Manuscript on parchment of Cicero, Orationes. With works by Pseudo-Cicero and Pseudo-Sallust
Description:
In Latin., Script: Written by a single scribe in a beautiful humanistic script., Delicately executed gold initials, 7- to 5-line, filled with white-vine ornament (highlights in pale orange) on blue, pale green, and pale orange ground with brown dots, mark the beginning of each oration. Rubrics (modified square capitals) throughout., and Binding: Eighteenth century. Narrow brown calf spine with brown spattered-paper sides, small vellum corners. Bound for the Convent of San Marco, Florence; rebacked in Yale Library Conservation Studio.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Cicero, Marcus Tullius.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Speeches, addresses, etc., Latin
In Latin., Script: The manuscript was copied by two scribes who exhibit distinct formats and scripts reflecting the transition from gothic to humanistic types of book production. Scribe I) ff. 1-107r, line 14. Written in a very fine early humanistic bookhand, above top line. Scribe II) ff. 107r, line 15-135r. Written in a semi-gothic script, below top line, in a style of writing similar to that used by Coluccio Salutati; strong gothic influence in forms of majuscules., Twenty-three illuminated intials of fine quality, 6- to 2-line, yellow on rectangular bright blue grounds with narrow black frames. Grounds filled with restrained and stylized thin white vine-stem ornament and intricate white filigree. Most spaces for rubrics left unfilled., and Binding: Nineteenth century, England. Bound by Zaehnsdorf (London, 1842-1930) in brown goatskin, blind-tooled, with gold-tooled spine "Cicero" and "MS". Yellow edges. Discoloration on early parchment endleaves reveal traces of corner tongues.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Cicero, Marcus Tullius.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Speeches, addresses, etc., Latin
Manuscript on goatskin of Cicero, In Quintum Caecilium divinatio and In Verrem, and texts about St. Jerome by Pseudo-Eusebius of Cremona, Pseudo-Augustine, and Pseudo-Cyril of Jerusalem
Description:
In Latin., Script: Cicero text: copied by one hand in Southern Gothica Textualis Libraria under some Humanistic influence. Space for headings and large (10-lines) and small initials was provided. Both were supplied s. XVII in brown ink, the initials in a kind of classicising style (on f. 1r in the shape of a tablet with a faun [?] standing in a landscape holding the stems of a plant with both hands)., Scipt: copied by one hand in Humanistica Textualis., Decoration: Pale red headings and paragraph marks. Space for large (7-9 lines) and small initials was provided. They were supplied s. XVII in brown ink, by the same hand and in the same style as in the Cicero text., and Binding: 17th century green velvet over pasteboard. At the top of the spine parchment label with s. XVII handwritten inscription "Cic. In Verrem / et / aliquot epi/stolae Patrum / ***."
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Cicero, Marcus Tullius. and Jerome, Saint, -419 or 420.
Manuscript on paper, composed of two distinct parts. Part I (ff. 1-48): Cicero, Orator ad M. Brutum. Part II (ff. 49-114): Cicero, Orationes
Description:
In Latin., Watermarks: Part I: unidentified hunting horn, in gutter. Part II, in gutter: similar in design to Briquet Fruit 7380-81., Script: Each part written in humanistic cursive by a single scribe, above top line., Part I: Plain initials in red or blue; heading on f. 1r in red majuscules. Part II: Heading and plain initial, in red, on f. 49r only., and Binding: Nineteenth century, Italy. Brick red goatskin, blind-tooled. Bound for the Guarnieri-Balleani library (Iesi) in the same bindery as MS 450 and Marston MSS 72, 86, 181 and probably by the same binder. Title in ink on the tail edge, mostly illegible.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Cicero, Marcus Tullius.
