Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[not after 1824]
Call Number:
Folio 33 30 Copy 4
Image Count:
1
Resource Type:
still image
Abstract:
Half-length portrait of Thomas Gray, who holds in his right hand a sheet of paper with writing
Description:
Title written in ink in open letters below image., Unsigned; attribution to George Perfect Harding from local card catalog record., After a portrait by John Giles Eccardt, commissioned by Horace Walpole, that hung in the Blue Bed Chamber at Strawberry Hill. Cf. National Portrait Gallery, London, no.: NPG 989., Date based on date of William Bawtree's death., and Mounted on page 71 of William Bawtree's extra-illustrated copy of: Horace Walpole's A description of the villa of Mr. Horace Walpole (Strawberry Hill : Printed by Thomas Kirgate, 1784). See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11.
Subject (Geographic):
Great Britain.
Subject (Name):
Gray, Thomas, 1716-1771, and Strawberry Hill (Twickenham, London, England)
Two women in neoclassical dress hold garlands and dance around a bust statue of Thomas Gray; trees and bushes are seen in the background
Description:
Title devised by curator., Signed by the artist in lower left corner., Date of production based on artist's death date., and Bound in as the frontispiece in an extra-illustrated copy of Thomas Gray's Poems.
Half-length portrait of Thomas Gray in profile. Gray wears a powdered wig and dark coat and vest. He gazes through a window at a landscape. Visible in the distance is St. Giles’s church at Stoke Poges, Buckinghamshire, England. The church is the setting of his Gray’s An Elegy Written in a Country Churchyard. The author is buried in St. Giles’s Churchyard
A portrait of Thomas Gray standing, nearly three-quarter length, facing the viewer. He holds a letter in his right hand, which rests on his left wrist, the whole framed in masonry, arched at the top
Description:
Title supplied by cataloger., After the painting by J.G. Eccardt in the National Portrait Gallery, London., Artist from the Catalogue of engraved British portraits, which also states: "This plate was engraved for the Poems 1753 but destroyed by Gray's desire.", and Lewis Walpole Library Quarto 532 C753 Copy 4: Bound in as the frontispiece opposite the title page: Designs by Mr. R. Bentley, for six poems by Mr. T. Gray. London : Printed for R. Dodsley, in Pall-Mall, MDCCLIII [1753]. Impression formerly owned by Horace Walpole with his ms. notes. Trimmed to plate mark.
A portrait of Thomas Gray standing, nearly three-quarter length, facing the viewer. He holds a letter in his right hand, which rests on his left wrist, the whole framed in masonry, arched at the top
Description:
Title supplied by cataloger., Printmaker from statement of responsibility on variant state: J.S. Müller sculpt., After a painting by J.G. Eccardt in the National Portrait Gallery, London. See Catalogue of engraved British portraits., Date of publication from that of the volume for which the plate was engraved. According to the Catalogue of engraved British portraits, "This plate was engraved for the Poems, 1753, but destroyed by Gray's desire.", Sheet trimmed to plate mark leaving thread margins., For a variant state bearing printmaker's signature, see: Catalogue of engraved British portraits preserved in the Department of Prints and Drawings in the British Museum, v. 2, page 376., Mounted on page 66 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12., and Sitter's name "Mr. Thomas Gray" written in brown ink at bottom of sheet, in Thomas Kirgate's hand.
