"One of a set of prints on the marriage of the Prince of Wales, see BMSat 6924, &c. Mrs. Fitzherbert (left) and the Prince of Wales dance; she holds out her apron in her right hand, his left arm is raised as if dancing a Scots reel; he appears about to take her left hand. The musicians are Burke, Weltje, and Hanger: Weltje, wearing a hat, sits (left) on a low stool, beating a pistol upon a warming-pan which he holds between his knees. Burke stands behind him holding a gridiron in the manner of a violin and with a pair of tongs as bow. He says, "Oh Burn the Pan it is not Beautifull". Weltje answers, "Damme but 'tis Sublime" (one of many allusions to Burke's book). George Hanger stands (right) beating the heavy end of his bludgeon on a salt-box; he is stamping and dancing, his hat is on the ground at his feet. Through an aperture in the wall behind his head is seen an ornate bed, decorated with triple ostrich plumes; behind the pillows is a cross. Two pictures, both inscribed 'Hamlet', are on the wall: on the left the Lord Chamberlain with his wand (Lord Salisbury as Polonius) approaches George III, saying, "I will be brief your noble son is mad". On the right Laertes addresses Ophelia, saying: "He may not as inferior persons do carve for himself for on his choice depends the sanity [sic] & health of the whole state." On the floor, in the foreground, lie two books and a paper inscribed respectively, 'Bold Stroke for a Wife' [Mrs. Centlivre]; 'Clandestine Marriage' [Colman and Garrick]; and 'I'll have a Wife of my own'. Beneath the title is engraved, 'As performed at the Theatre Royal, C------n [Carlton] House for the Benifit of the Widow Wadman'. A patterned carpet completes the design."--British Museum online catalogue
Alternative Title:
Follies of a night
Description:
Title from item below image., Sheet trimmed within plate mark., Temporary local subject terms: Allusion to Edmund Burke's On the sublime and the beautiful -- Parody of Shakespeare's Hamlet -- Salt-box Pictures amplify subject -- Catholic Church -- Travesties., and Watermark in center of sheet: J. Whatman.
Publisher:
Published 1st April 1786, by S.W. Fores at the Caricature Warehouse, No. 3 Piccadilly
Subject (Geographic):
Scotland.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, Burke, Edmund, 1729-1797, Hanger, George, 1751?-1824, and Salisbury, James Cecil, Marquess of, 1748-1823
Subject (Topic):
Chandeliers, Cooking utensils, Dance, Firearms, Floor coverings, Marriage, Military uniforms, British, Musical instruments, and Sofas
"The Prince's stud, consisting of five asses with human faces, proceeds (left to right) past a signpost (right) pointing 'To Brighthlmstone'. The Prince, the central figure, rides an ass with the head of Mrs. Fitzherbert; he wears very long spurs. He is preceded by three animals, the foremost being George Hanger led by a groom (Captain Morris); on his saddle-cloth are the Prince's feathers, as if to show his privileged position. Next is Fox, his mouth wide open as if braying, next Weltje. Behind (left), apparently doubtful whether to proceed or not, is Lord Derby (or perhaps Lord North). Geese in the foreground (right) hiss at the procession."--British Museum online catalogue
Description:
Title etched below image. and On verso in pencil: George Townly Stubbs.
Publisher:
Pubd. July 20th 1786 by W.S. [sic] Fores at the Caracature Ware-house, No. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, Hanger, George, 1751?-1824, Weltje, Louis, 1745-1810, Fox, Charles James, 1749-1806, and Smith-Stanley, Edward, 1752-1834
Title etched below image., Printmaker and artist from unverified data from local card catalog record., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Publisher's advertisement below title: In Holland's Caricature Exhibition Rooms No. 50, Oxford St. may be seen the largest collection of humorous prints and drawings in Europe. Admittance, one shilling ..., Temporary local subject terms: Allusion to Baron Munchauson from literature -- Raspe, Rudolph Erich, 1737-1794, allusion to Baron Munchauson -- Allusion to Newmarket races -- Male costume: riding habit, 1788 -- Paddy Whack -- Medical quacks., Mounted to 33 x 48 cm., and Watermark.
