Manuscript in Richard Bull's hand that gives biographical details about Queen Caroline of Ansbach and extols her "extraordinary virtues and abilities."
Description:
In English., Title written at top of p. [1]., Date supplied by cataloger based on the year of Richard Bull's death., Formerly laid in at page 184 in an album containing 402 pages, bound in red morocco leather with single gilt ruled line; spine stamped in gold "Drawings." Now disassembled and matted separately: Bull, R. Scrapbook of drawings. [England], [not after 1806]., Housed in mylar sleeve matted to 49 x 37 cm., and Original case shelved separately.
Subject (Name):
Caroline, Queen, consort of George II, King of Great Britain, 1683-1737.
Manuscript in Richard Bull's hand that gives biographical details about Queen Caroline of Ansbach and extols her "extraordinary virtues and abilities."
Description:
In English., Title written at top of p. [1]., Date supplied by cataloger based on the year of Richard Bull's death., Formerly laid in at page 184 in an album containing 402 pages, bound in red morocco leather with single gilt ruled line; spine stamped in gold "Drawings." Now disassembled and matted separately: Bull, R. Scrapbook of drawings. [England], [not after 1806]., Housed in mylar sleeve matted to 49 x 37 cm., and Original case shelved separately.
Subject (Name):
Caroline, Queen, consort of George II, King of Great Britain, 1683-1737.
Manuscript in Richard Bull's hand that gives biographical details about Queen Caroline of Ansbach and extols her "extraordinary virtues and abilities."
Description:
In English., Title written at top of p. [1]., Date supplied by cataloger based on the year of Richard Bull's death., Formerly laid in at page 184 in an album containing 402 pages, bound in red morocco leather with single gilt ruled line; spine stamped in gold "Drawings." Now disassembled and matted separately: Bull, R. Scrapbook of drawings. [England], [not after 1806]., Housed in mylar sleeve matted to 49 x 37 cm., and Original case shelved separately.
Subject (Name):
Caroline, Queen, consort of George II, King of Great Britain, 1683-1737.
Manuscript in Richard Bull's hand that gives biographical details about Queen Caroline of Ansbach and extols her "extraordinary virtues and abilities."
Description:
In English., Title written at top of p. [1]., Date supplied by cataloger based on the year of Richard Bull's death., Formerly laid in at page 184 in an album containing 402 pages, bound in red morocco leather with single gilt ruled line; spine stamped in gold "Drawings." Now disassembled and matted separately: Bull, R. Scrapbook of drawings. [England], [not after 1806]., Housed in mylar sleeve matted to 49 x 37 cm., and Original case shelved separately.
Subject (Name):
Caroline, Queen, consort of George II, King of Great Britain, 1683-1737.
Title from item., Publication date from an unverified card catalog record., Sheet trimmed within plate mark., and Temporary local subject terms: Royal bedchamber at Richmond Lodge(?) -- Domestic service: black footboy -- Royal arms -- Royal beds -- Crowns -- Courtiers -- Carpets.
Publisher:
P. Schenk?
Subject (Name):
George II, King of Great Britain, 1683-1760., Caroline, Queen, consort of George II, King of Great Britain, 1683-1737., William Augustus, Prince, Duke of Cumberland, 1721-1765., and Suffolk, Henrietta Hobart Howard, Countess of, 1688?-1767.
Manuscript in a single hand, with examples of bookplates of Horace Walpole's friends and correspondents, arranged alphabetically and mounted on leaves interspersed with brief biographies of the bookplate owners and excerpts from Walpole's letters about the subjects. Written as a wedding present for Townley's wife, Bella Madden Townley and Two letters tipped in; one a fragment from 'Orford' and dated from London January the nineteenth 1795 to Richard French, Esq.; the second from Lady Pomfret, to Lady Sundon, dated 1737 Nov. 22 in which she expresses her sorrow at the sudden death of Queen Caroline and concern over Lady Sundon's own recent illness
Description:
W.R. Townley, bookplate collector and contributor to The miscellany., Horace Walpole (1717-1797), fourth earl of Orford, author, politician, historian and patron of the arts; owner of Strawberry Hill, Twickenham, England., In English., Mounted frontispiece: Lithograph portrait of Horace Walpole from the Catalogue of Sale of the Strawberry Hill Collection by Mr. Geo. Robinson in 1842. Lithograph by G. Madeley, 3 Wellington St., Strand, from a painting at Strawberry Hill by Eckhardt in 1754., Stamped on the edge of the inside back cover: Arthur Hertzberg & Craftsmen. Bound in full burgundy morocco, boards with gilt borders; spine lettered and panelled; silk linings. Spine title: The book plates of Horace Walpole and his contemporaries / Wellington R. Townley. With slip case., Bookplate of Wellington Reid Townley, numbered '246' and inscribed "This book belongs to Bella.", Ex libris bookplate of Mazinaw Lake Library: Barbara de Remo Lester [and] John Albert Lester., Pagination as follows: a-h, [1], i-x, [2], 201 [i.e., 298] leaves., and For further information, consult library staff.
