Manuscript on paper of 1) Ps.-Cicero, Oratio in Catilinam; 2) Ps.-Catilina, Responsio in Ciceronem; 3) Franciscus Aretinus, speech delivered in Rome to Pope Paul II; 4) Verses in praise of Francesco Accolti; 5) Franciscus Philelphus, translations of moral quotations from ancient authors; 6) Manuel Guarinus, Letter to Francesco Pendilacqua; 7) Gasparinus Barzizius, De compositione
Description:
Script: Copied by one hand Humanistica Cursiva. and In Latin.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catiline, approximately 108 B.C.-62 B.C., Cicero, Marcus Tullius., Griffolini, Francesco, 1418-1483., and Paul II, Pope, 1417-1471.
Subject (Topic):
Latin letters, Medieval and modern, Manuscripts, Medieval, Rhetoric, Medieval, and Speeches, addresses, etc., Latin (Medieval and modern)
Manuscript, in a single hand, of a book of instruction for the author's daughter. Although the volume contains information on parts of speech, explanations of the meanings of words in the English language, basic mathematics such as addition, subtraction, multiplication, and division, systems of government, and numerous prayers and meditations, the bulk of the volume is given to instruction on letter-writing and astronomy. The manuscript contains guidelines for how to address a queen, a duchess, or someone of one's own station; how to end letters; and how to write a "billet"; as well as form letters of thanks, consolation, recommendation, "congratulation for the recovery of health," and "to a lady newly come to London." The section on astronomy includes 7 diagrams and includes information on the positions of the planets, the phases of the moon, and eclipses
Description:
Stanhope, Philip, second earl of Chesterfield (1633-1714), courtier and politician, was the eldest son of Henry Stanhope (d. 1634), and his wife Katherine (bap. 1609, d. 1667). He was involved in numerous duels, fleeing the country after having killed Francis Wolley, the son of a Hammersmith doctor, in a duel on 17 January 1660. Chesterfield was appointed on 24 February 1662 as lord chamberlain to Queen Catherine of Braganza, and on 13 June 1667 was made the colonel of a foot regiment, but it was disbanded following the treaty of Breda. That year he married his third wife, Lady Elizabeth Dormer (1653-1677). They had two sons and two daughters, one of whom was Lady Mary Stanhope, for whom the manuscript was written. He continued to be active in politics, supporting his tory son-in-law Thomas Coke in Derbyshire elections in 1701-2., Lady Mary (Stanhope) Coke, eldest daughter of Philip Stanhope, 2nd Earl of Chesterfield, married Thomas Coke of Melbourne, Derbyshire., In English., Note on verso of front endpaper: See 'a Prayer after the confession of sins.' and 'a Prayer for the Dead." both at the end of this M.S. 1814., Inscription on verso of front endpaper: Cecil Henry Southwell the gift of his dear Papa., Written on flyleaf: notes written by Thomas, 3rd Baron Southwell concerning the genealogy of the Stanhope family, including a biography of Lady Mary (Stanhope) Coke and her daughter, Mary Baroness Southwell. He mentions that Lady Mary (Stanhope) Coke was his great-grandmother., Written on verso of flyleaf: note by Mary Southwell dated 1756 explaining the manuscript was used to instruct her mother in "what was proper for a young Lady to know," and bequeathing the volume to her granddaughter Frances upon her death., Bookplate of Viscount Thomas Southwell, 3rd Baron Southwell., Marbled endpapers., and Binding: full calf; gilt decoration. Printed on spine: 1st Earl of Chesterfield to his D. L. M. Coke.
Subject (Geographic):
Great Britain
Subject (Name):
Aristotle., Chesterfield, Philip Stanhope, Earl of, 1633-1713., Cicero, Marcus Tullius., Coke, Mary Stanhope, Lady, 1664-1703., Homer., Southwell family., and Southwell, Thomas Southwell, Baron, 1721-1780.
Subject (Topic):
Astronomy, Letter writing, Nobility, Social life and customs, Women, Conduct of life, and Education
Manuscript on paper of 1) Leonardo Bruni, Vita Ciceronis ex Plutarcho traducta. 2) Pope Pius II, Versus in laudem S. Catharinae Senenis
Description:
Art. 1 is written by one hand in Gothico-Humanistica; art. 2 is copied by another hand in Humanistica Textualis; and art. 3 and the note on f. 1r are written in Gothico-Humanistica Cursiva., Decoration: None; space reserved on f. 1r for a 6-line initial., Binding: None., and In Latin.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Bruni, Leonardo, 1369-1444., Pius II, Pope, 1405-1464., Cicero, Marcus Tullius., and Catherine, of Siena, Saint, 1347-1380.
