according to act of Parliament, March [the] 6 [1744]
Call Number:
744.03.06.01+ Impression 1
Image Count:
1
Resource Type:
still image
Description:
Title from item., Tentatively attributed to George Bickham the younger(?) on an unverified card catalog record., and Temporary local subject terms: Interiors: Throne Room -- Furniture: throne -- Pictures amplifying subject: English bull dogs -- Pictures amplifying subject: papal Bull against English bulldogs -- Col. William Cecil -- Jacobites -- Jacobite Revellion, 1745-46.
Publisher:
publisher not identified
Subject (Name):
George II, King of Great Britain, 1683-1760, Frederick Louis, Prince of Wales, 1707-1751, and William Augustus, Prince, Duke of Cumberland, 1721-1765
Title from item., Date of publication based on subject of satire., Temporary local subject terms: Games: shuttlecock., and Watermark: Strasburg lily with initials L V G below.
Publisher:
publisher not identified
Subject (Name):
George II, King of Great Britain, 1683-1760, Frederick Louis, Prince of Wales, 1707-1751, Walpole, Robert, Earl of Orford, 1676-1745, Churchill, Mary Walpole, Lady, 1725?-1801, Argyll, Archibald Campbell, Duke of, 1682-1761, and Yarmouth, Amalie Sophie Marianne von Wallmoden-Gimborn, Countess of, 1706-1765
Title from item., Date of publication based on subject of satire., Temporary local subject terms: Games: shuttlecock., and With spine title: Caricatures anglaise 1740.
Publisher:
publisher not identified
Subject (Name):
George II, King of Great Britain, 1683-1760, Frederick Louis, Prince of Wales, 1707-1751, Walpole, Robert, Earl of Orford, 1676-1745, Churchill, Mary Walpole, Lady, 1725?-1801, Argyll, Archibald Campbell, Duke of, 1682-1761, and Yarmouth, Amalie Sophie Marianne von Wallmoden-Gimborn, Countess of, 1706-1765
A panoramic view of the procession at head and foot, with each group numbered to a key at the bottom of the woodcut. Mounted in the center is an engraving of Prince Frederick by George Vertue. Further vignettes of the 'Procession from Leicester House' and 'Laying in State' on the left and right edges
Description:
Title engraved at top of plate., Portrait print of Prince Frederick Louis: Fredericus Gerogii Walliae principis F. natu maximus. Ca. Boit pinx. Geo. Vertue sculp. 1725., and With contemporary newspaper clipping: A person at Cheltenham has written over his window- "Undertaker to the Prince of Wales". By investigation it has appeared that his grandather assisted at the late Prince's funeral."
Publisher:
Published by T. Doverson, copper plate printer in Green Arbour Court near Little Old Bailey, according to act of Parliament
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
Frederick Louis, Prince of Wales, 1707-1751
Subject (Topic):
Death and burial, Funeral rites and ceremonies, Funeral processions, Hearses, Lying in state, Princes, and Mourning clothing & dress
"A broadside satirising Robert Walpole with an etching in two parts. In the left-hand scene Frederick, Prince of Wales, stands with the Duke of Argyll and other gentlemen, pointing to the left where George II embraces Britannia. In the foreground, the grotesque figure of Walpole, wearing a coronet, kneels holding in five hands, bags of French and Spanish gold and another lettered, "I am Lord Corruption". Behind him stands his daughter, Lady Mary, toying with a coronet. On the ground beside Walpole, the French cock perches on the back of the exhausted Imperial Eagle, but the British lion watching the conflict growls, "Now I'm rousing". In the background, the white horse of Hanover kicks a man off a high rock; the man cries, "I'm lost"; a ship lies at anchor off Cartagena observed from another high rock to right by Admiral Vernon whose impetus towards the city is restrained by General Wentworth; below these two men sits Admiral Haddock chained to a rock (a reference to the limitation of his resources in dealing with the combined Spanish and French Mediterranean fleets). In the right-hand scene Walpole raises his hands in horror at the appearance in a cloud of smoke of the ghost of Eustace Budgell who holds out a paper described in the verses to left as a "black Account ...Full twenty Winters of Misdeeds"; on the table at which Walpole is sitting is a large candlestick and letters addressed "A son Eminence" (Cardinal Fleury) and "à don [Sebastian] de la Quadra" and a book on "The Art of Bribery". Budgell's ghost raises his hand above his head to point at a scene of a beheading in the background above which flies Time while Justice sits on a column beside the scaffold and a crowd cheers below; over a doorway to right is a portrait of a Cardinal, presumably intended for Wolsey who is mentioned in the verses on the right. Engraved title and dedication to the Prince of Wales on a cloth above the scene supported by two putti; verses in two columns on either side condemning Walpole for his maladministration and celebrating the new prominence of the Prince of Wales and his followers; lines of music in two columns below the etching."--British Museum online catalogue and Also depicted the White Horse of the Hanover, British lion emblem, and
