A sailor with a bandaged eye consulting a mercenary medical practitioner. The sailor describes his medical history in nautical terms. He refers to a skeleton suspended in a cupboard as the doctor's "messmate". and "Sailor and quack face each other in a consulting room. The sailor (left) has a clumsy bandage over forehead, one eye, and left cheek; he is dressed as in British Museum Satires No. 10894; under his arm is a cudgel, and in his hand a paper headed 'List of Cures'. Behind him (left) is an open cupboard containing a tall skeleton with goggling eye-sockets. With forefinger raised, warily pugnacious, he says: "You must know Doctor I have got a bit of a Confusion on my larboard cheek from a chance shot, and as I dont think it of consequence enough for our Ship's surgeon, I bore down to you, after overhauling a long list of your cures - but I suppose front the messmate in the Cabin there, you dont always make a return of the Killed and Wounded?" The doctor, in old-fashioned dress and wig, leans towards him with extended forefinger, saying, "Sir, my rule of practice is this, there is pen, ink, and paper, - sign a certificate of your cure, and I'll take you in hand immediately on paying down two Guineas!" A table with writing materials stands against the wall; on the floor is a crudely patterned carpet."--British Museum online catalogue
Description:
Title etched below image., Date of publication from British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. by T. Tegg, 111 Cheapside
Subject (Geographic):
Great Britain and Great Britain.
Subject (Topic):
Quacks and quackery, Skeleton, Costume, Sailors, Jargon (Terminology), Medical equipment & supplies, Nightsticks, Quacks, Skeletons, and Writing materials
A sailor with a bandaged eye consulting a mercenary medical practitioner. The sailor describes his medical history in nautical terms. He refers to a skeleton suspended in a cupboard as the doctor's "messmate". and "Sailor and quack face each other in a consulting room. The sailor (left) has a clumsy bandage over forehead, one eye, and left cheek; he is dressed as in British Museum Satires No. 10894; under his arm is a cudgel, and in his hand a paper headed 'List of Cures'. Behind him (left) is an open cupboard containing a tall skeleton with goggling eye-sockets. With forefinger raised, warily pugnacious, he says: "You must know Doctor I have got a bit of a Confusion on my larboard cheek from a chance shot, and as I dont think it of consequence enough for our Ship's surgeon, I bore down to you, after overhauling a long list of your cures - but I suppose front the messmate in the Cabin there, you dont always make a return of the Killed and Wounded?" The doctor, in old-fashioned dress and wig, leans towards him with extended forefinger, saying, "Sir, my rule of practice is this, there is pen, ink, and paper, - sign a certificate of your cure, and I'll take you in hand immediately on paying down two Guineas!" A table with writing materials stands against the wall; on the floor is a crudely patterned carpet."--British Museum online catalogue
Description:
Title etched below image., Date of publication from British Museum catalogue., Sheet trimmed within plate mark., and 1 print : etching, hand-colored ; plate mark 245 x 347 mm.
Publisher:
Pubd. by T. Tegg, 111 Cheapside
Subject (Geographic):
Great Britain and Great Britain.
Subject (Topic):
Quacks and quackery, Skeleton, Costume, Sailors, Jargon (Terminology), Medical equipment & supplies, Nightsticks, Quacks, Skeletons, and Writing materials
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Sailor and quack face each other in a consulting room. The sailor (left) has a clumsy bandage over forehead, one eye, and left cheek; he is dressed as in British Museum Satires No. 10894; under his arm is a cudgel, and in his hand a paper headed 'List of Cures'. Behind him (left) is an open cupboard containing a tall skeleton with goggling eye-sockets. With forefinger raised, warily pugnacious, he says: "You must know Doctor I have got a bit of a Confusion on my larboard cheek from a chance shot, and as I dont think it of consequence enough for our Ship's surgeon, I bore down to you, after overhauling a long list of your cures - but I suppose front the messmate in the Cabin there, you dont always make a return of the Killed and Wounded?" The doctor, in old-fashioned dress and wig, leans towards him with extended forefinger, saying, "Sir, my rule of practice is this, there is pen, ink, and paper, - sign a certificate of your cure, and I'll take you in hand immediately on paying down two Guineas!" A table with writing materials stands against the wall; on the floor is a crudely patterned carpet."--British Museum online catalogue, description of a variant state
Description:
Title etched below image., Date of publication from British Museum catalogue., Plate numbered "303" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately., For a variant state lacking plate number, see no. 10896 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., 1 print : etching on wove paper, hand-colored ; plate mark 24.7 x 35.1 cm, on sheet 25.6 x 41.8 cm., Watermark: 1817., and Leaf 3 in volume 5.
