Our all to nothing and Old England's T totum being the Hanover bubble
Description:
Title etched below image., Publication date based on that of the edition described in the British Museum. Division I, political and personal satires, v. 3, no. 2589, Early state, without first part of title above image and asterisks on either side of T in the title below image. Cf. No. 2589 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., and Temporary local subject terms: Games: teetotum -- Musical instruments: flute -- Musicians: flutist -- Wigs: wig with a face on its back -- Expressions of speech: Hanover turnips, i.e., German policies of the King -- British lion -- Emblems: Austrian eagle -- Emblems: the White Horse of Hanover -- Emblems: Gallic cock -- Maps: Europe.
Publisher:
publisher not identified
Subject (Name):
Hanover, House of., George II, King of Great Britain, 1683-1760, William Augustus, Prince, Duke of Cumberland, 1721-1765, Argyle, John Campbell, Duke of, 1680-1743, Bedford, John Russell, Duke of, 1710-1771, Chesterfield, Philip Dormer Stanhope, Earl of, 1694-1773, Marlborough, Charles Spencer, Duke of, 1706-1758, Sandwich, John Montagu, Earl of, 1718-1792, and Carteret, John, Earl Granville, 1690-1763
Title from item., Publication date from British Museum catalogue., 'Price six pence'--Lower left corner of plate., Twelve lines of verse in two columns below title: Old I----y [i.e., Johnny] to show a most elegant tast [sic] in improveing his gardens purloind from the Wast ..., and Temporary local subject terms: Hounslow Heath -- Kingston -- Trades: Scotch gardener -- Gardens -- Domestic service: black servant -- Whitton -- Literature: Scotch Taste in Vistas by James Bramston, 1694?-1744.
"Satire on George II's wish for continuing British subsidies for Hanoverian forces in the war of Austrian Succesion, and the objections of some British politicians. In an open loggia on the left the king sits at a table, over which is spread a map of northern Europe on top of which is a teetotum, lettered "160,000 for year", the tip of which is pointing towards him. He exclaims to a group of politicians around the table that he has won the whole stake, "Je tire tous les enjeux, Tenez, la voici" . Across the table from him John Carteret, who has a second, anxious, face peering through the back of his wig, replies "Well thrown the Balance is on our Side to a T". Beside the king another politician, holding a pen, remarks "More money for the year, & you shall have a P[eace]". The Duke of Cumberland standing beside Carteret wit h his hand resting on his sword hilt says "Smart money I've ventured my Life", a man beside him tells him "You have fought bravely take H[a]n[ove]r". In the centre the British Lion lies on the Act of Settlement, his back piled high with papers lettered "Dains", "Hessians", "Austrean", "H[a]n[o]ve[ria]ns", "Vots of Ct", "Sinking F[un]d", "lottery tickets", "lott[ery] next year, for 16000,000". The white horse of Hanover rests his fore legs on top of these and above the Austrian eagle flies with the French cock on its back. The lion laments "I can Bear it no more I'll be Bubble'd no longer". A politician to the right of the lion moves as if to lighten its burden saying, "Poor Lion, wee shall Oppose this foul Play", another behind him , holding a commander's baton pushes forward saying "The English sav'd him, where was his H-gs" ; another, wearing a sash decorated with eagles, restrains him saying "1,000,000 is too much for Mercenaries", another politician reassures him that "G[o]d be prais'd they have preserv'd ye Balance in Europe"; in the background another says "D[a]m it the D[ice] is Loaded"."--British Museum online catalogue
Alternative Title:
Hanover bubble
Description:
Title engraved above image., Attributed on verso to George Bickham the younger?, Publication date from British Museum catalogue., Caption below image: Old E-l-d's*T*Totum, being the H-r bubble or our all to nothing., and Temporary local subject terms: Games: teetotum -- Musical instruments: flute -- Musicianas: flutist -- Wigs: wig with a face on its back -- Expressions of speech: Hanover turnips, i.e., German policies of the King -- British lion -- Emblems: Austrian eagle -- Emblems: the White Horse of Hanover -- Emblems: Gallic cock -- Maps: Europe.
