Verse begins: "My friend I would have you take my advice,"., In three columns with the title and two woodcuts above the first two; the columns are separated by lines of ornamental type. Toward the foot of column two begins "The maiden's answer."., Date conjectured by cataloguer based on other editions of this work., Imprint below last column, separate by a single rule., In this edition, the illustration above the second column is of a man and a woman seated, bodies touching, with no tree. In another edition with an almost identical imprint (ESTC N70831), the illustration depicts a man and a woman standing, slightly apart, with a tree next to the man., Mounted on leaf 62. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 1.
Publisher:
Sold at Sympson's printing-office, in Stonecutter-Street, Fleet-Market
Subject (Geographic):
England
Subject (Topic):
Man-woman relationships, Marriage, Bachelors, Single women, Men, Social life and customs, Eating & drinking, Driniking vessels, Tobacco pipes, and Women
"Two pretty women run towards each other on velocipedes, see No. 13399. Their short full skirts do not impede their action, and they wear long frilled drawers above neat ankle-boots. Both are very décolletée, one wears a round cap with feathers and tassels, the other an enormous feathered bonnet, with flowers under the scoop. Behind (left) is a country house, a sign-post (right) points towards it: 'To Lark Hall'. The more voluptuous lady (right) says: "I do not see why Ladies should not have a Lark as well as the Gentlemen.""--British Museum online catalogue
Description:
Title from caption below image., Sheet trimmed leaving thread margins on two sides., and "Price 1s."
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
A fashionably dressed young lady rides her velocipedes, along with many others as seen in the distance
Description:
Title etched below image., Plate numbered "351" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately., Sheet trimmed within plate mark on top and bottom edges., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: G & R. T.
Publisher:
Pub. May 22th [sic], 1819, by T. Tegg, 111 Cheapside
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
A fashionably dressed young lady rides her velocipedes, along with many others as seen in the distance
Description:
Title etched below image., Plate numbered "351" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately., Sheet trimmed within plate mark on top and bottom edges., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching on wove paper, hand-colored ; plate mark 24.8 x 35.2 cm, on sheet 25.6 x 41.8 cm., and Leaf 63 in volume 5.
Publisher:
Pub. May 22th [sic], 1819, by T. Tegg, 111 Cheapside
Leaf 69. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"A close up view of the lower part of the Achilles, exaggerated to a colossal size ... Women stand below holding garments with which they purpose to drape the statue. One holds a large print of the Achilles at which she stares ecstatically. One lady, wearing a cap in the form of a baron's coronet, has climbed on to the plinth; she addresses the women below, holding out a large chemise and pointing up at the colossal legs behind her."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Signed by the printmaker in lower right corner of image., Restrike, with altered title and with top portion of design burnished from plate. For an earlier state bearing the title "Ladies buy your leaf!!" and with the design intact, see no. 14380 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Plate originally published ca. July 1822; see British Museum catalogue., "Irish Chairman"--Below title, in lower right., Cf. Cohn, A.M. George Cruikshank: a catalogue raisonné, 1097., Cf. Reid, G.W. A descriptive catalogue of the works of George Cruikshank, 1086., Temporary local subject terms: Prudery., and On leaf 69 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Title printed within image., Date and place of publication from item., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Published by Currier & Ives; 152 Nassau St. New York and Entered according to act of Congress in the year 1850, by N. Currier, in the Clerk's Office of the District Court of the United States, for the Southern District of New York
"Seurat, see British Museum Satires No. 14882, &c, stands full-face before a curtained archway, displaying himself to ladies (left and right) who crowd to see him. Both arms are raised from the extended elbows, and in his left hand is a wig of short hair that he has just taken off. He says: I am de Anatomie Vivante dat is come to Londres to please all de pretty Lady, and give dem all de much satisfaction. The notorieties are on the left, Mrs. Coutts, the only seated visitor, is the most prominent; she stares up at him through an opera-glass: Poor creature, he seems very little calculated in my opinion to please the ladies, tho' really he is as stout as the Old Banker was. She holds a pamphlet: Claude Seurat or The Living Skeleton. From her arm hangs a reticule ornamented with a flaming heart. Behind her chair (left) is Maria Foote, her arm round Mercandotti's waist. She says: What a very extraordinary Foot; the other answers: And a head as round as a Ball [see British Museum Satires No. 14549]. There are two others (? actresses) on this side. One stoops to finger Seurat's little petticoat, saying, I wonder what this is a yard? The other: I wonder how long he can stand in that position. On the other side, the two most prominent visitors wear wide-brimmed straw hats (cf. British Museum Satires No. 15183); with them is a little girl who wears drawers to the ankle. A hideous woman exclaims What a fright. Another says: I declare he is a greater curiosity than Senior Velluti; a third: My goodness Death upon wires. There are other comments."--British Museum online catalogue
Description:
Title etched above image., Printmaker Robert Cruikshank's "R.C." initials are etched on the dog's collar in image., Text below image: A number of ladies have gone daily to view the French Living Skeleton in Pall-Mall since the commencement of the exhibition of this extraordinary being. Morning Chronicle, Augt. 13th., and Temporary local Medical Library subject terms: Anomalies -- Thinness.
Publisher:
Pubd. Septr. 1825 by J. Fairburn, Broadway, Ludgate Hill
Subject (Name):
Seurat, Claude-Ambroise, 1798-1841,
Subject (Topic):
Freak Show, Thin people, Leanness, Human curiosities, Physical conditions, Spectators, Women, and Dogs
One of two young women walking in the park holds a letter in her right hand, her left hand on her check. The other woman looks at her with a sympathetic gaze. In the background on the left is a house, on the right a bench
Description:
Title engraved below image. and Number '186' lower left corner of plate.
Publisher:
Publish'd as the act directs Feby. 10, 1787 by R. Sayer, Printseller, No. 53 Fleet Street
Subject (Geographic):
England
Subject (Topic):
Courtship, Parks, Benches, Women, and Young adults
"A stout, ugly, and elderly woman holds in her left hand a barber's block, with a carved head in profile, on which is an elaborate pyramidal wig with ringlets. This she is covering with powder or flour from a dredger. Her hair is short and scanty; on her head is a very large black patch, two smaller ones are on her temple. She is dressed in undergarments, showing stays, and frilled petticoat over which is worn a pocket. Her dress, the bodice of which is almost cylindrical from its stiffening whalebone, is on a stool behind her. Her back is turned to the casement window (right) through which look two grinning old women, wearing frilled muslin caps. Over the window, and over the wall on its left, is a heavily festooned curtain. Sacarissa stands facing a low rectangular table (left), on which are a bottle and wine-glass, a candle (?) in a triangular shade, which is falling over, having apparently been knocked by the wig, patches, a comb, a paper, &c. Behind on the wall, in deep shadow, is a picture of a dome inscribed "The Pantheon"."--British Museum online catalogue
Description:
Title engraved below image., Attributed to Philip Dawe in the British Museum catalogue., Sheet trimmed within plate mark., and One line of quoted text beneath title: "She blooms in the winter of her days, like the Glastonbury thorn".