Description:
Title from caption above image., British Museum curator's note: "The Man in Blue" refers to "The Chinese Orphan", which was a anti-Walpole verse drama by William Hatchett, published in 1741., Engraved throughout, with illustration in top center and music below., For voice and harpsichord. Music on two staves with interlinear words. With caption above music: Set by Sigr. Plutone, 1st composer to the Infernal Shades., Thirty-four stanzas of song engraved on either side of image and music: One midnight, as the man in blue, sat pond'ring on his doom ..., Truman's notes about the print are shelved as: LWL Mss Group 1 File 4., Other notes identifying the figures in the print in unknown contemporary hand., and Imperfect: sheet trimmed within plate mark resulting in loss of imprint, text, and music of the song; sheet 28 x 32 cm, mounted to 33 x 45 cm.
Publisher:
Printed for Eliza Haywood at Fame in the Piazza, Covent Garden, and sold by the printsellers and pamphlet shops of London and Westminster, according to act of Parliament
Subject (Geographic):
Cartagena (Colombia) and Great Britain.
Subject (Name):
George II, King of Great Britain, 1683-1760, Argyle, John Campbell, Duke of, 1680-1743, Frederick Louis, Prince of Wales, 1707-1751, Walpole, Robert, Earl of Orford, 1676-1745, Budgell, Eustace, 1686-1737, Vernon, Edward, 1684-1757, Haddock, Nicholas, 1684-1757, Wolsey, Thomas, 1475?-1530, Wentworth, Thomas, active 1741, and Churchill, Mary Walpole, Lady, 1725?-1801,
Subject (Topic):
English West Indian Expedition, 1739-1742, History, Britannia (Symbolic character), Political corruption, Death (Personification), Bribery, Crowns, Decapitations, Ghosts, Justice, Putti, National emblems, British, French, Germany, and Spanish
"A broadside satirising Robert Walpole with an etching in two parts. In the left-hand scene Frederick, Prince of Wales, stands with the Duke of Argyll and other gentlemen, pointing to the left where George II embraces Britannia. In the foreground, the grotesque figure of Walpole, wearing a coronet, kneels holding in five hands, bags of French and Spanish gold and another lettered, "I am Lord Corruption". Behind him stands his daughter, Lady Mary, toying with a coronet. On the ground beside Walpole, the French cock perches on the back of the exhausted Imperial Eagle, but the British lion watching the conflict growls, "Now I'm rousing". In the background, the white horse of Hanover kicks a man off a high rock; the man cries, "I'm lost"; a ship lies at anchor off Cartagena observed from another high rock to right by Admiral Vernon whose impetus towards the city is restrained by General Wentworth; below these two men sits Admiral Haddock chained to a rock (a reference to the limitation of his resources in dealing with the combined Spanish and French Mediterranean fleets). In the right-hand scene Walpole raises his hands in horror at the appearance in a cloud of smoke of the ghost of Eustace Budgell who holds out a paper described in the verses to left as a "black Account ...Full twenty Winters of Misdeeds"; on the table at which Walpole is sitting is a large candlestick and letters addressed "A son Eminence" (Cardinal Fleury) and "à don [Sebastian] de la Quadra" and a book on "The Art of Bribery". Budgell's ghost raises his hand above his head to point at a scene of a beheading in the background above which flies Time while Justice sits on a column beside the scaffold and a crowd cheers below; over a doorway to right is a portrait of a Cardinal, presumably intended for Wolsey who is mentioned in the verses on the right. Engraved title and dedication to the Prince of Wales on a cloth above the scene supported by two putti; verses in two columns on either side condemning Walpole for his maladministration and celebrating the new prominence of the Prince of Wales and his followers; lines of music in two columns below the etching."--British Museum online catalogue and Also depicted the White Horse of the Hanover, British lion emblem, and
Description:
Title from caption above image., British Museum curator's note: "The Man in Blue" refers to "The Chinese Orphan", which was a anti-Walpole verse drama by William Hatchett, published in 1741., Engraved throughout, with illustration in top center and music below., For voice and harpsichord. Music on two staves with interlinear words. With caption above music: Set by Sigr. Plutone, 1st composer to the Infernal Shades., Thirty-four stanzas of song engraved on either side of image and music: One midnight, as the man in blue, sat pond'ring on his doom ..., and Numbered '113' in black ink in an unidentified hand.
