"George IV, dressed as Henry VIII and with cavalry boots decorated with rosettes, sits on the throne (right), shrinking angrily from oxen wearing civic gowns who bow, presenting petitions. All the horns of the oxen are tipped with tiny caps resembling caps of Liberty; a slightly larger pair protects the prongs of a fork held up on the extreme left above the massed heads of the beasts. On this a placard is speared: 'Petitions from every Part of the World--(Hole's and Corner's excepted) to Dismiss the Ministers-- signed by upwards of 999,999--Millions of the Brute Creation.' The petitions of the four beasts in the front row are headed: 'Petition of Lord Mayor & Citizens of London to Dismiss Ministers'; 'Petitions from every part of England & Wales to Dismiss Ministers &c &c &c'; '. . . ions from every Part of Scotland to Dismiss Ministers &c &c &c'; 'Petitions from every part of Ireland . . . [ut supra]'. Hooves rise from cattle behind holding more petitions: 'from Europe'; 'From Asia'; 'from Africa'; 'from America'; 'from every Honest Man'. The canopied throne is raised on a dais of three steps, the footstool is a cushion supported on a (carved) elephant; but the King's feet are drawn back. His right hand is on his hip; he holds an oddly shaped sceptre in the left hand. The back of the throne is framed by carved mannikins with shackled hands and feet; a large crown rests on the heads of the two uppermost. The back of the canopy has a pattern of writhing serpents. Ministers, much caricatured, stand on the right and left of the dais. In the foreground (right) and on the King's left, Wellington, with the apron and steel of a butcher (as in British Museum Satires No. 13288), with gauntlet gloves and with a star on his tunic, holds a blood-stained battle-axe. Sidmouth, as Court-fool, sits in profile to the left on an apothecary's mortar, wearing a double-peaked fool's cap and a star, and holding a bladder which is his clyster-pipe. Behind is Eldon, scowling savagely and holding the mace and the Purse of the Great Seal. A bishop holding a crosier stands on either side of the throne, behind the Ministers. A staff supports an emblematical cask which a naked Bacchus bestrides. On the King's right is Liverpool, holding a tall staff to which a green bag is tied (see British Museum Satires No. 13735). Next him is Castlereagh, blandly sinister, holding a scourge, and with a bunch of keys hanging from his belt; he stares at the petitioners. A tiny Vansittart is beside him, in his Chancellor of the Exchequer's gown, with an 'X' on his breast above a chequered pattern, hung diamond-wise. Immensely fat and absurd beefeaters stand along the back of the room under quasi-Gothic windows of stained glass. All hold tridents and turn their eyes towards the petitioners, grinning grotesquely. Each window is centred by an escutcheon on which a decanter is the chief object. The upper part of each is filled by a design of three large peacock's feathers (see British Museum Satires No. 13299). The Gothic roof, caricaturing that at Carlton House (cf. British Museum Satires No. 11727), is filled with tracery in the form of antlers."--British Museum online catalogue
Description:
Title etched above image., Text below image: Historical fact, King Henry VIII, being petitioned to dismiss his ministers & council, by the citizens of London & many boroughs, to releive [sic] his oppressed subjects, made the citizens this sagacious reply: "We, with all our cabinet, think it strange that ye, who be but brutes, & inexpert folk, shd. tell us who be & who be not fit for our council." Vide La Belle Assemblée for October 1820, p. 151., and Mounted on page 33 of: George Humphrey shop album.
