Plate from: London und Paris. Weimar: Im Verlage des Industrie-Comptoirs, 1799, v. 3., Publication information extrapolated from the place and date of publication of the periodical for which the plate was etched., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fox, Charles James,--1749-1806--Caricatures and cartoons., Gillray, James, 1756-1815, artist., Harvey, Francis--Ownership., Holland, Henry Fox,--Baron,--1705-1774--Caricatures and cartoons., London Corresponding Society., Machiavelli, Bernardo,--ca. 1426-1500--Caricatures and cartoons., Pitt, William,--1759-1806--Caricatures and cartoons., Pitt, William,--Earl of Chatham,--1708-1778--Caricatures and cartoons., Tooke, John Horne,--1736-1812--Caricatures and cartoons., and Wilkes, John,--1725-1797--Caricatures and cartoons.
"Horne Tooke, not caricatured, sits at an easel on which are juxtaposed two canvases, three-quarter length [Horne Tooke described his portraits as 'not whole lengths, and left for some younger hand hereafter to finish . . .', p. 7.] portraits of Fox (Ieft) and Pitt (right); he holds palette and brushes, but looks over his right shoulder at the spectator, saying: ""Which two of them will you chuse \ "to hang up inyour Cabinets; \ "the Pitts, or the Foxes? - \ "Where, on your Conscience, \ "should the other two be hanged?" [Op. cit., final words.] Fox's left hand rests on a pedestal inscribed 'Deceit', on which the head of a fox holding a mask is just discernible. Pitt's right hand rests on a similar but rather higher pedestal inscribed 'Truth'; Truth's head and a hand holding a mirror are just discernible. Their expressions support the two inscriptions. From the painter's pocket projects a pamphlet: 'Sketches of Patriotic Views - a Pension, a Mouth Stopper a Place.' On the ground, resting against a table, is the other pair of portraits, juxtaposed, Lord Holland (left) and Chatham (right), bust portraits, in peer's robes, the family likenesses to their sons, especially in the case of the Foxes, being stressed. Each holds a document: Holland, 'Unaccounted Millions' (he had been styled the public defaulter of unaccounted millions in the City petition of 1769, see BMSat 4296, &c, and cf. BMSat 8622); Chatham, 'Rewards of a Grateful Nation'. On the table is a portfolio of 'Studies from French Masters' from which protrude sketches inscribed 'From Robertspierre, from Tallien, from Marat'. (Cf. BMSat 8437, &c.) The wall, which forms a background, is covered with prints, &c. (left to right): [1] (partly visible) a dagger about to be plunged into a prostrate figure, inscribed '3d Sept [1792]', see BMSat 8122. [2] 'A Sketch for an English Directory', four members of the London Corresponding Society (see BMSat 9189, &c.) seated at a table, the chairman a butcher holding a frothing tankard. (The figures are not quite the grotesque denizens of the underworld represented in BMSat 9202.) [3] A framed half length portrait of Wilkes, squinting violently and clasping two large money-bags: 'Mr Chamberlain Wilkes ci-devant', 'Wilkes & Liberty' (see BMSat 6568); it is labelled: 'The Effect in this Picture to be copied as exact as possible'. [4] A profile in silhouette: 'Shadow of the Abbe Seyes' (see BMSat 9509). [5] A framed picture: 'view of the Windmill at Wimbleton' (from Horne Tooke's house, near Caesar's Camp). The two upper sails are 'Divinity' and 'Politicks', the lower 'Treason' and 'Atheism'. [6] A placard: 'just publish'd The Art of Political Painting, extracted from the works of the most celebrated Jacobin Professors - Pro bono publico.' [7] A bust of 'Machiavel', looking reflectively towards Horne Tooke. [8] Part of a landscape with a small house: 'Parsonage of Brentford' (cf. BMSat 4866, &c)."--British Museum online catalogue.
Description:
Plate from: The Anti-Jacobin review and magazine. London, 1798, v.1, opp. p. 574. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fox, Charles James,--1749-1806--Caricatures and cartoons., Harvey, Francis--Ownership., Holland, Henry Fox,--Baron,--1705-1774--Caricatures and cartoons., London Corresponding Society., Machiavelli, Bernardo,--ca. 1426-1500--Caricatures and cartoons., Pitt, William,--1759-1806--Caricatures and cartoons., Pitt, William,--Earl of Chatham,--1708-1778--Caricatures and cartoons., Tooke, John Horne,--1736-1812--Caricatures and cartoons., Wilkes, John,--1725-1797--Caricatures and cartoons., and Wright, J. (John), 1770?-1844, publisher.
