The volume contains bass or continuo parts to Sonatas, Airs, Overtures, Dances, and other pieces by Henry Purcell ((1659-1695), Daniel Purcell ([1660]-1717), John Jenkins (1592-1678), William Lawes (1602-1645), Nicola Matteis, Diedrich Becker, Robert Wren, A. Poole, Matthew Locke (1630-1677), and Athanasius Kircher (1602-1680). The volume is written in several hands, and William H. Cummings, a biographer of Purcell, has written on l.11: ""This curious book contains several pages undeniably in the handwriting of Henry Purcell..."" The other hands are attributed by Cummings to Pelham Humfrey (1647-1674), John Blow (1648-1708), and William Croft (1678-1727).
Subject (Name):
Becker, Dietrich, 1623-1679, Cummings, William Hayman, 1831-1915, provenance, Jenkins, John, 1592-1678, Kircher, Athanasius, 1602-1680, Lawes, William, 1602-1645, Locke, Matthew, 1621 or 2-1677, Matteis, Nicola, fl. 1672-1699, and Purcell, Daniel, 1660?-1717
Containing a collection of extracts of church music by various composers. 18th century vocal settings of biblical texts, anthems, and hymns, for solo voices and 4 part chorus in different settings. Most are written to be accompanied by continuo, but few are orchestrated. Contains pieces by Henry Aldrich (1647-1710), Henry Purcell ([1658/9]-1695), Giacomo Carissimi (1605-1674), Alessandro Stradella (1642-1682), Pelham Humfrey (1647-1674), Matthew Lock (1621-1677), Charles King (1687-1748), Jeremiah Clarke (1669-1707), and John Weldon (1674-1736), whose anthem Let God Arise is apparently unpublished.
Description:
Anonymous musical MS., Binder's blanks omitted from scanning., and With index.