Publisher:
Pubd. by Willm. Holland, No. 50 Oxford Street
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, George IV, King of Great Britain, 1762-1830, Hanger, George, 1751?-1824, and Orléans, Louis Philippe Joseph, duc d', 1747-1793
"A strip design of figures, generally in pairs, in the manner made popular by Bunbury's 'Long Minuet' (BMSat 7229). All attempt to imitate the bow of the Prince of Wales; the words spoken are etched above the head of the speaker. A tall thin man bows, facing a short fat one who says, "What do you think of mine, Sir". The former answers, "It won't do upon my honor." An isolated middle-aged man stoops, his left hand on his back, his right leg raised, his face contorted with pain, saying, "Oh, damn the Lumbago!" A tall thin man, whose dress imitates that of the Prince of Wales, bows, hat in hand, saying, "Monstrous like the Prince, the very bow dem me". His stout and ungainly 'vis-à-vis', dressed in the fashion of c. 1760, is a doctor with medicine-phials projecting from his coat-pocket; he bends low, saying, "Curse it, I've burst the waistband of my breeches". A man wearing a sword bows, holding his hat in both hands; he says to his 'vis-à-vis', a young Irish volunteer in regimentals, "Good God, Sir, you should take off your hat when you make a bow!" The other (the first figure on the second sheet) answers, "Arrah let a Volunteer alone, my dear, did you ever know a man fire before he presented!" A stiff, thin man, resembling BMSat 6718 (Furtado), says to a man who bows from the waist, his body almost horizontal, his long pigtail queue projecting stiffly, "You bow too low, Sir". The other answers, "And you seem to be spitted, Mr few." A Frenchman, 'chapeau-bras' and wearing a bag-wig, capers like a dancing-master, saying, "Ha! Ha! by gar poor John Bull's back will ache at this amusement". His foppishly dressed 'vis-à-vis' stiffly imitates his attitude, saying, "These tight stays will be the death of me." A plainly dressed man bends towards a boy who bows awkwardly, saying, "Vary weel, Sawny, vary like the Prince's bow!" A stout and ugly bishop (the first figure on the third sheet) with an ill-fitting wig, bowing obsequiously, his hands on his breast, faces a thin stiff man who looks at him through an eye-glass, saying, "It may do for a poor Curate presenting a Petition!" The bishop answers, "Better than yours you Pulpit Prig." Burke and Fox, both 'chapeau-bras', bow facing each other: Burke says, "Garrick's bow at the Shrine of Shakespeare was nothing to it." Fox answers, "This is to a certainty something like it." Thurlow, in Chancellor's wig and gown, bows, saying, "He take precedence of me! d-----n his bow!" (cf. BMSat 7320). He faces George Hanger, wearing regimentals, who bows, hat in hand, saying, "It would kick up the heels of chastity in Maid, Wife, or Widow.""-British Museum online catalogue
Description:
Title from item.
Publisher:
Published by William Holland, printseller at Garrick's Richard, No. 50 Oxford Street, near Berner's Street
Subject (Name):
Thurlow, Edward Thurlow, Baron, 1731-1806, Hanger, George, 1751?-1824, Fox, Charles James, 1749-1806, and Burke, Edmund, 1729-1797
"The Tree of Liberty (cf. BMSat 9214), often (in fact) a pole surmounted by a bonnet-rouge, is here a pike on which is the bleeding head of Fox, the eyes covered by a cap inscribed 'Libertas'. Round the base of the pike and on a grassy mound are heaped the heads of the Foxites. The six heads at the base of the pile are (left to right): Thelwall, a little apart from the others; beside him is a paper: 'Lectures upon the Fall of the Republic by J. Thelwall' (see BMSat 8685); against his head lies the blade of a headsman's axe; Derby (in 'profil perdu'), Lauderdale, Stanhope, M. A. Taylor, and Hanger. The two central heads are Erskine and Sheridan; next the latter is Horne Tooke. Behind, and forming the apex of the pile, are the head of (?) Grey [Incorrectly identified in Wright and Evans as Wilkes. It is possible that the head here identified as Grey is Byng, and that identified as Bedford is Grey.] in profile to the left and the handsome head of (?) Bedford. In the background are clouds, and below (right) the top of a hill."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Temporary local subject terms: Tree of Liberty -- Foxites -- Clubs: Whig Club -- Weapons: spears -- Executioner's axe -- Allusion to Thelwall's Political Lectures.