"Horne Tooke, not caricatured, sits at an easel on which are juxtaposed two canvases, three-quarter length [Horne Tooke described his portraits as 'not whole lengths, and left for some younger hand hereafter to finish . . .', p. 7.] portraits of Fox (Ieft) and Pitt (right); he holds palette and brushes, but looks over his right shoulder at the spectator, saying: ""Which two of them will you chuse \ "to hang up inyour Cabinets; \ "the Pitts, or the Foxes? - \ "Where, on your Conscience, \ "should the other two be hanged?" [Op. cit., final words.] Fox's left hand rests on a pedestal inscribed 'Deceit', on which the head of a fox holding a mask is just discernible. Pitt's right hand rests on a similar but rather higher pedestal inscribed 'Truth'; Truth's head and a hand holding a mirror are just discernible. Their expressions support the two inscriptions. From the painter's pocket projects a pamphlet: 'Sketches of Patriotic Views - a Pension, a Mouth Stopper a Place.' On the ground, resting against a table, is the other pair of portraits, juxtaposed, Lord Holland (left) and Chatham (right), bust portraits, in peer's robes, the family likenesses to their sons, especially in the case of the Foxes, being stressed. Each holds a document: Holland, 'Unaccounted Millions' (he had been styled the public defaulter of unaccounted millions in the City petition of 1769, see BMSat 4296, &c, and cf. BMSat 8622); Chatham, 'Rewards of a Grateful Nation'. On the table is a portfolio of 'Studies from French Masters' from which protrude sketches inscribed 'From Robertspierre, from Tallien, from Marat'. (Cf. BMSat 8437, &c.) The wall, which forms a background, is covered with prints, &c. (left to right): [1] (partly visible) a dagger about to be plunged into a prostrate figure, inscribed '3d Sept [1792]', see BMSat 8122. [2] 'A Sketch for an English Directory', four members of the London Corresponding Society (see BMSat 9189, &c.) seated at a table, the chairman a butcher holding a frothing tankard. (The figures are not quite the grotesque denizens of the underworld represented in BMSat 9202.) [3] A framed half length portrait of Wilkes, squinting violently and clasping two large money-bags: 'Mr Chamberlain Wilkes ci-devant', 'Wilkes & Liberty' (see BMSat 6568); it is labelled: 'The Effect in this Picture to be copied as exact as possible'. [4] A profile in silhouette: 'Shadow of the Abbe Seyes' (see BMSat 9509). [5] A framed picture: 'view of the Windmill at Wimbleton' (from Horne Tooke's house, near Caesar's Camp). The two upper sails are 'Divinity' and 'Politicks', the lower 'Treason' and 'Atheism'. [6] A placard: 'just publish'd The Art of Political Painting, extracted from the works of the most celebrated Jacobin Professors - Pro bono publico.' [7] A bust of 'Machiavel', looking reflectively towards Horne Tooke. [8] Part of a landscape with a small house: 'Parsonage of Brentford' (cf. BMSat 4866, &c)."--British Museum online catalogue
Description:
Title etched below image., Plate from: The Anti-Jacobin review and magazine. London, 1798, v.1, opp. p. 574., Temporary local subject terms: Interiors: painter's studio -- Paiting materials -- Paintings: portraits -- Busts -- Placards -- Pictures amplifying subject -- Windmills -- Containers: flagon -- Chamberpots -- Reference to Robespierre -- Reference to Tallien -- Reference to Marat., and Mounted to 31 x 35 cm.
Publisher:
Publishd. December 1s [sic], 1798, by J. Wright, Piccadilly, for [the] Anti Jacobin review
Subject (Name):
Tooke, John Horne, 1736-1812, Fox, Charles James, 1749-1806, Holland, Henry Fox, Baron, 1705-1774, Pitt, William, 1759-1806, Pitt, William, Earl of Chatham, 1708-1778, Wilkes, John, 1725-1797, Machiavelli, Bernardo, ca. 1426-1500, and London Corresponding Society.
