publish'd according to act of Parliamt. June 20th, 1746.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 32. Queen Charlotte's collection of Hogarth works. Leaf 32. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
David Garrick in the role of Richard III, awakening from his troubled dream in the tent before the battle of Bosworth Field
Alternative Title:
Garrick in the character of Richard III
Description:
Title etched below image., Title in Paulson: Garrick in the character of Richard III., State and publisher from Paulson., 1 print : etching and engraving on laid paper ; plate mark 41.8 x 52.4 cm, on sheet 46 x 59 cm., and Plate 32 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Name):
Garrick, David, 1717-1779 and Shakespeare, William, 1564-1616.
Title etched above image., Sheet trimmed within plate mark., One line of twenty-one consecutive numbers run parallel with the lower edge of the design and correspond with figures in the print., Four columns of numbered names and titles correspond with figures in the print. Inscribed below design., and One line of instructive text in lower right corner of print: To face page 218.
Publisher:
publisher not identified
Subject (Name):
Johnson, Samuel, 1709-1784, Harcourt, Simon Harcourt, Earl, 1714-1777, Nash, Richard, 1674-1761, Pitt, William, 1759-1806, Powis, Henry Arthur Herbert, Earl of, 1703-1772, Norfolk, Katharine Howard, Duchess of, d. 1784, Johnson, Elizabeth Jarvis Porter, 1689-1752, Lyttelton, George Lyttelton, Baron, 1709-1773, Richardson, Samuel, 1689-1761, Onslow, Arthur, 1691-1768, Bristol, Elizabeth Chudleigh, Countess of, 1720-1788, Cibber, Colley, 1671-1757, and Garrick, David, 1717-1779
Boitard, Louis-Philippe, active 1733-1770, printmaker
Published / Created:
[1767]
Call Number:
767.00.00.03+
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on fashionable life described in a sub-title as "Address'd to the Professors of Driving, Dressing, Ogling, Writing, Playing, Gambling, Racing, Dancing, Duelling, Boxing, Swearing, Humming, Building, &c. &c. &c." with broad space flanked by large buildings leading down to the sea. On the left, "The Academy for the Noble Art of Boxing NB Mufflers provided for delicate Constitutions" through the windows of which a pugilist can be seen addressing a yong nobleman, and two men boxing. Beside this a theatre into which a large crowd enters via a staircase, encouraged by a zany standing on a balcony with three actresses, two actors wearing turbans and another dressed as a soldier; the sign above refers to notorious hoaxes of the earlier part of the century: "Britannia Humm'd Or the Tragedy of the Secret Expedition [presumably the Expedition on Rochefort, 1757], A Mock Tragedy to which is added a Farce call'd The Pregnant Rabit Woman [i.e., Mary Toft], Together with the Adventures of the Bottle Conjurer [see BM Satires 3022, 1868,0808.3875], and Polish Jew [Henry Simons]. As likewise the taking ye Standard at the Battle of Dittingen." The next house is built in a variety of styles; beyond, the sea the sun rises "for the Vigilant". In the foreground fashionable people are shown as described in a key below: 1. "British Nobility disguis'd", three women dressed in French style in an open carriage are bowed to by 2. a foppish young man "Return'd from the Polite Tour"; behind him 3. "Foreign Insolence [is] express'd by the French Valet de Chambre daring to Insult 4. English Bravery in Distress [an old sailor with a wooden leg], reduc'd to ask Alms in his Native Country, after having courageously lost his limbs in Defence of it on board a Privateer & unjustly kept out of his Prize-money"; next is 5. "The Optical Ogle, or polite Curiosity", a young gentleman peering at the women in the carriage through an eye-glass; 6. "An Author", a miserable gentleman with his hands tucked into the breast of his coat who is barked at by two dogs; by contrast, 7. "A Player" reclines comfortably in a sedan chair, a footman walking before him; 8. describes a scene at the door of the house on the right, "The Industrious Tradesman thrust off with Contempt, expecting a just Debt to be paid, to make room for a high Life Gambler [also in a sedan chair], politely usher'd in to receive his Debt of Honour"; behind this group is, 9. "A Feather of the Turf", a man mounted on a high gig drives two horses, and 10. "The Balance of Merit in this happy Climate for useless Exotics, [where] A French Dancing Master obtains 300£ pr. Ann. & a clear Benefit worth near 300£ more, while the Ingenious English Shipwright, tho' Assistant to the Honour Profit & Defence of his Country, by hard Labour barely obtains 40£ pr. Ann."; on the left, 11. a hearse drives into the scene with "The Corps[e] of a Blood, conveying to Interment, who boldly lost his Life in a Duel defending the Reputation of a Prostitute"; 12. is the house beside the sea, "Modern Architecture The Corinthian, Venetian, Gothic & Chinese huddled in one Front,"; 13. an old woman leaning out of an upper window calling to a woman and two men at the door represents "Modern Hospitality in the Character of Old Age, left to take care of Furniture, & answer Duns that the Family is in the Country"; 14. fishing boats at sea are reminders that "One British Buss [fishing boat] of more service to the Community than ten Italian Singers"."--British Museun online catalogue
Description:
Title etched above image., Sheet trimmed within plate mark., Eight lines of text below image: Explanation. 1 British Nobility disguis'd, 2 Return'd from the Polite Tour, 3 Foreign Insolence express'd by the French valet de chambre daring to insult 4 English Bravery in distress ..., and Mounted to 26 x 35 cm., window mounted to 29 x 41 cm.
Publisher:
Printed for John Bowles at the Black Horse in Cornhill & Carington Bowles in St. Pauls Church Yard, London
Subject (Geographic):
England
Subject (Name):
Garrick, David, 1717-1779 and Toft, Mary, 1703-1763
Title from caption above image., Temporary local subject terms: London: Covent Garden Piazza -- Pools -- Harlequin -- Playbills -- Signs: "Coffee tea" -- Petitions: petition of actors' grievances, 1743 -- Wages in theater: dispute over wages between actors and managers -- Inflated bladders with signs of characters in plays -- Henry Giffard, d. 1743 -- Richard Winstone, d. 1787 -- Turbutt, d.1740 -- Cashill or Cashel, d. 1748., and Lower left corner of sheet missing.
Publisher:
Publish'd according to act of Parliament, Octobr. 24th 1743 by G. Foster at the White Horse on Ludgate Hill
A monument to David Garrick with a putto holding a copy of the portrait of Garrick by Sir Joshua Reynolds just below the urn at the top. Below them, the muses of Comedy and Tragedy mourn along with three other putti and various theatrical emblems. At the bottom of the monument is engraved a quote from Shakespeare: " ... take him for all in all, we shall not look upon his like again."
Description:
Title from a separately engraved plate below the image. The title is followed by a verse from Sheridan, in two columns, three lines each, and a dedication: "This plate is done from the grand scene in the Monody, in honour of Garrick at the Theatre Royal, Drury Lane, is respectfully dedicated by their most obedient humble servt. Thos. Letton. The portrait from a picture of Sr. Joshua Reynolds, in the collection of Sr. Thos. Mills." and Thin gold paper border mounted on wash-lined mount.
Publisher:
Pub. May 23, 1781, for the proprieor T. Letton, by Mr. Picot, facing Hungerford Coffee House, Strand & Mr. Harris, Sweetings Alley, Cornhill
Subject (Geographic):
England.
Subject (Name):
Garrick, David, 1717-1779
Subject (Topic):
Monuments, Actors, Monuments & memorials, and British