Title from item., Sheet trimmed to plate mark at bottom., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Loans -- Reference to the Opposition -- Coins: guineas -- Flies -- Roosters., and Mounted to 31 x 26 cm.
Publisher:
Pubd by Dighton, Charg. Cross
Subject (Name):
Pitt, William, 1759-1806 and Fox, Charles James, 1749-1806
"Pitt (left), as a toreador, rides a rearing white horse (of Hanover) with a spear directed horizontally against a buil (John Bull) snorting fire and bleeding from many wounds. He wears a short tunic and sash; his saddle-cloth is a leopard-skin on which is a crest: the white horse of Hanover enclosed in a Garter ribbon inscribed 'Honi soit qui mal y pense', and surmounted by a crown. He looks alarmed and spurs his horse viciously. Two tiers of spectators in an arc of the arena are freely sketched. In the upper row George III looking through a glass is in the centre, on his left is the Queen, on his right Loughborough. The man next the Queen is (?) Grenville. In the lower tier Fox is conspicuous with (?) the Prince of Wales on his left; Sheridan stands behind them. The other spectators are members of the Opposition or ragamuffins. Those who can be identified are (right to left): Stanhope, Derby, Grafton, Lansdowne. A chimney-sweep applauds with brush and shovel. ..."--British Museum online catalogue
Description:
Title etched below image., Three lines of text beginning to the left of title and continuing below it: Description from the royal bull fight of 1795. Then entered a bull of the true British breed ..., Sheet trimmed within plate mark., and Temporary local subject terms: Opposition -- Treason -- Emblems : the White Horse of Hanover -- Male costume: toreador.
Publisher:
Pubd. Novr. 21st, 1795, by H. Humphrey, New Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Charlotte, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Lansdowne, William Petty, Marquis of, 1737-1805, Smith-Stanley, Edward, 1752-1834, Grenville, William Wyndham Grenville, Baron, 1759-1834, Stanhope, Charles Stanhope, Earl, 1753-1816, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, and Rosslyn, Alexander Wedderburn, Earl of, 1733-1805
Title etched below image., "I.C" is the monogram of Isaac Cruikshank., Sheet trimmed within plate mark., Statement following imprint: Folios of carecatures [sic] lent out for the evening., Temporary local subject terms: Meetings: allusion to London Corresponding Society's meetings near Copenhagen House -- Bills -- Allusion to Treasonable Practices bill -- Allusion to Seditious Meetings bill -- Lilliputians -- Gulliver -- Lighting: lantern -- Candle-snuffer., and Watermark: Edmeads & Pine.
Publisher:
Published Decemr. 1, 1795, by S.W. Fores, N. 3 Piccadilly
Subject (Name):
Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Stanhope, Charles Stanhope, Earl, 1753-1816, and Sheridan, Richard Brinsley, 1751-1816
"A satire on the taxes on windows, coal, soap, &c. In the foreground a small cart laden with coals is drawn (right to left) by an ass harnessed in front of an ox. A carter stands by the ox, wearing a cap inscribed 'No tax upon Caps'; he says: "I hope we shall sheam Measter P------t and meak him to blush for want of more wit." The ass says, "The tax upon Horses is enough to make a Dumb Ass speak." Behind the coal-cart is a woman standing outside a cottage door (right), her hands in a wash-tub. She says: "Is that Mr P------t I wish he was nigh for instead of the Soap he makes me use Lie." A large three-storied house stands at right angles with the cottage, it has a gabled pediment. Out of thirty-two windows all but seven have been blocked up. A visitor stands, one foot on the doorstep, pointing to a man who stands behind him, saying, "The Honble Mr P------t desires to know whether Esqr Blockup is at home...". A servant in livery at the door holds a lighted candle, saying, "I hope His Honour will excuse our darkness it is to save Taxes". Pitt (left) stands holding a tasselled cane and saying, "I must overlook it all for necessity has no Law". A woman looks out of the centre window of the top floor, saying, "We have got seven windows left now so we are not in total darkness.""--British Museum online catalogue
Description:
Title from item., Sheet trimmed within plate mark., Printmaker and publication date from British Museum catalogue., State with price burnished., and Temporary local subject terms: Window tax -- Coal tax -- Allusion to hat tax -- Soap tax -- Commutation Tax, 1784 -- Country houses: exterior -- Buildings: outbuildings -- Trades: washerwomen -- Carters -- Coal carts -- Wash-tubs -- Asses -- Mules -- Servants -- Lighting: candlesticks.
Publisher:
Publish'd by S. Sparrow, No. 17 Rosoman's Street, Clerkenwell
"Pitt, fast asleep, wearing only nightcap and night-shirt, walks down a staircase holding up a lighted candle in his right hand. On his right only are banisters, on his left the steps abut on a gulf indicated by the top of an arch supporting the stair; he is about to descend the first step, perilously near the left edge. Behind him, in a wall of heavy masonry, is an open door surmounted by a crown. A tall gothic window pierces the wall of the building."--British Museum online catalogue
Alternative Title:
Sleepwalker
Description:
Title etched below image., Printmaker from British Museum catalogue., Possibly etched from a drawing by Sneyd. See British Museum catalogue., and Mounted to 48 x 34 cm.