"Horne Tooke, not caricatured, sits at an easel on which are juxtaposed two canvases, three-quarter length [Horne Tooke described his portraits as 'not whole lengths, and left for some younger hand hereafter to finish . . .', p. 7.] portraits of Fox (Ieft) and Pitt (right); he holds palette and brushes, but looks over his right shoulder at the spectator, saying: ""Which two of them will you chuse \ "to hang up inyour Cabinets; \ "the Pitts, or the Foxes? - \ "Where, on your Conscience, \ "should the other two be hanged?" [Op. cit., final words.] Fox's left hand rests on a pedestal inscribed 'Deceit', on which the head of a fox holding a mask is just discernible. Pitt's right hand rests on a similar but rather higher pedestal inscribed 'Truth'; Truth's head and a hand holding a mirror are just discernible. Their expressions support the two inscriptions. From the painter's pocket projects a pamphlet: 'Sketches of Patriotic Views - a Pension, a Mouth Stopper a Place.' On the ground, resting against a table, is the other pair of portraits, juxtaposed, Lord Holland (left) and Chatham (right), bust portraits, in peer's robes, the family likenesses to their sons, especially in the case of the Foxes, being stressed. Each holds a document: Holland, 'Unaccounted Millions' (he had been styled the public defaulter of unaccounted millions in the City petition of 1769, see BMSat 4296, &c, and cf. BMSat 8622); Chatham, 'Rewards of a Grateful Nation'. On the table is a portfolio of 'Studies from French Masters' from which protrude sketches inscribed 'From Robertspierre, from Tallien, from Marat'. (Cf. BMSat 8437, &c.) The wall, which forms a background, is covered with prints, &c. (left to right): [1] (partly visible) a dagger about to be plunged into a prostrate figure, inscribed '3d Sept [1792]', see BMSat 8122. [2] 'A Sketch for an English Directory', four members of the London Corresponding Society (see BMSat 9189, &c.) seated at a table, the chairman a butcher holding a frothing tankard. (The figures are not quite the grotesque denizens of the underworld represented in BMSat 9202.) [3] A framed half length portrait of Wilkes, squinting violently and clasping two large money-bags: 'Mr Chamberlain Wilkes ci-devant', 'Wilkes & Liberty' (see BMSat 6568); it is labelled: 'The Effect in this Picture to be copied as exact as possible'. [4] A profile in silhouette: 'Shadow of the Abbe Seyes' (see BMSat 9509). [5] A framed picture: 'view of the Windmill at Wimbleton' (from Horne Tooke's house, near Caesar's Camp). The two upper sails are 'Divinity' and 'Politicks', the lower 'Treason' and 'Atheism'. [6] A placard: 'just publish'd The Art of Political Painting, extracted from the works of the most celebrated Jacobin Professors - Pro bono publico.' [7] A bust of 'Machiavel', looking reflectively towards Horne Tooke. [8] Part of a landscape with a small house: 'Parsonage of Brentford' (cf. BMSat 4866, &c)."--British Museum online catalogue
Description:
Title etched below image., Plate from: The Anti-Jacobin review and magazine. London, 1798, v.1, opp. p. 574., Temporary local subject terms: Interiors: painter's studio -- Paiting materials -- Paintings: portraits -- Busts -- Placards -- Pictures amplifying subject -- Windmills -- Containers: flagon -- Chamberpots -- Reference to Robespierre -- Reference to Tallien -- Reference to Marat., 1 print on wove paper : etching, hand-colored ; plate mark 19.4 x 26.2 cm., on sheet 25 x 36 cm., and Watermark: 1798.
Publisher:
Publishd. December 1s [sic], 1798, by J. Wright, Piccadilly, for [the] Anti Jacobin review
Subject (Name):
Tooke, John Horne, 1736-1812, Fox, Charles James, 1749-1806, Holland, Henry Fox, Baron, 1705-1774, Pitt, William, 1759-1806, Pitt, William, Earl of Chatham, 1708-1778, Wilkes, John, 1725-1797, Machiavelli, Bernardo, ca. 1426-1500, and London Corresponding Society.
Title from item., Plate from: Caricatures of Gillray, London, John Miller, [ca. 1824-1827], opp. p. 65., Date of publication inferred from John Miller's entry in London Publishers and Printers, by Philip A.H. Brown (London, British Library, 1982)., Sheet trimmed within plate mark at bottom., and Temporary local subject terms: Interiors: painter's studio -- Painting materials -- Portraits -- Busts -- Placards -- Pictures amplifying subject -- Windmills -- Containers: flagon -- Chamberpots -- Reference to Robespierre -- Reference to Tallien -- Reference to Marat.
