Manuscript, in a single hand, of a diary of a journey from Dublin to England and then to Cork, written in a lighthearted and sometimes satirical manner. Traveling with his father, his friend Valerius, and a servant, the Irish author records his impressions in England of churches he visits; where he takes his meals; and the inhabitants he meets. After describing several churches in Liverpool, he writes, "I am broke of in this Part of my Description, as I think by some simpering or laughing; but on Enquiry I am supris'd to find it's some of my Female Acquaintance," which causes him, he writes, to lose the spirit to continue with his description. Elsewhere, he visits silk mills and describes the cost and workings of the machinery. At Nottingham, he notes that "most of the Inhabitants here are Presbyterians and I really believe I was in five different Meetings which I mistook for Churches, and at Length was so much vexed at being so often disappointed that I protested against looking further for one." Throughout, he records numerous encounters with women, including a landlord's daughter with whom he carries on a flirtation. The narrative is prefaced by an introduction addressed to "Madam," in which he speaks disapprovingly of women's coquetry, and mocks "our country-women who have been abroad," who "commonly return Home with Variety of odd Pronunciations, particular Gestures, & new Fashions, perhaps never known in any Part of the World, but the Production of their own fertile Brain."
Description:
Author of the manuscript is an unknown Irishman., In English., Index at end of manuscript., Leather oval bookplate inside front cover: Ex Musaeo Huthii., and Binding: full morocco; gilt decoration. Printed on spine: Narrative of a journey through England. MS. 1752.
Subject (Geographic):
England, Liverpool (England), London (England), and Nottingham (England)
Subject (Topic):
English wit and humor, Travelers' writings, English, Women, Conduct of life, Description and travel, and Buildings, structures, etc
Manuscript, in a single hand, of a collection of about 390 entries in verse and prose, which present satirical as well as sentimental and elegiac perspectives on the subjects of love, women, religion, and death. Titles include A reflection on death; On the death of a mother; Written in consequence of the execution of a young man for forgery, by Mrs. Taylor; Hymn by Miss Scott; To a lady who sung in too low a voice; On kissing; On female neatness after marriage; Advice to a young lady lately married; Unbeliever's creed; Sir Isaac Newton's creed; and numerous humorous epigrams and epitaphs. Several anonymous poems are labeled "Forton Prison" and dated 1795; the collection also includes poems by Tobias Smollett, Samuel Bishop, Samuel Rogers, Samuel Butler, and William Cowper
Description:
In English., 16-page index at beginning of manuscript., Title from title page. Also on title page: Vol 1., Laid in: newspaper clipping from the Daily Telegraph dated April 16, 1974., and Binding: half calf over paper-covered board; back cover missing. In gilt on spine: Gleanings.
Elegiac poetry, English, English wit and humor, Epigrams, Epitaphs, Occasional verse, English, Sentimentalism in literature, Verse satire, English, Women authors, Women, Conduct of life, and Religious life and customs
Manuscript, in a single hand, of a book of instruction for the author's daughter. Although the volume contains information on parts of speech, explanations of the meanings of words in the English language, basic mathematics such as addition, subtraction, multiplication, and division, systems of government, and numerous prayers and meditations, the bulk of the volume is given to instruction on letter-writing and astronomy. The manuscript contains guidelines for how to address a queen, a duchess, or someone of one's own station; how to end letters; and how to write a "billet"; as well as form letters of thanks, consolation, recommendation, "congratulation for the recovery of health," and "to a lady newly come to London." The section on astronomy includes 7 diagrams and includes information on the positions of the planets, the phases of the moon, and eclipses
Description:
Stanhope, Philip, second earl of Chesterfield (1633-1714), courtier and politician, was the eldest son of Henry Stanhope (d. 1634), and his wife Katherine (bap. 1609, d. 1667). He was involved in numerous duels, fleeing the country after having killed Francis Wolley, the son of a Hammersmith doctor, in a duel on 17 January 1660. Chesterfield was appointed on 24 February 1662 as lord chamberlain to Queen Catherine of Braganza, and on 13 June 1667 was made the colonel of a foot regiment, but it was disbanded following the treaty of Breda. That year he married his third wife, Lady Elizabeth Dormer (1653-1677). They had two sons and two daughters, one of whom was Lady Mary Stanhope, for whom the manuscript was written. He continued to be active in politics, supporting his tory son-in-law Thomas Coke in Derbyshire elections in 1701-2., Lady Mary (Stanhope) Coke, eldest daughter of Philip Stanhope, 2nd Earl of Chesterfield, married Thomas Coke of Melbourne, Derbyshire., In English., Note on verso of front endpaper: See 'a Prayer after the confession of sins.' and 'a Prayer for the Dead." both at the end of this M.S. 1814., Inscription on verso of front endpaper: Cecil Henry Southwell the gift of his dear Papa., Written on flyleaf: notes written by Thomas, 3rd Baron Southwell concerning the genealogy of the Stanhope family, including a biography of Lady Mary (Stanhope) Coke and her daughter, Mary Baroness Southwell. He mentions that Lady Mary (Stanhope) Coke was his great-grandmother., Written on verso of flyleaf: note by Mary Southwell dated 1756 explaining the manuscript was used to instruct her mother in "what was proper for a young Lady to know," and bequeathing the volume to her granddaughter Frances upon her death., Bookplate of Viscount Thomas Southwell, 3rd Baron Southwell., Marbled endpapers., and Binding: full calf; gilt decoration. Printed on spine: 1st Earl of Chesterfield to his D. L. M. Coke.