Publisher:
Pubd. Feby. 16th, 1797, by H. Humphrey, New Bond Street
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Hanger, George, 1751?-1824, Taylor, Michael Angelo, 1757-1834, Smith-Stanley, Edward, 1752-1834, Lauderdale, James Maitland, Earl of, 1759-1839, Stanhope, Charles Stanhope, Earl, 1753-1816, Erskine, Thomas Erskine, Baron, 1750-1823, Bedford, Francis Russell, Duke of, 1765-1802, Grey, Charles Grey, Earl, 1764-1845, Tooke, John Horne, 1736-1812, and Thelwall, John, 1764-1834
"A drunken debauch in the new Union Club, see BMSat 9698. A long table, the cloth removed, one end cut off by the left margin, stretches almost across the design, slanting back slightly from the left, where it is in the foreground, and where Fox, grossly corpulent, sits in an armchair asleep, his feet on the table, a pipe in one hand. Nearly opposite his feet is the chair of state, on the table; on the empty seat is the Prince's cocked hat with triple plume, his motto 'Ich Di[en]' within the crown. The chair is backed by an elaborate architectural canopy with ornate pilasters on which swags of fruit and flowers are carved in relief: (left) grapes and lemons (materials for punch), and (right) roses and shamrocks. Above the seat are figures of Britannia and Erin, kissing, standing on a curved base inscribed 'The Union'. On the back of the chair are two clasped hands, elaborately irradiated. The chair is surrounded by broken wine-bottles; its former occupant, the Prince, lies on his back under the table, one arm flung over Lord Stanhope, who lies unconscious, clasping a bottle. On the Prince's stomach rest two feet in shoes with spiked, upcurved toes. In the foreground, opposite the Prince, Norfolk lies with his head against the seat of his overturned chair, looking very ill. All who are not incapacitated or fighting are toasting the Union (except Lansdowne and Parr, see below). On the table sits Moira, dressed as in BMSat 9386, a glass of wine held high above his head, his right leg thrust forward, while he stretches back to take the hand of Lord Clermont, [This is clear from the resemblance to BMSat 9575, and is supported by the shamrock which he and the other Irishmen wear. It is confirmed by 'London und Paris', vii. 80, where it is said that he and Moira were once bitter enemies. He is identified by Grego as General Manners, see BMSat 9288.] seated next Sheridan on the farther side of the table. Facing Clermont and in back view, Camelford sits erect, wearing a Jean de Bry coat (see BMSat 9425) and small round hat, with cropped hair. [The identification (that of Grego) is confirmed by BMSat 9716, Wright and Evans give Burdett, E. Hawkins 'Mr Manners'.] Beside him (right) two waiters bring in a full tub of Whiskey Punch, which they spill; one treads on the face of the prostrate Nicholls. Near the end of the table (right) sits Derby, his large head and crumpled features grotesquely caricatured. In the foreground on the extreme right Montagu Mathew (as in BMSat 9560) and Skeffington (as in BMSat 9557) advance dancing arm-in-arm, with tipsy grace, the former with a bottle in each hand; one reversed, the other, held above his head, splashes its contents over his partner's uplifted glass. (The pair, according to 'London und Paris', vii, 1801, p. 76, were known as inseparables in fashionable London resorts, cf. BMSat 9755.) ..."--British Museum online catalogue
Description:
Title etched below image., Four lines of verse on either side of title: "We'll join hand in hand, all party shall cease, "and glass after glass, shall our union increase ..., and 1 print : etching with engraving on wove paper, hand-colored ; plate mark 30 x 44.2 cm, on sheet 31.0 x 46.9 cm.
