On recto an elevation drawing in gray and brown wash. On verso, preliminary pencil studies for the windows
Description:
Title from Horace Walpole's ms. note in ink on mount below drawing., Watermark (partial) lower left edge., Date from J. Harris., and Formerly mounted on leaf 51 in an album assembled by Horace Walpole: Drawings and designs by Richd. Bentley ... [Strawberry Hill], [circa 1760].
Subject (Name):
Walpole, Horace 1717-1797 and Strawberry Hill (Twickenham, London, England)
On recto an elevation drawing in gray and brown wash. On verso, preliminary pencil studies for the windows
Description:
Title from Horace Walpole's ms. note in ink on mount below drawing., Watermark (partial) lower left edge., Date from J. Harris., and Formerly mounted on leaf 51 in an album assembled by Horace Walpole: Drawings and designs by Richd. Bentley ... [Strawberry Hill], [circa 1760].
Subject (Name):
Walpole, Horace 1717-1797 and Strawberry Hill (Twickenham, London, England)
"Castlereagh, wearing the caped coat (blue with red facings, for the Windsor uniform) of a bell-man over his own fashionable trousers, &c., stands in a London street in profile to the left, ringing his bell and shouting with his hand cupped to his mouth. The Queen looks from a first-floor window (in Wood's house in South Audley Street, see British Museum Satires No. 13734), holding a disk inscribed '2/6'. Castlereagh: "Stolen or Strayed, Lost or Miss led, a fine Old Buck of the Hanoverian Breed the Prime of the Herd in good condition, rather thick about the Ancle's, most graceful in his action, full about the Neck & Chops, his Rump erect, Haunches square, quick in his paces when persueing or persued, is extremely fond of his Antlers or Horns; which he seems particularly desirous of showing, was last seen in the Neighbourhood of Virginia Water, which it is supposed he mistook for the Lake of Como, being then seen toying with a remarkable fine Doe & her full grown Kid, having left his former Doe, who has been ever since worried by a set of Mongrel Animals, who ever will give information of his retreat or if any accident has befallen him, or if straying with any of the wild does of that neighbourhood [a phrase in brackets erased] so that he may be restored to the Herd a Crown will be the Reward!!" The Queen says: "aye Master Bell Man if you can but restore him it will be worth Half a Crown to me.""--British Museum online catalogue
Alternative Title:
Saint Stephens bell man
Description:
Title etched below image., Tentatively attributed to William Heath in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 27 of: George Humphrey shop album.
Publisher:
Pub. Aug. 25, 1820, by S.W. Fores, 41 Picadilli [sic]
Subject (Name):
Castlereagh, Robert Stewart, Viscount, 1769-1822, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830., Bergami, Bartolomeo Bergami, Baron., and Conyngham, Elizabeth Conyngham, Marchioness, -1861.
"Castlereagh, wearing the caped coat (blue with red facings, for the Windsor uniform) of a bell-man over his own fashionable trousers, &c., stands in a London street in profile to the left, ringing his bell and shouting with his hand cupped to his mouth. The Queen looks from a first-floor window (in Wood's house in South Audley Street, see British Museum Satires No. 13734), holding a disk inscribed '2/6'. Castlereagh: "Stolen or Strayed, Lost or Miss led, a fine Old Buck of the Hanoverian Breed the Prime of the Herd in good condition, rather thick about the Ancle's, most graceful in his action, full about the Neck & Chops, his Rump erect, Haunches square, quick in his paces when persueing or persued, is extremely fond of his Antlers or Horns; which he seems particularly desirous of showing, was last seen in the Neighbourhood of Virginia Water, which it is supposed he mistook for the Lake of Como, being then seen toying with a remarkable fine Doe & her full grown Kid, having left his former Doe, who has been ever since worried by a set of Mongrel Animals, who ever will give information of his retreat or if any accident has befallen him, or if straying with any of the wild does of that neighbourhood [a phrase in brackets erased] so that he may be restored to the Herd a Crown will be the Reward!!" The Queen says: "aye Master Bell Man if you can but restore him it will be worth Half a Crown to me.""--British Museum online catalogue
Alternative Title:
Saint Stephens bell man
Description:
Title etched below image., Tentatively attributed to William Heath in the British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching ; sheet 33.7 x 24.6 cm., Printed on laid paper with watermark; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 73 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Caroline" and "Londondery [sic]" identified in ink below image; date "25 Aug. 1820" written in lower right corner. Typed extract of nine lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pub. Aug. 25, 1820, by S.W. Fores, 41 Picadilli [sic]
Subject (Name):
Castlereagh, Robert Stewart, Viscount, 1769-1822, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830., Bergami, Bartolomeo Bergami, Baron., and Conyngham, Elizabeth Conyngham, Marchioness, -1861.
"On the floor of a room are six pieces of blue Delft china in the shape of men and women. Descriptions are etched beneath the design, headed "Scene Delft. Dramatis Personae", the first (left) being, "Mynheer Van Vase of an Ancient Etruscan Family long since broken to pieces by ye vile Visigoths in deep love with Miss Cruet but discarded by her". On the walls are pictures in the Dutch manner, two portraits, a still life and a landscape, and in the back wall is a casement window. Across the ceiling is etched, "Collateral branch of the Heidelbergh Family"."--British Museum online catalogue
Description:
Title from text within image., Sheet trimmed to plate mark on bottom edge leaving thread margin., Mounted on page 77 of: Bunbury album., 1 print : etching on laid paper ; sheet 27.6 x 37.7 cm., and Sheet trimmed to plate mark.
