Title from item., Printmaker from British Museum catalogue., Temporary local subject terms: Elections: Westminster, 1784 -- Naval uniforms: officers' uniforms -- Vehicles: Carts - County pass-carts -- Proposed abolition of Chelsea Hospital -- Parsimony: Alleged parsimony of Sir Cecil Wray -- Lincolnshire -- Allusion to tax on maidservants -- Allusion to tax on small beer., and Partial countermark top center of sheet: IV[...]
Publisher:
Pub. April 29, 1784, by J. Hedges, Royal Exchange
Subject (Name):
Fox, Charles James, 1749-1806, Hood, Samuel Hood, Viscount, 1724-1816, and Wray, Cecil, Sir, 1734-1805
Leaf 22. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"A scene in the Vestry Room of St. Martin's, Westminster, symbolizing the defeat of the Government on the Scrutiny on 3 Mar., when Sawbridge carried by 38 his motion that the High Bailiff be forthwith ordered to make his return. Fox (left) and Wray (right) are fighting; Wray's sword is broken and he shrinks back from Fox, who threatens him with the sword of Justice. Fox's shield is inscribed 'Majority 38', Wray's is inscribed 'Ingratitude'. A flying cherub holds over Fox's head a laurel wreath, and a scroll inscribed, 'It is Ordered that Thomas Corbett. Esqr do immediately Return - '. From his mouth issues the word "Victory". Fox says, "The Wrath of my Indignation is kindled and I will pursue them with a mighty hand and outstretched Arm until Justice is done to those who have so nobly supported me". Wray says, "My Knees wax feeble and I sink beneath the weight of my own Apostacy -". He steps back across the prostrate body of Corbett, the High Bailiff, who says, "my Conscience is now at peace". Wray's counsel in the Scrutiny are fleeing to the right in confusion. Three of them say, respectively: "Nor Law nor Conscience nor the aid of Potent Ministers can 'ere support this Contest 'gainst such a Chief"; "Help! Help! Our Chief is fallen! O Conscience support me -", and, "Our support is gone and we are fallen into a Pitt, yea even into a Deep Pitt, -". Fox's counsel advance behind him from the left in triumph. The foremost raises a book inscribed 'Truth'; three others hold rolled documents inscribed respectively, 'Law', 'Eloquence', and 'Perseverance'. On the walls of the room are notices: 'At a Vestry holden in and for the Parish of St Martin in the Fields------It is ordered that the Parish Officers be Vigilant in apprehending all Vagabonds in this Parish'. A placard purporting to be a transcript of the creed begins, 'I believe in Murphy the Assessor Almighty maker of good and bad V-----[votes] visible & invisible and. . . . from thence shall come to Judge the quick & the [dea]d------' Next to this is a 'List of bad votes Jn° Hale Esqr J. Matthias Senr J. Matthias J. . . .' After the title is etched: 'and his famed Cecilian Forces on the Plains of St Martin on Thursday the 3rd day of February 1785 by the Champion of the People and his chosen Band, after a smart Skirmish which lasted a considerable time, in which many Men were lost on both sides. But their great Ally at length losing ground, Desertions took place and notwithstanding their vast superiority in Numbers and weight of Metal at the first onset, they decreased apace, altho' often rallied by the ablest Men in Command, till at length the Forces gave way in all quarters & they were totally overthrown. This Print is dedicated to the Electors of the City & Liberty of Westminster who have so nobly stood forth and supported their Champion upon this trying occasion by------An Independent Elector.'"--British Museum online catalogue
Alternative Title:
Defeat of the high and mighty Bailissimo Corbettino and his famed Cecilian forces ...
Description:
Title from first line of text below image., Attributed to Rowlandson in the British Museum catalogue., Restrike. For original issue of the plate, see no. 6783 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 39., and On leaf 22 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. by W. Humphrey near Temple Bar, Strand and Field & Tuer
Subject (Geographic):
England and London.