Publisher:
Pubd. by G. Humphrey, Feby. 14, 1821, 27 St. James's Street
Subject (Geographic):
England.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Eldon, John Scott, Earl of, 1751-1838, Wellington, Arthur Wellesley, Duke of, 1769-1852, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Vansittart, Nicholas, 1766-1851, Henry VIII, King of England, 1491-1547., and Dionysus (Greek deity)
Subject (Topic):
Politicians, Boots, Thrones, Oxen, Bowing, Petitions, Liberty cap, Pitchforks, Podiums, Crowns, Scepters, Butchers, Fools & jesters, Mortars & pestles, Medical equipment & supplies, Ceremonial maces, Bishops, Bags, Whips, Honor guards, and Windows
Charles Fox, lying on the ground with his head next to a cask of wine, drinks the wine pouring from the hole in it. He looks up at the naked figure of Lord North covered only with garlands of grapes and grape leaves and sitting astride the cask. North holds a bunch of grapes in one hand and in the other an open bottle of wine that he pours over Fox
Alternative Title:
Friendly drop
Description:
Title from item., Printmaker from British Museum catalogue., and Mounted to 26 x 33 cm.
Publisher:
Publish'd by E. Hedges, N 92 Cornhill
Subject (Geographic):
England
Subject (Name):
Fox, Charles James, 1749-1806., North, Frederick, Lord, 1732-1792., and Dionysus (Greek deity)
Subject (Topic):
Great Britain, Politics and government, Barrels, Wine, Eating & drinking, and Clothing & dress
"Two figures, over life-size, on a low pedestal embrace; the King as Bacchus, nude except for a girdle of vine-leaves and grapes, and a wig decked with leaves; Lady Conyngham as Ariadne, a more classic figure, with drapery hanging from the hips. Against the pedestal leans a portfolio: Lady C------s Attitudes Suppressed. A connoisseur (right) gazes up through an eye-glass, saying, Bacchus was the God of Wine and good cheer, his 'favourite was Cxxxxxxm [lightly scored through] Ariadne, she was another mans Wife. Lord Conyngham (left), with antlers sprouting from his forehead, looks up at the statues; he says, Poh! Poh! this is never meant for Bacchus and Ariadne, It's more like my Wife and the * * * * or I'm no Cunning-sure I mean Connoisseur."--British Museum online catalogue
Description:
Title etched below image., Publisher's statement etched within bottom part of image, on portfolio leaning against pedestal of statue., Date of publication from British Museum catalogue., Mounted to 58 x 39 cm., Mounted on leaf 4 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Conyngham" and "Lady Conyngham" identified in ink below image, with the additional identification of "George IV" written in pencil at bottom of sheet; the word "Suppressed" has been added in ink in the lower right, followed by the date "Nov. 1820."
Publisher:
Pubd. J.L. Marks, 28 Fetter Lane, Fleet St.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, Conyngham, Henry Conyngham, Marquess, 1766-1832, Dionysus (Greek deity), and Ariadne (Greek mythological character)
Subject (Topic):
Adultery, Mistresses, Sculpture, Portfolios, Hand lenses, and Antlers
A young man lounges against a young woman, as they sit on a sofa; she holds his right hand in hers. With the left hand he pours wine into her glass which she holds with her left as they exchange amorous looks. They are both partially disrobed. On the table in front of them is a bunch of grapes and an apple, an upturned glass, and playing cards
Alternative Title:
Love and wine
Description:
Numbered '112' in lower right corner of plate., Below the title, four lines of verse in two columns: Heighten'd by Bacchus see the amourous flair ..., Cf. British Museum Catalogue, v. 4, no. 4524 by Spooner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published June 12th, 1787 by Robert Sayer, No. 53 Fleet Street
Subject (Geographic):
England.
