Sacheverell sits at a table opposite a bishop wearing a mitre. He flicks his pen at a devil that flies to the left. The bookshelves on the wall behind them is filled with books. On the floor are a papal tiara and cope
Alternative Title:
Pope and the devil vanquish'd by a flurt from the doctors pen
Description:
Engraved broadside; title from caption above image., Publication date from another state in British Museum catalogue., Sheet trimmed within plate mark., Ten lines of verse below image: I no such seconds* need to plead my cause ..., Cf. No. 1499 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 2., Bowditch's manuscript annotations on the mounting sheet., and Mounted to 35 x 45 cm.
"A woman, fashionably dressed, is being led to the altar of Hymen by a youth. The altar is decorated with a mask and chains. Hymen, who stands on the altar, draws a veil over her face, holding her torch downwards. On the ground is a sleeping cupid. Behind the bride is a house, inscribed 'Alfred House'; on the ground at her feet are books, the cap and staff of Liberty (which she is treading under foot), an inkpot and pen. This symbolizes the marriage of Mrs. Catherine Macaulay, aged 57, with William Graham, aged 21, the younger brother of James Graham the quack doctor. Alfred House (2 Alfred Street, Bath) had been presented to her by Dr. Thomas Wilson; on her marriage he wished to eject her from it. She is here represented as throwing aside her historical writings and her patriotic zeal for an unnatural marriage."--British Museum catalogue
Description:
Title from text above image., Publication information from that of the periodical in which the print was issued., Illustration from: Town and country magazine. London : Printed for A. Hamilton, Jr., v. 10 (December 1778), page 623., Date given in British Museum catalogue: 1 January 1779., Mounted to 23 x 14 cm., and Bound in after page 14 in Lord Rosebery's extra-illustrated copy of: Burn, J.S. History of the Fleet marriages. London : Rivingtons [etc.], 1834.
"The interior of a bare and plainly furnished room in a country inn; a number of middle-aged and plainly dressed men stand waiting for dinner to be served. Through a door in the back wall a serving-boy enters with a tureen, followed by a stout woman carrying a turkey, who is followed by a man-servant. A man (left), wearing spurred jack-boots, stands in profile to the left to hang his hat on a peg. He faces a framed notice: 'Club Law Ist no Journeyman or Apprentice must belong to this society 2nd No Jokes in this society but practical ones, or forfeit 3d. 3d Any Gentleman as gives another Gentleman the lie before strangers to forfeit 6d. 4th Any Gentleman as behaves ungenteel to be fined 3d and turn'd out. 5t All fines to be spent in punch W.C. Secretary.' In the centre two men, one wearing top-boots, the other in quasi-military dress, face each other, grinning. A third, with a pen and ink-horn at his buttonhole, tries to insinuate himself into the conversation. On the right a stout man stands at a table before a punch-bowl and a sugar-basin: his hands are folded and his eyes closed as if in prayer. Beside and behind him a man with a bottle of 'Rum' in one hand sniffs at a bottle of '[Bra]ndy'. An irate man (left) stands at the end of the table, watch in hand. Above the door a picture of a mounted huntsman hangs askew. On the wall are (left) hats and sticks, (right) a map of the world in two hemispheres."--British Museum online catalogue
Description:
Title etched below image. and "Eamus. Quo ducit Gula."--Below title.
Publisher:
Publish'd June 26th, 1788, by W. Dickinson, engraver, No. 158 Bond Street
"Seneca sitting on the right, his feet in a basin of water, supported by two men, gesturing and looking to right towards two young men who take down his last teachings, one kneeling, while four others lean in attentively from the left, two with paper and quills, columns behind and richly dressed men with a soldier gathered among the columns in the background."--British Museum online catalogue
Description:
Title from text below image., Coat of arms engraved below image with the motto: Cor unum via una., Dedication below title: From the original picture ... in the collection of The Right Honourable the Earl of Exeter, to whom this plate is dedicated, by His Lordship's most obliged and most humble servant, John Boydell., Text below dedication in lower left: Size of the picture, 8 f. 4 i. by 10 f. 2 i. in length., Plate from: A collection of prints engraved after the most capital paintings in England. London: [J. Boydell, 1769], v. 1., and Plate numbered in lower left corner: No. 50.