Subject (Name):
Garrow, William, Sir, 1760-1840, Fox, Charles James, 1749-1806, Wray, Cecil, Sir, 1734-1805, Pitt, William, 1759-1806, and Great Britain. Parliament
"A scene in the Vestry Room of St. Martin's, Westminster, symbolizing the defeat of the Government on the Scrutiny on 3 Mar., when Sawbridge carried by 38 his motion that the High Bailiff be forthwith ordered to make his return. Fox (left) and Wray (right) are fighting; Wray's sword is broken and he shrinks back from Fox, who threatens him with the sword of Justice. Fox's shield is inscribed 'Majority 38', Wray's is inscribed 'Ingratitude'. A flying cherub holds over Fox's head a laurel wreath, and a scroll inscribed, 'It is Ordered that Thomas Corbett. Esqr do immediately Return - '. From his mouth issues the word "Victory". Fox says, "The Wrath of my Indignation is kindled and I will pursue them with a mighty hand and outstretched Arm until Justice is done to those who have so nobly supported me". Wray says, "My Knees wax feeble and I sink beneath the weight of my own Apostacy -". He steps back across the prostrate body of Corbett, the High Bailiff, who says, "my Conscience is now at peace". Wray's counsel in the Scrutiny are fleeing to the right in confusion. Three of them say, respectively: "Nor Law nor Conscience nor the aid of Potent Ministers can 'ere support this Contest 'gainst such a Chief"; "Help! Help! Our Chief is fallen! O Conscience support me -", and, "Our support is gone and we are fallen into a Pitt, yea even into a Deep Pitt, -". Fox's counsel advance behind him from the left in triumph. The foremost raises a book inscribed 'Truth'; three others hold rolled documents inscribed respectively, 'Law', 'Eloquence', and 'Perseverance'. On the walls of the room are notices: 'At a Vestry holden in and for the Parish of St Martin in the Fields------It is ordered that the Parish Officers be Vigilant in apprehending all Vagabonds in this Parish'. A placard purporting to be a transcript of the creed begins, 'I believe in Murphy the Assessor Almighty maker of good and bad V-----[votes] visible & invisible and. . . . from thence shall come to Judge the quick & the [dea]d------' Next to this is a 'List of bad votes Jn° Hale Esqr J. Matthias Senr J. Matthias J. . . .' After the title is etched: 'and his famed Cecilian Forces on the Plains of St Martin on Thursday the 3rd day of February 1785 by the Champion of the People and his chosen Band, after a smart Skirmish which lasted a considerable time, in which many Men were lost on both sides. But their great Ally at length losing ground, Desertions took place and notwithstanding their vast superiority in Numbers and weight of Metal at the first onset, they decreased apace, altho' often rallied by the ablest Men in Command, till at length the Forces gave way in all quarters & they were totally overthrown. This Print is dedicated to the Electors of the City & Liberty of Westminster who have so nobly stood forth and supported their Champion upon this trying occasion by------An Independent Elector.'"--British Museum online catalogue
Alternative Title:
Defeat of the high and mighty Bailissimo Corbettino and his famed Cecilian forces ...
Description:
Title from first line of text below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Mounted to 31 x 41 cm.
Publisher:
Pubd. by W. Humphrey near Temple Bar, Strand
Subject (Geographic):
England and London.
Subject (Name):
Garrow, William, Sir, 1760-1840, Fox, Charles James, 1749-1806, Wray, Cecil, Sir, 1734-1805, Pitt, William, 1759-1806, and Great Britain. Parliament
"Sir Cecil Wray in the foreground, standing on the edge of a circular platform, looks down over his left shoulder at the procession which is chairing Fox round Covent Garden. He holds his right hand to his mouth, in his left he clutches a paper, 'Instruction to make A Speech'. The heads and shoulders of the procession appear over the edge of the platform: in front (left) are men on horse-back, some playing musical instruments, their hats decorated with favours and leaves. (They appear to represent the 'squadron of gentlemen on horseback in the blue and buff uniform', who were followed by trumpeters. 'London Chronicle', 18 May.) Their flag is inscribed 'The Whig Cause'. Next come men on foot immediately in front of Fox, with a flag inscribed 'Man of the People'. Fox, smiling, is seated above the heads of his supporters, his chair wreathed with laurel branches. The striped jacket of one of his bearers shows that he is a butcher; next comes Sam House. Behind walk men, some wearing their hats, which are decorated with favours and foxes' brushes. Their flag is inscribed 'Sacred to Female Patriotism'. Behind (right) is the façade of St. Paul's, Covent Garden, the pediment inscribed 'House of Call for Candidates'. The windows of the houses on the south of the Piazza (left) are crowded with spectators; others stand on the roofs waving their hats. Beneath the title are the words spoken by Wray: "I am Bit D------n the Fox, the D------ss, Chelsea Hospital, Maid Servants, Small Beer, the back Stairs & all together, to be Sure I'm no Speaker Ive no Head I shall not be brought in but the Scrutiny His M-----y will have that and that Bald Pated Son of a B------h Sam H-----se [House] not content with giving my Opponent [sic] Plumpers Threatned to give me A Plumper in each Eye if I did not Cock my Hat t'other Way.""--British Museum online catalogue
Description:
Title etched above image., Watermark in center of sheet: J Whatman., and Mounted to 41 x 29 cm.
