An illustration to Smollett's Adventures of Roderick Random: Inside Surgeons Hall, the scene showing doctors around a table on which lies a skull. On the walls, placards wtih describing fees and another "Corporation of Surgeons"; on the left hands a skeleton.
Alternative Title:
Hogarthian novelist ; plate 3
Description:
Lower right corner: Vide Roderick Random, Vol. I, Chap. XVII., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Title etched below image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Collings, Samuel, artist., Harvey, Francis--Ownership., and Smollett, T.--(Tobias),--1721-1771.--Adventures of Roderick Random--Illustrations.
Subject (Topic):
Barbers., Medical education., Physicians. , Signs (Notices), Skeletons., and Skulls.
"An elderly woman (left) clasps her head in despair and looks up, away from the body of a tiny dog (King Charles spaniel) which a [black] liveried footman holds on a cushion. Both are three-quarter length. Beneath the design: 'This Passion is represented by an Old Maid, who is rendered completely miserable by the death of her favorite Lap-dog.'"--British Museum online catalogue.
Description:
Plate from a series of twenty without letterpress: Le Brun travested, or, Caricatures of the passions / design'd by G.M. Woodward and etch'd by T. Rowlandson. London : Pubd. 21 Jany. 1800 at R. Ackermann''s Repository of Arts, 101 Strand., Plate numbered 'No. 12' in upper right corner., Title etched above image., and Two lines of text below image: This passion is represented by an old maid who is rendered completely miserable by the death of her favorite lap-dog.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Subject (Topic):
Death., Dogs., Older people. , Servants., and Single women.
In the foreground, two women help a third terrified down the steps of a cabana and into the water. Two other women watch from inside; all are naked except for one of the women who pulls the woman into the water. A similar scene takes place in the distance; the cabana in the distance is marked "Margate mach[ine]".
Description:
For reissue of print published in 1802, see Grego, J. Rowlandson the caricaturist, v. 2, page 41., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Title etched below image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., and Harvey, Francis--Ownership.
Subject (Topic):
Cabanas., Fear., Health resorts., Margate (England), Nudes., and Swimming.
"The scene is the throne-room in the Tuileries, indicated by a part of the throne on its dais on the extreme right, on which are the (discarded) throne and sceptre, and by a large whole length portrait of Louis XVIII, scowling and caricatured, inscribed 'Louis le Bien Aimé'. Napoleon as Harlequin (as in British Museum Satires Nos. 10060, 12515), in parti-coloured tights, a dagger in each hand, leaps through an opening cut in the canvas, hounded by the monarchs of Europe. The portrait (right) shows the fat king holding orb and sceptre, with eyes closed or downcast. The canvas from waist to knees of the portrait is cut neatly away, leaving the King's gouty feet resting squarely on a footstool. Just behind Harlequin is the fat King of Würtemberg on his knees (and paunch) firing a pair of pistols at the fugitive. Across his posterior is the word 'Clown'. Beside him Ferdinand of Spain falls backwards, overbalanced by an attempt to kick ; his crown falls off and he flourishes a sword. He is identified by his slashed doublet, cloak, and flapped boots. Behind (left) a fat powerful Cossack, representing Russia, prods Napoleon with his long spear. He wears a fur cap, trousers tucked into his boots, and has a pair of pistols in his belt. Farther back is the Emperor of Austria wearing a wallet inscribed 'Pantaloon'. He is bearded, slippered, spectacled, and lean, wearing a crown and a dressing-gown. He shuffles forward with clenched fists, holding a dagger. On the extreme left is the Pope, wearing a mitre and holding a headsman's axe against his shoulder. Other figures are nearer the wall which forms a background. Foremost of these is the King of Prussia, close behind Napoleon and firing a blunderbuss. Next is the grotesque Dutchman who stands for the new King of Holland, smoking a pipe, and firing a musket with a fiercely intent expression. Three unidentified crowned heads, and a sharp profile ( ? Bernadotte) with bayonets and spear, and an arm holding up a spiked club make up the crowd of attackers. One of the monarchs takes down from the wall (or hangs up) a three-quarter length portrait of 'Columbine', a young woman with a feathered hat and plump arms held akimbo. She is either Marie Louise (as in British Museum Satires No. 12515), or, according to Broadley, the Duchesse d'Angoulême, an identification supported by the position of her portrait in the same room as that of Louis XVIII."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue., Title etched below image., and Two lines of text below title: With entire new music, dances, dresses, scenery, machinery &c &c. The principle [sic] characters to be supported by most of the great potentates in Europe, Harlequin by Mr. Napoleon, Clown by King Wirtemberg, Pantaloon Emperor of Austria. To conclude with a comic song to be sung by the Pope and a grand chorus by the crown'd heads. Vivant Rex et Regina.