Publisher:
J. Boydell
Subject (Name):
Seneca, Lucius Annaeus, approximately 4 B.C.-65 A.D.,
Subject (Topic):
Suicides, Basins (Containers), Writing materials, Columns, and Soldiers
"A number of ladies (eleven in all) sit at a table at the head of which is their president or chairman. They are balloting for the admission of a member, according to the 'Authentic Rules of the Female Coterie' printed in the 'Gentleman's Magazine', 1770, p. 414, by which ladies balloted for men and men for ladies. The president sits in a raised chair, a hammer in her right hand; she says: "Mr Driver the New Member shall be admitted & duly return'd by me the proper Officer if upon examination he comes up to the Standard". Remarks from other ladies (left to right) are: "I hold up my hand for Mr Driver, if it had not been for him, several Noble Families would have been extinct that have now a numerous Issue"; "The ability of every Candidate ought to be strictly Examined"; "The Gentleman to be elected into this Society shall not be Husband to any of us"; "No our plan is to supply the deficiency of Husbands"; "I move for the Admission of Mr Driver as a Member. He has a promising Leg, an happy Assurance, & to crown the whole he is an Irishman"; "Lady H------n [Harrington] has her Reasons for not suffering Mr Driver to return to Ireland, but she must not Engross him all to herself". The lady on the President's right is writing in a large book. On the table are writing materials, books, one being 'Essay on Man', a bottle marked "Eau de Vie", a tray with coffee-pot, cups, &c."--British Museum online catalogue
Description:
Title from item., Plate from: The court and city magazine. London: Joseph Smith, v. 1 (1770)., Temporary local subject terms: The Female Coterie -- Dishes: coffee set -- Literature: Reference to Essay on man by Alexander Pope (1688-1744)., and Window mounted to 20 x 25 cm.
Publisher:
publisher not identified
Subject (Topic):
Clubs, Tables, Coffeepots, Coffee cups, Writing materials, and Books
"A family in a wealthy interior; an elderly man at centre, seated at a table, a glass in his left hand, holding out his right to receive coins from a younger man standing to left with his right hand on a book and a quill in his mouth; on the table, another glass, writing materials, coins and notes; to right, a woman ..., supporting, and holding up a bunch of grapes for, a young child standing on a chair; looking on from behind the chair, a boy and, at right, a black servant holding a bowl of fruit, his left hand on the chair; in front of the table, a young girl lying on the carpet with a spaniel; a shipping wharf seen through an open window to left."--British Museum online catalogue, description of another print engraved after the same painting
Alternative Title:
Fruits of early industry & oeconomy, Fruits of early industry and oeconomy, and Fruits of early industry and economy
Description:
Title from text below image., Sheet trimmed within plate mark., Eight lines of verse beneath image, four on either side of title: Lo here, what ease, what elegance you see, the just reward of youthfull industry ..., and Companion print to: The effects of youthful extravagance & idleness.
"A family in a wealthy interior; an elderly man at centre, seated at a table, a glass in his left hand, holding out his right to receive coins from a younger man standing to left with his right hand on a book and a quill in his mouth; on the table, another glass, writing materials, coins and notes; to right, a woman ..., supporting, and holding up a bunch of grapes for, a young child standing on a chair; looking on from behind the chair, a boy and, at right, a black servant holding a bowl of fruit, his left hand on the chair; in front of the table, a young girl lying on the carpet with a spaniel; a shipping wharf seen through an open window to left."--British Museum online catalogue, description of another print engraved after the same painting
Alternative Title:
Fruits of early industry & oeconomy, Fruits of early industry and oeconomy, and Fruits of early industry and economy
Description:
Title from text below image., Sheet trimmed within plate mark., Eight lines of verse beneath image, four on either side of title: Lo here, what ease, what elegance you see, the just reward of youthfull industry ..., Companion print to: The effects of youthful extravagance & idleness., 1 print : stipple engraving with etching ; sheet 67.3 x 54 cm., and Printed on wove paper, trimmed within plate mark.
