Title from item., Plate numbered '83' in lower left corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Printed for Bowles and Carver, No. 69 in St. Pauls Church Yard, London
Subject (Name):
Nelson, Horatio Nelson, Viscount, 1758-1805.
Subject (Topic):
Barrels, Drinking vessels, Intoxication, and Toasting
"An imaginary scene on the deck of the 'Vanguard'. The sailors are crowded round an improvised table, drinking and huzza-ing. Nelson and his officers sit abovet hem in the stern; a wounded officer is wrapped in a blanket. An officer takes a glass held up to him by a sailor. One man plays a fiddle. A Turk sits on the deck (left) smoking a long pipe ..."--British Museum online catalogue
Description:
Title etched below image., Variant state, with two additional stanzas of the song added on each side of the chorus lines. Cf. No. 9256 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Three stanzas of a song etched below title in three columns: Verse 1st. Dammy Jack, what a gig, what a true British whim, let the fiddles strike up on the Main. What seaman wou'd care for an eye or a limb to fight o'er the battle again., Temporary local subject terms: Invasions: Ships decks -- Celebrations -- Sailors -- Turks -- Smoking: pipes -- Dishes: tankards -- Punch bowl -- Drinking glasses -- Musical instruments: fiddle -- Singing., and Mounted to 49 x 62 cm.
Publisher:
Pub. Octr. 20, 1798, at Ackermann's Gallery, No. 101 Strand
A political cartoon with 42 bust caricatures of members of a conspiracy discovered by no. 1 "La Vigilance du Gouvernement Français", a rooster or the Gallic cock, depicted at top center, holding "Correspondance de Mr. Draque - Ambassadeur de la Cour Britannique &c. &c." Those accused of participating in the conspiracy are: no. 2 "Le Prince de Galles" (possibly the Prince of Wales), no. 3 "Parti de l'Opposition", no. 4 "Le Comte d'Artois" (Charles X), no. 5 "Lord Windham", no. 6 "Lord Moira", no. 7 "Lord King", no. 8 "Mr. Vic-Kam", no. 9 "Lord With Wurth", no. 10 "Mr. Pitt", no. 11 "Mr. Drake", no. 12 "Mr. Adington", no. 13 "Le Général Limcol", no. 14 "Mr. Francis", no. 15 "Milord Cathcart", no. 16 "Monsieur, Frère du Roi de France" (Louis XVIII), no. 17 "Spencer Smith", no. 18 "Lord How Kersbury", no. 19 "Le Duc de Cambridge", no. 20 "Charlotte Reine d'Angleterre", no. 21 "Géorges III Roi d'Angleterre", no. 22 "Le Duc d'York" (Prince Frederick Augustus), no. 23 "Lord Windham", no. 24 "Le Comte de Darmouth", no. 25 "Le Duc de Portland", no. 26 "Sidney Smith", no. 27 "Sir Lucas Pepys", no. 28 "Mr. Canning", no. 29 "Fitz Williams", no. 30 "Lord Walsingham", no. 31 "Lord Nelson Admiral", no. 32 "L'amiral Duc Woeth", no. 33 "Mr. Tierney", no. 34 "Le Prince de Conde", no. 35 "Lord Malmesbury", no. 36 "Milord Harrowby", no. 37 "Mr. F. Millman", no. 38 "Heberden", no. 39 "Lord Grandville", no. 40 "Mr. Carnawon", no. 41 "Mr. Carlole", and no. 42 "Sir Robert Taulay."
Description:
Title from item. and Includes key with corresponding numbers identifying the persons depicted.
Publisher:
publisher not identified
Subject (Geographic):
France and Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830., Charles X, King of France, 1757-1836., Pitt, William, 1759-1806., Louis XVIII, King of France, 1755-1824., Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818., George III, King of Great Britain, 1738-1820., Frederick Augustus, Prince, Duke of York and Albany, 1763-1827., and Nelson, Horatio Nelson, Viscount, 1758-1805.
