"A scene in the Empress's dressing-room. Marie Louise is horror-struck at the appearance of Napoleon who advances towards her in profile astride the back of a crawling Mameluke; he is held up by two other Mamelukes who support his arms and shoulders. He is terribly emaciated and appears moribund. He wears uniform; his legs, feet, and hands are swathed in bandages, his (former) ear and nose covered with black patches. The crawling Mameluke, presumably Roustan, holds out a bottle containing a pointed nose, and labelled 'Le Nez de l'Empereur'. Immediately behind Napoleon and his three supporters are two kneeling Mamelukes, each reverently holding a tasselled cushion supporting a bottle; one being labelled 'Les Doights [sic] de l'Empereur Napole . . .', the other, 'Les Oreilles de l'Empereur Napoleon'. Behind them (left) another Mameluke advances with a bottle labelled 'Les Doights du pied de l Empereur Bon . . .' The Mamelukes wear Turkish dress with turbans. Napoleon looks in tragic silence at his wife, who is seated in regal state but turns aside weeping with violent gestures of despair. A small terrestrial globe decorates her chair; her foot rests on a stool in the form of a flattened polar hemisphere on which the word 'Brit[ain]' is visible. Over her low-cut dress is an ermine-bordered robe clasped with a fleur-de-lis. She is supported by an emaciated court-lady, with a patched face, proffering a smelling-bottle, whose profile and a small crown show that she is one of Napoleon's sisters; two other ladies, wearing crowns, stand behind the Empress, registering consternation. A less conspicuous lady weeps. On the Empress's right kneels the Governess of the King of Rome, Mme de Montesquiou, holding the screaming child, and weeping noisily. He registers angry terror at the sight of his father; his little crown has fallen off. His features, though fore-shortened and distorted, resemble those of his father, cf. British Museum satires no. 11719. He wears an ermine-trimmed robe over his childish tunic and breeches. Behind the Governess is a draped dressing-table, the drapery decorated by a large fleur-de-lis, and the toilet boxes ornamented with crowns. A terrified monkey climbs up the mirror, clutching at the crown which surmounts it, and looking over its shoulder at the shocking spectacle presented by the Emperor. On the extreme right a lap-dog stands on a cushion barking furiously at Napoleon. On the ground on the extreme left are two large round coffers, one inscribed 'Coffre Pour la Bijoutère [sic] Russe', the other expectantly open. Voluminous draperies on the left and right, supported on the right by a pillar add to the regal character of the room."--British Museum online catalogue
Description:
Title etched below image. and Four lines of verse below title: Dishonest with lopp'd arms the man appears, spoil'd of his nose, and shorten'd of his ears. She scarcely knew him, striving to disown, his blotted form, and blushing to be known. Dryden's Virgil, Book Six.
Publisher:
Pubd. by H. Humphrey, St. James's St.
Subject (Geographic):
Russia. and France.
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Marie Louise, Empress, consort of Napoleon I, Emperor of the French, 1791-1847, Bonaparte, François-Charles-Joseph, Herzog von Reichstadt, 1811-1832, Piombino, Elisa Bonaparte Baciocchi, principessa di, 1777-1820, Bonaparte, Paolina, 1780-1825, Caroline Bonaparte, consort of Joachim Murat, King of Naples, 1782-1839, and Roustam, 1782?-1845
Subject (Topic):
Campaigns of 1813-1814, Napoleonic Wars, 1800-1815, Campaigns, Crowns, Dogs, Dismemberment, Dressing tables, Empresses, Ethnic stereotypes, Loss of consciousness, and Monkeys
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Alternative Title:
Imperial comet : shedding its baneful influence
Description:
Title etched below image., Date precedes publisher's statement in imprint., Plate numbered "93" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., "Price one shilling coloured.", Watermark: 1817., and Leaf 35 in volume 2.
