Manuscript fragment on portions of 2 parchment bifolios. Removed from a binding where it functioned as the pastedowns and the first and last flyleaves
Description:
In Latin., Script: Arts. 1-4, 8-15 written in uncial; arts. 5-7 in a pre-Caroline minuscule with prominent ascenders., Pen-drawn initials, touched with red, yellow, green, and/or orange occur for each art.; some incorporate a sawtooth pattern and fish motif. Heading for art. 8 in majuscules for first line (filled with yellow, red, green) and red uncials for second; remainder of headings in red uncials., Leaves damaged by pasting, cutting, and folding., and Boxed.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Sacramentaries
Manuscript on paper, composed in 3 parts, of unidentified sermons. The three sections appear to have the same origin and to have been united soon after their making. The scribe and owner was a lay brother in the convent of Augustinian Canons St. Dorothea in Vienna
Description:
In German and Latin., Watermarks: Part I: balance, var. Piccard, Waage V.331?; star, var. Briquet 6077?. Part II: bull's head, unidentified?. Part III: column var. Briquet 4408?; bull's head var. Briquet 14825? (last three folios)., Script: Part I (ff. 1-76) copied by various hands writing Gothica Cursiva Libraria with Bastarda features. Part II (ff. 77-160) copied by one hand in Gothica Cursiva Libraria with Bastarda features. Part III (ff. 161-261) copied by five hands in Gothica Cursiva Libraria., Part I: Headings in red, often missing; heightening of the majuscules in red; plain red 4-line initials; they are flourished with black penwork on ff.18v-19r. Part II: Headings in red, sometimes missing. Red heightening of majuscules on ff. 125v-126r only. Spaces and guide-letters for 2-3 line initials (4-line initial on f. 77r) , which have not been executed., Part III: The decoration of art. 15 consists of 3-4 line plain initials in red; at the opening a 5-line flourished initial in red. Art. 16 has red stroking of the opening majuscules of all verses and 2-line plain red initials. In art. 17 the majuscules are heightened with red. The Fables in art. 15 are illustrated with unframed watercoloured pen drawings., and Binding: Contemporary blind-tooled calf over unbevelled wooden boards, worm-eaten. Spine with three raised bands. Remnants of two brass clasps attached to the rear cover, containing several times the inscription in relief "Osan".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Augustinian Canons. and Catholic Church
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Sermons, and Sermons, German
Manuscript on parchment containing 1) Gesta Silvestri papae (d. 335). 2) Excerpts from Liber Quare (11th century?) containing notes on the liturgy and church year. 3) Ps.-Augustinus Hipponensis (Pseudo-Augustine), Sermo. 4) Augustinus Hipponensis (St. Augustine, 354-430), Epistula 54. With Anonymous sermons
Description:
In Latin., Script: Copied by one hand in early Gothica Textualis Libraria., Space for headings not used. A red line-filler on f. 21v. Plain initials of 1-3 lines in red, located partially in the text, partially in the margin, at the beginning of all artt. (except artt. 4, 6 and 12); in art. 1 also at the beginning of the text itself. The words after an initial generally in majuscules; other words often in majuscules are “Maria”, “rex Salomon”, “Amen”., and Binding: ca. 1900. Pasteboard covered with large sections of two parchment leaves from a 15th-century antiphonary (?) from Germany, with Hufnagel notation on 4-line staves traced in black, brown and red. The handwriting is Gothica Textualis Formata. The leaf on the rear cover has the folio number “208”.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Sylvester I, Pope, d. 335. and Catholic Church
Subject (Topic):
Liturgy, Christian hagiography, Manuscripts, Medieval, and Sermons, Latin
In Latin., Script: copied by two hands in small late Carolingian script: hand A copied ff. 1r-59v; hand B copied ff. 61r-103r. Art. 5 has been added on a blank page by a 13th cent. hand, writing in Gothic documentary cursive script., Decoration: red headings in larger script, in Uncialis/Capitalis or Carolingian minuscule; red 1-line versals; 2- or 3-line plain red initials., and Binding: 16th century brown leather over cardboard; both covers are blindtooled with frames of triple fillets, decorated with two rolls; spine undecorated, with label “203”.
Manuscript on parchment of gospel and liturgical texts with musical notation for the Vigil of Christmas and the Holy Week. Includes a variety of feriae
Alternative Title:
Passiones Christi
Description:
In Latin., Script copied by two hands in a rather angular southern gothica textualis formata (rotunda)., Decoration: headings in red; yellow heightening of majuscules and cadel; numerous elaborately decorated cadels; neumatic chant notation on four-line staff., and Neumatic chant notation on four-line staff.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Gregorian chants, and Manuscripts, Medieval
Manuscript fragment on parchment of an antiphonary written by the 12th- and 13th-century Lambach-based scribe Gottschalk. Among other items it contains: Epiphany (6 January); St. Agatha (5 February); St. Scholastica (10 February); Chair of St. Peter (22 February); St. Gregory (12 March); Annunciation (25 March); Maundy Thursday, compline; Good Friday; Easter; Exaltation of the Cross (14 September); St. Thomas (21 December); and St. Andrew (30 November).