Publisher:
Published by John Miller, Bridge Street, and W. Blackwood, Edinburgh
Subject (Name):
Tooke, John Horne, 1736-1812, Fox, Charles James, 1749-1806, Holland, Henry Fox, Baron, 1705-1774, Pitt, William, 1759-1806, Pitt, William, Earl of Chatham, 1708-1778, Wilkes, John, 1725-1797, Machiavelli, Bernardo, approximately 1426-1500, and London Corresponding Society.
"A large and plebeian crowd is being addressed from three roughly made platforms, one being in the middle distance, another in the background. In the foreground (right) a man, supposed to be Thelwall, leans from his rostrum in profile to the left, shouting, with clenched fists, and raised right arm. Behind him stands a ragged barber, a comb in his lank hair, holding out a paper: 'Resolutions of the London Corresponding Society'. Next him, a man with the high-crowned hat and bands of a dissenting minister holds a tattered umbrella over the orator. A man on the steps leading to the platform, wearing a bonnet-rouge (the only one in the crowd) has a vague resemblance to Fox. From the next platform (left) a butcher, supposed to be Gale Jones, bawls at the crowd with raised right arm. Beside him stand a man holding a scroll inscribed 'Rights of Citizens'. The third orator is a tiny figure (Hodgson) with both arms raised. All the platforms are surrounded by crowds, and hats and arms are being waved by those addressed by the butcher. In the foreground (left) a man sits holding out for signature a document which is supported on a barrel of 'Real Democratic Gin by Thelwal & Co.' Three little chimney-sweepers stand round it, one of whom, holding a pen, has just made his mark on the 'Remonstrance', below the signatures of 'Jack Cade', 'Wat Tyler', 'Jack Straw'. All wear caps with the name of their master on a brass plate (according to the Chimney-Sweepers' Act of 1788); this is 'Thelwall'. A fat woman sells a dram to one of the crowd. Another presides over a portable roulette or E.O. table, a 'teetotum', inscribed 'Equality & no Sedition Bill'; three barefooted urchins are staking their pence. The heads in general do not appear to be portraits, but in the centre of the design, with his back to the woman selling drams, is Priestley, caricatured, standing with folded arms facing Thelwall. There is a landscape background with trees up which spectators have climbed. ..."--British Museum online catalogue
Description:
Title etched below image., One line of quoted text, running on both sides of title: "I tell you, citizens, we mean to new-dress the Constitution and turn it, and set a new nap upon it." Shakspeare., and Mounted to 30 x 40 cm.
Publisher:
Pubd. Novr. 16th, 1795, by H. Humphrey, New Bond Street
Subject (Geographic):
Great Britain
Subject (Name):
Thelwall, John, 1764-1834, Jones, John Gale, 1769-1838, Priestley, Joseph, 1733-1804, Hodgson, Richard, 1760-1816, and London Corresponding Society.
Subject (Topic):
Freedom of the press, Meetings, Petition, Right of., Sedition, Political crimes and offenses, Butchers, Chimney sweeps, Crowds, Podiums, Political parades & rallies, and Working class
"A large and plebeian crowd is being addressed from three roughly made platforms, one being in the middle distance, another in the background. In the foreground (right) a man, supposed to be Thelwall, leans from his rostrum in profile to the left, shouting, with clenched fists, and raised right arm. Behind him stands a ragged barber, a comb in his lank hair, holding out a paper: 'Resolutions of the London Corresponding Society'. Next him, a man with the high-crowned hat and bands of a dissenting minister holds a tattered umbrella over the orator. A man on the steps leading to the platform, wearing a bonnet-rouge (the only one in the crowd) has a vague resemblance to Fox. From the next platform (left) a butcher, supposed to be Gale Jones, bawls at the crowd with raised right arm. Beside him stand a man holding a scroll inscribed 'Rights of Citizens'. The third orator is a tiny figure (Hodgson) with both arms raised. All the platforms are surrounded by crowds, and hats and arms are being waved by those addressed by the butcher. In the foreground (left) a man sits holding out for signature a document which is supported on a barrel of 'Real Democratic Gin by Thelwal & Co.' Three little chimney-sweepers stand round it, one of whom, holding a pen, has just made his mark on the 'Remonstrance', below the signatures of 'Jack Cade', 'Wat Tyler', 'Jack Straw'. All wear caps with the name of their master on a brass plate (according to the Chimney-Sweepers' Act of 1788); this is 'Thelwall'. A fat woman sells a dram to one of the crowd. Another presides over a portable roulette or E.O. table, a 'teetotum', inscribed 'Equality & no Sedition Bill'; three barefooted urchins are staking their pence. The heads in general do not appear to be portraits, but in the centre of the design, with his back to the woman selling drams, is Priestley, caricatured, standing with folded arms facing Thelwall. There is a landscape background with trees up which spectators have climbed. ..."--British Museum online catalogue.