Publisher:
Pubd. by T. Tegg, 111 Cheapside
Subject (Topic):
Medical equipment & supplies, Nightsticks, Quacks, Sailors, Skeletons, and Writing materials
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Sailor and quack face each other in a consulting room. The sailor (left) has a clumsy bandage over forehead, one eye, and left cheek; he is dressed as in British Museum Satires No. 10894; under his arm is a cudgel, and in his hand a paper headed 'List of Cures'. Behind him (left) is an open cupboard containing a tall skeleton with goggling eye-sockets. With forefinger raised, warily pugnacious, he says: "You must know Doctor I have got a bit of a Confusion on my larboard cheek from a chance shot, and as I dont think it of consequence enough for our Ship's surgeon, I bore down to you, after overhauling a long list of your cures - but I suppose front the messmate in the Cabin there, you dont always make a return of the Killed and Wounded?" The doctor, in old-fashioned dress and wig, leans towards him with extended forefinger, saying, "Sir, my rule of practice is this, there is pen, ink, and paper, - sign a certificate of your cure, and I'll take you in hand immediately on paying down two Guineas!" A table with writing materials stands against the wall; on the floor is a crudely patterned carpet."--British Museum online catalogue, description of a variant state
Description:
Title etched below image., Date of publication from British Museum catalogue., Plate numbered "303" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately., For a variant state lacking plate number, see no. 10896 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., and Watermark: 1813.
Publisher:
Pubd. by T. Tegg, 111 Cheapside
Subject (Topic):
Medical equipment & supplies, Nightsticks, Quacks, Sailors, Skeletons, and Writing materials
"A young woman, three-quarter length, sitting at a table, directed to right, wearing jewels in her hair, a portrait on a ribbon around her wrist, and a fur tippet, right hand holding a quill, resting on a sheaf of papers, left elbow on a box on the table, the hand supporting her head, looking dreamily to right, lit by a table lamp to right."--British Museum online catalogue
Description:
Title from item., Publication date inferred from dates of business of publishers., Sitter identified in an unverified card catalog record as Peg Woffington., Not in J.C. Smith's British mezzotinto portraits. London : Henry Sotheran & Co., 1883., Temporary local subject terms: Female dress, ca. 1755 -- Lighting: lamp -- Writing implements: inkwell -- Miniatures worn as jewelry., and Printseller's stamp in lower right corner: S.W.F.
Publisher:
Sold by Edwd. Fisher in Leicester Fields & by Ryland & Bryer in Cornhill
Darly, Matthias, approximately 1720-approximately 1778, printmaker
Published / Created:
[1772]
Call Number:
772.00.00.06 Impression 1
Image Count:
1
Resource Type:
still image
Abstract:
"From the first page of the second part of 'The Theatres', see British Museum Satires No. 5063, which is an attack on Colman and Covent Garden. Colman sits on the lap of Mother Shipton, in his right hand is a harlequin's sword, in his left, a paper inscribed "For wooden Sword I've chang'd my useless Pen I ne'er could Write & Hate all writing Men". A ribbon sash with long ends is round his waist from which hangs a child's coral and bells. At his feet lies a bundle of pens. He looks towards Harlequin (left) who is trampling on three books inscribed "Shak ...", "Johns ..." [Jonson], and "Shake..." "Mother Shipton", in conical hat and ruff, has a walking-stick in her left hand, her right. is over Colman's shoulder; she says: "Oh my Coly my Coly oh my Coly my Deary". Across the engraving is printed, "Bad has begun and worse remains behind". On the back is part of the poem: "See curious Colman negligent of merit, Of Tragic energy and comic spirit Palm on his servile partners, and the town, Abject and vile dependents of his own"."--British Museum online catalogue
Description:
Title from item., Publication place and date inferred from that of the book for which this plate was an illustration., Image cut out of the page., Illustration from: The theatres. A poetical dissection. By Sir Nicholas Nipclose, Baronet / Francis Gentleman (1728-1784). London : printed for John Bell, and C. Etherington, at York, 1772, page 63., and Temporary local subject terms: Toys: coral and bells -- Quill pens -- Theater: Covent Garden -- Allusion to William Shakespeare plays -- Allusion to Samuel Johnson's edition of Shakespeare's plays -- Literature: quotation from Shakespeare's Hamlet, iii.4.
