"The Prince of Wales stands outside the gate of Carlton House, turning away and covering his eyes to avoid seeing the scaffolding which is being pulled down by Pitt, Richmond, and Dundas, who strain at ropes. A long cloak hangs from his shoulders and he holds a coronet decorated with three feathers. Thurlow with a broom and Dundas with a whip chase away a terrified crowd of artisans (left) who have been employed at Carlton House. Beside the Prince stand his friends, who look towards a rising sun appearing over the roof of Carlton House; m the disk stands Liberty, beckoning to them. Fox holds out a roll inscribed 'Magna Chart[a]'; Burke stands with his hand on North's shoulder; Sheridan holds the 'Bill of Rights'."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Etched on one plate with companion print: The prince in clover., Sheet trimmed within plate mark., Temporary local subject terms: Pitt's attitude toward Prince's debts -- Artisans expelled -- Figure of Liberty -- Carlton House -- Magna Carta -- Bill of Rights., and Printed on bottom half of same sheet is companion print "The prince in clover", assigned the second call number: 787.06.02.02 Impression 1.
Publisher:
Pubd. June 2d, 1787, by S.W. Fores, Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Pitt, William, 1759-1806, Richmond, Charles Lennox, 3d Duke of, 1735-1806, Dundas, Henry, 1742-1811, Thurlow, Edward Thurlow, Baron, 1731-1806, Sheridan, Richard Brinsley, 1751-1816, and Burke, Edmund, 1729-1797
"The Prince stands outside the gate of Carlton House as in BMSat 7167, but receives in a lordly manner two purses from two obsequiously bowing Treasury Secretaries (Rose and Steele). He is dressed as in BMSat 7167, but wears his coronet. Pitt, Sydney, and Dundas kneel in a grovelling manner behind the Prince, whose posteriors Pitt is about to kiss. Fox, North, Burke, and Sheridan stand behind, with gestures and expressions of pleased surprise. A tiny figure, the Duke of Richmond, is at work with a trowel on the replaced scaffolding (right), while Thurlow mounts a ladder carrying a hod. On the left a crowd of workmen wave their hats and tools in delight. In the foreground (left) sits a one-legged and one-armed sailor clasping a purse."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Etched on one plate with companion print: The prince at grass., Sheet trimmed within plate mark., Temporary local subject terms: Payment of Prince's debts -- Carlton House., 1 print : etching on laid paper, hand-colored ; sheet 12.7 x 18.9 cm., and Window mounted to 14 x 21 cm.
Publisher:
Pubd. June 2d, 1787, by S.W. Fores, Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Pitt, William, 1759-1806, Richmond, Charles Lennox, 3d Duke of, 1735-1806, Melville, Henry Dundas, Viscount, 1742-1811, Thurlow, Edward Thurlow, Baron, 1731-1806, Sheridan, Richard Brinsley, 1751-1816, Sydney, Thomas Townshend, Viscount, 1733-1800, Steele, Thomas, 1753-1823, Burke, Edmund, 1729-1797, and Rose, George, 1744-1818
"The Prince stands outside the gate of Carlton House as in BMSat 7167, but receives in a lordly manner two purses from two obsequiously bowing Treasury Secretaries (Rose and Steele). He is dressed as in BMSat 7167, but wears his coronet. Pitt, Sydney, and Dundas kneel in a grovelling manner behind the Prince, whose posteriors Pitt is about to kiss. Fox, North, Burke, and Sheridan stand behind, with gestures and expressions of pleased surprise. A tiny figure, the Duke of Richmond, is at work with a trowel on the replaced scaffolding (right), while Thurlow mounts a ladder carrying a hod. On the left a crowd of workmen wave their hats and tools in delight. In the foreground (left) sits a one-legged and one-armed sailor clasping a purse."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Etched on one plate with companion print: The prince at grass., Sheet trimmed within plate mark., Temporary local subject terms: Payment of Prince's debts -- Carlton House., and Printed on top half of same sheet is companion print "The prince at grass", assigned the second call number: 787.06.02.01 Impression 1.
