"A sequel to British Museum satires no. 6438. George III, seated on a balloon, points downwards with his sceptre to an image of Pitt (right) as a naked child, on a column which is inscribed 'Family Presumption'. The king looks down at North, Fox, and Burke, saying, "I command you O Shadrach Mesech & Abednego!" The three stand (left) in attitudes expressing intense self-righteousness; they say: "Know O King we will not worship [the] Golden Image"; on each head rests a tongue of flame. They stand outside a dilapidated building on the extreme left inscribed 'St Stephens', shored up by a beam, whose base is at their feet, inscribed 'Resolutions Unrescinded'. From its coping-stone flies an ensign flag inscribed 'Firm S.P.Q.B.' The king's balloon is inscribed 'Prerogative'; its lower axis emits a blast inscribed 'Gracious Answer'. Behind the balloon and Pitt are clouds inscribed 'Breath of Popularity'. Pitt stands sucking his finger (cf. British Museum satires no. 6417); on his head is a sugar-loaf surmounted by a flag inscribed 'Feby 28', an emblem of the Grocers' Company which had entertained him on that day, see British Museum satires no. 6442. Kneeling figures do obeisance before the image of Pitt, those in the foreground representing the least reputable trades: a lamplighter (left), with his ladder and oil-can, kneels in profile to the right; a butcher prostrates himself; a chimney-sweep kneels with clasped hands; a ragged scavenger, his shovel and basket beside him, kneels in profile to the left, the basket stands on a paper inscribed '[Worshipfu]ll Company of Scavenger[s]'. In the foreground lie papers inscribed 'Garret Address' (an allusion to the mock elections of Garratt), 'Address', and 'The worshipfull Company of Chimney Sweepers'. A crowd of kneeling figures (left) is worshipping the idol; they hold standards, three of which are inscribed 'Bristol', 'Westminster', and 'London', representing the addresses to the king which had been compared by Fox to those made to Charles II, see British Museum Satires no. 6438, &c."--British Museum online catalogue
Description:
Title etched below image., "Annibal Scratch" is the pseudonym of Samuel Collings., Only tentative attribution to Samuel Collings in the British Museum catalogue., Eight lines of verse in two columns below image, one column on either side of title: A gilded image & before it, a mob on marrow-bones adore it ..., Sheet trimmed to plate mark on top edge., Traces of former blue mounting on verso., and British Museum duplicate (indicated by stamp on verso with initials JKR). With original 1[s] price in ink, with figures identified in ink in Hawkin's hand according to Andrew Edmunds.
Publisher:
Pub. by W. Wells, No. 132 Fleet Street
Subject (Geographic):
Great Britain, England, and Surrey.
Subject (Name):
Pitt, William, 1759-1806, George III, King of Great Britain, 1738-1820, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, North, Frederick, Lord, 1732-1792, and Grocers' Company (London, England)
Subject (Topic):
Elections, Local elections, Adoration, Balloons (Aircraft), Butchers, Chimney sweeps, Crowds, Idols, Occuptations, and Scavenging
Title from item., Printmaker from British Museum catalogue., Sheet trimmed within plate mark on top., Two lines of text below title: The Prince and his party were drove to the summit of a hill ..., Temporary local subject terms: Military reviews: Sydenham Common, June 23, 1792 -- Military uniforms: dragoons -- Weapons: sabres -- Muskets., Watermark: J Taylor., Names of subjects and that of the printmaker printed on mat below image., and 1 print on laid paper : etching, hand-colored ; sheet 32 x 46 cm., matted to 47 x 63 cm.
Publisher:
Pub. June 28, 1792, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, and Sheridan, Richard Brinsley, 1751-1816
Title from item., Printmaker from British Museum catalogue., Sheet trimmed within plate mark on top., Two lines of text below title: The Prince and his party were drove to the summit of a hill ..., Temporary local subject terms: Military reviews: Sydenham Common, June 23, 1792 -- Military uniforms: dragoons -- Weapons: sabres -- Muskets., and Watermark: J Taylor.
