Manuscript on paper (thin; unidentified watermarks concealed in gutter) of Aristotle, Ethica, translated into Spanish by Pedro Simon Abril
Description:
In Spanish., Script: Written by a single scribe in elegant italic script., Many folios at end are stained and repaired; some text lost., and Binding: Nineteenth century. Brown mottled calf, gold- and blind-tooled, by B. Miyar.
In Greek., Script: Written by two scribes. Scribe 1: ff. 1r-120v; Scribe 2: ff. 121r-132v., Headings in red. Latin interlinear glosses in red (ff. 1r-25v), in humanistic cursive script., Folio 1r is rubbed and barely legible., and Binding: Nineteenth century. Rigid vellum case, in the same manner as Beinecke MSS 257 and 264.
Manuscript on parchment of Aristoteles, Ethica ad Nicomachum, in the Latin translation attributed to Robert Grosseteste
Description:
In Latin., Script: Written by two scribes employing differing forms of Gothica textualis, the first having written the first quire, the second the remainder of the codex., Headlines throughout in alternating red and blue capitals, chapter numbers in margins also in alternating colors, and large capitals at beginnings of books and chapters of the text in red or blue, with extensive filiform decoration bordering the left margin in the contrasting color on leaves with such capitals, all the work of a rubricator, performed separately from the writing of the text. Book and chapter headings in red by the scribes throughout., and Binding: Modern European parchment-covered boards, backstrip calligraphically lettered in gothic script with the author's name and title.
Manuscript, in a single hand, of a book of instruction for the author's daughter. Although the volume contains information on parts of speech, explanations of the meanings of words in the English language, basic mathematics such as addition, subtraction, multiplication, and division, systems of government, and numerous prayers and meditations, the bulk of the volume is given to instruction on letter-writing and astronomy. The manuscript contains guidelines for how to address a queen, a duchess, or someone of one's own station; how to end letters; and how to write a "billet"; as well as form letters of thanks, consolation, recommendation, "congratulation for the recovery of health," and "to a lady newly come to London." The section on astronomy includes 7 diagrams and includes information on the positions of the planets, the phases of the moon, and eclipses
Description:
Stanhope, Philip, second earl of Chesterfield (1633-1714), courtier and politician, was the eldest son of Henry Stanhope (d. 1634), and his wife Katherine (bap. 1609, d. 1667). He was involved in numerous duels, fleeing the country after having killed Francis Wolley, the son of a Hammersmith doctor, in a duel on 17 January 1660. Chesterfield was appointed on 24 February 1662 as lord chamberlain to Queen Catherine of Braganza, and on 13 June 1667 was made the colonel of a foot regiment, but it was disbanded following the treaty of Breda. That year he married his third wife, Lady Elizabeth Dormer (1653-1677). They had two sons and two daughters, one of whom was Lady Mary Stanhope, for whom the manuscript was written. He continued to be active in politics, supporting his tory son-in-law Thomas Coke in Derbyshire elections in 1701-2., Lady Mary (Stanhope) Coke, eldest daughter of Philip Stanhope, 2nd Earl of Chesterfield, married Thomas Coke of Melbourne, Derbyshire., In English., Note on verso of front endpaper: See 'a Prayer after the confession of sins.' and 'a Prayer for the Dead." both at the end of this M.S. 1814., Inscription on verso of front endpaper: Cecil Henry Southwell the gift of his dear Papa., Written on flyleaf: notes written by Thomas, 3rd Baron Southwell concerning the genealogy of the Stanhope family, including a biography of Lady Mary (Stanhope) Coke and her daughter, Mary Baroness Southwell. He mentions that Lady Mary (Stanhope) Coke was his great-grandmother., Written on verso of flyleaf: note by Mary Southwell dated 1756 explaining the manuscript was used to instruct her mother in "what was proper for a young Lady to know," and bequeathing the volume to her granddaughter Frances upon her death., Bookplate of Viscount Thomas Southwell, 3rd Baron Southwell., Marbled endpapers., and Binding: full calf; gilt decoration. Printed on spine: 1st Earl of Chesterfield to his D. L. M. Coke.
Subject (Geographic):
Great Britain
Subject (Name):
Aristotle., Chesterfield, Philip Stanhope, Earl of, 1633-1713., Cicero, Marcus Tullius., Coke, Mary Stanhope, Lady, 1664-1703., Homer., Southwell family., and Southwell, Thomas Southwell, Baron, 1721-1780.
