Title supplied by curator., Original painting also known as "The Alchemist"., Date supplied by cataloger., Place of publication derived from artist's place of residence., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., Temporary local Medical Library subject terms: Office, interior., and Title in pencil in margin.
Publisher:
publisher not identified
Subject (Topic):
Physicians, Old age, Medical offices, Skulls, Older people, Books, Hourglasses, and Writing materials
Volume 1, page 161. Catalogue of the classic contents of Strawberry Hill collected by Horace
Image Count:
1
Resource Type:
still image
Abstract:
The auctioneer George Robins is shown full-length in profile to the left, sitting at a small table draped with a tablecloth, an inkwell and a goblet on the table in front of him. He sits on the 16th-century oak chair from Glastonbury Abbey, an item from Horace Walpole's collection at Strawberry Hill that Robins auctioned off in 1842
Description:
Title devised by cataloger., Signed with initials and dated by the artist in lower left corner of image., and Bound in as page 161 in volume 1 of Thomas Mackinlay's extra-illustrated copy of A catalogue of the classic contents of Strawberry Hill collected by Horace Walpole.
Subject (Name):
Robins, George Henry, 1777-1847, and Strawberry Hill (Twickenham, London, England)
Subject (Topic):
Auctioneers, Tables, Chairs, Writing materials, and Drinking vessels
Page 65. Catalogue of the classic contents of Strawberry Hill.
Image Count:
1
Resource Type:
still image
Abstract:
The auctioneer George Robins is shown full-length in profile to the left, sitting at a small table draped with a tablecloth, an inkwell and a goblet on the table in front of him. He sits on the 16th-century oak chair from Glastonbury Abbey, an item from Horace Walpole's collection at Strawberry Hill that Robins auctioned off in 1842
Description:
Title devised by cataloger., Signed in lower left corner with the initials of artist E. Bell., Date of production based on the 1842 publication date of the Strawberry Hill sale catalogue, into which this drawing was inserted as an illustration., Mounted with a clipped facsimile signature of George Robins, a clipping about Robins having "assumed for his throne the very ancient chair of oak once pertaining to Glastonbury Abbey", and another clipping about the chair itself., and Mounted on page 65 in an extra-illustrated copy of A catalogue of the classic contents of Strawberry Hill.
Subject (Name):
Robins, George Henry, 1777-1847, and Strawberry Hill (Twickenham, London, England)
Subject (Topic):
Auctioneers, Tables, Chairs, Writing materials, and Drinking vessels
Page 540. Catalogue of the classic contents of Strawberry Hill.
Image Count:
1
Resource Type:
still image
Abstract:
The auctioneer George Robins is shown half-length, sitting at a large table with pen in hand, several leaves of paper in front of him
Description:
Title devised by cataloger., Artist E. Bell's name is written in lower left corner of a separate sheet mounted below drawing. This separate sheet also contains a signed autograph letter from Thomas Dodd to an unidentified recipient., Date of production based on the 1842 publication date of the Strawberry Hill sale catalogue, into which this drawing was inserted as an illustration., and Mounted on page 540 in an extra-illustrated copy of A catalogue of the classic contents of Strawberry Hill.
Volume 4, page 26. Catalogue of the classic contents of Strawberry Hill collected by Horace Walpole.
Image Count:
1
Resource Type:
still image
Abstract:
The auctioneer George Robins is shown half-length, sitting at a large table with pen in hand, several leaves of paper in front of him
Description:
Title devised by cataloger., Signed with initials and dated by the artist in lower left corner of image., and Bound in as page 26 in volume 4 of Thomas Mackinlay's extra-illustrated copy of A catalogue of the classic contents of Strawberry Hill collected by Horace Walpole.
Plate [115] Plate in: Series of one hundred and ninety-six engravings, (in the line manner) by the
Image Count:
1
Resource Type:
still image
Abstract:
"Vignette to Bowyer's edition of Hume's 'History of England'; a plinth standing under a palm tree with portrait medallions of Paris, Bodley, Camden, Speed and Stow, surmounted by a bust of Buchanan, scrolls and inkstands in the foreground, bushes in background."--British Museum online catalogue
Description:
Title from catalogue., Sheet trimmed within plate mark on three sides., and Plate [115] in a volume bound to 50 cm.
Title in pen, lower margin., Date from item., Place of publication derived from printmaker's place of residence., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Name):
Jerome, Saint, -419 or 420.
Subject (Topic):
Saints, Skulls, Lions, Crucifixes, and Writing materials
Title supplied by curator., After the painting, "The Apothecary" of ca. 1661, held in the Louvre., Date derived from date of original painting., Place of publication derived from artist's country of residence., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., Illegible pencil notation on verso., and Stamp of Alfred Misch on verso.
Publisher:
publisher not identified
Subject (Topic):
Physicians, Mortars & pestles, Globes, Bottles, Pharmacists, and Writing materials
The interior of a bare and plainly furnished room in a country inn; a number of middle-aged and plainly dressed men stand waiting for dinner to be served. Through a door in the back wall a serving-boy enters with a tureen, followed by a stout woman carrying a turkey, who is followed by a man-servant. A man (left), wearing spurred jack-boots, stands in profile to the left to hang his hat on a peg. He faces a framed notice which has not yet been filled in with text as in the finished version. In the centre two men, one wearing top-boots, the other in quasi-military dress, face each other, grinning. A third, with a pen and ink-horn at his buttonhole, tries to insinuate himself into the conversation. On the right a stout man stands at a table before a punch-bowl and a sugar-basin: his hands are folded and his eyes closed as if in prayer. Beside and behind him a man with a bottle in one hand sniffs at another bottle (both later labeled in final state). An irate man (left) stands at the end of the table, watch in hand. Above the door a picture of a mounted huntsman hangs askew. On the wall are (left) hats and sticks, (right) a map of the world in two hemispheres
Description:
Title, printmaker, artist, and publication information from later state in the British Museum catalogue., An early state, possibly a proof before letters for a later state with the imprint "London, Publish'd June 26th, 1788, by W. Dickinson, engraver, No. 158 Bond Street" and with the framed notice in the left part of the design expanded and filled with etched text, see no. 7452 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Sheet trimmed to design., and Watermark.
A young woman, viewed in profile, sits on a stool reading a book as Cupid, with his bow in hand, reaches to touch her with his arrow turning to smile at the viewer as he does so. In front of the woman is a table with more books, paper, and a feather pen in an ink well as well as an oil lamp. To the left on the ground is a large urn
Description:
Title and publication date assigned by curator.
Publisher:
publisher not identified
Subject (Topic):
Books, Cupids, Lamps, Reading, Women, Vases, and Writing materials