Subject (Topic):
History, National emblems, French, Roosters, Conspiracy, Enemies, and Faces
Title from item., Twenty lines of patriotic verse surround the upper portion of design: Hear me my gallant friends, and whilst I tell how your combining foes by thousands fell..., Plate numbered '414' in the lower left corner., From the Laurie & Whittle series of Drolls., Other prints in the Laurie & Whittle Drolls series were executed by either Isaac Cruikshank or Richard Newton., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published 12th December, 1805 by Laurie & Whittle, No. 53 Fleet Street, London
"Interior view of the hall, in Greenwich Hospital, later the Old Royal Naval College; two groups of figures admiring the painted walls and the grand victory cart."--British Museum online catalogue
Description:
Title etched below image., Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 3, opposite page 246., Plate numbered in upper right, above image: Plate 97., Temporary local Medical Library subject terms: Funeral carriages -- Prostheses -- Greenwich Hospital -- Lord Nelson's funeral carriage., and 1 print : aquatint and etching, hand-colored ; plate mark 23.8 x 28 cm.
Publisher:
Pub. Jan. 1, 1810, at R. Ackermann's Repository of Arts, 101 Strand
Subject (Geographic):
London (England) and Great Britain.
Subject (Name):
Royal Hospital for Seamen at Greenwich, and Nelson, Horatio Nelson, Viscount, 1758-1805.
"Interior view of the hall, in Greenwich Hospital, later the Old Royal Naval College; two groups of figures admiring the painted walls and the grand victory cart."--British Museum online catalogue
Description:
Title etched below image., Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 3, opposite page 246., Plate numbered in upper right, above image: Plate 97., and Temporary local Medical Library subject terms: Funeral carriages -- Prostheses -- Greenwich Hospital -- Lord Nelson's funeral carriage.
Publisher:
Pub. Jan. 1, 1810, at R. Ackermann's Repository of Arts, 101 Strand
Subject (Geographic):
London (England) and Great Britain.
Subject (Name):
Royal Hospital for Seamen at Greenwich, and Nelson, Horatio Nelson, Viscount, 1758-1805.
"A coach entering Fonthill, passing under the arch, two men on horseback holding torches in front of the coach, a soldier standing by the arch; other coaches in front and a group of figures under a marquee to the right celebrating."--British Museum online catalogue
Description:
Title etched below image., Date of publication from that of the periodical for which the print was issued., Plate from: The gentleman's magazine. London : John Nichols, v. 71 (April 1801), "Gent. Mag. April 1801, pl. I, p. 289"--Upper right corner., and Sheet trimmed to plate mark on right and left edges.
Scrapbook kept by Anne Scafe, containing clippings from London newspapers and magazines, with some clippings from regional and Scottish publications as well as manuscripts and letters from the Spencer and Devonshire family members, including a letter from Georgiana, Duchess of Devonshire; from Lady Sarah Lyttelton announcing her marriage; a manuscript poem written by "Caroline Lamb's page" with a watercolor portrait, dated 1807 at Holywell House; a letter recounting the visit of the Grand Duke Nicholas to Chatsworth in December 1816; an account of the death of Lady Charlotte Finch. Many of the clippings center around the announcements of births, marriages, deaths, and the settlement of the estates of these two families and their circle as well as announcements of their social engagements, political activities, scandals, etc. The clippings include references to Horace Walpole; the theatrical world; new inventions; style; foreign travel; domestic and foreign politics, especially the revolution in France and reports on the French royal family and later the Bonaparte family. Also included are autographs of prominent British nobility, including the King, and foreign dignitaries and royalty, In addition to the clippings, the scrapbook includes a variety of ephermal items given to Scafe by members of the extended family such as as well as ephemeral items from their travels, political, and social activities; calling cards and letters of introduction given to Sir William Ponsonby by members of the Russian aristocracy in 