"Girls, fashionably dressed, sit sewing round a large table. In the foreground the elephantine Prince of Orange kneels, feeling the leg of two girls on his right and left; they throw up their arms and scream. The others look on, amused or astonished. The mistress of the establishment enters by the door (right), elaborately and indecorously dressed, a feathered bonnet in her hand. On the wall hang cloaks, feathers, a hat, &c, and on a shelf is a bust wearing a feathered hat. A placard: 'le Magasin de Lancastre pour Embellir les Dames Angloise [sic] - Indispencibles'. One of these pockets is on the ground, a girl works at another. They are flat trimmed bags on ribbons, with vertical slits."--British Museum online catalogue.
Description:
Title etched below image. and Two lines of text below title: NB. A number of disputes having arisen in the beau monde respecting the exact situation of the ladies indispensibles (or new invented pockets) ...
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and William--V,--Prince of Orange,--1748-1806--Caricatures and cartoons.
"Design in an oval. A travesty of the cameo known as the Marlborough Gem, now in the Museum of Fine Arts at Boston. The figures are light on a dark ground, as in the original. Miss Farren, tall, thin, with butterfly wings, her dress approximating to contemporary fashion, walks (left to right) on Lord Derby's left. He has the wings of Cupid, clipped, and is almost nude, with the fat limbs of a child together with a heavy paunch. He holds a dove, putting its beak to his lips. His scanty hair is in a small tail. Both are veiled. They are preceded by two winged boys, one with the torch of Hymen. A third follows, wearing a fool's cap simulating a cap of Liberty; he holds up an earl's coronet towards the bride, in place of the tray of fruit of the original."--British Museum online catalogue.
Alternative Title:
Marriage of Cupid and Psyche
Description:
A parody of Bartolozzi's engraving of the Marlborough Gem. and Title etched below image.
Publisher:
H. Humprey, 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Bartolozzi, Francesco, 1727-1815, artist., Cupid--(Roman deity), Derby, Edward Smith Stanley,--Earl of,--1752-1834--Caricatures and cartoons., Derby, Elizabeth Farren Stanley,--Countess of,--1759 or 62-1829--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Psyche--(Greek deity)
"The undergraduate (r.) finds himself face to face with the Master who is walking with a Fellow across the College quadrangle. He stops, putting his hand to his cap, while his dog tries to take cover behind his legs and gown. A college servant behind him (r.) raises a broom to smite the intruding dog. The background is part of the side of the Chapel or Hall, llh the rooms at r. angles to it."--British Museum online catalogue.
Alternative Title:
Rake's progress at the university ; no. 3 and Rake's progress at the university.
Description:
Printmaker from British Museum catalogue., Third of five prints in a series entitled: The rake's progress at the university., and Title from text within curly brackets below image, following series title.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"An officer wearing boots, plumed cocked hat, and an enormous sabre, stands full-face, with shoulders hunched, a porte-crayon in his mouth. Under his right arm is a portfolio of 'Caricatures', while crude caricature prints are pinned to the wall: 'Wit' is a squatting woman looking over her shoulder to say "Baiser!". 'Character' is a quasi-lion with an ass's head inscribed 'This is a Red Lion'. A print of a Jean-de-Bry coat and a boot is inscribed 'Classick Studies'. A clumsy Hottentot inscribed 'Venus de Medicis is Grace'. A goat painting a recumbent nude on a canvas inscribed 'Leith Harbour is Refined Sentiment'. On a table against the wall (right) is a bottle of 'Velno' (a quack remedy, see BMSat 7592), and two books: 'Aretine's Postures' and 'La Pucelle'. Under the table is a large portfolio: 'Hints from Bunbury'; 'Mat . . Darly - Lord Townshend &c &c.' A patterned carpet covers the floor. ..."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue., Title etched below image., and Two lines of quoted text below title: "His satires are as keen as the back of a rasor; and having but three ideas in the world, "two of them are borrow'd, & the third, nobody else would own."
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Davies, Thomas,--approximately 1737-1812--Caricatures and cartoons., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
Two frames, depicting Fox (with a fox's head) on the left and Lord North on the right. Three sycophants attend to Fox as he defecates, one wiping his rear, another offering a chamber pot emblazoned with the royal arms. On the right the same three figures have accosted North and empty the chamber pot on his head.
