Manuscript on parchment and paper of 1) Johannes de Sacro Bosco, Algorismus. 2) Jordanus Rufus, Medecina equorum. 3) Pseudo-Aristotle, Secretum secretorum. 4) William Falconer, Falconibus
Description:
In Latin, German and French., Script: multiple hands writing in multiple scripts., and Binding: S. XV limp parchment binding with leather spine stiffener and visible sewing and flap. The parchment is from an erased music manuscript. Remnants of a paper title label on the spine (text lost).
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Pseudo-Augustinus. and Sacro Bosco, Joannes de, fl. 1230.
Subject (Topic):
Falconry, Horses, Manuscripts, Medieval, Mathematics, Medieval, Medicine, Medieval, and Occultism
Manuscript on paper of commentaries on the Lord's Prayer, Hail Mary, and the Apostles' Creed, and other texts
Description:
In Latin., Watermark: Ox head with eight-petalled flower on a rod and a cross below the mouth (Piccard, Ochsenkopfwasserzeichen, XIII.723 (1471-1474)., Script: copied by two hands writing Gothica Semihybrida Libraria; A copied ff. 1r-15v; B, writing a wider, more sloping and more rapid script, copied ff. 16r-20v. Both hands spell the diphthongs ae and oe in the classical manner., Headings, underlining and stroking of the majuscules in red. Red plain initials in artt. 1-5, normally 4 lines. On f. 16r, space for a 7-line initial was provided but not executed., The manuscript contains: 1) Henricus de Langenstein (Henricus de Hassia the Elder, c. 1325-1397), Expositio super Orationem Dominicam. 2) Henricus de Langenstein, Expositio super Ave Maria. 3) Ps.-Augustinus Hipponensis, Sermo super Symbolum Apostolorum. 4) Ps.-Augustinus Hipponensis, De Oratione Dominica. 5) Expositio in Orationem Dominicam, based on excerpts from the following authors: Ambrosius, Anselmus Cantuariensis ("Anshelmus"), Augustinus, Bernardus Claraevallensis ("Berenhardus"), Cyprianus, Cyrillus Alexandrinus, Fulgentius Ruspensis, Gregorius Magnus, Hieronymus, Hilarius Pictaviensis, Iohannes Chrysostomus, Isidorus Hispalensis, Origenes, "Theophilus", Thomas de Aquino, "Titus"., and Binding: 20th century. White parchment and marbled paper over cardboard.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Augustine, of Hippo, Saint, 354-430., Heinrich, von Langenstein, ca. 1325-1397., and Pseudo-Augustinus.
Manuscript on paper of Pseudo-Augustine, texts relating to the Pelagian controversy, and other texts
Description:
In Latin., Script: two hands, both writing a very small Humanistica hesitating between Semitextualis Currens and Cursiva Currens. A, the main scribe, copied ff. 1r-60v; B, an inexperienced hand, marked by the use of d with ascender curving to the right, i longa and round s in all positions, added the prayers on ff. 61r-63r., Headings in purplish red. Spaces for 1- or 2-line initials have been reserved throughout the codex, but these have not been executed, except in artt. 8-10, where they have been clumsily written in black ink in the left margin. At the opening of art. 1, 3-line half inset Humanistic dentelle initial on a square background in green and blue decorated with silver and gold penwork. It has floral extensions with gold balls in the upper and inner margin. In the lower margin of the same f. 1r, between three similar floral decorations, a circular medallion containing the coat of arms of the Ugolini family of Florence (parti per bend, or on azure, with two lions passant counter changed, surmounting)., The manuscript contains: 1) Ps.-Cyprianus Carthaginensis (Pseudo-Cyprian of Carthage or Pseudo-Augustine), De singularitate clericorum. 2) Ps.-Augustinus Hipponensis (Pseudo-Augustine), De incarnatione Verbi ad Ianuarium. 3) Pseudo-Augustine, De essentia divinitatis. 4) Letter from the bishops assembled at the council of Carthage, A.D. 416, to pope Innocentius I. 5) Letter of pope Innocentius I to the bishops at the council of Carthage A.D. 416. 6) Letter from the bishops assembled at the council of Mileve A.D. 416 to pope Innocent I. 7) Innocentius I, letter to the bishops assembled at the council of Mileve A.D. 416. 8) Prayer to be said before the image of Corpus Christi. 9) Prayer to Jesus Christ. 10) Prayer to Jesus Christ ascribed to Thomas Aquinas., and Binding: original Italian reddish brown leather over pasteboard with a flap at the rear cover closing over the front cover with leather ties. Covers and flap are blind-tooled with frames and lozenges of quadruple fillets, decorated with small circular tools either single or in clusters, and a full border consisting of a scroll motif. At the top of the front cover, in black ink, Capitalis ca. 1500: “Aur. (?) Augustini opus”. Parchment flyleaves. On the front flyleaf verso a Table of Content written in red by hand A, recording artt. 1-7 only, under the title “Que in hoc libello inserte sunt”.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Pseudo-Augustinus. and Council of Carthage
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Pelagianism, Theology, and History
Manuscript on paper of devotional treatises by numerous authors, including Guillelmus Iordani (Willem Jordaens, c. 1321-1372), Pseudo-Augustinius, Iacobus Mediolanensis, and Leroquais
Description:
In Latin., Script: copied by one hand in Gothica Hybrida Libraria/Formata; the ascenders on the top line and the descenders on the bottom line may have calligraphic extensions. The last treatise is by another scribe using the same type of script., Stroking of majuscules, underlining, paragraph marks and headings in red., and Binding: original binding, sewn on three double cords. Brown leather over wooden boards with rounded edges. Plaited headbands. Parchment endleaves. Remnants of one brass clasp attached to the rear board. Red leather tabs.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Pseudo-Augustinus.