Subject (Geographic):
Great Britain
Subject (Name):
Aristotle., Chesterfield, Philip Stanhope, Earl of, 1633-1713., Cicero, Marcus Tullius., Coke, Mary Stanhope, Lady, 1664-1703., Homer., Southwell family., and Southwell, Thomas Southwell, Baron, 1721-1780.
Subject (Topic):
Astronomy, Letter writing, Nobility, Social life and customs, Women, Conduct of life, and Education
Du Deffand, Marie de Vichy Chamrond, marquise, 1697-1780
Call Number:
LWL MSS 11 Box 8
Image Count:
43
Resource Type:
unspecified
Abstract:
Madame du Deffand's diary, written in the hand of Jean-Francois Wiart, she having lost her sight in 1754, for the last months from July 1779 to September 1780 in which she records details of her dinner engagements with her circle of friends, the entries ending less than two weeks before her death on September 23. She also makes note of who she has corresponded with that day and records details of interest to her about 01the news contained in the letters she receives or events of the day
Description:
Marie Anne de Vichy Chamrond, marquise du Deffand (1697-1780), was married at 21 to her kinsman, Jean Baptiste de la Lande, marquis du Deffand. The marriage resulted in a separation as early as 1722. However, her intelligence, cynicism, and wit gained her such friends as Voltaire, Montesquieu, Fontenelle and Madame de Staal-Delaunay, the president Henault, and D'Alembert. The principal friendships of her later years were with the duchesse de Choiseul and with Horace Walpole. She died on September 23, 1780, leaving her papers to Walpole., In French., Title from cover., Final 206 pages blank. Bound in green vellum., and Formerly classed as: 49 2545 II.
Subject (Geographic):
France
Subject (Name):
Du Deffand, Marie de Vichy Chamrond, marquise, 1697-1780.
Subject (Topic):
Women, Conduct of life, Authors, French, and Social life and customs
Manuscript, on parchment, in a single hand, incomplete, containing the text of a prose allegorical pilgrimage of the soul. The narrator's soul is led by Dame Inspiration to the Fountain of Penitence (Fontaine de penitence); after being washed there, the soul continues her journey toward the Promised Land (Terre de promission) on the Ship of Penitence (Navire de penitence).
Description:
In Middle French., Laid in: autograph letter,signed, from the Liverpool bookseller Jaggard to Allan Heywood Bright, 1896 April 27, concerning the unknown early provenance of the manuscript. With autograph and typed notes by Allan Heywood Bright, 1898 and undated., Title from ownership inscription by Remy Megret (f80r)., Opening sentence: Les continuelles meditationes de la volubilite et soudaine mutation des creatures raisonnables., Layout: single columns of 19 lines., Script: gothic bastarda., and Decoration: 13 large full-color miniatures in architectural frames illustrating various events in the allegorical pilgrimage of the author's soul, guided by Dame Inspiration. The opening miniature is full-page and depicts the author asleep beneath a tree hung with her coat of arms. Other subjects include: the soul, accompanied by Dame Inspiration, begins her pilgrimage to the Fontaine de Penitence f.9; Inspiration explains to the soul what needs to be done in order to reach the Fontaine de Penitence f.11, the soul, carried on the back of Inspiration, flies to the Château de Contention diabolique f.17, Inspiration and the soul meet Raison f.20; the soul enters the Chemin de Crainte de Dieu f.35; souls are cleansed in the Fontaine de Penitence f.47; the soul sets off on her journey to the Terre de Promission f.50v; the company journey to the coast where they find boats awaiting them f.53; the company embark f.58; the company sets off on the Navire de Penitence f.61; the company is attacked by seven other boats f.63; the company is swept up by the Vent de Hypocrisie f.69v.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Amboise, Catherine d', 1481?-1550. and Megret, Remy.