Publisher:
Publish'd Jany. 21st, 1801, by H. Humphrey, St. James's Street
Subject (Name):
Fox, Charles James, 1749-1806, George IV, King of Great Britain, 1762-1830, Stanhope, Charles Stanhope, Earl, 1753-1816, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Norfolk, Charles Howard, Duke of, 1746-1815, Sheridan, Richard Brinsley, 1751-1816, Pitt, Thomas, Baron Camelford, 1775-1804, Nicholls, John, 1745?-1832, Smith-Stanley, Edward, 1752-1834, Skeffington, Lumley St. George, Sir, 1771-1850, Erskine, Thomas Erskine, Baron, 1750-1823, Tierney, George, 1761-1830, Bedford, Francis Russell, Duke of, 1765-1802, Walpole, George, 1761-1830, Lansdowne, William Petty, Marquis of, 1737-1805, Parr, Samuel, 1747-1825, Queensberry, William Douglas, Duke of, 1725-1810, Cholmondeley, George James Cholmondeley, Marquess of, 1749-1827, Kirkcudbright, John Maclellan, Lord, 1729-1801, Hanger, George, 1751?-1824, Jones, Thomas Tyrwhitt, Sir, 1765-1811, and Sturt, Charles, 1763-1812
"A fat fishwife (left) and George Hanger face each other with clenched fists. Between the combatants in the background are ships at anchor close to the shore. Another fishwife stands behind Bess holding out a lemon. Behind Hanger (right) stand the Prince of Wales and Prince William, the latter in naval coat and striped trousers. Between the Prince and Hanger stands the Duke of York; on the extreme right is a rough-looking sailor. Hanger's club lies at his feet. Beneath the title is etched: 'Fought at Plymouth to the Amusement of their Royal Highness's the Prince of Wales Duke of York & Prince William Henery. This battle lasted only two minutes being Decided on the first onset by a knock down Blow from Big Bess which Entirely Did up the Prig Major. NB Big Bess was carried in Triumph through the Town Exclaiming I have done the Major [a parody of Humphries's 'I have done the Jew'].'"--British Museum online catalogue
Description:
Title from item., Suggested attribution to Kingsbury from British Museum catalogue., Temporary local subject terms: Pugilism -- Trades: Fishwife -- Naval uniforms., Mounted to 29 x 42 cm., and Watermark.
Publisher:
Pub'd 4 Feb. 1788 by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Hanger, George, 1751?-1824, William IV, King of Great Britain, 1765-1837, and Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
Subject (Topic):
Fighting, Lemons, Military uniforms, British, Sailors, and Sailing ships
"An election mob in which Townshend and his supporters, as butchers, are violently attacking the populace with cleavers and marrow-bones. They wear aprons with butchers' steels dangling from the waist. George Hanger (right), his hat decorated with three ostrich feathers and the coronet of the Prince of Wales, raises a cleaver in both hands and threatens two constables with staves who fall backwards, wounded or terrified. He is in violent action, one foot rests on the unconscious body of a sailor whose face is gashed and bleeding. In the sailor's hand is a flag with a ship and the words 'Royal Navy'; on this Townshend, who uses his marrow-bone and cleaver as a musical instrument, not as weapons, is trampling. Behind Hanger, Fox, climbing above the crowd, is violently smashing the sign of 'The King's Head' (a bust portrait of the King) which is over a door inscribed 'Martin'. In the foreground a woman half-lying on the ground tries to protect her screaming infant from a cleaver and bone brandished by Sheridan. On the extreme left Lord Derby attacks a kneeling sailor with a wooden leg. Behind Sheridan, Burke raises a cleaver in both hands, and behind him the Duke of Norfolk waves a flag inscribed 'Townsend and Liberty'. Behind is a dense crowd brandishing cleavers and bones, while others attempt to escape. On the right are houses inscribed 'James Str[eet]', the houses of Covent Garden are indicated on the left."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Text right of title: Price 1 s., and Mounted to 32 x 44 cm.
Publisher:
Pubd. July [...]th. by H. Humphrey, New Bond St.
Subject (Geographic):
England and Westminster
Subject (Name):
Hanger, George, 1751?-1824, Fox, Charles James, 1749-1806, George III, King of Great Britain, 1738-1820, Smith-Stanley, Edward, 1752-1834, Norfolk, Charles Howard, Duke of, 1746-1815, Sheridan, Richard Brinsley, 1751-1816, Burke, Edmund, 1729-1797, Coleraine, George Hanger, Baron, 1751?-1824, and Great Britain. Parliament
Subject (Topic):
Elections, 1788, Axes, Butchers, Crowds, Political elections, Riots, Sailors, British, Signs (Notices), and Taverns (Inns)
"Design in an oval. Thirteen heads arranged in four rows, the first, second, and fourth having three heads, the third four. In the uppermost row the Prince of Wales (left) and the King (right) face each other in profile; the likeness between them is stressed. Between and slightly above them is Queen Charlotte, in profile to the left, her hair inscribed 'Queen of hearts', cf. British Museum Satires No. 6978. In the next row Fox, full-face, is the central head of the design; Mrs. Fitzherbert (left) (unrecognizable) wears a low crown inscribed 'Queen would be', and the feathers of the Prince of Wales; George Hanger, in profile to the left, wears the large cocked hat made familiar by British Museum Satires No. 6924, &c. The next four heads are (left to right): Mrs. Siddons, wearing a low crown inscribed 'Queen Rant', looking wildly over her shoulder to the right; Burke, wearing spectacles and a cap or turban, his back turned to Pitt who is in profile to the right; on the left in profile to the right is the Duchess of Devonshire, wearing a low crown and a collar which are inscribed 'Queen of Fox'. In the lowest row the central figure is the broad back of North wearing his ribbon; on the left is Mrs. Abington, a ribbon in her much-curled hair inscribed 'Queen Scrub' (see British Museum Satires No. 7053); on the right, in profile to the left, is the Duke of Richmond."--British Museum online catalogue
Description:
Title etched below image., Initials "W.M." identified in British Museum catalogue as those of William Mansell., and Characters identified in pencil.