Subject (Topic):
Manuscripts, Medieval, Oratory, and Speeches, addresses, etc., Latin
Manuscript on parchment, composed of two distinct parts. Part I: 1) Cicero, Partitiones oratoriae. 2) Cicero, Topica. Part II: 3) P. Rutilius Lupus, De figuris sententiarum et elocutionis. 4) Aquila Romanus, De figuris sententiarum et elocutionis. 5) Martianus Capella, De figuris sententiarum et elocutionis, extracts. 6) Priscian, De figuris numerorum (quos antiquissimi habent codices), sections 1-10 only and omitting portions of the long Greek quotations
Description:
In Latin., Script: Part I (ff. 1-64): Written in a well formed round humanistic script by a single scribe, above top line. Part II (ff. 65-114): Scribe 1 wrote arts. 3-4 in a neat round humanistic script, above top line. Scribe 2 added arts. 5-6 in an upright humanistic script bordering on cursive; he also added the Greek words in the margins for arts. 3-4., Part I: Illumination in the early style of Bartolomeo di Antonio Varnucci (1410-79). Two large illuminated initials (ff. 1r and 37v), 5-line, gold on blue, green and peach ground with white vine-stem ornament, touched with green and white dots. On f. 1r a partial border incorporating a butterfly, grasshopper, moth, and a flying putto with bow and arrow who appears to be propelled by lozenge-shaped blue clouds. 25 small initials, 2-line, gold on blue, green and peach ground with white vine-stem ornament and white dots. Headings in pale red, the first on f. 1r partially obscured by the decoration. Part II: Display headings and key grammar words in majuscules; no decoration or rubrication., and Binding: Nineteenth century, France. Bound in red goatskin, blind- and gold-tooled, by L. Guetant. Gilt edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Cicero, Marcus Tullius.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Rhetoric, and Speeches, addresses, etc., Latin
Manuscript on parchment of 1) Dedicatory epistle of Leonardo Bruni to Niccolo Niccoli. 2) Plutarch, Vita Ciceronis. 3) Plutarch, Vita Demosthenis. 4) Dedicatory epistle to Niccolo Niccoli. 5) Xenophon, Hiero. All translated into Latin by Leonardo Bruni. In this manuscript the treatises are not identified, nor is the translator, but the dedicatory epistles to Niccolo Niccoli serve to indicate both author and translator
Description:
In Latin., Written in humanistic script by a single scribe., No headings or ornamentation; the manuscript was apparently never finished., and Binding: Nineteenth century. Straight-grained black goatskin, gold-tooled.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Cicero, Marcus Tullius., Demosthenes., Niccoli, Niccolò, ca. 1364-1437., and Plutarch.
Subject (Topic):
Biography, Dialogues, Latin, and Manuscripts, Medieval
"Catherine II places in its niche the bust of Fox which is being hauled into position by a rope over a pulley held by a Russian bear, who crouches (right) beside the steps on which the Empress stands. She is in back view, very stout, wearing ermine-trimmed robes with a laurel wreath in place of the usual crown. On each side of the bust is a larger alcove for whole length statues of 'ΔΕΜΟΣΘΕΝΗΣ' and 'M.T. CICERO'. These statues are stepping down from their niches, looking apprehensively at Fox. Their eyes have the blankness of sculpture, but their faces express indignant alarm. Cicero holds a scroll: 'In Cata[linam]'. Fox's head is that of life rather than of sculpture. Above it is an oval picture or bas-relief inscribed 'Regulus'; a number of men are imprisoning a victim in a large cask lined with spikes. Demosthenes (left) steps down from his niche on to one of two large packing-cases inscribed 'Houghton Collection For The Emp[ress of] Russia' and 'Hough . . .' (Catherine having bought pictures from the collection of Sir Robert Walpole). Beside them stands a bust of Paul Jones, wearing a cocked hat and looking up at Fox with a sinister glare. Cicero steps down on to the arm of the Imperial throne, which is formed by the neck of a vulture; the legs of the throne are those of a bird of prey. On its seat lies a scroll inscribed: 'Memorial Ambassador extraordinary Sheweth That your Memorialists are attached to your Majesty and have opposed the Armament, divided against the Minister [ ? leaving him in a] small Majority, rai[led] against the Balance [of] Power, chalked up [on] the Walls in capital [letters] No Russian War.' (The right edge of the document is cut off by the margin of the design, leaving some of the words to be supplied by the reader.) Under the chair lies a dog. The vulture's claw which forms a leg of the throne is planted on a large map across the word 'Oczak[ow]'; 'The Bog', 'The Neister', and 'Black Sea' are also shown. The Russian bear is crouching on this map."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Temporary local subject terms: Symbols: Russian bear -- Birds -- Furnishings: Throne with vulture's heads and legs -- Statues -- Busts -- Maps: Russia's expansions westward -- Pictures amplifying subject: Regulus tortured by Carthaginians -- Art collections: allusion to Catherine II's purchase of Sir Robert Walpole's collection., and Mounted on page 73.
Publisher:
Published 15th March 1792 by Thos. Cornell, Bruton Street
Subject (Name):
Fox, Charles James, 1749-1806, Catherine II, Empress of Russia, 1729-1796, Jones, John Paul, 1747-1792, Cicero, Marcus Tullius., Regulus, Marcus Atilius, -250 B.C.?, and Demosthenes.