Publisher:
Pubd. June 2d, 1787, by S.W. Fores, Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Pitt, William, 1759-1806, Richmond, Charles Lennox, 3d Duke of, 1735-1806, Melville, Henry Dundas, Viscount, 1742-1811, Thurlow, Edward Thurlow, Baron, 1731-1806, Sheridan, Richard Brinsley, 1751-1816, Sydney, Thomas Townshend, Viscount, 1733-1800, Steele, Thomas, 1753-1823, Burke, Edmund, 1729-1797, and Rose, George, 1744-1818
"Leaders of the Opposition (left) turn a windlass which drags towards the shore a fantastic and enormous raft laden with French troops. They push against horizontal levers which pass through the broad centre-post on which the rope is wound; on the top of this Lauderdale, in Highland dress and on a smaller scale than the others, plays the bagpipes, from which issue the words: 'Over the Water & over the Sea, And over the Raft to Charlie.' He capers to his tune; a tricolour flag flies from his instrument. The most prominent figure is Fox, advancing full-face, and looking to the raft with a satisfied smile; he says, "Pull away Citizens". Behind him, the rope between them, is Bedford in riding-dress; under his arm is a book: 'Bedford on Agriculter' (cf. BMSat 8648). Opposite Fox is Tierney, saying, "We must take care to keep clear of the Rope". From his pocket hangs a paper: 'Borough Influence' (he was M.P. for Southwark, 'the Borough', cf. BMSat 9045). Sheridan, pushing hard in profile to the left, says: "Ah! The Rope We must avoid it if possible". Norfolk, on the extreme left, puts a hand on Tierney's lever; he says: "Hark Ther's a Storm coming. I hear Thunder." They walk on a circular track by the edge of a cliff. On the ground is a large open book: 'President of the Directory CIF. [Fox] Deputy a Bedfordshire Bull [cf. BMSat 8684]'. On it lies a 'Norfolk Cheese'. Behind (left) is a gallows inscribed 'Tierney' (almost obliterated) from which hangs a corpse. In the background is a hill on the summit of which is an encampment with massed troops flying the British flag. The raft nears the shore but is about to be overwhelmed by vast waves blown up by blasts from the mouths of Dundas, the King, and Pitt, whose heads emerge from dark clouds. Dundas, in profile to the left, aims his blast at the windlass; in it (right to left) are the names: 'Jack Ketch'; 'Addington, Bond, Staples [Bow Street justices]'; 'Macnamara Fugion, Macmanus, Townsend, Jelous' [Bow Street officers or 'runners']. The King and Pitt aim directly at the raft; from the mouth of the former (full-face) issue the names 'St Vincent, Pasley, Duncan, Pellew, Nelson'; from that of Pitt (in profile to the right): 'Trollope, Thomson, Bridport, Onslow, Pringle'. In the centre of the raft is a massive fortress manned with troops; from it flies a huge tricolour flag inscribed 'Liberty and Equality'. The fort is surrounded by tents; outside there are soldiers in close formation with bayonets. The outer edge is flanked by turrets, each having a (tricolour) flag inscribed: 'Plunder'; 'Regecides Paricides'; 'Deism Atheism'; 'Robbery'; 'Murder & Ravishmt'; 'Torture'; 'Blood & Rapine'; 'Cruelty & lust'; 'Barbar[ity]'. The motive force is given by wheels worked by windmills, and by large oars. In the bows is a guillotine surmounted by a bonnet-rouge; another guillotine decorates the stern. Behind the raft (left) advance ships of war. In the foreground, flying over the agitated sea like stormy petrels, are three winged heads (right to left): Erskine, Stanhope, and (?) Thelwall. Lauderdale, Fox, Sheridan, Norfolk, and Stanhope wear bonnets-rouges."--British Museum online catalogue
Alternative Title:
Republican crew disappointed
Description:
Title etched below image., Publisher's advertisement following imprint: Folios of caricatures lent out for the evening., and Sheet partially trimmed within plate mark on top edge.