Description:
One line of quoted text, running on both sides of title: "I tell you, citizens, we mean to new-dress the Constitution and turn it, and set a new nap upon it." Shakspeare. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Hodgson, Richard,--1760-1816--Caricatures and cartoons., Humphrey, Hannah, active 1774-1817, publisher., Jones, John Gale,--1769-1838--Caricatures and cartoons., London Corresponding Society., Priestley, Joseph,--1733-1804--Caricatures and cartoons., and Thelwall, John,--1764-1834--Caricatures and cartoons.
Subject (Topic):
Butchers., Chimney sweeps. , Crowds., Freedom of the press--Great Britain--Early works to 1800., Meetings--Great Britain--Early works to 1800., Petition, Right of., Podiums., Political crimes and offenses--Great Britain--Early works to 1800., Political parades & rallies., Sedition--Great Britain--Early works to 1800., and Working class.
"Six brutal-looking men, much caricatured, sit round a table in a cellar, listening with apprehensive intentness to their chairman, who reads a paper: 'State Arrests - O'Conner Binns Evans Quigley'. He sits in an arm-chair, a grotesque ragged creature with sleeves rolled up; in his right hand is a candle taken from a candle-stick on the table. Beside him is a tankard inscribed: 'Tom Treason Hell-Fire Celler Chick Lane'. Against his chair leans an open book: 'Proceedings of the London Corresponding Society Ts Firebrand Secretary - Delegates - Forging Sam Barber Joe Dick Butcher Dissenting Nick Sheepshead Will Cut down Lary'. These names belong to the persons depicted: a barber sits on an upturned tub on the chairman's left, a comb in his ragged hair, a pair of tongs leaning against the tattered hat which lies beside him. Next (left) is a butcher, his steel hanging from his waist. All are grotesque denizens of the underworld. Two prints are on the brick wall, bust portraits of 'Horne Tooke' and 'Tom Payne'. Through an open door (right) is seen a flight of stairs, steeply ascending."--British Museum online catalogue.
Alternative Title:
London Corresponding Society alarmed
Description:
Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., London Corresponding Society., Paine, Thomas,--1737-1809--Caricatures and cartoons., and Tooke, John Horne,--1736-1812--Caricatures and cartoons.
"Six brutal-looking men, much caricatured, sit round a table in a cellar, listening with apprehensive intentness to their chairman, who reads a paper: 'State Arrests - O'Conner Binns Evans Quigley'. He sits in an arm-chair, a grotesque ragged creature with sleeves rolled up; in his right hand is a candle taken from a candle-stick on the table. Beside him is a tankard inscribed: 'Tom Treason Hell-Fire Celler Chick Lane'. Against his chair leans an open book: 'Proceedings of the London Corresponding Society Ts Firebrand Secretary - Delegates - Forging Sam Barber Joe Dick Butcher Dissenting Nick Sheepshead Will Cut down Lary'. These names belong to the persons depicted: a barber sits on an upturned tub on the chairman's left, a comb in his ragged hair, a pair of tongs leaning against the tattered hat which lies beside him. Next (left) is a butcher, his steel hanging from his waist. All are grotesque denizens of the underworld. Two prints are on the brick wall, bust portraits of 'Horne Tooke' and 'Tom Payne'. Through an open door (right) is seen a flight of stairs, steeply ascending."--British Museum online catalogue
Alternative Title:
London Corresponding Society alarmed
Description:
Title etched below image., "Price 1 sh., 6"--Below imprint., Sheet trimmed within plate mark., and Temporary local subject terms: Trades -- Barber -- Butcher -- Allusion to the planned French invasion of Ireland -- Interiors: cellars -- Dishes: tankards.
Publisher:
Pubd. April 20th, 1798, by H. Humphrey, 27 St. James's Street
Subject (Name):
Paine, Thomas, 1737-1809, Tooke, John Horne, 1736-1812, and London Corresponding Society.