Description:
In Latin., Script: written in late Caroline minuscule by Gottschalk, a scribe at Lambach in the twelfth and early thirteenth century., and Decoration: the responsorial liturgy of most feasts begins with a 3- to 5-line initial in red with red vine-stem decoration and violet bands and foliage drawn by Gottschalk; three historiated initials of a trumpeter, Prophet Isaiah, and Gregory the great; 1-line red capitals are present in many antiphons as are 1-line initials of responses in thick brown uncials traced or dotted with red; rubrics written in red rustic capitals; punctuated with the punctus; interlinear neumes in the St. Gall style; tonary letters are written in the outer margin of each folio drawn on tiers of a column representing architectural support.
Manuscript on parchment of Gradual, with masses from the second Sunday after Easter through the 13th Sunday after Pentecost, omitting Ascension and Pentecost
Description:
In Latin., Script: Written by one scribe in round liturgical gothic script., Initial on f. 1v (2 lines + 2 staves high) made of cadeaux, with gold paint sloppily applied. Other initials 1 line + 1 staff, same style, in black or red, with or without gold. Square notes on 5-line red staves. Headings in red., Water has caused red ink to run on many folios; no loss of text. Some repairs in margins with pieces of coarse parchment., and Binding: Nineteenth century. Half bound in brown calf, gold-tooled, with blue cloth sides.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Graduals (Liturgical books), Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
In Latin., Script: Written by one scribe in large round gothic bookhand. Index added later by Frater Elia Pinelli, in humanistic script., Three historiated initials; that on f. 3r (Sts. Peter and Andrew), the Calling of Sts. Peter and Andrew, is of high quality; purple with white floral highlights; ornate purple, blue and green fruit and floral border, inner margin, with candelabra, hairspray and gold dots. The two other historiated initials are of inferior quality: f. 78v (Holy Cross) Cross with Arma Christi and f. 220r (Mass of the Dead) two roundels: skull and cross-bones against a landscape and skeleton with scythe against a black ground. Very fine penwork 3- and 2-line initials: done in red or blue (one on f. 57r in gold), decorated with white bands and jewels, with blue and red penwork, large illusionistic jewel studs and simple fruit and floral borders, painted in purple, blue, green, and yellow or in pen, red, blue with some black and yellow; initial on f. 189r with two seraphim. Some 2-line initials incorporate ivy or fruit swags. 1-line initials, red or blue, divided, with blue or red penwork, jewel studs, circles and lozenges, in green, yellow and tan. Square musical notation on 4-line red staves. Rubrics throughout., Binding: 17th-18th centuries. Original sewing on 6 double cords, each covered with brown leather and probably nailed to inside of boards. Red and gold wound endbands. Heavy boards are covered with thick leather (cowskin?) and the spine is covered separately with leather nailed to the edge of each board. There are four brass corner pieces and a large central boss on each board, bosses protruding from the three outer edges, and a strap and pin fastening, the pin on the lower board., and An additional leaf with a historiated initial depicting St. Felicitas was removed from this manuscript at some point prior to its acquisition by the Beinecke Library. This leaf is currently cataloged as Beinecke MS 712.129.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Graduals (Liturgical books)., Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Parchment fragments of an antiphonary, including two strophes of the hymn "Sancte Dei pretiose / Protomartyr Stephane", and the end of the hymn "Te Deum laudamus."
Description:
In Latin., Script: copied by a single scribe in Southern Gothica Textualis Formata (Rotunda), using Uncial and Half-Uncial d. The colophon and the colophon formula on f. 2r are in a small Gothica Cursiva Formata (Cancelleresca)., Red rubrics. Alternately red and blue flourished initials, with respectively blue and red penwork, in two sizes: the smaller ones reaching to the third line of the accompanying stave, the large ones to the top line of the accompanying stave. The writing, musical notation and illumination are by the scribe and miniaturist Iacobellus Muriolus de Salerno, whose first product this is according to the colophon., and Manuscript fragment on parchment of the end of "Te deum" in a Gradual, as well as two strophes of the hymn "Sancte Dei pretiose / Protomartyr Stephane." The colophon is signed by the scribe, Jacobellus de Salerno. With an additional leaf.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Graduals (Liturgical books), and Manuscripts, Medieval
Manuscript, on parchment, of an illuminated and decorated gradual made for use in the choir of the Olivetan monks of the monastery of Santa Maria di Baggio near Milan
Description:
In Latin., Script: written in liturgical bookhand. Music in square musical notation on five four-line red staves., Decoration: five miniatures; eleven large ornamental initials on gold grounds; many decorated initials with penwork., Miniatures have been attributed to the Olivetan Master and the Master of the Lodi Choir Books., and Binding: full deerskin over wooden boards; extensive metalwork on binding.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Master of the Lodi Choir Books, active 15th century., Olivetan Master, active 1429-1439., Catholic Church, and Olivetans.
Subject (Topic):
Liturgy, Graduals (Liturgical books), Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
