"Lunardi, slim and handsome, walks diagonally towards the spectator from the right, supported on a staff, his left hand held out as if begging. On his back is his collapsed balloon, a large bundle from which project a net and two oars or propellers. His dress is fashionable but ragged. In the background are trees and a church."--British Museum online catalogue, description of earlier state of similar composition.
Alternative Title:
Itinerant aeronaut
Description:
Eight lines of verse below title: Behold an hero comely tall and fair! His only food phlogisticated air! ..., Later state, with plate shortened on bottom edge resulting in loss of imprint. Cf. No. 6858 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Printmaker and date from earlier state in British Museum catalogue., and Title from caption below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Lunardi, Vincent,--1759-1806--Caricatures and cartoons., and Rowlandson, Thomas, 1756-1827, artist.
Printmaker from the British Museum catalogue., Temporary local subject terms: Trades: booksellers -- Authors -- Spectacles., and Title etched below image.
Publisher:
Willm. Holland, N. 50, Oxford Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Holland, William, active 1782-1817, publisher., and Rowlandson, Thomas, 1756-1827, artist.
"Troops, crowded in carts, &c, approach Portsmouth, where distant ships are at anchor. In the foreground are country carts drawn by soldiers at a gallop. Other soldiers are in and on a coach, the 'Portsmouth Fly'; a drum and fife are being played on the roof; large flags float from the windows. This is followed by officers in a perch phaeton. Young women take leave of soldiers. A drummer gallops on a donkey with a young bandsman in each pannier. In the middle distance, besides other vehicles, are two of the new four-horsed conveyances for soldiers, who sit as in an Irish jaunting-car, see BMSat 9238. In the foreground (right) is the corner of a small thatched ale-house, 'The Jolly Soldier'. An old soldier with a wooden leg sits fiddling at the door, while the host and his family wave farewell."--British Museum online catalogue.
Alternative Title:
Instance of unexampled speed used by a body of guards
Description:
Title etched below image. and Two lines of text below title: ... consisting of 1920 rank & file, besides officers, who on the 10th of June, 1798, left London ...
"Five elderly barristers are grouped round an oblong table on which are writing-materials; all wear large tie-wigs. The client sits 'chapeau-bras', hands on knees, in an arm-chair (left), listening with gaping mouth and stupidly eager expression. He appears to be a boorish country gentleman in London dress. The counsel beside him reads from a large document: 'Know all men by these presents'. Another also reads. Two others watch and listen with cynical intentness. The fifth (right), an aged man wearing gauntlet gloves, sits with closed eyes in an arm-chair facing the client. On the wall are pinned legal notices: 'Court of Kings Bench Dn Common Pleas ... [&c.]'. Heavy folios lie open on the floor."--British Museum online catalogue.
Description:
Imprint continues: ... where may be had all Rowlandson's works., Reissue of a plate published by W. Hunter on 21 December 1785. Cf. Grego, J. Rowlandson the caricaturist, v. 1, page 173., and Title etched below image.
Publisher:
S. W. Fores, N. 3 Piccadilly
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fores, S. W., publisher., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, artist.
"A copy of a Rowlandson watercolour, see British Museum Satires No. 11111. A man in hunting-dress stands on the back of his spirited horse to embrace a young woman who leans from a casement window. An elderly gap-toothed man wearing a night-cap peers from the cottage door with an imbecile gape. The hounds are in full cry beside the horse. A fat parson and a huntsman, much amused, turn in their saddles to watch the embrace. They are passing a village church."--British Museum online catalogue, description of an earlier state.
Description:
Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 90., Date of publication based on earlier state with the imprint "Published by Reeve & Jones, No. 7 Vere Strt., Novr. 1, 1808." See British Museum catalogue., Reissue, with changes to copper printing plate; edges of plate have been cut down resulting in loss of imprint statement from bottom edge, a new border has been added in aquatint around design, and a border of etched lines has been added around title. For original issue of the plate before these changes, see no. 11112 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, artist.
"Two men with double butterfly nets chase butterflies in a formal garden with box-edged flower-beds set in gravel. One tramples over a bed of tulips to the horror of two ladies who stand in the doorway (right) and an old man in a night-cap who leans from a first-floor window. The house, like the walled garden, is old-fashioned with mullioned windows, an aged vine against the wall, and an attached glass hothouse. In the background a gardener drops a flower-pot in consternation. Beyond the wall is a church among trees. British Museum online catalogue.
Description:
Attributed to Rowlandson by Grego. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Holland, William, active 1782-1817, publisher., and Rowlandson, Thomas, 1756-1827, artist.