Publisher:
Pub. June 28, 1792, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, and Sheridan, Richard Brinsley, 1751-1816
"Pitt dressed as a volunteer officer, drills Fox and Sheridan, who stand at attention, holding muskets. Pitt, in back view, turns his head to Fox (1.) and points with his sabre, held horizontally, to Sheridan (r.). Fox stands correctly, Sheridan raises his right. arm above his head and grins broadly. Pitt says: "Keep your Eye upon the Corporal Mr Honesty and when I have drilled you to my likeing perhaps I may take you under my command Mr Honesty". Fox says: "I do I do great Colonel I shall mind my Manoeuvres Great Colonel." The scene is the open country."--British Museum online catalogue
Description:
Title from item., Sheet trimmed within plate mark., Gog & Magog are pseudonyms for printmaker Charles Williams., Place of publication based upon cataloger's conjecture., Printmaker from British Museum catalogue., and Watermark: Strasburg Lily.
Publisher:
Pubd. Novr. 21st., 1803 by C. Knight Lambeth
Subject (Name):
Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, and Sheridan, Richard Brinsley, 1751-1816
Title from item. and Temporary local subject terms: Reference to war taxation -- Reference to budget -- Opposition: reference to the secession of Foxites -- Allusion to the Duke of Portland's coalition, 1794 -- Allusion to the failure of peace negotiations with France, 1797 --Trumpets.
Publisher:
Dighton
Subject (Name):
Pitt, William, 1759-1806 and Fox, Charles James, 1749-1806
A scaffold extends across the foreground: Fox raises an axe to strike the neck of George III, whose head is held by Sheridan. The scaffold is surrounded by a dense and cheering mob. On the right is the gate of the 'Crown & Anchor' tavern, and from two projecting lamp-brackets swing the bodies of Queen Charlotte and Pitt. The houses of the Strand recede in perspective and terminate in Temple Bar, with two heads on spikes; clouds of smoke appear to come from burning houses east of Temple Bar. On the clouds a meretricious Liberty sits enthroned and triumphant.--British Museum catalogue
Description:
Title from caption inscribed in brown ink below image., Title inscribed twice on sheet and struck out once., Imprint statement inscribed in brown ink below title: Pubd. July 19th, 1791 by S.W. Fores No. 3 Piccadilly., Description of published Gillray print in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6, no. 7892., Description of published Gillray print in Works of James Gillray, the caricaturist with the history of his life and times / edited by Thomas Wright. London : Chatto and Windus, [1873?], p. 130., and A 'counterprint' or transfer in brown ink appears on the verso of the mount from another print: A Birmingham toast, as given on the 14th of July by the Revolution Society.
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Tooke, John Horne, 1736-1812, Priestley, Joseph, 1733-1804, Wray, Cecil, Sir, 1734-1805, and Sheridan, Richard Brinsley, 1751-1816
Subject (Topic):
Decapitations, Hangings (Executions), Executioners, Axes, Kings, and Crowds
"A scaffold extends across the foreground: Fox raises an axe to strike the neck of George III, whose head is held by Sheridan. The scaffold is surrounded by a dense and cheering mob. On the right is the gate of the 'Crown & Anchor' tavern, and from two projecting lamp-brackets swing the bodies of Queen Charlotte and Pitt. The houses of the Strand recede in perspective and terminate in Temple Bar, with two heads on spikes; clouds of smoke appear to come from burning houses east of Temple Bar. On the clouds a meretricious Liberty sits enthroned and triumphant. The King's neck rests on a narrow block, his shaved head appears bald, his legs are held up by Horne Tooke, who stands on the left, saying: "O, such a day as this, so renown'd so victorious, Such a day as this was never seen Revolutionists so gay; - while Aristocrats notorious, Tremble at the universal glee." From Tooke's pocket projects a paper: 'Petition of Horne Tooke' (against the return of Fox and Hood for Westminster, see British Museum Satires No. 7690). The King, who supports himself on his hands, says, "What! What! What! - what's the matter now". Fox, enormously stout, straddles behind the King, full face his axe raised in both hands; he wears a mask with large circular eye-holes and fox's ears; he says: "Zounds! what the devil is it that puts me into such a hell of a Funk? - damn it, it is but giving one good blow, & all is settled! - but what if I should miss my aim! - ah! it's the fear of that which makes me stink so! - & yet, damnation! what should I be afraid of? if I should not succeed, why nobody can find me out in this Mask, any more than the Man who chop'd the Calf's-head off, a Hundred & Forty Years ago - and so here goes!" Sheridan kneels in profile to the left holding the King by the ear and nose, he looks up at Fox with a sinister scowl, saying, "Hell & Damnation, dont be afraid give a home stroke, & then throw off the Mask - Zounds, I wish I had hold of the Hatchet." Priestley, behind Sheridan, leans towards the King, saying, "Don't be alarmed at your situation, my dear Brother; we must all dye once; and, therefore what does it signify whether we dye today or tomorrow - in fact, a Man ought to be glad of the opportunity of dying, if by that means he can serve his Country, in bringing about a glorious Revolution: - & as to your Soul, or any thing after death don't trouble yourself about that; depend on it, the Idea of a future state, is all an imposition: & as every thing here is vanity & vexation of spirit, you should therefore rejoice at the moment which will render you easy & quiet". He holds a paper: 'Priestley on a Future State'. Sir Cecil Wray stands with his right hand on Sheridan's shoulder, saying, "Here do give me a little room Joseph that I may be in readiness to catch the droppings of the Small Beer when it is tapp'd; I never can bear to see the Small Beer wasted Joseph!" He holds in his left hand a small cask, 'For Small Beer', and a large pipe; in his pocket is a paper: 'Plan of Chelsea Hospital by Sir Ceci[l] Wray'. The Queen is cruelly caricatured; she swings against Pitt, who is in a death agony with crisped fingers."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Mounted to 37 x 55 cm., and Collector's annotations on mount.