Publisher:
publisher not identified
Subject (Name):
Hanover, House of., George II, King of Great Britain, 1683-1760, William Augustus, Prince, Duke of Cumberland, 1721-1765, Argyle, John Campbell, Duke of, 1680-1743, Bedford, John Russell, Duke of, 1710-1771, Chesterfield, Philip Dormer Stanhope, Earl of, 1694-1773, Marlborough, Charles Spencer, Duke of, 1706-1758, Sandwich, John Montagu, Earl of, 1718-1792, and Carteret, John, Earl Granville, 1690-1763
"Satire on George II's wish for continuing British subsidies for Hanoverian forces in the war of Austrian Succesion, and the objections of some British politicians. In an open loggia on the left the king sits at a table, over which is spread a map of northern Europe on top of which is a teetotum, lettered "160,000 for year", the tip of which is pointing towards him. He exclaims to a group of politicians around the table that he has won the whole stake, "Je tire tous les enjeux, Tenez, la voici" . Across the table from him John Carteret, who has a second, anxious, face peering through the back of his wig, replies "Well thrown the Balance is on our Side to a T". Beside the king another politician, holding a pen, remarks "More money for the year, & you shall have a P[eace]". The Duke of Cumberland standing beside Carteret wit h his hand resting on his sword hilt says "Smart money I've ventured my Life", a man beside him tells him "You have fought bravely take H[a]n[ove]r". In the centre the British Lion lies on the Act of Settlement, his back piled high with papers lettered "Dains", "Hessians", "Austrean", "H[a]n[o]ve[ria]ns", "Vots of Ct", "Sinking F[un]d", "lottery tickets", "lott[ery] next year, for 16000,000". The white horse of Hanover rests his fore legs on top of these and above the Austrian eagle flies with the French cock on its back. The lion laments "I can Bear it no more I'll be Bubble'd no longer". A politician to the right of the lion moves as if to lighten its burden saying, "Poor Lion, wee shall Oppose this foul Play", another behind him , holding a commander's baton pushes forward saying "The English sav'd him, where was his H-gs" ; another, wearing a sash decorated with eagles, restrains him saying "1,000,000 is too much for Mercenaries", another politician reassures him that "G[o]d be prais'd they have preserv'd ye Balance in Europe"; in the background another says "D[a]m it the D[ice] is Loaded"."--British Museum online catalogue
Alternative Title:
Hanover bubble
Description:
Title engraved above image., Attributed on verso to George Bickham the younger?, Publication date from British Museum catalogue., Caption below image: Old E-l-d's*T*Totum, being the H-r bubble or our all to nothing., Temporary local subject terms: Games: teetotum -- Musical instruments: flute -- Musicianas: flutist -- Wigs: wig with a face on its back -- Expressions of speech: Hanover turnips, i.e., German policies of the King -- British lion -- Emblems: Austrian eagle -- Emblems: the White Horse of Hanover -- Emblems: Gallic cock -- Maps: Europe., and With spine title: Caricatures anglaise 1740.
Publisher:
publisher not identified
Subject (Name):
Hanover, House of., George II, King of Great Britain, 1683-1760, William Augustus, Prince, Duke of Cumberland, 1721-1765, Argyle, John Campbell, Duke of, 1680-1743, Bedford, John Russell, Duke of, 1710-1771, Chesterfield, Philip Dormer Stanhope, Earl of, 1694-1773, Marlborough, Charles Spencer, Duke of, 1706-1758, Sandwich, John Montagu, Earl of, 1718-1792, and Carteret, John, Earl Granville, 1690-1763
"A broadside satirising Robert Walpole with an etching in two parts. In the left-hand scene Frederick, Prince of Wales, stands with the Duke of Argyll and other gentlemen, pointing to the left where George II embraces Britannia. In the foreground, the grotesque figure of Walpole, wearing a coronet, kneels holding in five hands, bags of French and Spanish gold and another lettered, "I am Lord Corruption". Behind him stands his daughter, Lady Mary, toying with a coronet. On the ground beside Walpole, the French cock perches on the back of the exhausted Imperial Eagle, but the British lion watching the conflict growls, "Now I'm rousing". In the background, the white horse of Hanover kicks a man off a high rock; the man cries, "I'm lost"; a ship lies at anchor off Cartagena observed from another high rock to right by Admiral Vernon whose impetus towards the city is restrained by General Wentworth; below these two men sits Admiral Haddock chained to a rock (a reference to the limitation of his resources in dealing with the combined Spanish and French Mediterranean fleets). In the right-hand scene Walpole raises his hands in horror at the appearance in a cloud of smoke of the ghost of Eustace Budgell who holds out a paper described in the verses to left as a "black Account ...Full twenty Winters of Misdeeds"; on the table at which Walpole is sitting is a large candlestick and letters addressed "A son Eminence" (Cardinal Fleury) and "à don [Sebastian] de la Quadra" and a book on "The Art of Bribery". Budgell's ghost raises his hand above his head to point at a scene of a beheading in the background above which flies Time while Justice sits on a column beside the scaffold and a crowd cheers below; over a doorway to right is a portrait of a Cardinal, presumably intended for Wolsey who is mentioned in the verses on the right. Engraved title and dedication to the Prince of Wales on a cloth above the scene supported by two putti; verses in two columns on either side condemning Walpole for his maladministration and celebrating the new prominence of the Prince of Wales and his followers; lines of music in two columns below the etching."--British Museum online catalogue and Also depicted the White Horse of the Hanover, British lion emblem, and
