"The patient sits in an armchair in profile to the left, in the centre of a well-furnished room. He wears dressing-gown and nightcap, his arms are folded and he stares fixedly, assailed by ghostly visions which float before his eyes, emerging from smoke-like shadows: a skeleton, Death, poised just above him, raises his arrow to smite. A corpse-like half length figure offers him a pistol and a halter. A spectre with webbed wings holds out a cup. Two staring and decapitated heads glare from the shadows which fill the room. A hand raises a sword; a man with a knife is about to be stung by a serpent. A naked body (half length) falls head downwards. Above these spectres is a man (left) driving a hearse (right to left) at full gallop and looking round at the Hypochondriac. Behind the patient a good-looking woman speaks confidentially to a doctor who meditatively sucks his cane. He is dressed in an old-fashioned manner, wearing a tie-wig. A table covered with medicines stands behind the patient, who seems unconscious of the other two. A money-chest beside him suggests that he is miserly. Two landscapes hang on the wall ..."--British Museum online catalogue, description of earlier state.
Description:
Companion print to: Ague & fever., Four lines of verse etched on either side of title: The mind distemper'd say, what potent charm ..., Reissue of print published in 1788 by T. Rowlandson. Cf. No. 7449 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Title etched below image.
Publisher:
S. W. Fores, No. 3 Piccadilly
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fores, S.W., publisher., and Harvey, Francis--Ownership.
"Musicians and dancers performing in a street, one figure holds out a hat into which a spectator drops money, another figure drops a heart (?) into another man's hat, behind the group a figure holds a banner, figures lean from the window of a Pawn Broker's shop."--British Museum online catalogue.
Description:
Text etched below image: Humanely inscribed to all those professors of music and dancing whom the cap may fit. and Title etched above image.
Publisher:
S. W. Fores, Piccadilly
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fores, S.W., publisher., and Harvey, Francis--Ownership.
"The interior of the Pantheon, reconstructed as a theatre, seen from the stage on which, in the foreground, are two opera dancers holding garlands of roses. The house is crowded; in the foreground (left and right) are three tiers of stage-boxes filled with admiring spectators. Behind the stage are the heads and shoulders of the orchestra; a very old man on the extreme right holding a 'cello puts an ear-trumpet to his ear. Behind the orchestra is the crowded pit and in the background six tiers of boxes (there were actually four tiers, 'Lond. Chronicle', 11 Feb.); above it is a gallery in which tiny figures are indicated. In the centre of the grand tier is the royal box, in which the King (looking through an opera-glass) and Queen are seated."--British Museum online catalogue.
Description:
Attributed to Rowlandson by Grego., Text below image: Respetfully [sic] dedicated to those singers, dancers, & musical professors, who are fortunately engaged with the proprietor of the King's Theatre, at the Pantheon., and Title etched above image.
Publisher:
S. W. Fores, Piccadilly
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fores, S.W., publisher., and Harvey, Francis--Ownership.
"An obese and gouty parson (left) reclines in an arm-chair, inspecting through an eye-glass a sucking-pig which a buxom maidservant brings in on a dish. She shows it to the clerk, who sits beside the parson, with a paper: 'An Estimate of the Tythes of this Parish'. The latter sniffs at the pig's snout. Two dogs eagerly fawn on the maid. Through the doorway (right) a lean yokel sourly scratches his head, waiting for the verdict on his pig. The parson's swathed leg is supported on a stool; beside him are a bottle and glass, a crutch and chamber-pot. On the wall is a picture of a group of church spires, suggesting that he is a pluralist, though the room is bare and old-fashioned."--British Museum online catalogue.
Description:
Title etched below image.
Publisher:
S. W. Fores, No. 3 Piccadilly
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fores, S.W., publisher., and Harvey, Francis--Ownership.
"Illustration to a lampoon on the Gunning scandal. A series of portraits following [1] a letter directed to 'His Grace the D. . . of' [Marlborough, see BMSat 7980], beneath which is inscribed: 'This is the Note that Nobody wrote!' [2] A groom (three-quarter length) standing with folded arms: 'This is the Groom that carried the Note that Nobody wrote.' [3] Bust portrait of a stout woman in profile to the left: 'This is Madam Gun. . .g so very cunning that betrayed the Groom that carried the note that Nobody wrote.' [4] Bust portrait of a lean and wrinkled woman in profile to the right: 'This is Madam Bo. . .n [Bowen] to whom it was owing that Madam Gun. . .g so very cunning betrayed the Groom that carried the Note that Nobody wrote.' [5] Bust portrait of a young woman, full face, holding a handkerchief to her eye: 'This is the Maiden all For Lorn, all on a sudden so tatterd and torn, because Madam Bo. . .n to whom it was owing that Madam Gun. . .g so very cunning betrayed the Groom that carried the Note that Nobody wrote.' [6] Two bust portraits of young men, full face, wearing cocked hats: 'These are the Marquises shy of the Horn blown by the Maiden all For-Lorn all on a sudden so tatterd and torn because Madam Bo. . .n to whom it was owing that Madam Gun. . .g so very cunning betrayed the Groom that carried the Note that Nobody wrote.' [7] Two bust portraits of two men, full face, wearing ribbons, who look sideways at each other: 'These are the Dukes [Marlborough and Argyll] whose bitter rebukes made the two Marquisses shy of the horn blown by the Maiden all for Lorn all on a sudden so tatterd and torn, because Madam Bo. . .n to whom it was owing, that Madam Gun. . .g so very cunning betrayed the Groom that carried the Note that Nobody wrote.' [8] Bust portrait of a military officer, full face, wearing a cocked hat and gorget: 'This is the General somewhat too bold - whose head is too hot, and whose heart is too cold - who made himself single before it was meet and turn'd Wife and Daughter into the street, to appease the two Dukes whose bitter rebukes made the two Marquisses shy of the horn blown by the Maiden all For Lorn all on a sudden so tatterd and torn because Madam Bo. . .n to whom it was owing that Madam Gun. . .g so very cunning betrayed the Groom that carried the Note that Nobody wrote.' Beneath the title is etched: 'Adorned with Pretty Pictures for the Amusement of Grown up Masters and Misses \ To the Admirers of certain Mysterious Pamphlets & Paragraphs (published some time since but which ought never to be Forgotten) \ This Bagatelle is respectfully Dedicated with an humble intention (if possible) to render the Case more difficult then before.'"--British Museum online catalogue.
