Smith, Charles Loraine, of Enderby, 1751-1835, printmaker
Published / Created:
[4 June 1782]
Call Number:
782.06.04.04++
Image Count:
1
Resource Type:
still image
Abstract:
"Musicians are grouped round a piano. Their names (some misspelled) are written in the margin. The pianist sits in profile to the right looking fixedly at his score; he is Ferdinando Bertoni, a Venetian composer who accompanied his friend Pacchierotti to England. The most prominent of the musicians is Pacchierotti, who stands behind the piano next the pianist, holding open a music book, but smiling at a lady, who sits (right) on a bench among the performers. She is Lady Mary Duncan, whose admiration for Pacchierotti's singing was the talk of the town, carried to the point of absurdity, and of discourtesy to other singers. (Walpole, 'Letters', xii. 141, 3 Jan. 1782, and xv. 16-17, 4 July 1791.) She is the largest figure in the design, out of scale with the other figures. She sits in profile to the right holding up a closed fan, gazing intently at Pacchierotti. Behind her stands the player of the bass, identified as Cariboldi. Seated on the bench next her, on her right hand and wearing spectacles, is a man playing the oboe, identified as Hayford. Seated in a chair in front of Lady Mary and on the pianist's right hand is the cellist, Cervetto, evidently the younger Cervetto (1747-1837), who played at the professional concerts at the Hanover Square Rooms from 1780. Behind the piano stand (left to right) a violinist, identified as Salpietro, an oboist, J. C. Fischer (1733-1800), who was a great attraction at the Bach-Abel and Vauxhall concerts, and another violinist, Langani or Langoni. To the right of the piano, blowing the French horn, stands Pieltain. In the foreground (right) in profile to the left sits Miss Wilkes on a stool, her hands in a muff, smiling at Dr. Burney, who stands bending towards her, his hands held out. He wears a bag-wig and sword, and appears to be deep in conversation in spite of the singing of Pacchierotti, a fashionable habit much condemned by his daughter Frances, see 'Cecilia'. Behind Miss Wilkes on the right stands another of the audience, holding his hat under his arm."--British Museum online catalogue
Description:
Title from item., Printmaker from attribution in the British Museum online catalogue., Publisher's name is fictitious., and Sheet trimmed to plate mark.
Publisher:
Pubd. 4th June 1782 by M. Rack, London
Subject (Name):
Bertoni, Ferdinando, 1725-1813, Pacchierotti, Gasparo, 1744-1821, Duncan, Mary Tufton, Lady, 1723-1806, Cervetto, James, 1747 or 9-1837, Fischer, Johann Christian, 1733-1800, Wilkes, Mary, 1750-1802, and Burney, Charles, 1726-1814
Subject (Topic):
Chandeliers, Concerts, Harpsichords, Musicians, and Musical instruments
Remarks on Sr. J. Hawkins's 'General history of music', 1776.
Image Count:
36
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript, in a single hand, with numerous corrections, of notes on "A General History of the Science and Practice of Music" by Sir John Hawkins. Citations from Hawkins' work are followed by often disparaging commentary upon them; Burney remarks that "Ch. V. Bk. IV is chiefly made up of dry dictionary articles of Biography, loosely littering his Book as if he had been in want of a needle & thread to tack them together," and "Vol. III p. 262 He calls Jno. Okenheim the disciple of Jusquin whereas it is well known he was the master." He includes a list of "Omissions of Composers & Performers who died long before Sr. Jno. published his History & therefore had fair Claims to a Niche in it." The work is interspersed with commentaries on various pieces and composers, accompanied by fragments of musical notation, and followed by a piece on "Dancing," a history of opera and theater titled "Progress of the Musical Drama or opera, at Venice," and another titled "Progress of the Musical Drama at Rome."
Description:
Binding: contemporary parchment., Index on flyleaf., Page numbers written in ink have been crossed out and replaced by different page numbers written in pencil., and Section ends with a note written in pencil: "Here insert an engraving of the transcript" although the engraving is not included.
Subject (Name):
Burney, Charles, 1726-1814 and Hawkins, John, Sir, 1719-1789
Subject (Topic):
Music--18th century--History and criticism, Musical analysis, Music--Europe--History and criticism, Music--History and criticism, Opera, and Opera--Italy
Manuscript music copied by Burney, possibly for use in his General History of Music. Music includes madrigals by Gioseffo Zarlino, Ruggiero Giovannelli, Alfonso Ferrabosco, and Luca Marenzio; motets by Johannes Lupi, and songs by John Dowland and Henry Lawes. An index written in an unidentified hand is laid in.
Description:
Binding: 19th century marbled boards., Blanks not scanned., Label on cover: A collections [sic] of Italian mss in the handwriting of Dr. Burney, many of which he introduced in his history of music., Label on spine: Madrigals, &c., 1567, &c., Page [1]: stamped signature of Charles Hackett., and Words in Italian, Latin, and English.
Subject (Name):
Burney, Charles, 1726-1814, Dowland, John, 1563?-1626, Ferrabosco, Alfonso, 1543-1588, Giovannelli, Ruggiero, ca. 1560-1625, Lawes, Henry, 1596-1662, Lupi, Johannes, d. 1539, Marenzio, Luca, 1553-1599, and Zarlino, Gioseffo, 1517-1590
Subject (Topic):
Music -- History and criticism -- Early works to 1800, Vocal music -- 16th century, and Vocal music -- 17th century
Manuscript, in a single hand, of a detailed plan for a public music school in England, to be established at the Foundling Hospital in London. Burney, with his friend violinist Felice Giardini, gives reasons why the plan would be financially beneficial to the hospital and economically effective for the country, how the school would "contribute greatly to the maintenance & instruction of a considerable number of the children of the Hospital," how the school would help remedy "the neglect of music as a profession" in Great Britain, and how to find students among "numerous charity schools, work houses, etc." He also includes a proposed schedule and salary for its instructors.
Description:
Binding: marbled-paper wrapper., For a very similar version of this manuscript, see MS Osborn c32., and For information on the source of acquisition, consult the appropriate curator.
Subject (Geographic):
Great Britain--Social life and customs--18th century
Subject (Name):
Burney, Charles, 1726-1814 and Giardini, Felice, 1716-1796
Subject (Topic):
Charity-schools--England--London, Music--England--18th century, Music--England--London--18th century, Music--Instruction and study, and Orphanages--England--London
