"Interior; a great hall with figures in Elizabethan dress, the women in balconies around the side, men standing below, a procession approaching from the right towards Henry VIII who sits enthroned at the far end, below a coffered ceiling with pendants"--British Museum online catalogue
Description:
Title from dedication etched below image. and Sheet trimmed within plate mark.
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[not after 1824]
Call Number:
Folio 33 30 Copy 4
Image Count:
1
Resource Type:
still image
Abstract:
Watercolor drawing of a design on a pane of glass that was formerly in the Green Closet at Strawberry Hill
Description:
Title devised by curator., Unsigned; questionable attribution to George Perfect Harding from local card catalog record., Date based on date of William Bawtree's death., and Mounted on page 59 of William Bawtree's extra-illustrated copy of: Horace Walpole's A description of the villa of Mr. Horace Walpole (Strawberry Hill : Printed by Thomas Kirgate, 1784). See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11.
Subject (Name):
Henry VIII, King of England, 1491-1547. and Strawberry Hill (Twickenham, London, England)
Subject (Topic):
Art collections, Stained glass, and Seals (Insignia)
View of the clock and the couple's initials "HA" above a love knot
Description:
Title devised by curator., Unsigned; artist unidentified., Date inferred from that of the plate on which the drawing is mounted; the plate, which depicts the clock with a detail of the inscription on it, was engraved for the 1842 Strawberry Hill sale catalogue., The watercolor drawing is pasted in the lower right corner of the larger sheet of the print, beneath the wood-engraved image., and With embossed ownership stamp of Thomas Mackinlay.
Subject (Name):
Henry VIII, King of England, 1491-1547., Anne Boleyn, Queen, consort of Henry VIII, King of England, 1507-1536., and Strawberry Hill (Twickenham, London, England)
Two views of the dagger believed by Horace Walpole to have been formerly owned by King Henry VIII. The first, at bottom, shows the dagger in its jeweled scabbard; the second, above, shows the dagger without the scabbard. A third image, at the top of the sheet, shows a mace, possibly the one described in the 1842 Strawberry Hill sale catalogue, day 19, lot 80 -- "A beautiful Italian steel mace, of exquisite workmanship, inlaid with gold, from the collection of M. Julienne."
Description:
Title devised by curator., Unsigned; artist unidentified., Date inferred from that of the plate on which the drawing is mounted; the plate, which depicts the dagger in its scabbard, was engraved for the 1842 Strawberry Hill sale catalogue., The watercolor drawing is pasted on the top half of the larger sheet of the print, above the wood-engraved image., and With embossed ownership stamp of Thomas Mackinlay.
Subject (Name):
Henry VIII, King of England, 1491-1547. and Strawberry Hill (Twickenham, London, England)
Drawing of three objects kept by Horace Walpole in the Tribune at Strawberry Hill. In the upper left is a depiction of Henry VIII's dagger, a Turkish work having a case and handle of chalcedonyx set with diamonds and rubies; the blade of steel damasked with gold is hidden here by the case. In the upper right is a depiction of a silver Turkish ornament, long and narrow with ornamentation in gold and blue on both ends. At the bottom is a depiction of the ornate prayer book supposedly made for Claude, Queen of France, wife of Francis I; visible is the spine of gold enamelled and adorned with rubies and turquoises, as well as the cover of cornelian that was engraved with religious subjects
Alternative Title:
(These subjects slightly sketch'd from the originals)
Description:
Title devised by curator; alternative title written in ink below images., Attribution to John Carter from local catalog card., Date of production based on probable date for Richard Bull's assembly of the extra-illustrated volume in which this drawing appears. See Hazen., Mounted on page 182 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., and For further information, consult library staff.
Subject (Name):
Henry VIII, King of England, 1491-1547., Claude, Queen, consort of Francis I, King of France, 1499-1524., and Strawberry Hill (Twickenham, London, England)
King Henry VIII leads Anne Boleyn towards the throne. A melancholy Cardinal Wolsey leans his head in his hand as he glances sideways toward the couple. In the background Katherine of Aragon sitting in another throne, turns away from the couple to converse with Anne's former lover, Lord Percy. A young page carries the train of Anne's dress as she enters the palace
Alternative Title:
Here struts old pious Harry, once the great reformer of the English church and state ...
