"The three Bow Street Justices sit at a rectangular table (left); Addington in the chair, the scales of Justice, evenly balanced, above his head; on his right and on the extreme left, Bond(?) is writing: 'Wright. W. against [?]...'. The third sits resting his chin on his hands, which are supported on the head of his cane; he gazes fixedly at the culprit. 'Lying-Jack' stands in a rectangular pen formed of posts and rails immediately in front of the justices, his elbows resting on the rail, his hands clasped, his knees bent, tears falling. He says: "Oh! God dang it, - your Worship, do take bail, your Honor tw'ant my fault please your Majesty, that I com'd the Black-guard over him: - God dang it, didn't he say that his thing was printed before mine? & that all my things were only Copies & piracies? - God dang it, your Worship, Ax Almon ye Bookseller if I was a Blackguard all the while I was a Porter! - or ax ye people where I & Wife kept a small-coal Cellar in Leather Lane if I'm a Blackguard! - God dang it, was I act like a Blackguard when I let that Cooper the Printer, pull me by the Nose, only for saying he was a Liar? - god dang it, your honor, was it like a Blackguard when I offer'd to beg Ridgeway's pardon, after he had kick'd my own Arse in my own Shop? - but I sees how the Booksellers all hates me! & wants to ruin me! - & says I lives by only Copying other peoples works your Worship! - 'tho' I only 'bridges 'em! - yes your Worship, they all hates me; & respires against me: & calls me Lying-Jack, your honor, - & Filching Jack the Plagurist! - & Stock'ee Jack the Informer! your honor - ah Gad dang it! Gad dang it, - they'll be my ruin your Honor! Gad dang it Gott damn. . . .[The last words dwindle into illegibility]" From his pocket hangs a paper: 'Speech of the Lord Chanr of Ireland'. Beside him, outside the dock, is a large bundle of books tied together, the wrapper inscribed 'Ways & Means'; these are: 'Sandford & Merton', 'G Nicol... Abridgd Embassy to China', 'D. Cox, Piracy', 'Harpers Pamphlet', 'Philanthropic Society'. Against the bundle lies a porter's knot (a pad for the shoulders attached to a ring which goes over the head) inscribed: 'Lying-Jack his Knot'. With this are the implements of a blacksmith : hammer, pliers, and horse-shoe. On the wall behind him are three bills: 'Lying Jack the Thief Taker'; 'Perjury'; 'Injuntion [sic] of the Court of Chancery agains Lying Jacks copy', and a map: 'Original Map of the Island of St Domingo by W. Faden. Charing Cross.'"--British Museum online catalogue, description of the print of which this drawing is a copy.
Alternative Title:
Lying Jack the blacksmith at confession and Lying Jack the bookseller at confession
Description:
Copy of a print by Gillray published 13 March 1798. Cf. No. 9186 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Date of publication based on that of the print of which this is a copy., 'Imprint statement' written in pencil below lower left margin of image: Pubd. March 13, 1798, by Lying Jack., Note written in pencil following 'imprint statement': Price 6 d., for the benefit of the Philanthropic Society., One line of text written in pencil below title: Scene: Bow Street, with Lying Jack answering a charge of abuse & blackguardism., and Title from note in pencil below image, in artist's hand; word "bookseller" is crossed out and "blacksmith" is written above, inserted with a caret.
Subject (Name):
Addington, William,--Sir,---1811--Caricatures and cartoons., Auchincloss, Hugh Dudley--Ownership., Bond, Nicholas,---1807--Caricatures and cartoons., Gillray, James, 1756-1815, artist. http://id.loc.gov/authorities/names/n50033402, Harvey, Francis--Ownership., and Stockdale, John,--1749?-1814--Caricatures and cartoons.