Subject (Topic):
Allegories, Devotional literature, French, French prose literature, Illumination of books and manuscripts, French, Illumination of books and manuscripts, Medieval, Illumination of books and manuscripts, Renaissance, Manuscripts, Medieval, Repentance, Soul, Women, Conduct of life, and Women authors, French
Sévigné, Marie de Rabutin-Chantal, marquise de, 1626-1696
Call Number:
49 2576
Image Count:
29
Resource Type:
unspecified
Abstract:
ALS from Madame de Sévigné to her daughter soon after she married and moved to Provence. The letter begins by assuring her daughter of a preference for her company over that of Mme. de Brissac and continues with a report on the weaknesses of her brother Charles and his affair with an actress. She responds to an invitation to visit Provence and talks about her other possible travel plans. She reports on an evening spent at the home of Madame de la Fayette, with M. de La Rochefoucauld and the amusement the "Marans woman" caused when she appeared with nothing on her head and a child-like hair cut. She conveys more news about social engagements at the Arsenal and the Luxembourg where there were "men of all ranks". She relates a conversation with Abbe Tetu that she had in the afternoon spent at Mme. Richelieu's home. She thanks her for a gift of gloves and describes material that she has purchased for a dress. She conveys more words of encouragement and affection about her daughter and compliments from mutual friends. A postscript includes a description of the King's visit to Chantilly, his hunting, the fireworks, and the shocking suicide of the well-respected maître d'hôtel, Vatel. She closes with a report on the engagement of M. de Ménars to Mlle. de La Grange Neuville
Description:
In French., Bound in red morocco with silk endpapers and with a binder's stamp on the inside front cover: "Bain London"., and Not in Manuscript Catalogue of 1763.
Subject (Geographic):
France
Subject (Name):
Sévigné, Marie de Rabutin-Chantal, marquise de, 1626-1696., Sévigné, Charles, marquis de, 1648-1713., and Grignan, Françoise Marguerite de Sévigné, comtesse de, 1646-1705.
Subject (Topic):
Women, Conduct of life, Authors, French, Mothers and daughters, and Social life and customs
Manuscript, in a single hand, of a collection of excerpts of letters, in four volumes, from Mary Berry to Damer, transcribed and edited by Damer. The notes refer primarily to their passionate friendship and confidence in each other; their ill health, both mental and physical; and introspective commentary upon the reasons for their melancholy moods. Few of the entries are dated, and mutual acquaintances are left unnamed or else mentioned by initials only. Berry describes their friendship as having "become such a part of myself, or rather of something much dearer than myself, that I can neither live without it, nor dissatisfied with it, nor with the idea of ever being deprived of it." In Vol. 2, she mentions she has waited all day for her correspondent to visit her, having hoped that each carriage passing by will stop at her door. Elsewhere, she complains that her friend is leaving for Tours without her and of feeling "continual pains in my head, restless nights & miserable feels of weakness & langour." Other excerpts address Berry's thoughts on William Fawkener, Damer's suitor; Damer's persecution by the press; a crisis in their friendship at the end of July 1794 resulting in Berry's desire to distance herself from Damer socially, and then her decision to weather out the public attacks on their relationship; and Berry's secret courtship by General Charles O'Hara and its disintegration
Description:
Anne Seymour (Conway) Damer (1749-1828), sculptor and author, was born on 8 November 1749, the only child of Field-Marshal Hon. Henry Seymour Conway (1719-1795), and his wife, Caroline Bruce, Lady Ailesbury (1721-1803), the daughter of John, fourth duke of Argyll. In 1767 she married John Damer, the son of Lord Milton, later the 1st Earl of Dorchester. They separated after seven years, and he died by suicide in 1776. Her artistic career developed during her widowhood, though the development of her youthful interest in sculpture is credited to her father's secretary, David Hume, and to the encouragement of Horace Walpole, who was her guardian during her parent's frequent trips abroad; in 1789, Walpole introduced Damer to Mary Berry (1763-1852), with whom she developed a passionate and lasting friendship. At his death, Walpole bequeathed her Strawberry Hill as his executor and residuary legatee. Damer exhibited 32 works at the Royal Academy and produced keystone sculptures for the bridge at Henley-on-Thames, a 10-foot statue of Apollo, now destroyed, for the frontage of Drury Lane theatre, and two bas-reliefs for the Boydell Shakespeare Gallery. Damer also wrote one published novel, Belmour (1801)., In English., Available on microfilm, Available as pdfs, The original letters, from which these excerpts are transcribed, have apparently not survived., Notebooks are numbered on the front covers and dated on the inside front covers., Vol. 1 includes a sketch of a tree., and Binding: cardboard covers.