Publisher:
Published by S.W. Fores, N. 50 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Melville, Henry Dundas, Viscount, 1742-1811, Norfolk, Charles Howard, Duke of, 1746-1815, Fox, Charles James, 1749-1806, Tierney, George, 1761-1830, Bedford, Francis Russell, Duke of, 1765-1802, Erskine, Thomas Erskine, Baron, 1750-1823, Lauderdale, James Maitland, Earl of, 1759-1839, Sheridan, Richard Brinsley, 1751-1816, Pitt, William, 1759-1806, Stanhope, Charles Stanhope, Earl, 1753-1816, and Thelwall, John, 1764-1834
"The Emperor of China (left) reclines on a mattress on a low dais, smoking a long pipe and contemptuously watching, out of his slit-like eyes, Lord Macartney, who kneels on one knee, holding out the King's letter, which is signed 'GR \ WP [Pitt] Sec.' The Emperor emits a puff of smoke from a twisted mouth in a subtly insulting manner. Behind him stand two impassive mandarins, their folded hands concealed in their voluminous sleeves. Beside the dais (right) stands a soldier in armour, holding a sword in his clasped hands. The Chinese have pointed beards and moustaches, and long claw-like fingernails. Over the dais is an ornate canopy in the manner of a Chinese pagoda, ornamented with a dragon. Macartney, wearing the insignia of the Bath, kneels in profile to the left, indicating with his left hand a number of presents which have been placed at the Emperor's feet. Five members of his suite prostrate themselves behind Macartney, their heads touching the floor so that their faces are hidden and the backs of their breeches are ludicrously conspicuous. Behind are others bringing presents, the two most prominent are identified as Sir George Staunton, secretary to the Embassy, and Huttner, who published a German account of the expedition. Staunton, who is not caricatured but does not conspicuously resemble his portrait (by Engleheart, 1792, engraved C. Picart), stands full face behind Macartney, holding the string of a toy balloon decorated with the royal arms, to which is attached, in place of a basket, a cock standing on a pair of breeches. Huttner holds a magpie in a wicker cage. Men crowd behind them carrying, one, a toy coach complete with six horses, driver, postilion, &c, the whole on a small wheeled platform; another, a rocking-horse; a third holds a weathercock in one hand, a British flag in the other. The objects on the ground are: a volume of 'Boydell's Shakespeare' on which is a rat-trap; a bat, trap, and ball, dice-box and dice, a battledore and shuttlecock (on which is a crown); an oval miniature of George III, to which is attached a child's coral and bells; a toy windmill; a magic-lantern with a 'slider' (cf. BMSat 6287) which projects at each side showing devils, in the lantern is a figure of Punch; the model of a man-of-war flying a British flag, and an E.O. table."--British Museum online catalogue
Alternative Title:
Reception of the diplomatique & his suite at the Court of Peking and Reception of the diplomatique and his suite at the Court of Peking
Description:
Title etched below image.
Publisher:
Pubd. Septr. 14th, 1792, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Macartney, George Macartney, Earl, 1737-1806, Pitt, William, 1759-1806, Staunton, George, Sir, 1737-1801, and Hüttner, Johann Christian, 1766-1847
"The King steps forward to embrace the Prince of Wales, who throws himself into his father's arms, saying, "against Heaven - and before thee, and am no more worthy------" (the words fade out). George III wears court dress, the Prince's dress is tattered and dishevelled, his pocket hangs inside out, the garter at his knee - 'Honi soit' - is loose. Behind the King stands the Queen on the door-step, half-smiling, her arms outstretched. Two pleased princesses look over her shoulder. Just outside the door stand Pitt and Moira watching the reconciliation, Pitt with a benign expression, Moira more doubtfully; both wear footmen's court-livery, of military cut; Moira wears jack-boots. Pitt holds a paper: 'New Union Act Britains best Hope', implying that he is the author of the 'Union'. Moira holds Pitt's arm. Beside the house (r.) are a tree and a balustrade, against which grow a rose-bush and a thistle. After the title: '"And he arose and came to his Father, and his Father saw him, & had compassion, & ran, & fell on his Neck, & kissed him. - Read the Parable. Verse 16th to 24th.'"--British Museum online catalogue
Description:
Title etched below image., Temporary local subject terms: Biblical Quotation: Parables, 'Prodigal Son', verses 16-24 -- Emblems: Rose-bush and thistle -- Reconcilliation: George III and Prince of Wales, Nov. 12, 1804 -- Acts: Union, 1784., and Ms. annotations along the top margin identfiy figures within the print; mounted to 32 x 43 cm.
Publisher:
Publishd. Novr. 20th, 1804, by H. Humphrey, 27 St. James's Str
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Pitt, William, 1759-1806, Charlotte, consort of George III, King of Great Britain, 1744-1818, and Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826
Title from item., Sheet trimmed within plate mark., Reduced copy of a print published by Hannah Humphrey in London in 1804., Plate no. IX from: London und Paris. Weimar: Im Verlage des Industrie-Comptoirs, 1805, v. XIV., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Cf. No. 10283, Catalogue of prints and drawings in the British Museum. Division I, political and personal satires / Mary Dorothy George, v. 8 for description of original print.