Subject (Name):
Caroline, Queen, consort of George II, King of Great Britain, 1683-1737., Sundon, Charlotte Clayton, Baroness, d. 1742., Pomfret, Henrietta Louisa Jeffreys Fermor, Countess of, 1700?-1761., Townley, W. R. b. 1861. (Wellington Reid),, and Walpole, Horace, 1727-1797
"Satire on the popularity of the Beggar's Opera in the form of a medley print. At top left a print shows two oval portraits, Lavinia Fenton as Polly Peachum on the left and Thomas Walker as Macheath on the right, two short columns of verse beneath. In the centre lies a print depicting a debased Parnassus: in the foreground muses drink from a barrel, one vomiting; a woman wearing a hat hands a basket to a muse sitting in a dust-cart drawn by a Pegasus; a cornucopia lies upended on the ground: in the background, is a boxing match surrounded on two sides with a temporary stand from which flies the flag of St George and to the right of which a bull and a bear are preceded by Apollo playing a fiddle; beneath are four lines of verse describing the scene. Behind the Parnassus print another shows the ghost of Jeremy Collier rising from his grave holding the pamphlet in which he had condemned "The Immoratlities of the English Stage", four lines of verse beneath. This print is overlaid by a smaller oblong print with four verses and portraits of Caleb D'Anvers (Nicholas Amhurst) Jonathan Swift, Alexander Pope and Lavinia Fenton (as Polly Peachum). On the left is a print in which Democritus and Heraclitus examine a globe together, eight lines of verse beneath. In the centre is an engraved address 'To Polly Peachum' quoted, according to the earlier state from The Daily Journal, April 19, 1728. At lower left is a print with a stage where a Apollo descends on a cloud to judge between rival singers (Faustina and Cuzzoni) to whom a group of gentlemen with asses' ears listen without judgement, two columns of verse beneath explain the scene. On the right, a scene by a river where a balance has been set up in which the Beggar's Opera outweighs Shakespeare, Ben Jonson, Addison, Nicholas Rowe and Thomas Otway; the personification of trade collapses in the arms of George II, assisted by Queen Caroline; verses beneath claim that the popularity of the Beggar's Opera is indicative of the sorry state of the country. At bottom right is a scene in Newgate with men and women sitting round a table on which is a punch bowl and pipes; they are toasting a laureated John Gay who sits at the centre, saying 'The Beggers Opera for yr', 'G(a)y for ever', 'Let's vote him King of the Beggers' and he responds, 'Yov'e done me too great an honour but I'll -'; a small child stands beside the table; two columns of verse beneath."-- British Museum online catalogue
Description:
Title from text engraved above image., "Poet G-" refers to John Gay., Later state, lacking references to 'Daily Journal April 19th. 1728' below the verses "to the Tune of the Soldier and ye Sailor" and to 'Daily Journal April 10 1798' below those "To Polly Peacham". Cf. Compare no. 1806 in v. 2 of Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Sheet trimmed within plate mark., and Mounted to 45 x 34 cm.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain
Subject (Name):
Gay, John, 1685-1732, Gay, John, 1685-1732., Fenton, Lavinia, 1708-1760, Walker, Thomas, 1698-1744, Collier, Jeremy, 1650-1726, Bordoni, Faustina, 1697-1781., Amhurst, N. 1697-1742. (Nicholas),, George II, King of Great Britain, 1683-1760., Caroline, Queen, consort of George II, King of Great Britain, 1683-1737., Swift, Jonathan, 1667-1745., Pope, Alexander, 1688-1744., Heraclitus, of Ephesus., Democritus, approximately 460 B.C.-approximately 370 B.C., and Cuzzoni, Francesca, 1696-1778.
Subject (Topic):
Social life and customs, Anecdotes, facetiae, satire, etc, Pegasus (Greek mythology), Apollo, Muses (Greek deities), Parnassus, Mount (Greece), Prints, Prisons, and Theaters