Publisher:
Printed for Eliza Haywood at Fame in the Piazza, Covent Garden, and sold by the printsellers and pamphlet shops of London and Westminster, according to act of Parliament
Subject (Geographic):
Cartagena (Colombia) and Great Britain.
Subject (Name):
George II, King of Great Britain, 1683-1760, Argyle, John Campbell, Duke of, 1680-1743, Frederick Louis, Prince of Wales, 1707-1751, Walpole, Robert, Earl of Orford, 1676-1745, Budgell, Eustace, 1686-1737, Vernon, Edward, 1684-1757, Haddock, Nicholas, 1684-1757, Wolsey, Thomas, 1475?-1530, Wentworth, Thomas, active 1741, and Churchill, Mary Walpole, Lady, 1725?-1801,
Subject (Topic):
English West Indian Expedition, 1739-1742, History, Britannia (Symbolic character), Political corruption, Death (Personification), Bribery, Crowns, Decapitations, Ghosts, Justice, Putti, National emblems, British, French, Germany, and Spanish
"Satire on Robert Walpole and his continuing influence on government after his fall from power. A large folding screen in the centre stands open showing events from Walpole's career: the South Sea Bubble, the treaties of Hanover and Seville, the "Bank contract" of 1720, Admiral Hosier's expedition to Cartagena, the Excise Scheme (depicted as BM Satires 1918), the War of Jenkins' Ear, the Convention of the Pardo, the English ships held in the port of San Sebastian in 1740 (see BM Satires 2418 and 2440), and a general reference to "Bribery, &c.". A mirror on the left reveal that Walpole is standing behind the screen pulling strings that operate members of parliament assembled in the chamber shown below. Above the screen is a separate scene showing the reconciliation between George II and Frederick, Prince of Wales, early in 1742. To the right stands the Duke of Argyll in Garter robes resting against a lectern and pointing to Wapole's misdeeds as portrayed on the screen; above Argyll's head hangs a picture of Diogenes holding his lamp and a portrait of the "honest man" he sought; beside Argyll is lettered, "Glorious and Brave to shake Corruption's Seat, But much more Glorious is thy brave Retreat". Two columns of letterpress verse below warn "William", i.e. Pulteney, that Walpole continues to influence governement."
Description:
Caption title in letterpress below image., The title from the caption above the image on the plate: A new screen for an old one, or, The screen of screens., "Price 6p.", Imprint on plate below design., Letterpress broadside poem illustrated with an etching in upper part of the sheet (plate mark 17.3 x 17.2 cm.). The title from the caption above the image on the plate: A new screen for an old one, or, The screen of screens., Two lines of verse engraved vertically on the right of plate: Glorious and brave to shake corruption's seat, but much more glorious is thy brave retreat., Twenty six lines of verse in two columns below the plate, in letterpress: Dear William, did'st thou never go, to mimic farce, call'd Puppet-Shew? ... Lond. Evening Post, Mar. 11, 1741-2., Bowditch's ms. annotations on the mounting sheet; mounted to 35 x 42 cm., and Watermark.
Publisher:
Publish'd according to act of Parliament by T.B.
Subject (Name):
George II, King of Great Britain, 1683-1760, Frederick Louis, Prince of Wales, 1707-1751, Argyle, John Campbell, Duke of, 1680-1743, Bath, William Pulteney, Earl of, 1684-1764, Walpole, Robert, Earl of Orford, 1676-1745, and Diogenes, -approximately 323 B.C.