"On the floor of a room are six pieces of blue Delft china in the shape of men and women. Descriptions are etched beneath the design, headed "Scene Delft. Dramatis Personae", the first (left) being, "Mynheer Van Vase of an Ancient Etruscan Family long since broken to pieces by ye vile Visigoths in deep love with Miss Cruet but discarded by her". On the walls are pictures in the Dutch manner, two portraits, a still life and a landscape, and in the back wall is a casement window. Across the ceiling is etched, "Collateral branch of the Heidelbergh Family"."--British Museum online catalogue
Description:
Title from text within image. and Sheet trimmed to plate mark on bottom edge leaving thread margin.
"George IV (right) offers a purse to a pretty young woman in evening dress of theatrical type (right). Through a window (or in a picture) is seen a large signpost, pointing (left) to 'Chester' and (right) to 'Virginia Water' (the Cottage); behind is a race, two jockeys nearing the winning post (right). A large Chinese jar stands on the floor filled with flowers."--British Museum online catalogue and "An early allusion to Eliza Chester, b. 1799, a pretty actress who fascinated the King and according to Huish was appointed Reader to him at £600 p.a."--Curator's comments, British Museum online catalogue
Alternative Title:
R- method of colt-breaking, Royal method of colt-breaking, and A la Chester-field
Description:
Title etched below image., Text above image: A la Chester-field., Tentative attribution to William Heath from the British Museum catalogue., Sheet trimmed within plate mark., Five lines of dialogue etched below title: Man, Delightfull [sic] task to rear the tender thought to teach the young idea how to shoot, to pour the fresh Instruction on the mind, to breath [sic] the enlivening spirit, & thus to aid the generous purpose in the glowing breast. Woman, Indeed, indeed, the temptation is so great, the prospect so flattering tis my ambition, not my will consents., Text at bottom of plate: Plate 1st a series of these subjects will be continued to exhibit the force of example above precept, & to shew the principles of morality emonates [sic] from Great Qui Capet Ille habet., Watermark: G. Pike 1820., Window mounted to 34.3 x 23.9 cm, the whole then mounted to 58 x 39 cm., Mounted on leaf 66 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Miss Chester" and "Geo. IV" identified in ink below image; date "22 Ap. 1821" written in lower right corner. Typed extract of two lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pub. Apl. 22, 1821, by S.W. Fores, 41 Picadilly [sic]
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Chester, Eliza, 1799-
"George IV, in déshabillé, stands at a bedroom window, with flexed knees, peering through a telescope at a semaphore (cf. British Museum Satires No. 8612) on a distant ridge. P. 20: T, for the Telegraph giving the state, Of Giffo's and Coppo's contention with fate-- ..."--British Museum online catalogue
Alternative Title:
T, for the telegraph giving the state of Giffo's and Coppo's contention with fate ...
Description:
Title etched below image., Alternative title from letterpress text on facing page of the bound work., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., Plate from: Rosco. Horrida bella. London : G. Humphrey, 1820., Mounted on page 13 of: George Humphrey shop album., and Mounted opposite the sheet of corresponding letterpress text that would have faced the plate in the bound work.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Lyndhurst, John Singleton Copley, Baron, 1772-1863., Gifford, Robert Gifford, Baron, 1779-1826., and Rosco.
"Interior of a board room in the Royal College of Physicians, on Warwick Lane, in London; physicians seated around long central table, three men stand in a separate group to the right next to three busts on the wall; an old man peers at a piece of paper by the light of one of the long tall arched windows on the left."--British Museum online catalogue
Description:
Title etched below image., Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 1, opposite page 134., Plate numbered in upper right, above image: Plate 20., Temporary local Medical Library subject terms: Examination for license -- Medical students., and 1 print : aquatint and etching, hand-colored ; plate mark 23.6 x 28.5 cm.
Publisher:
Pub. 1 May 1808 at R. Ackermann's Repository of Arts, 101 Strand
Subject (Geographic):
London (England)
Subject (Name):
Royal College of Physicians of London,
Subject (Topic):
Interiors, Conference rooms, Windows, Chandeliers, and Physicians
"Interior of a board room in the Royal College of Physicians, on Warwick Lane, in London; physicians seated around long central table, three men stand in a separate group to the right next to three busts on the wall; an old man peers at a piece of paper by the light of one of the long tall arched windows on the left."--British Museum online catalogue
Description:
Title etched below image., Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 1, opposite page 134., Plate numbered in upper right, above image: Plate 20., Temporary local Medical Library subject terms: Examination for license -- Medical students., and 1 print : aquatint and etching, hand-colored ; plate mark 23.6 x 28.5 cm.
Publisher:
Pub. 1 May 1808 at R. Ackermann's Repository of Arts, 101 Strand
Subject (Geographic):
London (England)
Subject (Name):
Royal College of Physicians of London,
Subject (Topic):
Interiors, Conference rooms, Windows, Chandeliers, and Physicians