Subject (Name):
Dionysus (Greek deity)
Subject (Topic):
Card games, Couples, Playing cards, Seduction, Wine, and Eating & drinking
"A tun of 'Wine' lies on solid trestles inscribed 'Treasury Bench'. From its huge bung-hole emerges the naked body of Pitt, as Bacchus, crowned with vine branches. He leans back tipsily, a brimming glass in each hand. Behind him stands Dundas as Silenus, fat, and partly draped in tartan; his right hand grasps Pitt's shoulder, in his left he holds up a brimming glass. He also is crowned with vine branches. Bunches of grapes hang down from a vine above their heads and are indicated as a background to the cask whose trestles are on a dais covered with a fringed carpet. Opposite the tun stands John Bull in profile to the left, looking up at Pitt, hat in hand; in his left hand is a lank purse, under his arm three empty bottles. He is a yokel, with lank hair and hydrocephalic head, wearing a smock and wrinkled gaiters. He says: "Pray Mr Bacchus have a bit of consideration for old John; - you know as how I've emptied my Purse already for you - & its waundedly hard to raise the price of a drop of Comfort, now that one's got no Money left for to pay for it!!!" Pitt says: "Twenty Pounds a T-Tun, ad-additional Duty i-i-if you d-d-don't like it at that, why t-t-t-then Dad & I will keep it all for o-o-our own Drinking, so here g-g-goes old Bu-Bu-Bull & Mouth!!! - "."--British Museum online catalogue
Alternative Title:
Triumph of Bacchus & Silenus and Triumph of Bacchus and Silenus
Description:
Title etched below image., Temporary local subject terms: Wine duty, 1796 -- Mythology: Bacchus -- Silenus -- Containers: wine casks -- Allusion to Treasury., and Watermark: I Taylor.
Publisher:
Pubd. April 20th, 1796, by H. Humphrey, New Bond Street
Subject (Name):
Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, and Dionysus (Greek deity)
Subject (Topic):
John Bull (Symbolic character), Taxes, Wine, Grapes, Barrels, and Purses
Description from Steevens's note mounted to the right of the print: A procession of painters to the shrine of Bacchus, a slight but spirited etching. The jolly god appears crowned with a jordan. His altar is a Hogshead. Among the trophies carried along, is a helmet which has a punch bowl & ladle for its crest, and a standard displaying pipies and bottles. A figure, probably designed for old Leveridge the singer, in the character of a priest of Bacchus, is seen in the rear of the cavalcade. The chief characters in this plate are copied & introduced, without the slightest propriety, into a wretched print erroneously attributed to Hogarth, and called The oratory. See. As it is not for a certainity known that this procession was the work of Hogarth*, let the collector who wishes to form his judgment of it from the style in which it is etched, compare it with the festoon of laurel, the subscription ticket for Garrick in King Richard III. *Perhaps it represents part of a Bacchanalian procession painted by Lagueree on the walls of a tavern in Drury-Lane where a club of virtuosi met. See Mr. Walpole's account of Laguerre
Description:
Title from Steevens., Sheet trimmed to plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Paulson in his second edition of Hogarth's graphic works (no. 280) is given tentative attribution to Hogarth but this attribution is dismissed in the 3rd edition based on stylistic grounds., On page 12 in volume 1., and Also ms. note (from Ireland, Hogarth Illus. p. 61-62) is inscribed on separate sheet below.
Publisher:
publisher not identified
Subject (Name):
Dionysus (Greek deity) and Leveridge, Richard, 1670 or 1671-1758
Subject (Topic):
Intoxication, Painters (Artists), and Parades & processions
Page 16. Description of the villa of Mr. Horace Walpole ...
Image Count:
1
Resource Type:
still image
Abstract:
A circular image with three concentric designs surrounding the center image of a view of the bridge and Castel Sant'Angelo with the cupola of St. Peter's. The outer most circle is split into twelve equal sections with classical scenes which in turn are topped with an image of an open book with a page numbered "Tab. I-[XII]" moving counter-clockwise
Alternative Title:
Qua mare qua terras lustrat sol lumine semper, sospite me pater imperium Romanus habebit
Description:
Title devised by curator., Statement of responsibility written by Horace Walpole on separate slip of paper (2.9 x 6.6 cm), mounted on opposite page., and Mounted on page 16 in Anne Damer's extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole ... Strawberry Hill : Printed by Thomas Kirgate, MDCCLXXXIV [1784]. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 33.
Subject (Geographic):
Rome
Subject (Name):
Dionysus (Greek deity), Basilica di San Pietro in Vaticano,, and Museo nazionale di Castel Sant'Angelo,
Subject (Topic):
Social life and customs, Agriculture, Rites & ceremonies, and Views