Publisher:
Pubd. as the act directs, May 20, 1784, by W. Humphrey, No. 227 Strand
Subject (Geographic):
England) and London.
Subject (Name):
Wray, Cecil, Sir, 1734-1805, Fox, Charles James, 1749-1806, House, Samuel, -1785, Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, and Great Britain. Parliament
Title from item., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Allusion to parliamentary dissolution, March 1784 -- Portico of St. Paul's Church, Covent Garden -- Elections: Westminster, 1784 -- Royal prerogative -- Forges -- Shackles -- Demons -- Blacksmiths -- Weather-vanes -- Hairdressing implements: curl papers., Watermark in center of sheet: Taylor., and Mounted to 27 x 37 cm.
Publisher:
Publishd as the act directs, by G. Bailey
Subject (Name):
George III, King of Great Britain, 1738-1820, Pitt, William, 1759-1806, Wray, Cecil, Sir, 1734-1805, and Hood, Samuel Hood, Viscount, 1724-1816
A scaffold extends across the foreground: Fox raises an axe to strike the neck of George III, whose head is held by Sheridan. The scaffold is surrounded by a dense and cheering mob. On the right is the gate of the 'Crown & Anchor' tavern, and from two projecting lamp-brackets swing the bodies of Queen Charlotte and Pitt. The houses of the Strand recede in perspective and terminate in Temple Bar, with two heads on spikes; clouds of smoke appear to come from burning houses east of Temple Bar. On the clouds a meretricious Liberty sits enthroned and triumphant.--British Museum catalogue
Description:
Title from caption inscribed in brown ink below image., Title inscribed twice on sheet and struck out once., Imprint statement inscribed in brown ink below title: Pubd. July 19th, 1791 by S.W. Fores No. 3 Piccadilly., Description of published Gillray print in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6, no. 7892., Description of published Gillray print in Works of James Gillray, the caricaturist with the history of his life and times / edited by Thomas Wright. London : Chatto and Windus, [1873?], p. 130., and A 'counterprint' or transfer in brown ink appears on the verso of the mount from another print: A Birmingham toast, as given on the 14th of July by the Revolution Society.
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Tooke, John Horne, 1736-1812, Priestley, Joseph, 1733-1804, Wray, Cecil, Sir, 1734-1805, and Sheridan, Richard Brinsley, 1751-1816
Subject (Topic):
Decapitations, Hangings (Executions), Executioners, Axes, Kings, and Crowds
"A scaffold extends across the foreground: Fox raises an axe to strike the neck of George III, whose head is held by Sheridan. The scaffold is surrounded by a dense and cheering mob. On the right is the gate of the 'Crown & Anchor' tavern, and from two projecting lamp-brackets swing the bodies of Queen Charlotte and Pitt. The houses of the Strand recede in perspective and terminate in Temple Bar, with two heads on spikes; clouds of smoke appear to come from burning houses east of Temple Bar. On the clouds a meretricious Liberty sits enthroned and triumphant. The King's neck rests on a narrow block, his shaved head appears bald, his legs are held up by Horne Tooke, who stands on the left, saying: "O, such a day as this, so renown'd so victorious, Such a day as this was never seen Revolutionists so gay; - while Aristocrats notorious, Tremble at the universal glee." From Tooke's pocket projects a paper: 'Petition of Horne Tooke' (against the return of Fox and Hood for Westminster, see British Museum Satires No. 7690). The King, who supports himself on his hands, says, "What! What! What! - what's the matter now". Fox, enormously stout, straddles behind the King, full face his axe raised in both hands; he wears a mask with large circular eye-holes and fox's ears; he says: "Zounds! what the devil is it that puts me into such a hell of a Funk? - damn it, it is but giving one good blow, & all is settled! - but what if I should miss my aim! - ah! it's the fear of that which makes me stink so! - & yet, damnation! what should I be afraid of? if I should not succeed, why nobody can find me out in this Mask, any more than the Man who chop'd the Calf's-head off, a Hundred & Forty Years ago - and so here goes!" Sheridan kneels in profile to the left holding the King by the ear and nose, he looks up at Fox with a sinister scowl, saying, "Hell & Damnation, dont be afraid give a home stroke, & then throw off the Mask - Zounds, I wish I had hold of the Hatchet." Priestley, behind Sheridan, leans towards the King, saying, "Don't be alarmed at your situation, my dear Brother; we must all dye once; and, therefore what does it signify whether we dye today or tomorrow - in fact, a Man ought to be glad of the opportunity of dying, if by that means he can serve his Country, in bringing about a glorious Revolution: - & as to your Soul, or any thing after death don't trouble yourself about that; depend on it, the Idea of a future state, is all an imposition: & as every thing here is vanity & vexation of spirit, you should therefore rejoice at the moment which will render you easy & quiet". He holds a paper: 'Priestley on a Future State'. Sir Cecil Wray stands with his right hand on Sheridan's shoulder, saying, "Here do give me a little room Joseph that I may be in readiness to catch the droppings of the Small Beer when it is tapp'd; I never can bear to see the Small Beer wasted Joseph!" He holds in his left hand a small cask, 'For Small Beer', and a large pipe; in his pocket is a paper: 'Plan of Chelsea Hospital by Sir Ceci[l] Wray'. The Queen is cruelly caricatured; she swings against Pitt, who is in a death agony with crisped fingers."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Mounted to 37 x 55 cm., and Collector's annotations on mount.