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Berry, Agnes, 1764-1852., Berry, Mary, 1763-1852., Damer, Anne Seymour, 1748 or 1749-1828., Fawkener, William., and O'Hara, Charles, 1740-1802.
Subject (Topic):
Female friendship, Nobility, Social life and customs, Women, and Conduct of life
Manuscript, in a single hand, of a collection of excerpts of letters, in four volumes, from Mary Berry to Damer, transcribed and edited by Damer. The notes refer primarily to their passionate friendship and confidence in each other; their ill health, both mental and physical; and introspective commentary upon the reasons for their melancholy moods. Few of the entries are dated, and mutual acquaintances are left unnamed or else mentioned by initials only. Berry describes their friendship as having "become such a part of myself, or rather of something much dearer than myself, that I can neither live without it, nor dissatisfied with it, nor with the idea of ever being deprived of it." In Vol. 2, she mentions she has waited all day for her correspondent to visit her, having hoped that each carriage passing by will stop at her door. Elsewhere, she complains that her friend is leaving for Tours without her and of feeling "continual pains in my head, restless nights & miserable feels of weakness & langour." Other excerpts address Berry's thoughts on William Fawkener, Damer's suitor; Damer's persecution by the press; a crisis in their friendship at the end of July 1794 resulting in Berry's desire to distance herself from Damer socially, and then her decision to weather out the public attacks on their relationship; and Berry's secret courtship by General Charles O'Hara and its disintegration
Description:
Anne Seymour (Conway) Damer (1749-1828), sculptor and author, was born on 8 November 1749, the only child of Field-Marshal Hon. Henry Seymour Conway (1719-1795), and his wife, Caroline Bruce, Lady Ailesbury (1721-1803), the daughter of John, fourth duke of Argyll. In 1767 she married John Damer, the son of Lord Milton, later the 1st Earl of Dorchester. They separated after seven years, and he died by suicide in 1776. Her artistic career developed during her widowhood, though the development of her youthful interest in sculpture is credited to her father's secretary, David Hume, and to the encouragement of Horace Walpole, who was her guardian during her parent's frequent trips abroad; in 1789, Walpole introduced Damer to Mary Berry (1763-1852), with whom she developed a passionate and lasting friendship. At his death, Walpole bequeathed her Strawberry Hill as his executor and residuary legatee. Damer exhibited 32 works at the Royal Academy and produced keystone sculptures for the bridge at Henley-on-Thames, a 10-foot statue of Apollo, now destroyed, for the frontage of Drury Lane theatre, and two bas-reliefs for the Boydell Shakespeare Gallery. Damer also wrote one published novel, Belmour (1801)., In English., Available on microfilm, Available as pdfs, The original letters, from which these excerpts are transcribed, have apparently not survived., Notebooks are numbered on the front covers and dated on the inside front covers., Vol. 1 includes a sketch of a tree., and Binding: cardboard covers.
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Berry, Agnes, 1764-1852., Berry, Mary, 1763-1852., Damer, Anne Seymour, 1748 or 1749-1828., Fawkener, William., and O'Hara, Charles, 1740-1802.