Description:
Title from caption above image., British Museum curator's note: "The Man in Blue" refers to "The Chinese Orphan", which was a anti-Walpole verse drama by William Hatchett, published in 1741., Engraved throughout, with illustration in top center and music below., For voice and harpsichord. Music on two staves with interlinear words. With caption above music: Set by Sigr. Plutone, 1st composer to the Infernal Shades., Thirty-four stanzas of song engraved on either side of image and music: One midnight, as the man in blue, sat pond'ring on his doom ..., Truman's notes about the print are shelved as: LWL Mss Group 1 File 4., Other notes identifying the figures in the print in unknown contemporary hand., and Imperfect: sheet trimmed within plate mark resulting in loss of imprint, text, and music of the song; sheet 28 x 32 cm, mounted to 33 x 45 cm.
Publisher:
Printed for Eliza Haywood at Fame in the Piazza, Covent Garden, and sold by the printsellers and pamphlet shops of London and Westminster, according to act of Parliament
Subject (Geographic):
Cartagena (Colombia) and Great Britain.
Subject (Name):
George II, King of Great Britain, 1683-1760, Argyle, John Campbell, Duke of, 1680-1743, Frederick Louis, Prince of Wales, 1707-1751, Walpole, Robert, Earl of Orford, 1676-1745, Budgell, Eustace, 1686-1737, Vernon, Edward, 1684-1757, Haddock, Nicholas, 1684-1757, Wolsey, Thomas, 1475?-1530, Wentworth, Thomas, active 1741, and Churchill, Mary Walpole, Lady, 1725?-1801,
Subject (Topic):
English West Indian Expedition, 1739-1742, History, Britannia (Symbolic character), Political corruption, Death (Personification), Bribery, Crowns, Decapitations, Ghosts, Justice, Putti, National emblems, British, French, Germany, and Spanish
"A broadside satirising Robert Walpole with an etching in two parts. In the left-hand scene Frederick, Prince of Wales, stands with the Duke of Argyll and other gentlemen, pointing to the left where George II embraces Britannia. In the foreground, the grotesque figure of Walpole, wearing a coronet, kneels holding in five hands, bags of French and Spanish gold and another lettered, "I am Lord Corruption". Behind him stands his daughter, Lady Mary, toying with a coronet. On the ground beside Walpole, the French cock perches on the back of the exhausted Imperial Eagle, but the British lion watching the conflict growls, "Now I'm rousing". In the background, the white horse of Hanover kicks a man off a high rock; the man cries, "I'm lost"; a ship lies at anchor off Cartagena observed from another high rock to right by Admiral Vernon whose impetus towards the city is restrained by General Wentworth; below these two men sits Admiral Haddock chained to a rock (a reference to the limitation of his resources in dealing with the combined Spanish and French Mediterranean fleets). In the right-hand scene Walpole raises his hands in horror at the appearance in a cloud of smoke of the ghost of Eustace Budgell who holds out a paper described in the verses to left as a "black Account ...Full twenty Winters of Misdeeds"; on the table at which Walpole is sitting is a large candlestick and letters addressed "A son Eminence" (Cardinal Fleury) and "à don [Sebastian] de la Quadra" and a book on "The Art of Bribery". Budgell's ghost raises his hand above his head to point at a scene of a beheading in the background above which flies Time while Justice sits on a column beside the scaffold and a crowd cheers below; over a doorway to right is a portrait of a Cardinal, presumably intended for Wolsey who is mentioned in the verses on the right. Engraved title and dedication to the Prince of Wales on a cloth above the scene supported by two putti; verses in two columns on either side condemning Walpole for his maladministration and celebrating the new prominence of the Prince of Wales and his followers; lines of music in two columns below the etching."--British Museum online catalogue and Also depicted the White Horse of the Hanover, British lion emblem, and
Description:
Title from caption above image., British Museum curator's note: "The Man in Blue" refers to "The Chinese Orphan", which was a anti-Walpole verse drama by William Hatchett, published in 1741., Engraved throughout, with illustration in top center and music below., For voice and harpsichord. Music on two staves with interlinear words. With caption above music: Set by Sigr. Plutone, 1st composer to the Infernal Shades., Thirty-four stanzas of song engraved on either side of image and music: One midnight, as the man in blue, sat pond'ring on his doom ..., and Numbered '113' in black ink in an unidentified hand.