1805 and similar items from his trip to Spain in 1809; autographs of foreign royalty; invitations to the funeral of William Pitt a memorial to Lord Nelson, and the trial of Lord Viscount Melville (1805)., Scafe also includes clippings and ephemera of a more general nature: humorous anecdotes, reports on curious events, jokes, odd behaviors; epitaphs, poems, epigrams; advertisements for employment as well advertisements by tradespeople; announcements and broadsides of events such as lottery drawings; several promissary notes; and etchings, Scafe includes two lengthy test: one from The Morning Post's account of the writing of "Modern characters by Shakespear" (published later the same year); and, a transcription of "The butterfy's ball and The grasshopper's feast"., and An engraving entitled "Sunday's amusement" is mounted on a leaf tipped in opposite the front paste-down, a note in pencil indicating that it was formerly pasted over the material on the lining of the front cover (but moved by bookbinder G. Bissell in 1966). Depicted in this satirical print is a family (man, woman, and boy) riding to the left in a carriage in the countryside, a mile marker seen in the lower right; verses are etched on either side of title, beginning "The wealthy cit grown rich by trade ...". Pasted on the following leaf, which is tipped in before the front free endpaper, are trimmed portions of various plates, including plate III (page 805) from Gentleman's magazine, v. 59 (September 1789), which depicts coins and other antiquarian items. Several additional prints are pasted on the verso of the front free endpaper, including four plates (plates 1, 3, 6, and 16) from "The talking bird: or, Dame Trudge and her parrot" which show an old woman's pet parrot being mischievous in various situations; the first plate has the title "The talking bird" at top and the imprint "Publish'd August 20, 1806, by J. Harris, corner of St. Pauls Church Yard, London" at bottom
Description:
Anne Scafe, maidservant of Georgiana Spencer Cavendish, Duchess of Devonshire (1757-1806)., Signed by "A. Scafe" on last leaf with a note stating that the volume had been given to her by "the Marquis of Hartingdon", i.e., William George Spencer Cavendish (1790-1858), 6th duke of Devonshire, who also signed and dated the first leaf: "Hartington 1803.", and For further information, consult library staff.
Subject (Geographic):
Great Britain and France
Subject (Name):
George III, King of Great Britain, 1738-1820., Bessborough, Henrietta Frances Spencer Ponsonby, Countess of, 1761-1821., Lamb, Caroline, Lady, 1785-1828., Finch, Charlotte, Lady, 1725-1813., Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806., Devonshire, Margaret Georgiana Poyntz, Duchess of, 1736-1814., Devonshire, William Spencer Cavendish, Duke of, 1790-1858., Lyttelton, William Henry Lyttelton, Baron, 1782-1837., Lyttelton, Sarah Spencer, Lady, 1787-1870., Melville, Robert Saunders Dundas, Viscount, 1771-1851., Nelson, Horatio Nelson, Viscount, 1758-1805., Ponsonby, Frederick Cavendish, 1783-1838., Ponsonby, William, Sir, 1772-1815., Scafe, Anne., Bonaparte family., and Roscoe, William, 1753-1831.
Subject (Topic):
Nobility, Social life and customs, and Politics and government
Sketchbook containing 37 watercolors done by Ellis Cornelia Knight while on board Lord Nelson's flagship the Foudroyant with Sir William and Lady Emma Hamilton in 1800. Twenty-six sketches are views taken from the ship off the coast of Sicily, under sail to Malta, and returning from Malta to Palermo. There are also sketches taken in Palermo prior to sailing, and on excursions from the ship near Syracuse. Sketch 2, for example, shows the villa of Prince Ventimiglieri in Palermo; sketch 19 shows an excursion party rowing near Syracuse. There is an index at the back of the volume
Description:
Ellis Cornelia Knight (1757-1837), writer, governess and protégé of Lady Emma Hamilton, whom she broke with after Lady Hamilton's affair with Lord Nelson became public knowledge in England. Knight's works include Dinarbas: A Tale (1790) and Sir Guy de Lusignan (1833)., In English., Inscribed on verso of flyleaf by Knight: "This book was commenced at Palermo in Sicily, 1800. Finished at Windsor, 1806.", and Binding: contemporary full calf; gilt decoration.