Publisher:
Pubd. July 19th, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Tooke, John Horne, 1736-1812, Priestley, Joseph, 1733-1804, and Wray, Cecil, Sir, 1734-1805
Subject (Topic):
Axes, Executioners, Hangings (Executions), and Crowds
"A scaffold extends across the foreground: Fox raises an axe to strike the neck of George III, whose head is held by Sheridan. The scaffold is surrounded by a dense and cheering mob. On the right is the gate of the 'Crown & Anchor' tavern, and from two projecting lamp-brackets swing the bodies of Queen Charlotte and Pitt. The houses of the Strand recede in perspective and terminate in Temple Bar, with two heads on spikes; clouds of smoke appear to come from burning houses east of Temple Bar. On the clouds a meretricious Liberty sits enthroned and triumphant. The King's neck rests on a narrow block, his shaved head appears bald, his legs are held up by Horne Tooke, who stands on the left, saying: "O, such a day as this, so renown'd so victorious, Such a day as this was never seen Revolutionists so gay; - while Aristocrats notorious, Tremble at the universal glee." From Tooke's pocket projects a paper: 'Petition of Horne Tooke' (against the return of Fox and Hood for Westminster, see British Museum Satires No. 7690). The King, who supports himself on his hands, says, "What! What! What! - what's the matter now". Fox, enormously stout, straddles behind the King, full face his axe raised in both hands; he wears a mask with large circular eye-holes and fox's ears; he says: "Zounds! what the devil is it that puts me into such a hell of a Funk? - damn it, it is but giving one good blow, & all is settled! - but what if I should miss my aim! - ah! it's the fear of that which makes me stink so! - & yet, damnation! what should I be afraid of? if I should not succeed, why nobody can find me out in this Mask, any more than the Man who chop'd the Calf's-head off, a Hundred & Forty Years ago - and so here goes!" Sheridan kneels in profile to the left holding the King by the ear and nose, he looks up at Fox with a sinister scowl, saying, "Hell & Damnation, dont be afraid give a home stroke, & then throw off the Mask - Zounds, I wish I had hold of the Hatchet." Priestley, behind Sheridan, leans towards the King, saying, "Don't be alarmed at your situation, my dear Brother; we must all dye once; and, therefore what does it signify whether we dye today or tomorrow - in fact, a Man ought to be glad of the opportunity of dying, if by that means he can serve his Country, in bringing about a glorious Revolution: - & as to your Soul, or any thing after death don't trouble yourself about that; depend on it, the Idea of a future state, is all an imposition: & as every thing here is vanity & vexation of spirit, you should therefore rejoice at the moment which will render you easy & quiet". He holds a paper: 'Priestley on a Future State'. Sir Cecil Wray stands with his right hand on Sheridan's shoulder, saying, "Here do give me a little room Joseph that I may be in readiness to catch the droppings of the Small Beer when it is tapp'd; I never can bear to see the Small Beer wasted Joseph!" He holds in his left hand a small cask, 'For Small Beer', and a large pipe; in his pocket is a paper: 'Plan of Chelsea Hospital by Sir Ceci[l] Wray'. The Queen is cruelly caricatured; she swings against Pitt, who is in a death agony with crisped fingers."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching, hand-colored, on laid paper ; sheet 353 x 502 mm., Imperfect; sheet trimmed within plate mark with loss of imprint., and Watermark: A. Stace 18[...?].