Subject (Topic):
Bears, Vultures, Thrones, Sculpture, Pulleys, and Maps
"Catherine II places in its niche the bust of Fox which is being hauled into position by a rope over a pulley held by a Russian bear, who crouches (right) beside the steps on which the Empress stands. She is in back view, very stout, wearing ermine-trimmed robes with a laurel wreath in place of the usual crown. On each side of the bust is a larger alcove for whole length statues of 'ΔΕΜΟΣΘΕΝΗΣ' and 'M.T. CICERO'. These statues are stepping down from their niches, looking apprehensively at Fox. Their eyes have the blankness of sculpture, but their faces express indignant alarm. Cicero holds a scroll: 'In Cata[linam]'. Fox's head is that of life rather than of sculpture. Above it is an oval picture or bas-relief inscribed 'Regulus'; a number of men are imprisoning a victim in a large cask lined with spikes. Demosthenes (left) steps down from his niche on to one of two large packing-cases inscribed 'Houghton Collection For The Emp[ress of] Russia' and 'Hough . . .' (Catherine having bought pictures from the collection of Sir Robert Walpole). Beside them stands a bust of Paul Jones, wearing a cocked hat and looking up at Fox with a sinister glare. Cicero steps down on to the arm of the Imperial throne, which is formed by the neck of a vulture; the legs of the throne are those of a bird of prey. On its seat lies a scroll inscribed: 'Memorial Ambassador extraordinary Sheweth That your Memorialists are attached to your Majesty and have opposed the Armament, divided against the Minister [ ? leaving him in a] small Majority, rai[led] against the Balance [of] Power, chalked up [on] the Walls in capital [letters] No Russian War.' (The right edge of the document is cut off by the margin of the design, leaving some of the words to be supplied by the reader.) Under the chair lies a dog. The vulture's claw which forms a leg of the throne is planted on a large map across the word 'Oczak[ow]'; 'The Bog', 'The Neister', and 'Black Sea' are also shown. The Russian bear is crouching on this map."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Temporary local subject terms: Symbols: Russian bear -- Birds -- Furnishings: Throne with vulture's heads and legs -- Statues -- Busts -- Maps: Russia's expansions westward -- Pictures amplifying subject: Regulus tortured by Carthaginians -- Art collections: allusion to Catherine II's purchase of Sir Robert Walpole's collection., 1 print : etching and aquatint on wove paper ; plate mark 38.9 x 27.7 cm, on sheet 40.2 x 28.8 cm., and Mounted on leaf 53 of James Sayers's Folio album of 144 caricatures.
Publisher:
Published 15th March 1792 by Thos. Cornell, Bruton Street
Subject (Name):
Fox, Charles James, 1749-1806, Catherine II, Empress of Russia, 1729-1796, Jones, John Paul, 1747-1792, Cicero, Marcus Tullius., Regulus, Marcus Atilius, -250 B.C.?, and Demosthenes.
Subject (Topic):
Bears, Vultures, Thrones, Sculpture, Pulleys, and Maps
"Catherine II places in its niche the bust of Fox which is being hauled into position by a rope over a pulley held by a Russian bear, who crouches (right) beside the steps on which the Empress stands. She is in back view, very stout, wearing ermine-trimmed robes with a laurel wreath in place of the usual crown. On each side of the bust is a larger alcove for whole length statues of 'ΔΕΜΟΣΘΕΝΗΣ' and 'M.T. CICERO'. These statues are stepping down from their niches, looking apprehensively at Fox. Their eyes have the blankness of sculpture, but their faces express indignant alarm. Cicero holds a scroll: 'In Cata[linam]'. Fox's head is that of life rather than of sculpture. Above it is an oval picture or bas-relief inscribed 'Regulus'; a number of men are imprisoning a victim in a large cask lined with spikes. Demosthenes (left) steps down from his niche on to one of two large packing-cases inscribed 'Houghton Collection For The Emp[ress of] Russia' and 'Hough . . .' (Catherine having bought pictures from the collection of Sir Robert Walpole). Beside them stands a bust of Paul Jones, wearing a cocked hat and looking up at Fox with a sinister glare. Cicero steps down on to the arm of the Imperial throne, which is formed by the neck of a vulture; the legs of the throne are those of a bird of prey. On its seat lies a scroll inscribed: 'Memorial Ambassador extraordinary Sheweth That your Memorialists are attached to your Majesty and have opposed the Armament, divided against the Minister [ ? leaving him in a] small Majority, rai[led] against the Balance [of] Power, chalked up [on] the Walls in capital [letters] No Russian War.' (The right edge of the document is cut off by the margin of the design, leaving some of the words to be supplied by the reader.) Under the chair lies a dog. The vulture's claw which forms a leg of the throne is planted on a large map across the word 'Oczak[ow]'; 'The Bog', 'The Neister', and 'Black Sea' are also shown. The Russian bear is crouching on this map."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Temporary local subject terms: Symbols: Russian bear -- Birds -- Furnishings: Throne with vulture's heads and legs -- Statues -- Busts -- Maps: Russia's expansions westward -- Pictures amplifying subject: Regulus tortured by Carthaginians -- Art collections: allusion to Catherine II's purchase of Sir Robert Walpole's collection., and Mounted.
Publisher:
Published 15th March 1792 by Thos. Cornell, Bruton Street
Subject (Name):
Fox, Charles James, 1749-1806, Catherine II, Empress of Russia, 1729-1796, Jones, John Paul, 1747-1792, Cicero, Marcus Tullius., Regulus, Marcus Atilius, -250 B.C.?, and Demosthenes.
Subject (Topic):
Bears, Vultures, Thrones, Sculpture, Pulleys, and Maps