Subject (Topic):
Female friendship, Nobility, Social life and customs, Women, and Conduct of life
Manuscript, in a single hand, of a collection of excerpts of letters, in four volumes, from Mary Berry to Damer, transcribed and edited by Damer. The notes refer primarily to their passionate friendship and confidence in each other; their ill health, both mental and physical; and introspective commentary upon the reasons for their melancholy moods. Few of the entries are dated, and mutual acquaintances are left unnamed or else mentioned by initials only. Berry describes their friendship as having "become such a part of myself, or rather of something much dearer than myself, that I can neither live without it, nor dissatisfied with it, nor with the idea of ever being deprived of it." In Vol. 2, she mentions she has waited all day for her correspondent to visit her, having hoped that each carriage passing by will stop at her door. Elsewhere, she complains that her friend is leaving for Tours without her and of feeling "continual pains in my head, restless nights & miserable feels of weakness & langour." Other excerpts address Berry's thoughts on William Fawkener, Damer's suitor; Damer's persecution by the press; a crisis in their friendship at the end of July 1794 resulting in Berry's desire to distance herself from Damer socially, and then her decision to weather out the public attacks on their relationship; and Berry's secret courtship by General Charles O'Hara and its disintegration
Description:
Anne Seymour (Conway) Damer (1749-1828), sculptor and author, was born on 8 November 1749, the only child of Field-Marshal Hon. Henry Seymour Conway (1719-1795), and his wife, Caroline Bruce, Lady Ailesbury (1721-1803), the daughter of John, fourth duke of Argyll. In 1767 she married John Damer, the son of Lord Milton, later the 1st Earl of Dorchester. They separated after seven years, and he died by suicide in 1776. Her artistic career developed during her widowhood, though the development of her youthful interest in sculpture is credited to her father's secretary, David Hume, and to the encouragement of Horace Walpole, who was her guardian during her parent's frequent trips abroad; in 1789, Walpole introduced Damer to Mary Berry (1763-1852), with whom she developed a passionate and lasting friendship. At his death, Walpole bequeathed her Strawberry Hill as his executor and residuary legatee. Damer exhibited 32 works at the Royal Academy and produced keystone sculptures for the bridge at Henley-on-Thames, a 10-foot statue of Apollo, now destroyed, for the frontage of Drury Lane theatre, and two bas-reliefs for the Boydell Shakespeare Gallery. Damer also wrote one published novel, Belmour (1801)., In English., Available on microfilm, Available as pdfs, The original letters, from which these excerpts are transcribed, have apparently not survived., Notebooks are numbered on the front covers and dated on the inside front covers., Vol. 1 includes a sketch of a tree., and Binding: cardboard covers.
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Berry, Agnes, 1764-1852., Berry, Mary, 1763-1852., Damer, Anne Seymour, 1748 or 1749-1828., Fawkener, William., and O'Hara, Charles, 1740-1802.
Subject (Topic):
Female friendship, Nobility, Social life and customs, Women, and Conduct of life
Manuscript, in a single hand, of a collection of excerpts of letters, in four volumes, from Mary Berry to Damer, transcribed and edited by Damer. The notes refer primarily to their passionate friendship and confidence in each other; their ill health, both mental and physical; and introspective commentary upon the reasons for their melancholy moods. Few of the entries are dated, and mutual acquaintances are left unnamed or else mentioned by initials only. Berry describes their friendship as having "become such a part of myself, or rather of something much dearer than myself, that I can neither live without it, nor dissatisfied with it, nor with the idea of ever being deprived of it." In Vol. 2, she mentions she has waited all day for her correspondent to visit her, having hoped that each carriage passing by will stop at her door. Elsewhere, she complains that her friend is leaving for Tours without her and of feeling "continual pains in my head, restless nights & miserable feels of weakness & langour." Other excerpts address Berry's thoughts on William Fawkener, Damer's suitor; Damer's persecution by the press; a crisis in their friendship at the end of July 1794 resulting in Berry's desire to distance herself from Damer socially, and then her decision to weather out the public attacks on their relationship; and Berry's secret courtship by General Charles O'Hara and its disintegration
Description:
Anne Seymour (Conway) Damer (1749-1828), sculptor and author, was born on 8 November 1749, the only child of Field-Marshal Hon. Henry Seymour Conway (1719-1795), and his wife, Caroline Bruce, Lady Ailesbury (1721-1803), the daughter of John, fourth duke of Argyll. In 1767 she married John Damer, the son of Lord Milton, later the 1st Earl of Dorchester. They separated after seven years, and he died by suicide in 1776. Her artistic career developed during her widowhood, though the development of her youthful interest in sculpture is credited to her father's secretary, David Hume, and to the encouragement of Horace Walpole, who was her guardian during her parent's frequent trips abroad; in 1789, Walpole introduced Damer to Mary Berry (1763-1852), with whom she developed a passionate and lasting friendship. At his death, Walpole bequeathed her Strawberry Hill as his executor and residuary legatee. Damer exhibited 32 works at the Royal Academy and produced keystone sculptures for the bridge at Henley-on-Thames, a 10-foot statue of Apollo, now destroyed, for the frontage of Drury Lane theatre, and two bas-reliefs for the Boydell Shakespeare Gallery. Damer also wrote one published novel, Belmour (1801)., In English., Available on microfilm, Available as pdfs, The original letters, from which these excerpts are transcribed, have apparently not survived., Notebooks are numbered on the front covers and dated on the inside front covers., Vol. 1 includes a sketch of a tree., and Binding: cardboard covers.
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Berry, Agnes, 1764-1852., Berry, Mary, 1763-1852., Damer, Anne Seymour, 1748 or 1749-1828., Fawkener, William., and O'Hara, Charles, 1740-1802.
Subject (Topic):
Female friendship, Nobility, Social life and customs, Women, and Conduct of life