Publisher:
Pub. 26 March 1786 by W. Humphrey, Lancaster Court
Subject (Name):
Charlotte, consort of George III, King of Great Britain, 1744-1818, George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Abington, Mrs., 1737-1815 (Frances Barton),, Burke, Edmund, 1729-1797, Devonshire, Elizabeth Cavendish, Duchess of, 1758-1824, Fox, Charles James, 1749-1806, Fitzherbert, Maria Anne, 1756-1837, Hanger, George, 1751?-1824, North, Frederick, Lord, 1732-1792, Pitt, William, 1759-1806, Richmond, Charles Lennox, 3d Duke of, 1735-1806, and Siddons, Sarah, 1755-1831
"Plate to the 'Scourge', iv, before p. 349. An illustration to 'Elections in the Isle of Borneo', pp. 349-55, relating a dream in which the Prince chooses his Ministers and Household officers according to their proficiency in adultery. A sequel to British Museum Satires No. 11899. The Regent is enthroned under a canopy in the centre of a long platform backed by the pillars of Carlton House. Below is the cobbled street, with passers-by and spectators whose heads are just below the platform, so that the figures are arranged in two tiers. The Regent's throne is on a triple dais; he puts one arm round the waist of Lady Hertford who sits on his knee, holding at arms' length a brimming goblet. She puts her right arm round his neck, and also supports herself by placing a finger on the branching antlers of her husband, who stands in his chamberlain's robes, and holding his wand of office, beside the dais, at which he points with a complacent grin. He says: "My gracious Master is personelly acquainted with my merits, they live in his bosom, & he will reward me, according to my Deserts." Lady Hertford wears a spiky crown, and her vast spherical breasts are divided by a jewel in the form of the Prince's feathers with his motto 'Ich Dien.' The drapery over the throne is centred by the crowned skull of a stag, with wide antlers; in its nostrils is a ring from which a birch-rod hangs above the Prince's head. A grinning demon, standing on the antlers, straddles across the crown, holding up the drapery. On the left of the throne the Duke of York, in uniform with cavalry boots, his hand on his sword, stands swaggeringly. A woman clutches his arm and whispers in his ear; beside them is a basket containing three infants and inscribed 'Mother Careys Chickin' [see British Museum Satires No. 11050]. He says: "I was turned out of the Office I now solicit because I was too fond of a married Woman [Mrs. Clarke, see British Museum Satires No. 11216, &c.] & could not live without commiting Adultery I claim therefore to be once more elevated to the Office of Commander in Cheif." Behind Lord Hertford (and a pendant to Mrs. Carey) stands an elderly posturing peer, wearing a star, his hands deprecatingly extended. He says: "As for business I never had a Headfor't but I have laid the Country under a Massy load of Obligations in other respects Adultery is my Motto so give me ******ship of the H-." Next (right) is a group of three: the Duke of Cumberland in outlandish Death's Head Hussar uniform holding a sabre with a notched blade and seemingly dripping blood, though not so coloured. He stands between two young women; one, holding his arm, brandishes a razor over her head, the other holds a paper called 'Nugent'. The Duke says: "Considering my Exploits you cannot do less than make me a Field Marshal." On the extreme right is the Duke of Clarence in admiral's uniform with trousers, pointing to a broken chamber-pot ('Jordan') decorated with a crown and containing seven children, two in uniform. Mrs. Jordan takes him affectionately by the arm. He points downwards, saying, "I have lived in Adultery with an actress 25 years & have a pretty Number of illegetimate Children. I hope you will make me an Admiral of the Fleets." On the extreme left McMahon, dwarfish and ugly, stoops over the edge of the platform, pouring coins from a bag marked 'P P' [reversed letters], for Privy Purse (or Pimp), into the apron of a hideous bawd who grins up at him. He says: "Let her be forty at least, plump & Sprightly." Next stands Lord