Publisher:
Pubd. July 19th, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Tooke, John Horne, 1736-1812, Priestley, Joseph, 1733-1804, and Wray, Cecil, Sir, 1734-1805
Subject (Topic):
Axes, Executioners, Hangings (Executions), and Crowds
"A scaffold extends across the foreground: Fox raises an axe to strike the neck of George III, whose head is held by Sheridan. The scaffold is surrounded by a dense and cheering mob. On the right is the gate of the 'Crown & Anchor' tavern, and from two projecting lamp-brackets swing the bodies of Queen Charlotte and Pitt. The houses of the Strand recede in perspective and terminate in Temple Bar, with two heads on spikes; clouds of smoke appear to come from burning houses east of Temple Bar. On the clouds a meretricious Liberty sits enthroned and triumphant. The King's neck rests on a narrow block, his shaved head appears bald, his legs are held up by Horne Tooke, who stands on the left, saying: "O, such a day as this, so renown'd so victorious, Such a day as this was never seen Revolutionists so gay; - while Aristocrats notorious, Tremble at the universal glee." From Tooke's pocket projects a paper: 'Petition of Horne Tooke' (against the return of Fox and Hood for Westminster, see BMSat 7690). The King, who supports himself on his hands, says, "What! What! What! - what's the matter now". Fox, enormously stout, straddles behind the King, full face his axe raised in both hands; he wears a mask with large circular eye-holes and fox's ears; he says: "Zounds! what the devil is it that puts me into such a hell of a Funk? - damn it, it is but giving one good blow, & all is settled! - but what if I should miss my aim! - ah! it's the fear of that which makes me stink so! - & yet, damnation! what should I be afraid of? if I should not succeed, why nobody can find me out in this Mask, any more than the Man who chop'd the Calf's-head off, a Hundred & Forty Years ago - and so here goes!" Sheridan kneels in profile to the left holding the King by the ear and nose, he looks up at Fox with a sinister scowl, saying, "Hell & Damnation, dont be afraid give a home stroke, & then throw off the Mask - Zounds, I wish I had hold of the Hatchet." Priestley, behind Sheridan, leans towards the King, saying, "Don't be alarmed at your situation, my dear Brother; we must all dye once; and, therefore what does it signify whether we dye today or tomorrow - in fact, a Man ought to be glad of the opportunity of dying, if by that means he can serve his Country, in bringing about a glorious Revolution: - & as to your Soul, or any thing after death don't trouble yourself about that; depend on it, the Idea of a future state, is all an imposition: & as every thing here is vanity & vexation of spirit, you should therefore rejoice at the moment which will render you easy & quiet". He holds a paper: 'Priestley on a Future State'. Sir Cecil Wray stands with his right hand on Sheridan's shoulder, saying, "Here do give me a little room Joseph that I may be in readiness to catch the droppings of the Small Beer when it is tapp'd; I never can bear to see the Small Beer wasted Joseph!" He holds in his left hand a small cask, 'For Small Beer', and a large pipe; in his pocket is a paper: 'Plan of Chelsea Hospital by Sir Ceci[l] Wray'. The Queen is cruelly caricatured; she swings against Pitt, who is in a death agony with crisped fingers."--British Museum online catalogue
Description:
Title from caption below image., Printmaker from British Museum catalogue., Plate numbered "57" in upper right corner., Restrike for Bohn's "Supressed plates". Cf. no. 7892 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., On same sheet, verso: Alecto and her train at the gate of Pandaemonium ..., and Printed 1851.
Publisher:
Pubd. July 19th, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Tooke, John Horne, 1736-1812, Priestley, Joseph, 1733-1804, and Wray, Cecil, Sir, 1734-1805
Freedom of election, Rival candidates, a farce, perform'd at Covent Garden Theatre, and Rival candidates, a farce performed at Covent Garden Theatre
Description:
Title etched below image., Caption title above the image: The rival candidates, a farce, perform'd at Covent Garden Theatre!, Sheet partially trimmed within plate mark., Publication date based on British Museum catalogue, v. 6, no. 6511., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Election riots, 1784 -- Petticoat government -- Overturned coaches -- Eye-patches -- Market women -- Hustings -- Election favors -- Facade of St. Paul's Cathedral -- Covent Garden: Piazza -- Election flags -- Allusion to The rival candidates by Henry Bate Dudley, Bt., 1745-1824 -- Election slogans -- Cake stalls -- Allusion to 'Back stairs.'
Publisher:
publisher not identified
Subject (Geographic):
England and London.
Subject (Name):
Fox, Charles James, 1749-1806, Hood, Samuel Hood, Viscount, 1724-1816, Wray, Cecil, Sir, 1734-1805, and Great Britain. Parliament