Publisher:
Publd. by Thos. Tegg, 111 Cheapside
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Bonaparte, François-Charles-Joseph, Herzog von Reichstadt, 1811-1832, Marie Louise, Empress, consort of Napoleon I, Emperor of the French, 1791-1847, and George III, King of Great Britain, 1738-1820
"A satire on the approaching election for the Chancellorship of Oxford University. Grenville, dressed as a cardinal, heads a small procession towards the Devil, who wears a robe on which is a large cross, and holds the bland mask with which he has been hiding his face. Grenville, bowing low, and deferentially holding his large hat, holds out a paper: Catholic Petition for the vacant Chancellorship with a Plan for Erecting a New Popish Sanhedrim on the ruins of old Alma-Mater, The Devil says: Well done my Children! This is all the Convocation I would have; in his left hand is a pitchfork. The Marquis of Buckingham, dressed as a Jesuit, stands behind him, one hand on his shoulder, the other holding his barbed tail. Beside him is Canning (unrecognizable) wearing a Jesuit's biretta. Beside the Devil is a greyhound with the head of Grey, its collar inscribed Popish Gray Hound. Immediately behind Grenville walks the Pope, wearing his tiara, and holding his cross; he holds up Grenville's robe on which is a large cross. Napoleon crouches behind the Pope, holding on to his robes and hiding under his mantle. He wears a crown, with uniform and spurred boots; his hand is on the hilt of his sword. Behind walk together Temple, enormously fat and dressed as a monk, and his brother, Lord George Grenville, similarly dressed. The former carries the Host, the latter a lighted candle. In the background rows of bishops and clergymen face the procession. Bishops in the front row, humbly sweeping the ground with their mitres, bow low, each clasping a Mass Book, while those behind cheer with raised mortar-board, hand, or Mass Book. On five of the books are the names of bishoprics: York [Vernon], St Asaph [Cleaver], London [Randolph], Oxford [Moss], Norwich [Bathurst]. Above the design (and the bishops): Golgotha, i.e: the place of Skulls."--British Museum online catalogue
Alternative Title:
Golgotha, i.e. the place of skulls
Description:
Title etched below image. and 1 print : etching on wove paper, hand-colored ; plate mark 27.0 x 37.3 cm, on sheet 29.7 x 40.1 cm.
Publisher:
Publishd. by H. Humphrey, 27 St. James Street, London
Subject (Name):
University of Oxford., Grey, Charles Grey, Earl, 1764-1845, Grenville, William Wyndham Grenville, Baron, 1759-1834, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Canning, George, 1770-1827, Pius VII, Pope, 1742-1823, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Napoleon I, Emperor of the French, 1769-1821, and Nugent, George Nugent Grenville, Baron, 1788-1850
Subject (Topic):
Religious processions, Clergy, Devil, and Petitions
"Cobbett (right) stands facing six men grouped at a round table who applaud the toast he gives: 'Damnation to the House of Brunswick' [cf. No. 11234]. In his left hand is a bottle of 'True Napoleone Spirits'; the contents of his raised glass are exploding. On his right sits Horne Tooke, with a crutch, holding a jug of 'Botley Ale' and a glass, both frothing. He says with a sinister upturned glance: 'Huzza! Huzza'. On Cobbett's left, and in back view, stands a naval officer wearing a cocked hat and high fashionable boots. He holds high a steaming bowl of 'Botley Grog'; under his foot is a paper: 'Basque Roads- Court Martial', showing that he is Cochrane, see No. 11326, &c. Facing Cobbett sit Bosville and Clifford. Bosville, silent, decrepit, and senile, grasps a bottle of 'Botley Ale' and holds a foaming glass; in his pocket is a 'Plan for a new Convention'. Clifford, brandy-faced, and with his barrister's wig awry, holds a bottle of 'French Brandy' and a brimming glass, saying "Huzza". Behind these two stand Burdett and Folkestone. Each holds up a frothing glass; Burdett waves his bonnet rouge and shouts "Huzza!-Huzza!" Folkestone echoes "Huzza!" In the foreground with his back to the table lies Wardle, very sick, clasping a bottle of 'Botley Ale', and vomiting over papers: 'Charges against the Duke of York' and 'Reform', see No. 11328, &c. A cat (left), with a collar inscribed 'Mrs Clarke', miaows at him (see No. 11216, &c). On the right are a tankard inscribed 'Whitbread's Small Beer', and a wine-cooler containing five bottles of 'Napolean Wine' [cf. No. 11004]. The floor is boarded, but under Cobbett's chair is a fringed carpet. The room is lit by candles set in branches which decorate the oval frame of a half-length portrait of 'Napoleone Le Grand'; he is in profile to the right, looking down at Cobbett and holding out a 'Cordon d'Honor'. The portrait is flanked by busts on brackets: 'Despard' [see No. 9969] with a noose round his neck, and 'Robespiere' with two daggers. On the table by Clifford are two more bottles of 'French' [Brandy], by Cochrane a bottle labelled (?) 'Coitaris', an overturned bottle, and a plate of 'Diables'. [Diable = a name given to the Toad-fish, Frog-fish, or Sea-Devil.] Empty bottles and a broken glass lie under the table."--British Museum online catalogue
Description:
Title etched below image., Seventh print of eight in a series entitled: The life of William-Cobbett, written by himself., Below image is printed a second plate etched with text only: Plate 7th. I did not look behind me 'till I got to St Omer's & thence fled to America; here I offer'd to become a spy for the English ... See my own Memoires in [the] Political Register, 1809., Series number etched above image, in upper left., Sheet trimmed to plate mark., and Mounted to 46 x 25 cm.