Subject (Topic):
Latin literature, Medieval and modern and Manuscripts, Medieval
In Latin., Script: Written in italic script by Piero Cennini (b. 1444)., Fine border and initials by Mariano del Buono. 3/4 white-vine border, f. 2r, infilled green, pink, and blue, against a blue ground, with white dots; putti and birds; at the periphery, flowers, gold dots, and hair-spray, especially profuse in lower margin; supported by a trellis, gold, which expands at regular intervals to form roundels. In upper margin, a blossom with fruits, in lower margin, in separate roundels, a hound chasing a stag, against deep landscape backgrounds. Between roundels with animals, the arms of Joannes Vitez, bishop of Gran, in a complex braided roundel, infilled green and blue with white and yellow filigree, and supported by four putti, two of which play musical instruments. One historiated initial, f. 1r, gold, Cicero reading a book, against a blue ground with stylized clouds, all against a green ground with yellow filigree. Thirty-two 7-, 6-, 5-, and 3-line initials, gold, with white-vine infilled green, pink, and blue, with white dots, against blue ground, with vines extending into margin, gold dots and hair-spray. Twelve 4- and 3-line initials, following f. 178, gold, against pink and blue or pink and green grounds, with white and/or yellow filigree. Following initials, one line of square capitals in brown or alternating red and brown. 1-line square capitals in text., The entire codex, including the binding, is in an excellent state of preservation., and Binding: Fifteenth century. Resewn on seven tawed, slit straps laid in channels and nailed into wooden boards. The spine is square, the edges gilt. Covered in ruby-red goatskin, blind-tooled with concentric panels. The rectangular central panel is reduced to a square with rope interlace and the central ornament is a four-pointed star protruding from a quatrefoil within a circle. Five foliate brass catches on the lower board. Stubs of green fabric clasp straps on the upper board. Rebacked; headbands and a gold-tooled spine added. Two catches and all clasps wanting.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Cicero, Marcus Tullius.
Subject (Topic):
Classical literature, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Philosophy
Manuscript on paper of assorted works by Cicero with additional texts
Description:
In Latin., Watermarks: 1) Human bust, var. Briquet 15599?. 2) Balance, var. Piccard, Waage 1.78?. (3) Crown, unidentified?., Script: Written by two scribes, one writing in Italian Gothica Hybrida or Semihybrida Libraria and the other in a bold Southern Gothica Textualis Libraria/Formata with numerous decorative hairlines., Red paragraph marks. Art. 3 has yellow heightening of the majuscules, a 2-line and a 3-line flourished initial in red, blue and yellow. In art. 1 the majuscules are heightened in red; there are plain red initials in art. 5, but its decoration is not consistent., and Binding: Damaged original binding in deerskin over heavy almost unbevelled wooden boards. Parchment pastedowns, the front one detached from the board. On the front cover inscription in large Southern Gothica Textualis Formata, worn and difficult to decipher. On the spine a 17th-century paper label with the number "2760" and the title "Huma (?)......Marci Tulii de amicitia manu scripta". Marks of two leather straps fixed to the front cover, the pin holes visible in the rear cover.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Cicero, Marcus Tullius.
Subject (Topic):
Didactic literature, Latin and Manuscripts, Medieval
Manuscript fragment on parchment of Cicero's Orationes Philippicae
Description:
In Latin., Script: written in a round humanistic bookhand., and Decoration: 1-line initials are in brown square capitals; punctuated with the punctus, punctus elevatus, and punctus interrogativus; hyphenation is in the same ink as the text.