Description:
Attributed to Cruikshank in the British Museum catalogue. and Title etched below image.
Publisher:
S. W. Fores, No. 3 Piccadilly
Subject (Name):
Argyll, John Campbell,--Duke of,--1680-1743--Caricatures and cartoons., Auchincloss, Hugh Dudley--Ownership., Fores, S.W., publisher., Gunning, John,---1797--Caricatures and cartoons., Gunning, Miss (Elizabeth),--1769-1823--Caricatures and cartoons., Gunning,--Mrs.--(Susannah),--1740?-1800--Caricatures and cartoons., Harvey, Francis--Ownership., and Marlborough, George Spencer Churchill,--Duke of,--1766-1840--Caricatures and cartoons.
"A design in two compartments, one above the other, the title between them. In both a pack of hounds with human heads chases a crowned stag; in one the stag is George III, in the other (below) Louis XVI. [1] The stag (left) is beside a signpost pointing 'To Windsor', [written in ink] Windsor Castle appearing on the extreme left. The huntsman (right) is the Prince of Wales riding on the heels of the last hound, his whip outstretched. The foremost hound, who has almost reached the stag is Sheridan, next is (?) Lord Sandwich, or perhaps the Duke of Queensberry, next Fox. [The head has a feminine appearance, and has been identified by Grego as Mrs. Fitzherbert. But black eyebrows and traces of 'gunpowder jowl' indicate Fox, whose absence would be inexplicable.] The next pair are a judge (? Loughborough) and Powys. The last two are Burke and Lord Stormont. Beside the Prince, his back to the other dogs, and urinating as a sign of contempt, is Pitt, turning his head to scowl up at the Prince. [2] The names of the hounds have been written in a contemporary hand beneath the print. The stag (right) has been reached by the hounds, three of whom are biting him. He has passed a signpost 'A Versailles'. The foremost hound is 'M. de Limon'; close behind are 'Le Baron de Talleyrand' furiously biting the stag's shoulder, and 'Le Comte de Vauban'; the next two, 'Le Comte de La Touche' and 'le Marquis de Sillery'. The last two are women: 'la Comtesse de Blot' and 'la Comtesse de Buffon' who wears feathers in her hair, and turns her head to gaze at Orleans, the huntsman, whose mistress she was. Orleans rides a clumsy hack, blowing a horn, and is dressed in the French manner, with the boots and whip of a French postilion (in place of his accustomed English riding-dress). His long queue streams out behind him."--British Museum online catalogue.
Description:
Attributed to Rowlandson in British Museum catalogue., Publisher's advertisment follows publication information: ... where may be seen the completest collection of caricatures &c. in the Kingdom, also the head & hand of Count Struenzee. Admittce. 1s., and Title from text etched in center of design; letter "r" in "first" etched above line and inserted with a caret.
Publisher:
S. W. Fores, No. 3 Piccadilly
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Burke, Edmund,--1729-1797--Caricatures and cartoons., Fores, S.W., publisher., Fox, Charles James,--1749-1806--Caricatures and cartoons., Genlis Sillery, Charles Alexis Pierre Brulart de,--marquis de,--1737-1793--Caricatures and cartoons., George--III,--King of Great Britain,--1738-1820., George--IV,--King of Great Britain,--1762-1830--Caricatures and cartoons., Harvey, Francis--Ownership., Latouche-Tréville, Louis-René de,--1745-1804--Caricatures and cartoons., Limon, Geoffroi,--marquis de,---1799--Caricatures and cartoons., Louis--XVI,--King of France,--1754-1793., Mansfield, David Murray,--Earl of,--1727-1796--Caricatures and cartoons., Orléans, Louis Philippe Joseph,--duc d',--1747-1793--Caricatures and cartoons., Pitt, William,--1759-1806--Caricatures and cartoons., Powys, Thomas,--1737-1809--Caricatures and cartoons., Sandwich, John Montagu,--Earl of,--1718-1792--Caricatures and cartoons., Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons., and Vauban, Jacques Anne Joseph Le Prestre,--comte de,--1754-1816--Caricatures and cartoons.
Attributed to Rowlandson by Grego., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Probably a plate from: Rowlandson, T. Outlines of figures & landscapes. [London] : Publish'd by S.W. Fores, No. 3 Piccadilly ..., [1790-92]., and Title devised by curator.
Publisher:
S. W. Fores, No. 3 Piccadilly
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fores, S.W., publisher., and Harvey, Francis--Ownership.
Attributed to Rowlandson by Grego., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Probably a plate from: Rowlandson, T. Outlines of figures & landscapes. [London] : Publish'd by S.W. Fores, No. 3 Piccadilly ..., [1790-92]., Publisher's advertisment follows imprint: ... where may be seen the completest collection of caricatures &c. in the kingdom, also the head & hand of Count Struenzee. Admittance one shilling., and Title devised by curator.
Publisher:
S. W. Fores, No. 3 Piccadilly
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fores, S.W., publisher., and Harvey, Francis--Ownership.