Publisher:
Pubd. Novr. 1st, 1795, by H. Humphrey, New Bond Street
Subject (Name):
Pitt, William, 1759-1806
Subject (Topic):
Candlesticks, Castles & palaces, Interiors, Quatrefoils, Sleepwear, Somnambulism, and Stairways
William Pitt, acting as an auctioneer in the dissoluted Parliament, sells from the rostrum decorated with Royal Arms "useless valuables," such as "Magna Charta." Cornwall, the Speaker sitting below the rostrum, records bids in the "Sundry acts." In front of him stands Thurlow in Chancellor's robes making dismissive comment on "nonsensical bidings of those common fellows," i.e. members of the House of Commons who leave through the door on the left. Last of them, Fox, turns back vowing to bid "with spirit" for lot 1, "rights of the people in 558 vol." held on display by Henry Dundas. A reference to the dissolution of the Parliament by the King on March 25.
Description:
Title etched below image., Printmaker from British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. March 26th by W. Humphrey, No. 227 Strand
Subject (Geographic):
Great Britain, England, and Westminster
Subject (Name):
Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Cornwall, Charles Wolfran, 1735-1789, and Dundas, Henry, 1742-1811
Subject (Topic):
Great Britain, Politics and government, Political elections, Auctions, and Clothing & dress
Title from item., Printmaker from unverified data from local card catalog record., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Justice (Symbolic character) -- Royal Arms -- Scrutiny -- High Bailiff -- Crowns -- Allusion to House of Commons -- Allusion to royal prerogative -- Allusion to Grenville's Act -- Quills.
Publisher:
Pubd. as the act directs by J. Brown, Rathbone Place
Subject (Geographic):
England and London.
Subject (Name):
Burke, Edmund, 1729-1797, Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Fox, Charles James, 1749-1806, House, Samuel, -1785, Pitt, William, 1759-1806, and Great Britain. Parliament
"A lumbering wagon drawn (l. to r.) by eight asses is stuck fast, up to the axles in water; the asses strain hard to drag it up a steep slope to dry land. Its dilapidated tilt is much patched and is labelled 'British State Waggon 1804'. The wagoner, Addington (r.), kneels on an adjacent bank, and shouts to a fat and jovial John Bull, dressed as a volunteer, who stands on the opposite bank of the deeply sunken lane, his bulldog beside him. Addington wears a smock, but his powdered hair is in a black bag. He holds his long whip and his hat in his right. hand, and extends his left. arm, shouting, " - help, Johnny Bull! - help! - my Waggon's stuck fast in the Slough! - help! help." John, who holds his bayoneted musket, looks down at Addington, pointing behind him with outflung r. arm at thirteen horses with human heads above and behind him on rising ground. He answers: " - stuck fast in the Slough! - ay to be sure! - why dost'nt put better Cattle to thy Wain? - look at them there Horses doing o' nothing at all! - what ether they matches in Colour, if they do but drag the Waggon out o' the Mud! - don't ye see how the very thoughts o' being put into Harness makes 'em all love and nubble one another?" The horses, [The identifications (most being self-evident) are those of Miss Banks, the alternatives in brackets being those of E. Hawkins. Wright and Evans arrange them differently and omit Spencer and Lansdowne.] though close together, are in groups. On the extreme left., and rather behind the others, Lord Spencer (or Carlisle) rubs noses with Carlisle (or Lauderdale), Erskine (in wig and bands) with Wilberforce. In front of this group the bulky Lansdowne (or Norfolk) lies on the ground, asleep, his back to the others. Next, Grey turns his head towards the haughty Buckingham, who wears spectacles and a Garter ribbon. Their backs are turned to the main group of four: Fox, with a foreleg placed on Grenville's shoulder looks up affectionately at the latter, who responds with a complacent smile. Pitt watches the pair with haughty benignity; Canning, behind, watches them intently. On the extreme right. Sheridan (a plump piebald), scowling fiercely, kicks up his heels at Windham, who retorts with a blast of excrement, his head turned towards Fox and Grenville. In the foreground (l.) is the stage-wagon (the slowest form of transit), drawn by its eight undifferentiated asses. The tilt is open at the back, showing it crammed with bundles, &c. The centre-piece is a bulging sack: 'Budget for 1804', from which project papers inscribed 'Taxes'. A treasure-chest is inscribed 'Treasury'; coins pour from a hole in its side. It is flanked by two bundles: 'Secret Service Money' and 'Family Pickings'. A bundle of 'Pensions' consists of bulky papers inscribed 'Sinecure'. Large volumes tied together are 'New Acts of Parliament'. Other papers are 'Defence against Invasion'; 'State of Ireland'; 'East Indies'. A bundle of 'Loans for / 84' [sic] contains 'Navy Bills' and 'Exchequer Bills'. There are also three tiny barrels of 'Gun Powder' and a bundle of muskets inscribed 'Volunteers'. From the side of the wagon hangs a basket of 'Family Medicine' containing two bottles labelled 'Broth[er] Bra[gge]' and 'Brother Hiley'."--British Museum online catalogue
Alternative Title:
State wagoner and John Bull, Waggon too much for the donkeys!, and Wagon too much for the donkeys!
Description:
Title etched in upper left corner of image., Sheet trimmed within plate mark with loss of imprint. Imprint from British Museum catalogue., Mounted to 37 x 56 cm., and Collector's annotations on mount.
Publisher:
Publish'd March 14th, 1804, by H. Humphrey, 27 St. James's Street, London
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Carlisle, Frederick Howard, Earl of, 1748-1825, Spencer, George John Spencer, Earl, 1758-1834, Erskine, Thomas Erskine, Baron, 1750-1823, Wilberforce, William, 1759-1833, Lansdowne, William Petty, Marquis of, 1737-1805, Grey, Charles Grey, Earl, 1764-1845, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Grenville, William Wyndham Grenville, Baron, 1759-1834, Sheridan, Richard Brinsley, 1751-1816, Windham, William, 1750-1810, and Canning, George, 1770-1827