Publisher:
Im Veriage des Industrie-Comptoirs
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Pitt, William, 1759-1806, Charlotte, consort of George III, King of Great Britain, 1744-1818, and Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826
"The King steps forward to embrace the Prince of Wales, who throws himself into his father's arms, saying, "against Heaven - and before thee, and am no more worthy------" (the words fade out). George III wears court dress, the Prince's dress is tattered and dishevelled, his pocket hangs inside out, the garter at his knee - 'Honi soit' - is loose. Behind the King stands the Queen on the door-step, half-smiling, her arms outstretched. Two pleased princesses look over her shoulder. Just outside the door stand Pitt and Moira watching the reconciliation, Pitt with a benign expression, Moira more doubtfully; both wear footmen's court-livery, of military cut; Moira wears jack-boots. Pitt holds a paper: 'New Union Act Britains best Hope', implying that he is the author of the 'Union'. Moira holds Pitt's arm. Beside the house (right) are a tree and a balustrade, against which grow a rose-bush and a thistle."--British Museum online catalogue, description of the Gillray print of which this is a copy and "A close copy by Williams, with additions, apparently ante-dated ... Behind the Prince Lord Dartmouth, Lord Chamberlain, stands full face, holding his wand, his gold key attached to his coat. Pitt and Moira turn their eyes slyly towards each other: both weep large burlesqued tears, as do the Queen and Dartmouth."--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Copy of a print by Gillray; see British Museum catalogue., Imperfect; sheet mutilated in lower right corner with slight loss of text., Text following title: And he arose and came to his father, and his father saw him & had compassion, & ran & fell on his neck, & kissed him. Read the Parable, verse 16th to 24th., and Watermark. With residue of blue paper on verso, formerly mounted in an album?
Publisher:
Pubd. Novr. 18, 1804, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Augusta Sophia, Princess, daughter of George III, King of Great Britain, 1768-1840, Elizabeth, Princess of England, 1770-1840, Pitt, William, 1759-1806, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, and Dartmouth, George Legge, Baron, 1755-1810
"The King sits impassively in his badly damaged state coach, which is being assailed by a mob; facing him sit two courtiers in abject terror. Pitt (right), dressed as the coachman, drives furiously, lashing the horses, the hind legs only of the wheelers being visible on the extreme right. These are trampling on Britannia who lies prostrate, her shield and broken spear beneath her. Four footmen in striped liveries stand behind, one holding the straps; the others hold each other's waists: Loughborough, the Lord Chancellor, wearing his wig, stands next the coach; behind him is Grenville, then Dundas, wearing a plaid and with a bottle projecting from his coat-pocket. Last is Pepper Arden wearing a judge's wig. All, like Pitt, wear jockey-caps. Lord Lansdowne (right), a sansculotte, composedly fires a blunderbuss point-blank through the coach window, aiming at the King. Fox and Sheridan, facing Lansdowne, run beside the coach, holding on to it. Both are tattered ruffians brandishing clubs, but wear breeches. The other three assailants cling to the spokes of the back wheel to stop the coach: (left to right) the Duke of Grafton, neatly dressed and wearing a cocked hat with tricolour cockade, Lord Stanhope, and little Lord Lauderdale, both wearing bonnets-rouges. Behind, a sea of heads indicates the mob; they carry a tricolour flag inscribed 'Peace and Bread' and a loaf draped with black and spiked on a pitchfork. A cat, stones, and eggs shower on the coach, the crown on the top of which is broken."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Temporary local subject terms: Mob -- Attack on George III's coach on October 29, 1795 -- Coaches: royal state coach -- Crowns: broken crown -- Guns: blunderbass -- Domestic service: footmen -- Hats: jockey caps -- Bonnets rouges., and Mounted.
Publisher:
Pubd. Novr. 1st, 1795, by H. Humphrey, New Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Pitt, William, 1759-1806, Lansdowne, William Petty, Marquis of, 1737-1805, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Lauderdale, James Maitland, Earl of, 1759-1839, Stanhope, Charles Stanhope, Earl, 1753-1816, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Grenville, William Wyndham Grenville, Baron, 1759-1834, Melville, Henry Dundas, Viscount, 1742-1811, and Alvanley, Richard Pepper Arden, Baron, 1745-1804
Subject (Topic):
Assassination attempts, Britannia (Symbolic character), Carriages & coaches, Cats, Coach drivers, Crowds, Riots, Sansculottes, and Servants
Title from caption etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., Temporary local subject terms: Resignations -- Emblems: Earl Marshal's baton -- Furniture: chairs -- Footstools., and Watermark: Strasburg lily with initials E & P 1794 below.
Publisher:
Pubd. Feby 23d, 1798, by S.W. Fores, 50 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Norfolk, Charles Howard, Duke of, 1746-1815, and Pitt, William, 1759-1806