Publisher:
Pubd. July 19th, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Tooke, John Horne, 1736-1812, Priestley, Joseph, 1733-1804, and Wray, Cecil, Sir, 1734-1805
Subject (Topic):
Axes, Executioners, Hangings (Executions), and Crowds
"A scaffold extends across the foreground: Fox raises an axe to strike the neck of George III, whose head is held by Sheridan. The scaffold is surrounded by a dense and cheering mob. On the right is the gate of the 'Crown & Anchor' tavern, and from two projecting lamp-brackets swing the bodies of Queen Charlotte and Pitt. The houses of the Strand recede in perspective and terminate in Temple Bar, with two heads on spikes; clouds of smoke appear to come from burning houses east of Temple Bar. On the clouds a meretricious Liberty sits enthroned and triumphant. The King's neck rests on a narrow block, his shaved head appears bald, his legs are held up by Horne Tooke, who stands on the left, saying: "O, such a day as this, so renown'd so victorious, Such a day as this was never seen Revolutionists so gay; - while Aristocrats notorious, Tremble at the universal glee." From Tooke's pocket projects a paper: 'Petition of Horne Tooke' (against the return of Fox and Hood for Westminster, see British Museum Satires No. 7690). The King, who supports himself on his hands, says, "What! What! What! - what's the matter now". Fox, enormously stout, straddles behind the King, full face his axe raised in both hands; he wears a mask with large circular eye-holes and fox's ears; he says: "Zounds! what the devil is it that puts me into such a hell of a Funk? - damn it, it is but giving one good blow, & all is settled! - but what if I should miss my aim! - ah! it's the fear of that which makes me stink so! - & yet, damnation! what should I be afraid of? if I should not succeed, why nobody can find me out in this Mask, any more than the Man who chop'd the Calf's-head off, a Hundred & Forty Years ago - and so here goes!" Sheridan kneels in profile to the left holding the King by the ear and nose, he looks up at Fox with a sinister scowl, saying, "Hell & Damnation, dont be afraid give a home stroke, & then throw off the Mask - Zounds, I wish I had hold of the Hatchet." Priestley, behind Sheridan, leans towards the King, saying, "Don't be alarmed at your situation, my dear Brother; we must all dye once; and, therefore what does it signify whether we dye today or tomorrow - in fact, a Man ought to be glad of the opportunity of dying, if by that means he can serve his Country, in bringing about a glorious Revolution: - & as to your Soul, or any thing after death don't trouble yourself about that; depend on it, the Idea of a future state, is all an imposition: & as every thing here is vanity & vexation of spirit, you should therefore rejoice at the moment which will render you easy & quiet". He holds a paper: 'Priestley on a Future State'. Sir Cecil Wray stands with his right hand on Sheridan's shoulder, saying, "Here do give me a little room Joseph that I may be in readiness to catch the droppings of the Small Beer when it is tapp'd; I never can bear to see the Small Beer wasted Joseph!" He holds in his left hand a small cask, 'For Small Beer', and a large pipe; in his pocket is a paper: 'Plan of Chelsea Hospital by Sir Ceci[l] Wray'. The Queen is cruelly caricatured; she swings against Pitt, who is in a death agony with crisped fingers."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching, hand-colored, on laid paper ; sheet 353 x 502 mm., Imperfect; sheet trimmed within plate mark with loss of imprint., and Watermark: A. Stace 18[...?].