Publisher:
Printed for Eliza Haywood at Fame in the Piazza, Covent Garden, and sold by the printsellers and pamphlet shops of London and Westminster, according to act of Parliament
Subject (Geographic):
Cartagena (Colombia) and Great Britain.
Subject (Name):
George II, King of Great Britain, 1683-1760, Argyle, John Campbell, Duke of, 1680-1743, Frederick Louis, Prince of Wales, 1707-1751, Walpole, Robert, Earl of Orford, 1676-1745, Budgell, Eustace, 1686-1737, Vernon, Edward, 1684-1757, Haddock, Nicholas, 1684-1757, Wolsey, Thomas, 1475?-1530, Wentworth, Thomas, active 1741, and Churchill, Mary Walpole, Lady, 1725?-1801,
Subject (Topic):
English West Indian Expedition, 1739-1742, History, Britannia (Symbolic character), Political corruption, Death (Personification), Bribery, Crowns, Decapitations, Ghosts, Justice, Putti, National emblems, British, French, Germany, and Spanish
"Satire on Robert Walpole at the time of his fall. Extended across a room is a large screen with twenty scenes described metaphorically in the text below. The scenes refer to instances of corruption and maladministration in his career: (1) three soldiers standing outside a prison referring to Walpole's alleged acceptance of a bribe in awarding two forage contracts for the army in Scotland when secretary of war in 1711 for which he was committed to the Tower; (2) a figure stretched across a screen indicating his "screening" of those involved in the South Sea Bubble; (3) a "Strumpet, called Corruption" with mitres and other symbols of office at her feet and Walpole at her side while "Pl[ace]m[e]n and Pensioners" gather around; (4) a snake-haired Fury drives men burdened with "Gin Act Dutys Taxes Debts"; (5) Walpole drives a chaise drawn by men instead of horses referring to the deeply unpopular Excise Scheme of 1733 and the Register Bill proposing the registration of seamen for defence purposes; (6) Walpole cutting in half a child representing the Sinking Fund; (7) Walpole embezzling public funds from chests in a strong room; (8) a hydra-headed Standing Army; (9) Walpole on his knees kissing the bare backside of Cardinal Fleury; (10) the "Mansion House" of the Constitution runs to ruin while (11) Walpole builds the splendid Houghton Hall for himself; (12) with the treaties of Hanover and Seville he inhibits the cause of Maria Theresa to the benefit of France and Spain; (13) "Spanish Depredeantions" of timber and cattle apparently in the Caribbean; (14) the export of "Wool to France"; (15) "Negotiations" with France and Spain in which Walpole frivolously blows bubbles, giving up all demands; (16) the Convention of the Pardo of 1738 which was condemned as making concessions to Spain; (17) the under-resourced War of Jenkins' Ear against Spain; (18) the "Spithead Expedition" of 1740 when the fleet was prevented from leaving port, allegedly by contrary orders rather than by unfavourable winds; (19) "His Flight", i.e. his resignation in February 1742, shown as a colossus cut in two and falling to earth while Walpole throws gold dust in the eyes of pursuers; (20) Walpole's "Trial", then in progress, before a committee of Parliament investigating aspects of his record in office shown here as resulting in his execution and the exposure of his severed head in the manner of a traitor. On either side of the screen large windows reveal a night sky in which, seen on the left, three men fly on a broomstick towards the moon; on the right, four others identify one of them as Walpole, one exclaiming "It must be the Comet", his neighbour, holding a telescope, "No! by Jove, tis Robin Goodfellow from R[i]chm[on]d", the third, "I wish the Telescope was a Gun". The Devil, smiling, peers