Manuscript on paper, composed of two distinct parts, of speeches by Cicero. Introductions to ten of the speeches were composed by Antonio Loschi between 1391 and 1405. The pattern of stains indicates that Parts I and II were once separate; it is unclear when they were bound together
Description:
In Latin., Watermarks: Part I: unidentified letter B. Part II: Briquet Tete de boeuf 15068, and Piccard Ochsenkopf VII.40., Script: Part I (ff. 1-232): Written by a single scribe in a fere-humanistic script characterized by the broadness of majuscule letter forms; written below top line. Part II (233-398): Written in a small gothic script with cursive features, below top line., Part I: Elegantly decorated title-page (f. 1r) with a full border: in inner and upper margins, thin gold bar with flowers in mauve, blue and gold and stylized foliage in green with pale yellow highlights; in outer and lower margins, floral border of black inkspray with flowers in mauve and blue and with some gold accents and stylized foliage in green. In center of lower margin, a shield with unidentified coat of arms, much rubbed supported by two standing nude female figures with flowing blond hair. One historiated initial, 12-line, mauve, green and pink against gold ground, with extremely fine portrait in profile of a man wearing a two-tiered red cap and academic gown against a blue background with a geometric pattern in black and greyish blue. 6-line initials, blue with red penwork designs alternate red with purple for the beginning of each text. Headings in red., Part II: Red and black divided initial, 6-line, with plain designs on f. 234r; plain red initials some with simple designs, 5- to 2-line, elsewhere. Paragraph marks and initial strokes in red., The dark acidic ink has bled through many leaves; no loss of text., and Binding: Eighteenth century, France. Gold-tooled brown, mottled calf spine. Edges gilt. Boards, composed of paper pasteboard, are detached.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Cicero, Marcus Tullius. and Loschi, Antonio, d. 1441.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Scholia, and Speeches, addresses, etc., Latin
Manuscript on parchment of Cicero, Orationes. With works by Pseudo-Cicero and Pseudo-Sallust
Description:
In Latin., Script: Written by a single scribe in a beautiful humanistic script., Delicately executed gold initials, 7- to 5-line, filled with white-vine ornament (highlights in pale orange) on blue, pale green, and pale orange ground with brown dots, mark the beginning of each oration. Rubrics (modified square capitals) throughout., and Binding: Eighteenth century. Narrow brown calf spine with brown spattered-paper sides, small vellum corners. Bound for the Convent of San Marco, Florence; rebacked in Yale Library Conservation Studio.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Cicero, Marcus Tullius.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Speeches, addresses, etc., Latin
In Latin., Script: The manuscript was copied by two scribes who exhibit distinct formats and scripts reflecting the transition from gothic to humanistic types of book production. Scribe I) ff. 1-107r, line 14. Written in a very fine early humanistic bookhand, above top line. Scribe II) ff. 107r, line 15-135r. Written in a semi-gothic script, below top line, in a style of writing similar to that used by Coluccio Salutati; strong gothic influence in forms of majuscules., Twenty-three illuminated intials of fine quality, 6- to 2-line, yellow on rectangular bright blue grounds with narrow black frames. Grounds filled with restrained and stylized thin white vine-stem ornament and intricate white filigree. Most spaces for rubrics left unfilled., and Binding: Nineteenth century, England. Bound by Zaehnsdorf (London, 1842-1930) in brown goatskin, blind-tooled, with gold-tooled spine "Cicero" and "MS". Yellow edges. Discoloration on early parchment endleaves reveal traces of corner tongues.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Cicero, Marcus Tullius.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Speeches, addresses, etc., Latin
Manuscript on goatskin of Cicero, In Quintum Caecilium divinatio and In Verrem, and texts about St. Jerome by Pseudo-Eusebius of Cremona, Pseudo-Augustine, and Pseudo-Cyril of Jerusalem
Description:
In Latin., Script: Cicero text: copied by one hand in Southern Gothica Textualis Libraria under some Humanistic influence. Space for headings and large (10-lines) and small initials was provided. Both were supplied s. XVII in brown ink, the initials in a kind of classicising style (on f. 1r in the shape of a tablet with a faun [?] standing in a landscape holding the stems of a plant with both hands)., Scipt: copied by one hand in Humanistica Textualis., Decoration: Pale red headings and paragraph marks. Space for large (7-9 lines) and small initials was provided. They were supplied s. XVII in brown ink, by the same hand and in the same style as in the Cicero text., and Binding: 17th century green velvet over pasteboard. At the top of the spine parchment label with s. XVII handwritten inscription "Cic. In Verrem / et / aliquot epi/stolae Patrum / ***."
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Cicero, Marcus Tullius. and Jerome, Saint, -419 or 420.