Publisher:
publisher not identified
Subject (Name):
Colman, George, 1732-1794 and Shipton, Mother (Ursula)
Subject (Topic):
Harlequin (Fictitious character), Toys, and Writing materials
Title derived by curator from caption., Date of publication and subject's full name taken from copy in Metropolitan Museum of Art., Place of publication derived from language of text., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Name):
Liebschern, Johanna Sophia.
Subject (Topic):
Anomalies, Human curiosities, Handguns, Writing materials, and Hats
"Ritson stands at a desk in profile to the Ieft, writing in a large book, both pages headed 'Common Place'. His finger- and toe-nails are talons; he dips his pen in an ink-stand inscribed 'Gall', and has written: 'Moses an Impostor the prophets old Cloaths Men of Judæa Warburton a fool Dr Percy a Liar Warton an infamous Liar a pipeer [Ritson adopted a system of spelling chiefly characterized by a duplication of the letter e. 'D.N.B.'] better than a parson'. He wears a tightly buttoned overcoat and a top-hat; his toes project through broken shoes. From his pocket projects a pamphlet: 'The Atheist's pocket Companion.' He stands on a slab of (damaged) papers headed 'Dr Percy's Antient Balla[ds]'. his feet is a large open book; on one page is a half length portrait of Thomas Warton stabbed through with a knife and fork; on the other, 'History of English Poetry'. The room is filled with heavy folio volumes and vegetable products; there is a small window with cracked panes. A cow (head only visible) munches at a basket of large leaves beside a paper: 'Bill of Fare \ Nettle Soup \ Sour Crout \ Horse Beans \ Onions Leeks'. On a top shelf an emaciated cat, heavily chained, strains in vain towards two rats who nibble a bunch of candles; beside it is an open book: 'Abstinence from animal Food a moral duty'. Below, 'The Bible' slants across a gap in the book-shelf labelled 'Old Romances'. On Ritson's desk (left) is a pile of books on which squats a frog; on it vegetables are heaped."--British Museum online catalogue
Alternative Title:
Impiger iracundus, inexorabilis acer
Description:
Title from British Museum catalogue., Signed with the initials of James Sayers., One line of Latin verse below image: Impiger iracundus, inexorabilis acer [Horace, Ars Poetica]., One line of Greek text below Latin verse., Four lines of English text above imprint: Fierce meagre pale no commentator's friend. Purs. Lit. Let his portion be with the beasts in the grass of the Earth ..., Temporary local subject terms: Ink well -- 'Common Place' -- Iron gall ink., and Mounted on page 100.
