowest form of transit), drawn by its eight undifferentiated asses. The tilt is open at the back, showing it crammed with bundles, &c. The centre-piece is a bulging sack: 'Budget for 1804', from which project papers inscribed 'Taxes'. A treasure-chest is inscribed 'Treasury'; coins pour from a hole in its side. It is flanked by two bundles: 'Secret Service Money' and 'Family Pickings'. A bundle of 'Pensions' consists of bulky papers inscribed 'Sinecure'. Large volumes tied together are 'New Acts of Parliament'. Other papers are 'Defence against Invasion'; 'State of Ireland'; 'East Indies'. A bundle of 'Loans for / 84' [sic] contains 'Navy Bills' and 'Exchequer Bills'. There are also three tiny barrels of 'Gun Powder' and a bundle of muskets inscribed 'Volunteers'. From the side of the wagon hangs a basket of 'Family Medicine' containing two bottles labelled 'Broth[er] Bra[gge]' and 'Brother Hiley'."--British Museum online catalogue
Alternative Title:
State wagoner and John Bull, Waggon too much for the donkeys!, and Wagon too much for the donkeys!
Description:
Title etched in upper left corner of image., Sheet trimmed within plate mark with loss of imprint. Imprint from British Museum catalogue., Mounted to 37 x 56 cm., and Collector's annotations on mount.
Publisher:
Publish'd March 14th, 1804, by H. Humphrey, 27 St. James's Street, London
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Carlisle, Frederick Howard, Earl of, 1748-1825, Spencer, George John Spencer, Earl, 1758-1834, Erskine, Thomas Erskine, Baron, 1750-1823, Wilberforce, William, 1759-1833, Lansdowne, William Petty, Marquis of, 1737-1805, Grey, Charles Grey, Earl, 1764-1845, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Grenville, William Wyndham Grenville, Baron, 1759-1834, Sheridan, Richard Brinsley, 1751-1816, Windham, William, 1750-1810, and Canning, George, 1770-1827
A satirical representation of a procession to St. Paul's for the national thanksgiving for the naval victories. Lord Hawkesbury, Duke of Richmond, Loughborough, Wilberforce, George Rose, Horsely, Bishop of Rochester, John Bull, Pitt, Windham and Dundas (with two companions in traditional Scottish dress) are all recognizable carrying objects that suggest their role in the government policy which led to the tripling of the assessed taxes and the burden of taxation in general
Description:
Title etched below image., Printseller's statement following the imprint: Folios of caricatures lent., "A prelude" has been burnished from plate and etched in again further to the right, leaving a gap at the end of the first part of the title., and For further information consult library staff.
Publisher:
Pub. Decr. 11, 1797 by S.W. Fores, 50 Piccadilly
Subject (Geographic):
Great Britain
Subject (Name):
Horsley, Samuel, 1733-1806, Jenkinson, Charles, 1727-1808, Melville, Henry Dundas, Viscount, 1742-1811, Pitt, William, 1759-1806, Richmond and Lennox, Charles Lennox, Duke of, 1735-1806, Rose, George, 1744-1818, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Wilberforce, William, 1759-1833, and Windham, William, 1750-1810
Subject (Topic):
John Bull (Symbolic character), Taxation, History, Parades & processions, and Taxes