Publisher:
R. Ackermann, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Angoulême, Marie-Thérèse Charlotte,--duchesse d',--1778-1851--Caricatures and cartoons., Auchincloss, Hugh Dudley--Ownership., Charles--XIV John,--King of Sweden and Norway,--1763-1844--Caricatures and cartoons., Ferdinand--VII,--King of Spain,--1784-1833--Caricatures and cartoons., Francis--I,--Emperor of Austria,--1768-1835--Caricatures and cartoons., Frederick William--III,--King of Prussia,--1770-1840--Caricatures and cartoons., Frederick--I,--King of Württemberg,--1754-1816--Caricatures and cartoons., Harvey, Francis--Ownership., Louis--XVIII,--King of France,--1755-1824--Caricatures and cartoons., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., and Pius--VII,--Pope,--1742-1823--Caricatures and cartoons.
"Two profile heads in proximity. A poor woman wearing a plain straw hat (right) looks with anxious supplication at the hideous face of a woman wearing vulgar finery and jewelry, her hands in a muff. The latter scowls contemptuously, with closed eyes. Beneath the design: 'This Passion is frequently brought forward when a rich old Dowager meets a poor relation.'"--British Museum online catalogue.
Description:
"No. 15.", Plate from a series of twenty without letterpress: Le Brun travested, or, Caricatures of the passions / design'd by G.M. Woodward and etch'd by T. Rowlandson. London : Pubd. 21 Jany. 1800 at R. Ackermann''s Repository of Arts, 101 Strand., Title and plate number etched above image., and Two lines of text below image: This passion is frequently brought forward when a rich old dowager meets a poor relation.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Subject (Topic):
Earrings., Muffs., Necklaces., Pleading (Begging), and Widows.
"Scene at the door of a rustic inn. Two soldiers (seated) and a handsome girl drink punch together. She stands, wearing the cocked hat and sword-belt of an officer who holds her hand; a child plays with the sword. An old woman chalks up the score. A bugler (left) rides off with a led horse. The sign is the 'King's Head', a profile portrait of George III."--British Museum online catalogue.
Description:
Companion print to: He won't be a soldier., Plate numbered "No. 1" above title., Temporary local subject terms: Buildings: inns -- Serving maids -- Military uniforms: officers' uniforms -- Soldiers: bugler -- Children -- Inns: King's Head -- Pictures: portrait of George III -- Emblems: horseshoe., and Title etched below image.
"A man in neat riding-dress falls head first from a horse which is falling on its head, while a dog springs at it savagely. Another rider (right), whose horse is trotting, slips from the saddle clasping the animal's head. Both are bad riders, and probably 'cits', cf. (e.g.) British Museum Satires no. 7233. A mile-stone (right) is inscribed 'To Rumpford'. Cf. British Museum Satires no. 9465."--British Museum online catalogue.
Description:
Attributed to Rowlandson by Grego., One of a group of prints on the topic of "miseries," etched by Rowlandson and issued in several series by Ackermann, that were later collected and published as the volume: Rowlandson, T. Miseries of human life. [London] : Published December 14, 1808, by R. Ackermann ..., [1808]. See British Museum catalogue and Grego., Publisher and date of publication from the British Museum online catalogue., and Title etched below image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., and Harvey, Francis--Ownership.
A fat woman sits on a sofa next to a thin man as she sings and plays a lute, apparently very badly given the pained look on the man's face.
Description:
"Price 1/col.", Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Plate numbered 'No. 4' in upper right corner., Printmaker from Grego., and Title etched below image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., and Harvey, Francis--Ownership.
"A woman wearing a mob-cap, with tongue protruding and eyes wide, grasps her husband's left ear and raises a cudgel to strike him."--British Museum online catalogue.
Description:
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Plate from a series of twenty without letterpress: Le Brun travested, or, Caricatures of the passions / design'd by G.M. Woodward and etch'd by T. Rowlandson. London : Pubd. 21 Jany. 1800 at R. Ackermann''s Repository of Arts, 101 Strand., Plate numbered 'No. 11' in upper right corner., Three lines of text below image: A termagent wife, a henpeck'd husband & a cudgel are three principal ingredients for bringing forward the passion of simple bodily pain, as may an unfortunate sufferer can witness., and Title engraved above image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