from behind the screen muttering, "Hah! I shall have business here again." as he observes Walpole advising the king and his supporters, all wearing sashes. The king, sitting by a table on which burn two candles, asks, "What is to be done", to which Walpole replies, "Mix and divide them"; a gentleman responds, "tis good advice", another whose pockets are bulging, says, "I can keep up my Britches no longer"; another remarks, "this was an unlucky Change", to which a bishop replies, ""Yes - but I can change too". the Duke of Argyll and another gentleman approach from the left, the latter asks, "What think you?" to which Argyll replies, "I'll throw up tomorrow", referring to his impending resignation.Engraved inscriptions and title, and with letterpress text below in four columns."--British Museum online catalogue
Alternative Title:
Relapse
Description:
Title from item., 'Price 6 pence'--Lower right corner of plate., Letterpress broadside with etching at top of sheet (plate mark 21 x 35 cm). Letterpress overlaps the lower plate line., Four columns of text entitled "Explanation of the screen": 1. He is sent to gaol for selling oats and hay out of his Lady's stables. Getting at liberty again, he transforms himself ..., Cf. No. 2559 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., Bowditch's ms. annotations on the mounting sheet; mounted to 33 x 48 cm., and Watermark.
Publisher:
Publish'd April 12, 1742, by J. Huggonson, in Sword-and-Buckler Court, on Ludgate Hill
Subject (Name):
George II, King of Great Britain, 1683-1760, Caroline, Queen, consort of George II, King of Great Britain, 1683-1737, Walpole, Robert, Earl of Orford, 1676-1745, Fleury, André Hercule de, 1653-1743, and Argyle, John Campbell, Duke of, 1680-1743
Title from item., Publication date from British Museum catalogue., Quotation below title: He hath swallowed down riches and he shall vomit them up again ..., Temporary local subject terms: Bible: quotation from Job xx.15 -- Elections: Westminster election, 1742 -- Elections: Chippenham election, 1742 -- Medical: vominting -- Medical implements: drenching horn., Bowditch's ms. annotations on the mounting sheet., and Mounted to 32 x 48 cm.
Publisher:
publisher not identified
Subject (Name):
George II, King of Great Britain, 1683-1760, Argyle, John Campbell, Duke of, 1680-1743, Compton, Spencer, Earl of Wilmington, 1673?-1743, Winchilsea, Daniel Finch, Earl of, 1689-1769, Lee, George, Sir, 1700-1758, Ombersley, Samuel Sandys, Baron of, 1695-1770, Smalbroke, Richard, 1672-1749, Thomas, John, 1691-1766, and Walpole, Robert, Earl of Orford, 1676-1745
Title from caption below image., Publication date from British Museum catalogue., Temporary local subject terms: Personifications: Sir Robert Walpole as Punch -- Wool trade -- The Earl of Islay., Mounted to 33 x 48 cm., and Watermark: Strasburg lily with initials L V G below.
Publisher:
publisher not identified
Subject (Name):
George II, King of Great Britain, 1683-1760, William Augustus, Prince, Duke of Cumberland, 1721-1765, Argyle, John Campbell, Duke of, 1680-1743, Keene, Benjamin, Sir, 1697-1757, and Walpole, Robert, Earl of Orford, 1676-1745
Title from caption below image., Publication date from British Museum catalogue., Temporary local subject terms: Personifications: Sir Robert Walpole as Punch -- Wool trade -- The Earl of Islay., and With spine title: Caricatures anglaise 1740.
Publisher:
publisher not identified
Subject (Name):
George II, King of Great Britain, 1683-1760, William Augustus, Prince, Duke of Cumberland, 1721-1765, Argyle, John Campbell, Duke of, 1680-1743, Keene, Benjamin, Sir, 1697-1757, and Walpole, Robert, Earl of Orford, 1676-1745
