A hunger boy (left) holding the string of a bag over his shoulder, scratches his hair under his hat, as he looks in a window. On the otherside of the window, a grinning cook holds up a large plum pudding on a platter.
Description:
“No. 7”--Upper right corner above image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Children -- Cooks -- Hunger., Three lines of text below image: Various are the ways this passion might be depicted, in this delineation the subjects chosen are simple -- a hungry boy -- and a plumb pudding., and Title etched above image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
"Two juxtaposed but unrelated half length figures, a man (right) and woman, with expressions of angry despair, anger prevailing in the woman's face. Beneath the design: 'A disappointed Old Maid & Bachelor, are selected as proper Subjects to represent the Passion of Despair.'"--British Museum online catalogue.
Description:
Plate from a series of twenty without letterpress: Le Brun travested, or, Caricatures of the passions / design'd by G.M. Woodward and etch'd by T. Rowlandson. London : Pubd. 21 Jany. 1800 at R. Ackermann''s Repository of Arts, 101 Strand., Plate numbered 'No. 20' in upper right corner., Title engraved above image., and Two lines of text below image: A disappointed old maid & bachelor are selected as proper subjects to represent the passion of despair.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Ackermann, Rudolph,--1764-1834--Stamp., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Subject (Topic):
Bachelors. , Despair., Older people. , and Single women.
"A pretty young maidservant stands on a doorstep (right) while a man, Irish in appearance, gazes insinuatingly into her face as he fills her bowl with brick-dust from a jar. He has an ass which stands patiently, a double sack pannier-wise across his back and a second jar or measure standing on the sack. The profile of a shrewish old woman looks through the door at the couple, who are intent on each other. A dog barks at the girl. Behind is a street, the nearer houses tall the farther ones lower and gabled. At the doorway opposite a woman appears to be giving food to a poor woman and child. A man and woman lean from the attic windows of adjacent houses to converse. A little chimney-sweep emerges from a chimney, waving his brush."--British Museum online catalogue.
Attributed to Rowlandson by Grego., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Six lines of text in two columns on either side of title: High o'er the gaping crowd, on market day, ..., and Title etched below image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., and Harvey, Francis--Ownership.
"A man with a prodigious stomach and projecting nose and mouth stands at left in profile, opposite an elderly woman whose profile is shaped to accommodate his, having a crescent face with projecting forehead and chin, her body bent back and curved in at the waist and stomach, with bent knees."--British Museum online catalogue.
Description:
"Man is the only creature endowed with the power of laughter, is he not also the only one that deserves to be laughed at?"--Text below title., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Title etched below image.
Date from alternate state. See The Lewis Walpole Library, call no. 799.09.10.02., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Series title and number etched above image., Temporary local subject terms: Doctors -- Medicine bottles -- Food: reference to beans & bacon., and Title etched below image.
Publisher:
R. Ackerman, no. 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Seeing a little rascally bright eyed mouse enter your chamber ...
Description:
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Probably one of a group of prints on the topic of "miseries," etched by Rowlandson and issued in several series by Ackermann, that were later collected and published as the volume: Rowlandson, T. Miseries of human life. [London] : Published December 14, 1808, by R. Ackermann ..., [1808]. See no. 10815 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Three lines of text below title: Seeing a little rascally bright eyed mouse enter your chamber, which you have cursed through many a sleepless night ..., and Title etched below image.
Publisher:
1807
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., and Harvey, Francis--Ownership.
"Scene within the drawing school at the Royal Academy; a male life model poses while the academicians sit in a semi circle drawing, a large lamp above model directs light onto the subject; busts and other sculptures line walls of the room."--British Museum online catalogue.
Description:
Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 1, opposite page 9., Plate numbered in upper right, above image: Plate 1., and Title etched below image.
Publisher:
R. Ackermann's Repository of the Arts, 101 Strand
Subject (Geographic):
London (England)--Pictorial works.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Bluck, John (Printmaker), printmaker., Harvey, Francis--Ownership., Pugin, Augustus, 1762-1832, artist., Royal Academy of Arts (Great Britain), and Somerset House (London, England)
"Napoleon lies in bed, with a fat Dutchman seated on his chest, puffing tobacco smoke at his face, and saying "Orange Boven." He grips Napoleon's neck between his legs; the two men face each other in profile, one staring up, terrified, the other looking down. Napoleon's right arm hangs down from the bed, his fist is clenched, his feet (right), with crisped toes, project from under the coverlet. The Dutchman wears a high-crowned hat, with a large (orange) cockade, and bulky breeches; his left hand is in his breeches pocket. The curtains and counterpane are patterned with eagles; the curtains hang from a circular canopy topped by a large crown and a trophy of sword, sceptre, and eagle. They are drawn aside to frame the two figures. On the fringed pelmet eagles alternate with crowns and a papal tiara, emblem of the humiliation of the Papacy. On the right stand two enormous fasces with projecting lictor's axes, the blades turned towards Napoleon. On a stool in front of the bed are the Emperor's bicorne and sword."--British Museum online catalogue.
Alternative Title:
Dutch nightmare, or, The fraternal hug returned with a Dutch squeeze and Fraternal hug returned with a Dutch squeeze
Description:
Printmaker from British Museum catalogue. and Title etched below image; letter "z" in final word "squeeze" is etched backwards.
Publisher:
R. Ackermann, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons.