"A 'conjuror' or magician displays to John Bull on a screen four scenes, one below the other, representing the expedition to Flushing. He wears a conical hat with a wide fur brim, and his magician's robe resembles that of the Chancellor of the Exchequer, indicating Perceval; he holds a long staff or wand topped by a little head, that of Portland, grinning; it is labelled The Old One. John stoops to look through a telescope inscribed Patent directed at the screen, the vision on which is projected by a small dark-lantern held by Perceval. John is a yokel in a smock; beside him lies his cudgel inscribed Oak. He is highly delighted at what he sees, namely: [1] a fleet leaving England, tiny figures being indicated on the shore. [2] Ships bombarding and soldiers attacking a fortified town which is on fire. [3] The garrison of the town surrendering to British officers, with grenadiers drawn up at attention. A French officer holds out the keys of the town to Chatham, one of whose staff is in Highland uniform. Two tricolour flags are being laid down by fat Dutchmen in French uniforms. [4] British troops being landed from a man-of-war; wounded soldiers are being carried up the beach. John says: Zookers Measter Shewman that be a main foine sight sure enough, that will fright the Mounseers however Aye Aye they be at it. I think I can smell the Gonpowder, by Goles if they ha'nt done the Job! there's Mounseer and Mynheer on their Marrow-bones! but Dang it what have we got at the bottom here I be quite. Perceval interrupts: Stop! Stop! Mr Bull if you have got to the bottom of it I'll turn the Instrument for that part wont bear Magnyfieing. Canning (?), poorly characterized, as is Perceval, kneels (left), raising John's smock to take a money-bag from his pocket. He says: With your leave Johnny I'll take a little more money for the next shew of the Jubilee [see No. 11381]. A demon looks out from behind the curtain on which the 'Phantasmagoria' is projected; he laughs: He, He. The room is that of a quack, cf. No. 9611. A large crocodile is suspended from the roof, draped with a tricolour flag and labelled Caug [sic] in the Nile by Nelson [cf. No. 9250, &c.]. A bat (alive or stuffed) is also displayed. Perceval and John Bull stand within a circle surrounded by cabalistic signs and lit by a second dark-lantern which stands on the floor beside a celestial globe (left). Behind Canning and on the extreme left three small niches are recessed in the wall, one upon the other, in each of which is a skull; inscriptions: Conjuror Pitt (above), Katterfelto, and Conjuror Bute. They are: Curious Collection of Conjuros Capets [sic]. On a high shelf are documents: Way to raise the Wind; New Taxes; Proceedings in Spain and Portugal; Plan of an Expedition to Brobdignag; List of Killed and Wounded [torn]. A broadside is pinned to the wall. A soldier on two stumps for legs, supported on a crutch: Soldier Dick come from the War. On the ground (right) are two large bags filled with guineas inscribed Charmes. Beside them is a paper on which are circles and arrows."--British Museum online catalogue
Alternative Title:
Kings conjurors amusing John Bull
Description:
Title etched below image., Printmaker identified as Charles Williams in the British Museum catalogue., Attributed to William Heath in the British Museum online catalogue, registration no.: 1868,0808.7871., Text following title: They deal in destiny's dark counsels and sage opinions of the moon sells. Vide Hudibras., and Sheet trimmed within plate mark.
Publisher:
Pubd. Septr. 1809 by Walker, No. 7 Cornhill
Subject (Name):
Perceval, Spencer, 1762-1812, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Chatham, John Pitt, Earl of, 1756-1835, Canning, George, 1770-1827, Nelson, Horatio Nelson, Viscount, 1758-1805., Pitt, William, 1759-1806., Katterfelto, Gustavus, -1799., and Bute, John Stuart, Earl of, 1713-1792.
Subject (Topic):
Peninsular War, 1807-1814, John Bull (Symbolic character), Crocodiles, Curiosities & wonders, Dreaming, Magicians, Projectors, Robberies, and Ships