Subject (Topic):
Christian literature, Latin (Medieval and modern) and Manuscripts, Medieval
Manuscript on paper of 1) Pseudo-Augustine, Soliloquia, translated into Greek by Demetrius Cydonius; first leaf missing. 2) Creed of St. Athanasius. 3) Various prayers and hymns, some by John of Damascus and Macarius, but most anonymous
Description:
In Greek., Watermarks: Harlfinger Chapeau 74., Script: Written by a single scribe in tall, upright minuscule., Decorative initials, 6- to 5-line, in red with simple floral designs; rubrics throughout., and Binding: 16th-17th centuries. Three original chain-stitched supports, the thread laced into square-edged, flush, wooden boards grooved on the edges. The beaded, colored endbands are sewn on cords which are attached in holes in the edges of the boards. The edges are painted with a red and black interlace design, the spine smooth and round. Covered in brown goatskin, blind-tooled with concentric borders, different on each board, the central panels filled with flowers and small diamonds. One pin hole in the edge of the upper board, three holes for a strap in the lower. Rebacked. According to A. R. A. Hobson, the binding originated in Crete.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Pseudo-Augustinus. and Orthodoxos Ekklēsia tēs Hellados.
Subject (Topic):
Creeds, Hymns, Manuscripts, Medieval, Mysticism, and Prayers
Manuscript on paper of texts on the Psalms and Canticles, and other texts
Description:
In Latin., Script: apparently four hands: A writing a bold Gothica Hybrida Libraria copied ff. 1r-186r and 201r; B writing Gothica Cursiva Currens copied ff. 189r-199va15; C writing Gothica Semihybrida Libraria/Currens copied ff. 199va16-200v; D writing Gothica Semihybrida Currens copied ff. 203r-299v; the document on f. 226v is probably in the same handwriting. Scribe D is the unrecorded Hinricus Landesberch in Wernigerode., Red underlining, paragraph marks, heightening of majuscules and plain initials, generally 2 lines, at the head of various texts larger. Pointing hands., The manuscript contains: 1) Honorius Augustodunensis (Honorius of Autun, c. 1090- c.1150), Expositio in psalmos CI-CL et in cantica veteris et novi testamenti. 2) Alanus de Insulis (Alain de Lille, c. 1120-1202), Glosatura super cantica veteris et novi testamenti. 3) Notes on the Book of Psalms, its subdivisions, significance, on Ps. 1 and Ps. 150, etc. 4) Extracts on the Psalms from a florilegium of the works by or attributed to St. Augustine, called Summula Florigeri sancti Augustini. 5) Treatise on the virtues and vices arranged according to the course of the sun through the signs of the Zodiac; the names of the months and of the zodiacal signs are given in Latin and in German, with examples from the Bible and legend. 6) Miracles and legends. 7) Copy of a notarial document. 8) Isidorus Hispalensis (Isidore of Seville, d. 636), Quaestiones in vetus testamentum. 9) Vision of the horrors of Hell shown to St. Paul of Thebe (Paulus Eremita, 228-341). 10) Rabbi Samuel, De adventu Messiae praeterito, translated from the Arabic by Alphonsus Bonihominis OP (d. c. 1353). 11) Two sermons on the Immaculate Conception, quoting many exempla. 12) Incomplete legend of St. Catharine of Alexandria. 13) Ps.-Augustinus Hipponensis, De essentia divinitatis: an excerpt from Eucherius Lugdunensis (Eucherius bishop of Lyons, d. c. 450), Formulae spiritalis intelligentiae, chapter 1., and Binding: original undecorated white deerskin over bevelled heavy wooden boards, sewn on three double thongs; spine with plaited headbands; in its upper compartment a paper label with a 17th-century indication of the content; in the second compartment a paper label with the number "VIII". On each cover five small brass bosses on indented square plates; marks of two leather straps attached to the rear cover, the holes of the pins visible in the front cover. At the top of the front cover a contemporary Table of Contents is written in ink in Gothica Hybrida Libraria, now badly legible; at the bottom of the same cover, in a large Gothica Hybrida Formata: "Tractatus Honorii pape" [sic]. The rear pastedown (half detached) consists of a large fragment and scraps on paper from a 15th-century Latin register of personal interdicts attached to persons with German names; the handwriting is Gothica Cursiva Currens.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Alanus, de Insulis, -1202., Catherine, of Alexandria, Saint., Honorius, of Autun, approximately 1080-approximately 1156., Isidore, of Seville, Saint, -636., Paul, the Hermit, Saint, -approximately 341., Pseudo-Augustinus., and Samuel, Marochitanus.
Subject (Topic):
Christian hagiography, Exempla, Manuscripts, Medieval, Theology, and History