Alternative Title:
Minister out
Description:
Four lines of verse under each image: When the ministers in, how subservient his friends ..., Printmaker from British Museum catalogue., and Title from item.
Publisher:
W. Humphrey, No. 227 Strand
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fox, Charles James,--1749-1806--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and North, Frederick,--Lord,--1732-1792--Caricatures and cartoons.
"Alderman Boydell (half length), wearing a bag-wig, stands in profile to the right, slashing with a knife a small picture on the wall. He glares furtively; the fingers of his left hand are greedily crisped. He says: "There! There! - There's a nice gash! - there! - ah, this will be a glorious subject for to make a fuss about in the News-papers; - a hundred Guineas reward, will make a fine sound: - there! there! - O, there will be fine talking about the Gallery: and it will bring in a rare sight of Shillings for seeing of the cut Pictures; - there! - & there again! - egad there's nothing like having a good headpiece! - here!! - here!! - there! there! - and then these Small pictures won't cost a great deal of money replacing; - indeed one would not like to cut a large one to pieces for the sake of making it look as if People envied us; no! - that would cost rather too much; & my pocket begins - but mum! - thats nothing to nobody - well, none can blame me for going the cheapest way to work: - to [Etched over 'there', erased but just legible] keep up the reputation of the Gallery - there! there! there! - there! there!" ..."--British Museum online catalogue.
Alternative Title:
Peep into the Shakespeare Gallery
Description:
Printmaker from British Museum catalogue. and Title etched below image; first five words of title have been scored through but left conspicuously legible.
Publisher:
H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Boydell, John,--1719-1804--Caricatures and cartoons., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"An ogre (left) holds a large knife and fork in each hand; in the left hand he clutches also the petticoats of a young woman, who hangs horizontally, face downwards but raised in profile to the right, screaming with terror. Her legs and posteriors are exposed, but fastened to the latter is a round shallow pot serving as a shield. The Monster has a large head with raised eyebrows and starting eyeballs, his mouth is wide open as if about to bite his captive. His body diminishes in size and terminates in small feet, planted wide apart. Two young women (right) flee from the Monster, looking back and screaming. The petticoats and foot of a third fugitive appear on the extreme right."--British Museum online catalogue.
Alternative Title:
Porridge-potts preferable to cork-rumps
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Williams, Renwick.
"An ogre (left) holds a large knife and fork in each hand; in the left hand he clutches also the petticoats of a young woman, who hangs horizontally, face downwards but raised in profile to the right, screaming with terror. Her legs and posteriors are exposed ... The Monster has a large head with raised eyebrows and starting eyeballs, his mouth is wide open as if about to bite his captive. His body diminishes in size and terminates in small feet, planted wide apart. Two young women (right) flee from the Monster, looking back and screaming. The petticoats and foot of a third fugitive appear on the extreme right."--British Museum online catalogue, description of an earlier state of similar composition.
Description:
Later state, with altered title and removal of the pot shielding the woman's posterior, of a print originally issued with the title: The monster disappointed of his afternoons luncheon, or, Porridge-potts preferable to cork-rumps. Cf. No. 7727 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Printmaker from British Museum catalogue., and Title etched below image.
Publisher:
H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Williams, Renwick.
"Pitt stands beside John Bull in a basket, inscribed 'Sinking Fund', which is attached to an elaborate pagoda-like parachute. On the apex of the parachute is a solid ball or weight inscribed. 'Million pr Annum at Interest & Compd I[nterest]'. From this floats upwards into the clouds a tattered ribbon inscribed 'National Debt', by which the parachute was attached to the base of the balloon. The umbrella of the parachute is covered with the words 'Compd Interest \ Interest', many times repeated. The ropes which attach it to the basket are encircled by a 'Hoop of National Security'. John Bull looks down grinning and cheering, waving his hat. Pitt's right hand is on his shoulder, his left points out the earth beneath: the tiny British isles in a curving ocean near the edge of the globe. Over Great Britain, inscribed 'Land of Emancipation', flies a large Union flag. Unless the parachute drifts to the right, it will fall into the sea."--British Museum online catalogue.
Alternative Title:
John Bull conducted to plenty & emancipation
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Pitt, William,--1759-1806--Caricatures and cartoons.
Subject (Topic):
John Bull (Symbolic character)--Caricatures and cartoons.