"A family in a wealthy interior; an elderly man at centre, seated at a table, a glass in his left hand, holding out his right to receive coins from a younger man standing to left with his right hand on a book and a quill in his mouth; on the table, another glass, writing materials, coins and notes; to right, a woman wearing a large feathered hat, supporting, and holding up a bunch of grapes for, a young child standing on a chair; looking on from behind the chair, a boy and, at right, a black servant holding a bowl of fruit, his left hand on the chair; in front of the table, a young girl lying on the carpet with a spaniel; a shipping wharf seen through an open window to left"--British Museum online catalogue and A large painting on the back wall shows a large country estate which amplifies the subject of the print
Alternative Title:
Fruits of early industry and oeconomy and Fruits of early industry and economy
Description:
Title from text below image., Eight lines of verse beneath image, four on either side of title: Lo here, what ease, what elegance, you see, the just reward of youthfull industry ..., and Companion print to: The effects of youthful extravagance & idleness.
Publisher:
Pubd. Novr. 1, 1789, by T. Simpson, St. Pauls Church Yard
Subject (Topic):
Black people, Interiors, Families, Writing materials, Wealth, Servants, Dogs, and Piers & wharves
"A satire on William Pitt on his accepting office in government showing him reacting in horror to the sight of the ghost of Sarah, Duchess of Marlborough who appears in her shroud saying “Furies Wheres my 10000 £”, in one hand she holds a paper lettered “Taken a Place” and another lettered “Voted for ye C(our)t”. Her other hand points down to a portrait of Lord Chesterfield on the floor which has been torn from its frame on the wall and in this hand she holds a paper lettered “and you too 20000£”. Behind her is a statue of Queen Anne. Flashes of lightening come through the window at the back of the room aimed at Pitt as he sits at a table with two candles on it writing “an answer to T.H.” also on the table are “Letters to W(ilia)m. P(itt) Tr(easurer) of I(relan)d” and “Letter to W(ilia)m P(itt) by T. H-y Esq. On his forehead is written “HANOVER T(urnip)S”."--British Museum online catalogue
Alternative Title:
The ghost of a Duchess to William Pitt Esqr
Description:
Title from item., Sheet trimmed within plate mark., Thirteen lines of verse in three columns below image: Ungrateful P---. You have me bitt! ..., Temporary local subject terms: Statues: statue of Queen Anne on pedestal -- Ghosts: the Duchess of Marlborough -- Lightning bolts -- Female dress: Queen Anne's dress -- Lighting: candlesticks -- Furniture -- Furniture -- Furnishings: wall clock and bracket -- Letters -- Legacy., Watermark., and Mounted to 32 x 43 cm.
Publisher:
Publishd. for L. Raymond
Subject (Name):
Anne, Queen of Great Britain, 1665-1714, Marlborough, Sarah Jennings Churchill, Duchess of, 1660-1744, and Pitt, William, Earl of Chatham, 1708-1778
A companion print to British Museum satire no. 6878: The country justice. Inside a watch-house, a burly watchman stands (left) facing an elderly constable who sits frowning in his arm-chair. He holds out a broken lantern and points to a thin, fashionably dressed, and apparently drunken man who stands beside him with closed eyes, holding a large stick in his left hand. Next to the constable is a clerk writing at a desk with a slanted top. The room is lit by a lantern slung from the roof. A map on the wall apparently represents the roads of the parish and the beats of the watchmen. A fire burns in a grate (right).
Description:
Title engraved below image., Eight lines of verse below title: "Watchman. This wicked dog did lift his hand, First knocked me down, then bid me stand; The peaceful neighbours he awoke, And then the Knave my lanthorn broke, At which the Villain loud did Laugh, So down I knock'd him with my staff. "Constable: If so: you Justice did yourself, Therefore begone thou prating Elf.", Originally published July 10, 1785. Cf. British Museum catalogue no. 6879., Sheet trimmed within plate mark., and Watermark: fleur-de-lis on a shield with initials G R below.
Publisher:
Published Sepr. 8th by S.W. Fores at the Caracature [sic] Warehouse, No. 3 Piccadilly
Subject (Geographic):
England and London.
Subject (Topic):
Law enforcement, Police, Clerks, Dogs, Fireplaces, Inkstands, Lanterns, Rifles, Soldiers, British, Watchmen, and Writing materials