Publisher:
Pubd. July 19th, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Tooke, John Horne, 1736-1812, Priestley, Joseph, 1733-1804, and Wray, Cecil, Sir, 1734-1805
Subject (Topic):
Axes, Executioners, Hangings (Executions), and Crowds
"A scaffold extends across the foreground: Fox raises an axe to strike the neck of George III, whose head is held by Sheridan. The scaffold is surrounded by a dense and cheering mob. On the right is the gate of the 'Crown & Anchor' tavern, and from two projecting lamp-brackets swing the bodies of Queen Charlotte and Pitt. The houses of the Strand recede in perspective and terminate in Temple Bar, with two heads on spikes; clouds of smoke appear to come from burning houses east of Temple Bar. On the clouds a meretricious Liberty sits enthroned and triumphant. The King's neck rests on a narrow block, his shaved head appears bald, his legs are held up by Horne Tooke, who stands on the left, saying: "O, such a day as this, so renown'd so victorious, Such a day as this was never seen Revolutionists so gay; - while Aristocrats notorious, Tremble at the universal glee." From Tooke's pocket projects a paper: 'Petition of Horne Tooke' (against the return of Fox and Hood for Westminster, see BMSat 7690). The King, who supports himself on his hands, says, "What! What! What! - what's the matter now". Fox, enormously stout, straddles behind the King, full face his axe raised in both hands; he wears a mask with large circular eye-holes and fox's ears; he says: "Zounds! what the devil is it that puts me into such a hell of a Funk? - damn it, it is but giving one good blow, & all is settled! - but what if I should miss my aim! - ah! it's the fear of that which makes me stink so! - & yet, damnation! what should I be afraid of? if I should not succeed, why nobody can find me out in this Mask, any more than the Man who chop'd the Calf's-head off, a Hundred & Forty Years ago - and so here goes!" Sheridan kneels in profile to the left holding the King by the ear and nose, he looks up at Fox with a sinister scowl, saying, "Hell & Damnation, dont be afraid give a home stroke, & then throw off the Mask - Zounds, I wish I had hold of the Hatchet." Priestley, behind Sheridan, leans towards the King, saying, "Don't be alarmed at your situation, my dear Brother; we must all dye once; and, therefore what does it signify whether we dye today or tomorrow - in fact, a Man ought to be glad of the opportunity of dying, if by that means he can serve his Country, in bringing about a glorious Revolution: - & as to your Soul, or any thing after death don't trouble yourself about that; depend on it, the Idea of a future state, is all an imposition: & as every thing here is vanity & vexation of spirit, you should therefore rejoice at the moment which will render you easy & quiet". He holds a paper: 'Priestley on a Future State'. Sir Cecil Wray stands with his right hand on Sheridan's shoulder, saying, "Here do give me a little room Joseph that I may be in readiness to catch the droppings of the Small Beer when it is tapp'd; I never can bear to see the Small Beer wasted Joseph!" He holds in his left hand a small cask, 'For Small Beer', and a large pipe; in his pocket is a paper: 'Plan of Chelsea Hospital by Sir Ceci[l] Wray'. The Queen is cruelly caricatured; she swings against Pitt, who is in a death agony with crisped fingers."--British Museum online catalogue
Description:
Title from caption below image., Printmaker from British Museum catalogue., Plate numbered "57" in upper right corner., Restrike for Bohn's "Supressed plates". Cf. no. 7892 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., On same sheet, verso: Alecto and her train at the gate of Pandaemonium ..., and Printed 1851.
Publisher:
Pubd. July 19th, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Tooke, John Horne, 1736-1812, Priestley, Joseph, 1733-1804, and Wray, Cecil, Sir, 1734-1805
Title etched below image., Unverified attribution to Dent from local card catalog., Publication information from the Library of Congress copy. Cf. LC 3:42., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Dissenters -- Symbols: dove of peace -- St. Paul's Cathedral -- Dice and dice-box -- Reference to St. Stephen's Chapel -- Reference to the House of Commons -- Literature: reference to Richard Price's Observations on civil liberty -- Literature: reference to Edmund Burke's A philosophical inquiry into the origin of the sublime and beautiful -- Acts: repeal of the Test and Corporation Acts, March 2, 1790 -- Thirty-nine articles -- Votes: majority 189 on repeal of Test and Corporation Act., and Mounted to 37 x 25 cm.
