"Louis XVIII, grotesquely obese (left), and the Tsar kiss, their lips touching. Louis, whose head is much the larger, grasps the back of Alexander's head; the Tsar bends from the waist to reach beyond the King's paunch. Louis, with the gouty legs and old-fashioned gold-embroidered coat and waistcoat of English caricature, wears the order of the Saint Esprit. The Tsar, in uniform, has the high pinched waist and bulging breast of the dandy (cf. British Museum Satires No. 13029) with enormous cavalry boots to the thigh, huge epaulets, and a sash, but no sword. He says: "My Dear Legitimate Brother (tho I believe I call Boney the same) I am happy to serve you tho your cursed Country Men almost destroyed my country--" Louis answers: "Ma Chere [sic] Ami, I am so rejoiced at your Brotherly Kindness in putting off our payment & takeing off your Troops that I could Devour you." The embrace is watched by two Frenchmen on the left, and on the right by the King of Prussia, the Emperor of Austria, and a young man (? Napoleon's son). Frederick William wears dandified uniform like that of the Tsar but with long trousers; he supports a large sword hanging from a belt, and holds a huge cocked hat; he watches the embrace with distaste, saying, "I am obliged to follow the Leaders at Present." Francis I says: "I must agree for the moment but I have a Grandson." One Frenchman wears uniform with top-boots; he says: "De Legitimate francais be too much for John Bull de manoeuvre by Gar ve want de Time & we show dem vat ve intend." His companion, an elderly man wearing a court suit with a powdered wig (Richelieu attended the Conference on behalf of France) says delightedly: "Ah-ha he do him vid Compliments & den we do them out of the Money." Behind them is a row of melancholy knock-kneed Grenadiers."--British Museum online catalogue
Alternative Title:
Political-dandies
Description:
Title etched below image., Printmaker from the British Museum catalogue., and Sheet trimmed to plate mark on top edge.
Publisher:
Pub. Nov. 18, 1818, by S.W. Fores, 50 Piccadilli [sic] & 114 Oxford Street
Subject (Name):
Louis XVIII, King of France, 1755-1824, Alexander I, Emperor of Russia, 1777-1825, Frederick William III, King of Prussia, 1770-1840, Francis I, Emperor of Austria, 1768-1835, Bonaparte, François-Charles-Joseph, Herzog von Reichstadt, 1811-1832, and Richelieu, Armand-Emmanuel du Plessis, duc de, 1766-1822
Subject (Topic):
Congress of Aix-la-Chapelle, Heads of state, Kings, Summit meetings, Kissing, Obesity, and Dandies
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The little King of Rome sits in his cradle, between the proudly protecting arms of Marie Louise, who kneels behind him. The infant has an adult head resembling that of his father, and a tail; he wears a replica of Napoleon's cocked hat. He holds out his arms to Napoleon, who sits by the fire, holding out a napkin to dry. The Emperor looks fondly at the child, saying, "Rejoice O ye Frenchmen, the Fruits of my Labour has produced a little Image of myself, I shall for the love I owe to your Country instill in my Noble Ofspring the same principles of Lying thieving treachery Letchery Murder and all other foul deeds for which I am now Worshipped and Adored". Behind and between the Emperor and Empress, a bishop (? Cardinal Fesch) kneels over the infant, his hands folded as if in prayer; he repeats the words of Henry VI to Gloucester before his murder by the latter: "The Owl shriek'd at thy Birth, an evil Sight. The Night Crow cry'd foreboding luckless Time. Dogs howl'd and hideous Tempests shook down Trees. The Raven rook'd her on the Chimney Top And chattering Pies in Dismal Discord sung." ['3 Henry VI', v. 6.] On the fire (left) boils a saucepan inscribed 'French Blood'; little demons ascend in the steam rising from it. The mantelshelf is supported by carved demoniac creatures, one having a satyr's head, the other that of a Fury with snaky locks. A similar creature supports the bars of the grate. On the mantelshelf are imperial crowns, the iron crown of Italy (as in British Museum Satires No. 10432), and a papal tiara. The cradle has a crown at the head, and at the foot a grotesque mask inscribed 'Devils Darlind' [sic]. Behind (right), a lady, evidently Josephine, sits up in bed, holding a wine-glass; she looks towards the child quoting Ophelia's words: "Ah Woe is me, seeing what I have seen and seeing what I see". Near her stands an ugly old nurse, holding a syringe; an infant's chair is beside her; it is ornamented with a crown and inscribed 'Prince Skinny Boneys Caching Chair'. On the ground (left) is a sauce-boat inscribed 'Bitter Cup'."--British Museum online catalogue
Alternative Title:
Little babboon created to devour French monkies
Description:
Title etched below image., Printmaker from British Museum catalogue., Plate numbered "66" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., and Leaf 14 in volume 2.