Subject (Topic):
Astronomy, Letter writing, Nobility, Social life and customs, Women, Conduct of life, and Education
Manuscript on parchment (speckled) of George of Trebizond, Isagoge dialectica. With Extracts from Aristotle, De sophisticis elenchis, in an unidentified Latin translation; logical and syllogistic diagrams; Martinus Phileticus (ca. 1430-ca. 1490), 14-line poem to Federico da Montefeltro of Urbino, written in the hand of the author
Description:
In Latin., Script: Art. 1 in a small and regular Greek minuscule script; arts. 2-6 in humanistic cursive script, below top line, by a single scribe who also added marginalia; art. 7 in humanistic cursive by a different scribe., One illuminated initial of poor quality, gold, 3-line, on blue, green, and pink ground. Rubrics and marginal key words (for ff. 1r-6r, 31r only) in pale red. Plain blue intials in art. 2; red or blue elsewhere., and Binding: Fifteenth century, Italy. Original sewing on three tawed skin, slit straps laid in channels on the outside of wooden boards and nailed. The spine is lined with leather between sewing supports. Covered in brown sheepskin with corner tongues and blind-tooled with concentric frames, one filled with rope interlace, and a rope interlace square on a point in the central panel. Annular dots are colored with gold or copper, now green. Spine: very faint diapering with triple fillets. There are five round bosses on each board and two fastenings, leaf-shaped catches on the lower board and the upper one cut in for fabric straps. The front board is detached; one boss wanting.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Aristotle., Federico, da Montefeltro, Duke of Urbino, 1422-1482., and George, of Trebizond, 1396-1486.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, Logic, Manuscripts, Medieval, and Rhetoric
Manuscript on paper of a theological and moral treatise based on hundreds of quotations, mostly from texts of a scientific nature
Description:
In Latin., Script: two scribes: art. 1 is copied in Gothica Cursiva Formata close to Fractura; art. 2 in Gothica Semihybrida Currens with many abbreviations; in this art. the first line of each chapter is in clumsily executed large Gothica Textualis Formata., Headings, paragraph marks, stroking of majuscules and underlining of the references to the authorities and their works, all in red ink (the underlining was beforehand traced by the scribe in black ink). Plain red 1-line initials at the opening of each chapter, sometimes with marginal extensions (a 3-line initial at the beginning of the text, f. 9r). Instructions for the rubricator are found in the margins., and Binding: original undecorated red pigskin over wooden boards; spine with four raised bands. Two clasps attached to the rear cover, with quadrangular brass catches on the front cover; a hole about the center of the top of the rear cover indicates that the booklet once was a liber catenatus. On the front cover a rectangular parchment title label with handwritten inscription in Gothica Cursiva Libraria: “De confessione. De amore Dei. De beatitudine” (16th century?).
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Aristotle.
Subject (Topic):
Classical literature, Ethics, Manuscripts, Medieval, and Science, Medieval
Manuscript fragment on parchment of Aristotle's Nicomachean Ethics (translated into Latin by Leonardo Bruni Aretino).
Description:
In Latin., Script: written in hybrida libraria with notarial influence., and Decoration: 8-line initials at the beginning of each book in red and purple; 3-line initials at the beginning of each capitulum alternate red and purple; 1-line initials in brown highlighted with red; rubrics in red in same script as text; first line of each book written in larger minuscule; paragraph marks alternate red and purple; running headlines in red and purple; punctuated with the punctus and, for major pauses, the punctus versus; another hand in black ink made some corrections and added punctuation, including the punctus elevatus and punctus interrogativus; hyphenation in the same ink as the text.
Manuscript on paper (trimmed) of Aristoteles, Oeconomica, translated into Latin by Leonardo Bruni
Description:
In Latin., Watermark: bird (Briquet 12127?)., The main scribe (artt. 1-2) writes Gothica Hybrida (often close to Gothica Semitextualis) Libraria under strong Humanistic influence, visible in the use of Roman Capitals and straight s in final position., Space and partly guide-letters for a few initials were provided but the decoration is missing. In the space for the first initial (f. 1r) a coat of arms (silver, with a bend gules) was afterwards drawn., and Binding: Twentieth century. Half brown leather over pasteboard, the covers covered with brown paper. On the spine the gold-tooled title "ARISTOTLE . OECONOMICA . MS. 15TH CENT.".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Aristotle. and Bruni, Leonardo, 1369-1444.
Subject (Topic):
Classical literature, Literature, Medieval, and Manuscripts, Medieval
Manuscript on parchment (thin, pliable) of Aristotle, 1) Priora analytica, Lat. tr. Boethius. 2) Posteriora analytica, Lat. tr. Jacobus Veneticus (ca. 1130-40). 3) Books I-III of the Ethica Nicomachea. 4) De anima, Lat. tr. Jacobus Veneticus. 5) De anima (from the Parva naturalia), Lat. tr. Jacobus Veneticus
Description:
In Latin., Script: Written in a small neat gothic text script, above top line and with uncrossed tironian et. Marginal and interlinear annotations, contemporary or slightly later, in a variety of scholarly hands; annotations written in ink, crayon and lead, some very faded and barely legible., Attractive flourished initials, red and blue divided with penwork designs in the same colors, mark the beginning of arts. 1-4; first few words of each of these texts written in red and blue alternating majuscules. For minor text divisions 2-line initials red or blue with designs in the opposite color. Paragraph marks in red (or sometimes alternating red and blue). Headings and instructions to rubricator in red., and Binding: Nineteenth century, Germany. Parchment case binding made from a bifolium of a missal (Germany, 15th century) containing text for the end of the Secret for the 11th Sunday after Pentecost through part of the Gospel reading for the 12th Sunday. Remains of title, in ink, on spine. Pink (faded red?) edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Aristotle.
Subject (Topic):
Literature, Medieval, Manuscripts, Medieval, and Philosophy, Ancient
