A portrait in three quarter view with subject seated at an ornate table with marble top partially covered with a fringed cloth supported by a gilt classicizing child at the corner. The setting includes a heavy drapery on the left and a colonnade on the right through which a distance landscape is visible. She wears a lace cap with a pink ribbon and a blue waist jacket over a white chemise. She holds a small bouquet of flowers on her lap
Description:
Dorothy Clement was born in County Durham in 1715, the daughter of Hammond Clement (1692-1733) and Priscilla Clement (-1739); when she arrived in London she became a milliner’s assistant. Due to her status, she was never able to marry Sir Edward Walpole (1706-1784) but with him had a son, Edward Jr. (1737-1771), and three daughters: Laura (1734-1813), who became the wife of Frederick Keppel, Bishop of Exeter; Maria (1736-1807) who married first James Waldegrave, Earl Waldegrave, and after his death, William Hanover, Duke of Gloucester; and Charlotte (1738-1789) who wed Lionel Tollemache, Earl of Dysart. Dorothy Clement died on January 17, 1739, and was buried at St James Garlickhythe Church graveyard in the City of London., Title from 2005 Christie's appraisal., Identifying inscription and dated 1726 on the reverse., and From Christie's 2002 appraisal: English School, 18th century.
Drawings Un58 no. 83 Framed, shelved in Object Room Bin 6
Image Count:
1
Abstract:
Portrait of Kitty Clive
Alternative Title:
Catherine Raftor Clive and Mrs. Clive
Description:
Title devised by curator., Artist unidentified., Engraved British portraits refers to the engraving of this image by C. Mosley., and No. 33 in the Catalogue of Framed Pictures in the Lewis Walpole Library. For further information, consult library staff.
One of a number of related versions of this portrait in the style of Liotard. The sitter, identified as Maria Gunning, was a notable beauty of her time. She wears Turkish dress, a pearl choker necklace and large pearl earrings. Her pale complexion is achieved by lead white make-up know to be poisonous
Description:
Title from 2005 Christie's appraisal. and Artist thought to be a follower of Jean-Etienne Liotard.
Subject (Name):
Coventry, Maria Gunning Coventry, Countess of, 1733-1760,
LWL Ptg. 152 Framed, shelved in Object Room Rack 2.
Image Count:
1
Description:
Maria Walpole (1725?-1801) illegitimate daugher of Sir Robert Walpole, prime minister and his mistress Maria Skerrett; the daughter later became the wife of Colonel Charles Churchill. She is wearing ermine, an indication of noble status that she did not have until her father obtained for her a patent of precedence as the daughter of an earl in 1742. This portrait may have been made to mark this event., Title, date, and artist assigned by curator., Framed in antique carved wood., Formerly (and purchased as) a portrait of the Duchess of Gloucester, Edward Walpole's daughter Maria (1735-1807), who married the 2nd Earl Waldegrave before marrying the Duke of Gloucester. Mis-identified as such in the print version of Neil Jaffares's Dictionary of Pastellists before 1800. In 2008, re-attributed in the online edition: http://www.pastellists.com/Articles/Hoare.pdf., and For further information, consult library staff.
A double portrait depicting the daughters of John Crewe, Esq., M.P. for Cheshire. The identity of each sitter is uncertain, but it has been suggested that Elizabeth is on the right and Emma is on the left
Description:
Title devised by cataloger., State from British mezzotinto portraits., After Joshua Reynolds's painting, ca. 1766., and Numbered in manuscript upper left: 75. Printed on gilt-edged paper.
Publisher:
Published Septr. 30th, 1782, by John Boydell, engraver in Cheapside
LWL Ptg. 155 Framed, on view in Administration Area
Image Count:
1
Resource Type:
still image
Abstract:
Half-length portrait of Theodosia Burr Alston, depicting a young woman in a white empire dress with lace trim, her hair up in a cap, curls in front. In a 19th century gilt frame with rope twist inner molding, bearing a plaque with artist and subject, verso with a William Macbeth Gallery label, hand written note reads: From Mrs. J.P. Overman, and another label: Yale University Art Gallery, envelope on the back with another William Macbeth label; ss: 17 1/2" h., 14' W., some inpainting where the panel has checked and some crackling, frame reinforced with mahogany. Theodosia, the daughter of Aaron Burr, was married to the Governor of South Carolina Joseph Alston, she died off the coast of Cape Hatteras in January of 1813 having been kidnapped (according to information accompanying the work).
Description:
Title from 2005 Christie's appraisal., Also known as the 'Nags Head Portrait.', and Formerly wrongly attributed to John Vanderlyn.
A portrait of a woman in the rondel frame; in profile, head and shoulders only, looking down and to the right, wearing an extravagant hat; possibly a performer
Description:
Title from dealer's description. and Possibly one of small set of theatrical portraits; for similar prints, see British Museum online catalogue, registration nos.: 2010,7081.2621-2630.
Publisher:
Printed for R. Sayer & J. Bennett, No. 53 Fleet Street
Manuscript, in a multiple hands, of a collection of newspaper articles, prints, drawings, letters, and autobiographical text, primarily relating to Grimstone's published writing. The volume includes "my first prose [which] was the following letter inserted in the Polemical Inquirer. The Editors letter to me is on the oppposite side," numerous pieces of prose and verse which appeared in "The Ladies Monthly Museum" and "The Theatrical Inquisitor," and printed musical scores, of which she notes, "Part of my engagement with the proprietors of the Ladies Monthly museum, was to supply new words to the Irish melodies and other airs," as well as numerous business correspondence with editors and personal letters. The volume is prefaced by an introduction in which Grimstone gives an account of her recent "nervous disorder" during which she destroyed much of her writing. She declares, "My Own Scrap Book in which i mean to be as egotistical as I can and talk of nothing but myself, or what relates to myself. If I live to see the hundred and odd years, I am promised; I & this book shall like to converse together when perhaps few others will care to give me companionship. If I die early, then this book will be still a part of me remaining and speaking to those that loved me."
Description:
In English., Laid in at end: letters and scraps of paper with printed poems., Laid in at beginning: typed list of works attributed to Grimstone in the British Museum Catalogue., and Binding: half calf.
Subject (Geographic):
England and Great Britain
Subject (Name):
Grimstone, Mary Leman (Rede)
Subject (Topic):
English literature, English poetry, Letters, Music, Women authors, Women, Conduct of life, Periodicals, and Social life and customs
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[approximately 1792]
Call Number:
Drawings W87 no. 34 Box D210
Image Count:
1
Resource Type:
still image
Abstract:
Two rows of women quarter-length and in profile, some cradling cats in their arms, with captions inscribed in ink near each figure: This is my Queensbury the finest Tom Cat in England; I'm going to see Arabella's catery she had two charming sitters yesterday morning; God bless me these Irish captains are terrible men; Eighteen delightful little creatures I'm told what a sweet ...
Description:
Title and date supplied by cataloger., Attributed to Woodward., and Sheet possibly trimmed from a larger design for a border.