Publisher:
Pubd. April 9t[h], 1811, by Thos. Tegg, No. 111 Cheapside
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Bonaparte, François-Charles-Joseph, Herzog von Reichstadt, 1811-1832, Marie Louise, Empress, consort of Napoleon I, Emperor of the French, 1791-1847, Josephine, Empress, consort of Napoleon I, Emperor of the French, 1763-1814, and Fesch, Joseph, 1763-1839
"A (tricolour) top with the head of Napoleon spins, above the ground, savagely lashed by representatives of the Allies. His arms and his legs have already been severed from his body, now represented only by the madly spinning top. The most violently active is Blücher (left) stripped to the shirt, his coat and hat thrown on a drum on the extreme left, beside which lie his gloves and baton. Facing them is Wellington (right) equally effective, stern, but less savage. Full-face, and immediately behind the top is the Tsar, left hand on hip; his whip is inscribed 'Knout'. Between him and Wellington is Schwarzenberg (or Francis I). Bernadotte stands rather behind, between Blücher and Alexander, both hands on his hips; he holds a whip but is an amused spectator. Behind (right) the future King of Holland, crowned and wearing a star, but dressed in the breeches and jacket of the Dutchman in English caricature, sits under a tree on a cask of 'Hollands'. He watches delightedly, holding up one of Napoleon's legs inscribed 'United Netherlands'. The other leg, the thigh inscribed 'Swisslad, the boot Italy, lies near Blücher. At Wellington's feet is the right arm inscribed Spain & Portugal'; the left arm, inscribed 'Germany', is near Schwarzenberg. Napoleon's orb and (broken) sceptre lie near him, with some of the feathers from the large hat which is still on his head; his horrified and shrieking profile faces Blücher. In the background (left) is a road along which a carriage drives off, drawn by four galloping horses. It contains tiny figures: Marie Louise, crowned and looking behind her, and the little King of Rome also crowned and waving a sceptre. Two soldiers are on the box, two others sit behind. In the air behind Bernadotte a demon flies off to the left, with Joseph Bonaparte clutching his barbed tail. The latter, his crown flying off, looks back horrified, exclaiming "O! My poor Brother Nap oh oh! O!"."--British Museum online catalogue
Description:
Title etched below image., Artist "G.H." identified as George Humphrey in the British Museum catalogue., and On verso, light impression of offsetting from another print.
Publisher:
Pubd. April 11th, 1814, by H. Humphrey, St. James's Strt
Subject (Geographic):
Great Britain.
Subject (Name):
Alexander I, Emperor of Russia, 1777-1825, Napoleon I, Emperor of the French, 1769-1821, Charles XIV John, King of Sweden and Norway, 1763-1844, Bonaparte, François-Charles-Joseph, Herzog von Reichstadt, 1811-1832, Marie Louise, Empress, consort of Napoleon I, Emperor of the French, 1791-1847, Schwarzenberg, Karl Philipp, Fürst zu, 1771-1820, Blücher, Gebhard Leberecht von, 1742-1819, Wellington, Arthur Wellesley, Duke of, 1769-1852, Francis I, Emperor of Austria, 1768-1835, Joseph Bonaparte, King of Spain, 1768-1844, Joachim Murat, King of Naples, 1767-1815, and William I, King of the Netherlands, 1772-1843
Subject (Topic):
Campaigns of 1813-1814, Napoleonic Wars, 1800-1815, Carriages & coaches, Crowns, Demons, Emperors, Kings, Military uniforms, Tops (Toys), Victories, War allies, and Whipping
"A scene in the Empress's dressing-room. Marie Louise is horror-struck at the appearance of Napoleon who advances towards her in profile astride the back of a crawling Mameluke; he is held up by two other Mamelukes who support his arms and shoulders. He is terribly emaciated and appears moribund. He wears uniform; his legs, feet, and hands are swathed in bandages, his (former) ear and nose covered with black patches. The crawling Mameluke, presumably Roustan, holds out a bottle containing a pointed nose, and labelled 'Le Nez de l'Empereur'. Immediately behind Napoleon and his three supporters are two kneeling Mamelukes, each reverently holding a tasselled cushion supporting a bottle; one being labelled 'Les Doights [sic] de l'Empereur Napole . . .', the other, 'Les Oreilles de l'Empereur Napoleon'. Behind them (left) another Mameluke advances with a bottle labelled 'Les Doights du pied de l Empereur Bon . . .' The Mamelukes wear Turkish dress with turbans. Napoleon looks in tragic silence at his wife, who is seated in regal state but turns aside weeping with violent gestures of despair. A small terrestrial globe decorates her chair; her foot rests on a stool in the form of a flattened polar hemisphere on which the word 'Brit[ain]' is visible. Over her low-cut dress is an ermine-bordered robe clasped with a fleur-de-lis. She is supported by an emaciated court-lady, with a patched face, proffering a smelling-bottle, whose profile and a small crown show that she is one of Napoleon's sisters; two other ladies, wearing crowns, stand behind the Empress, registering consternation. A less conspicuous lady weeps. On the Empress's right kneels the Governess of the King of Rome, Mme de Montesquiou, holding the screaming child, and weeping noisily. He registers angry terror at the sight of his father; his little crown has fallen off. His features, though fore-shortened and distorted, resemble those of his father, cf. British Museum satires no. 11719. He wears an ermine-trimmed robe over his childish tunic and breeches. Behind the Governess is a draped dressing-table, the drapery decorated by a large fleur-de-lis, and the toilet boxes ornamented with crowns. A terrified monkey climbs up the mirror, clutching at the crown which surmounts it, and looking over its shoulder at the shocking spectacle presented by the Emperor. On the extreme right a lap-dog stands on a cushion barking furiously at Napoleon. On the ground on the extreme left are two large round coffers, one inscribed 'Coffre Pour la Bijoutère [sic] Russe', the other expectantly open. Voluminous draperies on the left and right, supported on the right by a pillar add to the regal character of the room."--British Museum online catalogue
Description:
Title etched below image. and Four lines of verse below title: Dishonest with lopp'd arms the man appears, spoil'd of his nose, and shorten'd of his ears. She scarcely knew him, striving to disown, his blotted form, and blushing to be known. Dryden's Virgil, Book Six.