Description:
Title from Paulson: King Henry the Eighth and Anne Bullen., Added title from the first two lines from first of the seven couplets in three columns below image., Printmaker, publisher, state, and date from Paulson., Imperfect impresson; sheet trimmed within plate mark with loss of text and image along right side., and The subject alludes to the perceived threat to the political supremacy of Robert Walpole (here represented by Wolsey) at the accession of George II. The composition echoes the traditional iconography of the popular story of Fair Rosamond and Henry II. See O'Connell, S. The popular print in England, 1999, p. 20.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Name):
Henry VIII, King of England, 1491-1547., Anne Boleyn, Queen, consort of Henry VIII, King of England, 1507-1536., Walpole, Robert, Earl of Orford, 1676-1745., and Wolsey, Thomas, 1475?-1530.
Subject (Topic):
Politics and government, Cardinals, Castles & palaces, Ceremonial rooms, Children, Couples, Kings, Nobility, Queens, Reception rooms, and Thrones
King Henry VIII leads Anne Boleyn towards the throne. A melancholy Cardinal Wolsey leans his head in his hand as he glances sideways toward the couple. In the background Katherine of Aragon sitting in another throne, turns away from the couple to converse with Anne's former lover, Lord Percy. A young page carries the train of Anne's dress as she enters the palace
Alternative Title:
Here struts old pious Harry, once the great reformer of the English church and state ...
Description:
Title from Paulson: King Henry the Eighth and Anne Bullen., Added title from the first two lines from first of the seven couplets in three columns below image., Printmaker, publisher, state, and date from Paulson., Imperfect impresson; sheet trimmed within plate mark with loss of text and image along right side., The subject alludes to the perceived threat to the political supremacy of Robert Walpole (here represented by Wolsey) at the accession of George II. The composition echoes the traditional iconography of the popular story of Fair Rosamond and Henry II. See O'Connell, S. The popular print in England, 1999, p. 20., Ms. note in Steevens's hand below print: See Nichols's book, 3d edit p. 167., and On page 50 in volume 1. Sheet trimmed to: 49.3 x 37.3 cm.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Name):
Henry VIII, King of England, 1491-1547., Anne Boleyn, Queen, consort of Henry VIII, King of England, 1507-1536., Walpole, Robert, Earl of Orford, 1676-1745., and Wolsey, Thomas, 1475?-1530.
Subject (Topic):
Politics and government, Cardinals, Castles & palaces, Ceremonial rooms, Children, Couples, Kings, Nobility, Queens, Reception rooms, and Thrones
Volume 2, page 398.1. Inquiries into the origin and progress of the science of heraldry in England.
Image Count:
1
Resource Type:
still image
Abstract:
Drawing of sixteen seals, in four rows of four, each identifiying text below
Description:
Title devised by curator., Artist identified as Tovey in the Sotheby's catalogue description of the volume in which this drawing is bound., Date based on publication date of the work in which this drawing is bound., and Mounted on page 398.1 in volume 2 of James Dallaway's interleaved, extra-illustrated copy of his: Inquiries into the origin and progress of the science of heraldry in England. Gloucester : Printed by R. Raikes, for T. Cadell, London, 1793.
Subject (Name):
Edward III, King of England, 1312-1377., Henry VI, King of England, 1421-1471., Henry VIII, King of England, 1491-1547., and Edward I, King of England, 1239-1307.
Volume 2, page 398.3. Inquiries into the origin and progress of the science of heraldry in England.
Image Count:
1
Resource Type:
still image
Abstract:
Drawing of two seals, one above the other. The top seal shows Henry VIII on a throne holding the globus cruciger in his left hand and a dagger in his right hand; he is flanked by two armorial shields surmounted by crowns, and Latin text runs along the circular border of the seal. The bottom a seal of the Archbishop of York with Saint Peter holding a key and Saint Paul with a sword under the arches of a building and with Cardinal Thomas Wosley's coat of arms (in reverse) below identified by text in Latin encircling the border
Alternative Title:
Ego et rex meus
Description:
Title devised by curator; alternative title written in ink., Artist identified as Tovey in the Sotheby's catalogue description of the volume in which this drawing is bound., Date based on publication date of the work in which this drawing is bound., and Mounted on page 398.3 in volume 2 of James Dallaway's interleaved, extra-illustrated copy of his: Inquiries into the origin and progress of the science of heraldry in England. Gloucester : Printed by R. Raikes, for T. Cadell, London, 1793.
Subject (Name):
Henry VIII, King of England, 1491-1547.
Subject (Topic):
Seals (Insignia), Coats of arms, Kings, and Clergy