Publisher:
Publish'd Sept. 29th, 1809, by H. Humphrey, 27 St. James's Street
Subject (Name):
Cobbett, William, 1763-1835, Tooke, John Horne, 1736-1812, Clifford, Henry, 1768-1813, Burdett, Francis, 1770-1844, Dundonald, Thomas Cochrane, Earl of, 1775-1860, Radnor, William Pleydell-Bouverie, Earl of, 1779-1869, Wardle, Gwyllym Lloyd, 1762?-1833, and Napoleon I, Emperor of the French, 1769-1821
"Princess Charlotte (three-quarter length) stands at a table looking into a large (chinoiserie) punch-bowl (right) in which Bonaparte frantically swims towards her, among agitated waves, his large hat floating in the water. The Princess, very mature for her seven years, wears a cap with a jewelled fillet inscribed 'Ich Di[en]' in which are three feathers. Round her neck on a rope of pearls hangs an oval miniature of the Prince of Wales. She holds her left fist over the bowl, saying, "There you impertinent boasting swaggering Pigmy, - take that, - You attempt to take my Grandpap's Crown indeed, and plunder all his Subjects, Fillet you know that the Spirit and Indignation of every Girl in the Kingdom is roused at your Insolence."--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., and "Vide Gulliver's Vouyage to England"--Text following title.
Publisher:
Pubd. Octobr. 21st, 1803, by S.W. Fores, 50 Piccadilly
Subject (Name):
Charlotte Augusta, Princess of Great Britain, 1796-1817, George IV, King of Great Britain, 1762-1830, Napoleon I, Emperor of the French, 1769-1821, and Swift, Jonathan, 1667-1745.
Subject (Topic):
Caricatures and cartoons, Adaptations, parodies, etc, Bowls (Tableware), Girls, Pendants (Jewelry), Rulers, and Swimming
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Date of publication from unverified data in local card catalog record., Text following title: Vide Morning Chronicle April 28., A reduced copy of a print by Gillray with the same title. Cf. No. 10560 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Leaf 49 in volume 1.
Publisher:
publisher not identified
Subject (Name):
Fox, Charles James, 1749-1806 and Napoleon I, Emperor of the French, 1769-1821
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Plate numbered "288" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Thrones -- Demons., and Leaf 65 in volume 4.
Publisher:
Pubd. Jany. 16th, 1814, by T. Tegg, 111 Cheapside, London
Title etched below image., Also attributed to Gillray. Cf. Wright., The design probably derives from Fuseli's 'Nightmare', travestied in other British satires. See examples no. 6543, 8555 and 8671., Sheet trimmed within plate mark., Plate from: The Anti-Jacobin Review and Magazine. London, 1799, v.3, p. 99., and Temporary local subject terms: Jacobins -- Newspapers: Morning Chronicle -- Books: William Godwin (17565-1836), Enquiry concerning political justice -- Books: Gilbert Wakefield (1756-1801), Reply to ... the Bishop of Landaff's -- Standards -- Slogans: vive la liberté -- Interiors: bedroom -- Furniture: half-tester bed -- Chamberpots -- Reference to Louis-Marie de La Revellière-Lépeaux (1753-1824) -- Weapons: daggers -- Horses -- Demons -- Parodies: Fuseli's Nightmare.
Publisher:
Published May 1, 1799, by J. Whittle, Peterboro' Court, Fleet Street, for the Anti Jacobin Review
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Fox, Charles James, 1749-1806, and La Revellière-Lépeaux, Louis-Marie de, 1753-1824
"Britannia, massive, but childlike, sleeps in a large wicker cradle, rocked by Addington, dressed as an elderly woman, who is seated on a low stool (right). Hawkesbury, a thin and spinsterish nursemaid, (left) approaches the foot of the cradle holding out an ornate child's commode, inscribed 'French C . . k . . g Chair'. Behind the cradle appear the head and shoulders of Fox, looking furtively towards Britannia and Addington, while he hangs out napkins to dry on a cord stretched across the fireplace; one is 'French Cambrick'. Britannia sleeps with her thumb in her mouth, her right arm across the coverlet, holding her shield and spear; her uncovered shoulder shows that she is wearing a Roman corslet. The head of the cradle is inscribed: 'Requiescat in Pace'." On the ground is a casserole of 'French Pap'; on the plain chimney-piece are a bottle labelled 'Composing Draught' and a box of 'Opiate Pills'. Above it is a print of 'Buonaparte' playing a fiddle and capering ecstatically. On the wall (left) are a broadside: 'Rule Britannia . . . Britons never will be - ['slaves' torn off] and (right) a birch-rod tied with tricolour ribbon. Addington, Hawkesbury, and Fox all wear their hair in their accustomed manner with the addition of tricolour ribbons. The first two look anxious, Fox registers calculating satisfaction."--British Museum online catalogue
Description:
Title from caption etched below image., Publication date from British Museum catalogue., Plate numbered 'XXI' in upper right corner., Plate from: London und Paris, vol. x, 1802 [1803]., and Part of watermark: [...] & Zonen.
Publisher:
publisher not identified
Subject (Name):
Fox, Charles James, 1749-1806, Sidmouth, Henry Addington, Viscount, 1757-1844, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, and Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Cradles, Nurseries (Rooms & spaces), and Washstands