Subject (Topic):
Butterflies., Butterfly nets., Flower gardens., and Greenhouses.
"One of a set of eight plates, No. 7 (not mentioned by Grego) being missing, all having the same signatures. They may have been intended to burlesque Wheatley's 'Cries' (1793-7), from which they appear to derive. [The subjects are different from those of Wheatley, and there is no element of copying, but the group, with sentimental or humorous incident and architectural background, was Wheatley's innovation on the traditional single figure representing the 'Cries of London'. Cf. W. Roberts, 'The Cries of London', 1934, p. 12.] A ragged man, with traps of various patterns slung round him, and a trap in each hand, offers his wares to an old man (left) who looks from his bulk or stall, on which are a bird in a wicker cage and a rabbit in a hutch. A little boy and girl, hand in hand, stare intently at the rabbit. A dog snarls at two rats in one of the traps. A woman looks down from a casement window over the pent-house roof of the stall. In the background are a church spire and the old gabled houses characteristic of the slums of St. Giles and Westminster."--British Museum online catalogue.
"A drinking scene; a drunken man carousing with two women, raising a glass into which Death, a crowned skeleton standing behind him, pours a liquid from a small bottle, a great quantity of steam or smoke rising off; one of the women lies asleep on the floor in front of the table, breasts exposed and a spilling glass in her hand, the other is falling off her chair at left, horrified, having spied Death; a dog and discarded flagon at lower left, a caged bird hanging from the ceiling, barrels of 'Old Tom' behind."--British Museum online catalogue.
Description:
Date of publication from Grego., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, artist.
"A skeleton, Death (left), seated on a cannon, his elbows on his knees, faces Napoleon, not caricatured, in a similar attitude on a drum. The 'two Kings' gaze fixedly at each other, Death menacing, Napoleon as if trying to read a terrifying riddle. Death's left foot rests on a cannon-ball, the right on the broken shaft of an eagle. Behind is a symbolical representation of the battle. The Allies advance from the left in regular formation with bayonets levelled at fleeing French soldiers. Four flags, with the eagles of Russia, Prussia, and Austria, and the Swedish cross, are held up by standard-bearers in the third rank: they recede in perspective from left to right. On the left wing are two hussars, riding down the fugitives. The main French army is streaming in wild confusion up and over a hill, diminishing in perspective. Other soldiers, pursued by hussars, flee down a hill behind Napoleon (right). Bodies of Frenchmen lie on the ground."--British Museum online catalogue, description of an earlier state.
Description:
For an earlier state lacking the etched title and serving as the heading to a printed broadside entitled "The two kings of terror," see no. 12093 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Publisher and date of publication from Grego., and Title etched below image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., and Rowlandson, Thomas, 1756-1827, artist.
"An untidy shock-headed footman stands letting a tureen slide on to the table so that its contents pour out; in his I. hand is a dish containing a leg of mutton, held so that joint and gravy fall to the floor. He stands between a hideous old woman at the head of the table (rigth) and a comely young one on her right. A fat maidservant follows the footman, holding a dish. Behind the man hangs an elaborately framed bust portrait of a grim-looking man wearing an early eighteenth-century wig. A cockatoo screams from a cage (l.). A dog sits behind the old woman's chair, a cat puts its fore-paws on the table to lap the spilt soup. Below the title: 'Take off the largest dishes, and set them on with one hand, to shew the ladies your vigour and strength of back, but always do it between two ladies, that if the dish happens to slip, the soup or sauce may fall on their cloaths, and not daub the floor, by this practice, two of our brethren, my worthy friends, got considerable fortunes. . . . When you carry up a dish of meat, dip your fingers in the sauce, or lick it with your tongue, to try whether it be good, and fit for your masters table - .' [Two quotations from Swift's 'Directions to Servants'.]"--British Museum online catalogue, description of original issue.
Alternative Title:
Directions to footman
Description:
Also issued separately., Five lines of text below title: Take off the largest dishes and set them on with one hand to shew the ladies your vigour and strength of back, but always do it between two ladies that if the dish happens to slip the soup or sauce may fall on their cloaths, and not daub the floor, by this practice, two of our brethren, my worthy friends, got considerable fortunes ..., Originally issued with publication date . Cf. No. 10918 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Plate numbered '273' in upper right corner., Printmaker and date of publication from British Museum catalogue., Text following imprint: Price one shilling col'd., The word 'footmen' in the title was corrected from 'footman' by the etcher. 'A' was struck through and the letter 'E' was inserted above deletion., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., Rowlandson, Thomas, 1756-1827, artist., and Tegg, Thomas, 1776-1845, publisher.