Yarmouth, wearing a star, his hands in his pockets, scowling at a young woman who puts her hands on his shoulders; he says: "Confound my Wishers if Venus alias Fanny Anny [Fagniani] may not go to Juno----I'm Vice all over. Let me con tinue so." Next is a tall man wearing a long driving-coat with a star and a small rakish top-hat (? Lord Melbourne); one leg terminates in a cloven hoof. He stands between two disreputable women of the lowest St. Giles type, ragged and hideous, an arm across the shoulders of each; both offer him drink, one takes him by the chin. A third and younger woman sits on the ground at his feet, drinking from a bottle. He says: "As for me my Name is sufficient, I am known as the Paragon of Debauchery and I only claim to be the-s [Regent's] Confidential Friend." On the ground (left to right) are the bawd receiving money from McMahon, a ragged dustman with the curved shin-bones then known as 'cheese-cutters', a result of rickets; George Hanger, with his bludgeon under his arm (cf. British Museum Satires No. 8889, &c.), saying, "Hang her She's quite Drunk"; Augustus Barry, grotesquely thin and very rakish, with long coat, standing with widely splayed-out feet. These three stare up at the throne, Barry looking through an eye-glass. A ragged, sub-human creature picks Barry's pocket, taking a paper: 'A Sermon to be Preached at Cripple gate by Revd Honble A Newgate'. A blind beggar (? a sailor) walks with a stick, and a dog on a string, holding out his tattered hat. A Quaker-like figure stares up at the platform where the legs of the seated prostitute hang over its edge, as does a beggar boy with badly twisted legs. Next, a fashionably dressed man and woman shake hands, bending to stare into each other's face. He takes her left hand. His dress resembles that of the dandy of a few years later: shock of hair, exaggerated neck-cloth, hussar-pattern trousers, and long tail-coat. The centre figure in this lower row is John Bull looking up angrily over his shoulder at the prostitute, and pushing away to the right three young girls; he says to them: "Get away get away, if you go near the Platform you'll be ruined." His bull-dog looks pugnaciously up at the platform. A tall emaciated cavalry soldier speaks to a woman in a poke-bonnet, while a little ragged boy clasps the long horse-tail which hangs from his helmet. On the extreme right is Sheridan in (ragged) Harlequin's dress (cf. British Museum Satires No. 9916), moribund or drunk, supported between two top-booted bailiffs; one holds a writ and says "Poor fellow his Magic wand is broken." On the ground lies his wooden sword in two pieces, one inscribed 'M', the other 'P'; at his feet is a paper: 'Princely Promises'."--British Museum online catalogue
Alternative Title:
Election in the island of Borneo
Description:
Title etched below image., Plate from: The Scourge, or, Monthly expositor of imposture and folly. London: W. Jones, v. 4 (October 1812), page 349., Sheet trimmed within plate mark., Window mounted to 36 x 51 cm., and Mounted opposite page 318 (leaf numbered '143' in pencil) in volume 2 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published November 1st, 1812, by W.N. Jones, No. 5 Newgate Street
Subject (Name):
George IV, King of Great Britain, 1762-1830, Hertford, Francis Ingram Seymour, Marquis of, 1743-1822, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Ernest Augustus, King of Hanover, 1771-1851, William IV, King of Great Britain, 1765-1837, Jordan, Dorothy, 1761-1816, McMahon, John, approximately 1754-1817, Hertford, Francis Charles Seymour-Conway, Marquess of, 1777-1842, Melbourne, Peniston Lamb, Viscount, 1745-1828, Hanger, George, 1751?-1824, Barry, Augustus, Honble., 1773-1818, Sheridan, Richard Brinsley, 1751-1816, and Carlton House (London, England),
Subject (Topic):
Harlequin (Fictitious character), John Bull (Symbolic character), Dustmen, Thrones, Canopies, Columns, Adultery, Antlers, Cobblestone streets, Demons, Military uniforms, Baskets, Infants, Daggers & swords, Poor persons, Pickpockets, Beggars, Staffs (Sticks), Prostitutes, Soldiers, and British