"The members of the Secret Committee of the Commons are seated round a table examining the documents relating to the United Irishmen and other revolutionary societies. A lamp on the table illuminates a large framed transparency [The transparency, a large pictorial design lit from behind, was a popular form of street illumination. On 5 Nov. 1813 (for the battle of Leipzig) Ackermann displayed on the façade of his 'Repository' Rowlandson's 'The Two Kings of terror, afterwards published as a print. Broadley, i. 338.] divided into four equal sections which hangs from the ceiling and conceals the heads of the Committee ; the four scenes depict the supposed intentions of the revolutionaries. The transparency is irradiated, throwing into deep shadow members of the Opposition in the foreground (right), who flee from the room in a body, terror-struck. The nearest (three-quarter length) are Erskine, clutching a brief-bag, Fox, M. A. Taylor, and Norfolk. Behind these are Tierney, Sheridan, and Nicholls; in the last row are Sir J. Sinclair, Burdett, Moira, Bedford. The two most prominent members, though in back view with heads obscured, suggest Pitt (left) and Dundas (right); they read papers inscribed 'Scheme to Overthrow the British Constitution, & to seize on all public Property and Invitation to the French Republic'. Over the edge of the table hang the bulky 'Reports of the Secret Committee of the House of Commons.' On the floor are four papers: 'Names of Traitors now sufferd to remain at large'; 'Oath of the Members of the Society of the United Irishmen in London'; 'Account of ye Lodge of United Englishmen, & of the Monks of St Ann's Shrine' [see BMSat 9217]; 'Proceedings of the London Corresponding Society with a list of all the Members.' [See BMSat 9189, &c] The transparency is suspended on tricolour ribbons. Titles are engraved on the frame: [1] 'Plundering the Bank'. A scene in the Rotunda; tiny figures hasten off with sacks of gold, the most prominent being Tierney with '£10000'. Sir William Pulteney (identified from his resemblance to BMSat 9212) staggers off to the left with two sacks; the poker-like Moira has a sack on his head; two men dispute over a sack, one being Walpole with his huge cocked hat, the other resembling Jekyll; Sheridan (right) slouches off with two sacks. Proletarians exult over small money-bags. [2] 'Assassinating the Parliament'. The interior of the House of Commons is realistically depicted; the Opposition violently attack the occupants of the Government benches, daggers being the chief weapon. Erskine (left) is about to murder Dundas; Fox strikes at Pitt, holding him by the throat, while Sheridan is about to stab Pitt in the back. The puny Walpole tries to drag the Speaker from his chair, while Burdett raises the mace to smite him. Sir John Sinclair raises a broadsword to smite a man held down by little M. A. Taylor. Volumes of 'Acts and Statutes' fall to the floor. [3] 'Seizing the Crown. \ Scene the Tower'. Exulting plunderers emerge from the gate of the Tower on to the drawbridge. Bedford, dressed as a jockey (cf. BMSat 9380), walks ahead with two sacks: 'New Coinage' and 'New Guineas'; Fox, [Identified by Grego as Lansdowne.] smiling, holds the crown; Lauderdale, wearing a kilt, carries the sceptre. Just behind is Sir George Shuckburgh. Stanhope (or Grattan) carries a sack, 'Regalia of E[ngland]'. On the right a chimney-sweep and others dance round a bonfire in which 'Records' are burning. Cf. BMSat 7354, where Fox carries off the crown from the Tower. [4] 'Establishing the French Government. \ St James s Palace'. French troops march with arrogant goose-step and fixed bayonets into the gateway of the palace; their large tricolour flag is inscribed 'Vive la Republique Français'. In the foreground is planted a tall spear surmounted by a bonnet-rouge (a tree of Liberty, cf. BMSat 9214, &c.); at its base are decollated heads wearing coronets and a mitre. They are cheered by spectators (right): Grattan holding 'Grattans Address', Norfolk holding his staff, Lord Derby in hunting-dress standing on an overturned sentry-box, Moira standing like a ramrod. ...."--British Museum online catalogue.
Description:
Title etched below image. and Two lines of text below title: Representing the Secret-Committee throwing a light upon the dark sketches of a revolution found among the papers of the Jacobin societies lately apprehended ...
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Bedford, Francis Russell,--Duke of,--1765-1802--Caricatures and cartoons., Burdett, Francis,--1770-1844--Caricatures and cartoons., Dundas, Henry,--1742-1811--Caricatures and cartoons., Erskine, Thomas Erskine,--Baron,--1750-1823--Caricatures and cartoons., Fox, Charles James,--1749-1806--Caricatures and cartoons., Gillray, James, 1756-1815, artist. http://id.loc.gov/authorities/names/n50033402, Grattan, Henry,--1746-1820--Caricatures and cartoons., Harvey, Francis--Ownership., Hastings, Francis Rawdon-Hastings,--Marquess of,--1754-1826--Caricatures and cartoons., Humphrey, Hannah, active 1774-1817, publisher. http://id.loc.gov/authorities/names/n97861435, Jekyll, Joseph,--1754-1837--Caricatures and cartoons., Lauderdale, James Maitland,--Earl of,--1759-1839--Caricatures and cartoons., Nicholls, John,--1745?-1832--Caricatures and cartoons., Norfolk, Charles Howard,--Duke of,--1746-1815--Caricatures and cartoons., Pitt, William,--1759-1806--Caricatures and cartoons., Pulteney, William--Caricatures and cartoons., Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons., Shuckburgh-Evelyn, George Augustus William,--Sir,--1751-1804--Caricatures and cartoons., Sinclair, John,--Sir,--1754-1835--Caricatures and cartoons., Smith-Stanley, Edward,--1752-1834--Caricatures and cartoons., Stanhope, Charles Stanhope,--Earl,--1753-1816--Caricatures and cartoons., Taylor, Michael Angelo,--1757-1834--Caricatures and cartoons., Tierney, George,--1761-1830--Caricatures and cartoons., and Walpole, George,--1761-1830--Caricatures and cartoons.