Publisher:
Published by H. Humphrey
Subject (Name):
Ritson, Joseph, 1752-1803
Subject (Topic):
Desks, Writing materials, Books, Vegetables, Cows, Cats, Rats, Frogs, Vegetarians, and British
"Ritson stands at a desk in profile to the Ieft, writing in a large book, both pages headed 'Common Place'. His finger- and toe-nails are talons; he dips his pen in an ink-stand inscribed 'Gall', and has written: 'Moses an Impostor the prophets old Cloaths Men of Judæa Warburton a fool Dr Percy a Liar Warton an infamous Liar a pipeer [Ritson adopted a system of spelling chiefly characterized by a duplication of the letter e. 'D.N.B.'] better than a parson'. He wears a tightly buttoned overcoat and a top-hat; his toes project through broken shoes. From his pocket projects a pamphlet: 'The Atheist's pocket Companion.' He stands on a slab of (damaged) papers headed 'Dr Percy's Antient Balla[ds]'. his feet is a large open book; on one page is a half length portrait of Thomas Warton stabbed through with a knife and fork; on the other, 'History of English Poetry'. The room is filled with heavy folio volumes and vegetable products; there is a small window with cracked panes. A cow (head only visible) munches at a basket of large leaves beside a paper: 'Bill of Fare \ Nettle Soup \ Sour Crout \ Horse Beans \ Onions Leeks'. On a top shelf an emaciated cat, heavily chained, strains in vain towards two rats who nibble a bunch of candles; beside it is an open book: 'Abstinence from animal Food a moral duty'. Below, 'The Bible' slants across a gap in the book-shelf labelled 'Old Romances'. On Ritson's desk (left) is a pile of books on which squats a frog; on it vegetables are heaped."--British Museum online catalogue
Alternative Title:
Impiger iracundus, inexorabilis acer
Description:
Title from British Museum catalogue., Signed with the initials of James Sayers., One line of Latin verse below image: Impiger iracundus, inexorabilis acer [Horace, Ars Poetica]., One line of Greek text below Latin verse., Four lines of English text above imprint: Fierce meagre pale no commentator's friend. Purs. Lit. Let his portion be with the beasts in the grass of the Earth ..., Temporary local subject terms: Ink well -- 'Common Place' -- Iron gall ink., and Mounted to 42 x 32 cm.
Publisher:
Published by H. Humphrey
Subject (Name):
Ritson, Joseph, 1752-1803
Subject (Topic):
Desks, Writing materials, Books, Vegetables, Cows, Cats, Rats, Frogs, Vegetarians, and British
"Ritson stands at a desk in profile to the Ieft, writing in a large book, both pages headed 'Common Place'. His finger- and toe-nails are talons; he dips his pen in an ink-stand inscribed 'Gall', and has written: 'Moses an Impostor the prophets old Cloaths Men of Judæa Warburton a fool Dr Percy a Liar Warton an infamous Liar a pipeer [Ritson adopted a system of spelling chiefly characterized by a duplication of the letter e. 'D.N.B.'] better than a parson'. He wears a tightly buttoned overcoat and a top-hat; his toes project through broken shoes. From his pocket projects a pamphlet: 'The Atheist's pocket Companion.' He stands on a slab of (damaged) papers headed 'Dr Percy's Antient Balla[ds]'. his feet is a large open book; on one page is a half length portrait of Thomas Warton stabbed through with a knife and fork; on the other, 'History of English Poetry'. The room is filled with heavy folio volumes and vegetable products; there is a small window with cracked panes. A cow (head only visible) munches at a basket of large leaves beside a paper: 'Bill of Fare \ Nettle Soup \ Sour Crout \ Horse Beans \ Onions Leeks'. On a top shelf an emaciated cat, heavily chained, strains in vain towards two rats who nibble a bunch of candles; beside it is an open book: 'Abstinence from animal Food a moral duty'. Below, 'The Bible' slants across a gap in the book-shelf labelled 'Old Romances'. On Ritson's desk (left) is a pile of books on which squats a frog; on it vegetables are heaped."--British Museum online catalogue
Alternative Title:
Impiger iracundus, inexorabilis acer
Description:
Title from British Museum catalogue., Signed with the initials of James Sayers., One line of Latin verse below image: Impiger iracundus, inexorabilis acer [Horace, Ars Poetica]., One line of Greek text below Latin verse., Four lines of English text above imprint: Fierce meagre pale no commentator's friend. Purs. Lit. Let his portion be with the beasts in the grass of the Earth ..., Temporary local subject terms: Ink well -- 'Common Place' -- Iron gall ink., 1 print : etching and aquatint on wove paper ; plate mark 26.6 x 20.5 cm, on sheet 28.3 x 21.3 cm., and Mounted on leaf 80 of James Sayers's Folio album of 144 caricatures.
Publisher:
Published by H. Humphrey
Subject (Name):
Ritson, Joseph, 1752-1803
Subject (Topic):
Desks, Writing materials, Books, Vegetables, Cows, Cats, Rats, Frogs, Vegetarians, and British