Publisher:
Pubd. by H. Humphrey, St. James's St.
Subject (Geographic):
Russia. and France.
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Marie Louise, Empress, consort of Napoleon I, Emperor of the French, 1791-1847, Bonaparte, François-Charles-Joseph, Herzog von Reichstadt, 1811-1832, Piombino, Elisa Bonaparte Baciocchi, principessa di, 1777-1820, Bonaparte, Paolina, 1780-1825, Caroline Bonaparte, consort of Joachim Murat, King of Naples, 1782-1839, and Roustam, 1782?-1845
Subject (Topic):
Campaigns of 1813-1814, Napoleonic Wars, 1800-1815, Campaigns, Crowns, Dogs, Dismemberment, Dressing tables, Empresses, Ethnic stereotypes, Loss of consciousness, and Monkeys
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Alternative Title:
Imperial comet : shedding its baneful influence
Description:
Title etched below image., Date precedes publisher's statement in imprint., Plate numbered "93" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., "Price one shilling coloured.", Watermark: 1817., and Leaf 35 in volume 2.
Publisher:
Publd. by Thos. Tegg, 111 Cheapside
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Bonaparte, François-Charles-Joseph, Herzog von Reichstadt, 1811-1832, Marie Louise, Empress, consort of Napoleon I, Emperor of the French, 1791-1847, and George III, King of Great Britain, 1738-1820
"The base of the design is a dunghill from which rises the head of Napoleon as a young republican officer, not caricatured. His head is covered by a large cup-shaped fungus, decorated with a tricolour cockade and resembling a Cap of Liberty; from its apex ascends a curving stalk, terminating in the large yellow rosette of a sunflower, centred by the head of Napoleon as Emperor, larger than that of the base, and representing an older man; like the lower one it is directed slightly to the right. Below it, leaves project from the stalk, balancing the design. On Napoleon's head is an arrangement of stamens in the form of an imperial crown. These unite to form the long scraggy neck of the third Napoleon, a head in profile to the right, emaciated and desperate. On this head is a larger fungus than that below, projecting like an enormous hat. From it ascend the stems of a bunch of violets, copied from No. 12511, but with the addition of more flowers, and on a larger scale. It contains the profiles of Napoleon, Marie Louise, and the King of Rome, arranged exactly as in British Museum Satires No. 12511. Smaller fungi sprout from the dunghill, some flat and some conical, like caps of Liberty; on the latter tricolour cockades are indicated. Four little figures are on a slope (left) leading towards the dunghill, prepared to clear it away. In front are Blücher and Wellington, running forward, and talking to each other; one holds a spade, the other a broad hoe. Behind them is the Tsar, shouldering a pickaxe. Behind again stands Louis XVIII, with splayed gouty legs, supported on a crutch. He waves his hat to cheer them on."--British Museum online catalogue
Alternative Title:
Pedigree of Corporal Violet
Description:
Title etched below image., Text below title: First as a Consular Toadstool, rising from a Corsican Dunghill, then changing to an Imperial Sun Flower, from that to an Elba Fungus and lastly to a bunch of Violets, which are disposed as to represent a whole length of profile of Buonaparte, with a bust of Maria Louisa, and her son the Prince of Parma., and Companion print to: A view of the Grand Triumphal Pillar.
Publisher:
Pubd. by H. Humphrey June 9th, 1815 - No. 27 St. James's St.
Subject (Geographic):
France and France.
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Marie Louise, Empress, consort of Napoleon I, Emperor of the French, 1791-1847, Bonaparte, François-Charles-Joseph, Herzog von Reichstadt, 1811-1832, Wellington, Arthur Wellesley, Duke of, 1769-1852, Blücher, Gebhard Leberecht von, 1742-1819, Louis XVIII, King of France, 1755-1824, Bonaparte, François-Charles-Joseph, Herzog von Reichstadt, 1811-1832., Marie Louise, Empress, consort of Napoleon I, Emperor of the French, 1791-1847., and Napoleon I, Emperor of the French, 1769-1821.
Subject (Topic):
Political satire, French, Politics and government, Mushrooms, and Flowers
