Richard Plantagenet and the Earl of Somerset stand beside a rose-bush under a large tree, with Suffolk, Warwick, Vernon and another lawyer, each urging them to show their support for whichever party they believe has told the truth, to pick a rose, white for Plantagenet, red for Somerset
Alternative Title:
First part of King Henry the sixth. Act II. Scene IV
Description:
Title etched below image., Sheet trimmed to plate mark., and Lettered below the image with title: "Shakspeare. First part of King Henry 6th. Act II. Scene IV.", with nine lines of quotation in English: 'Plant. Since you are tongue ty'd, & so loth to speak [...] From of this briar pluck a white rose with me. / Som. Let him that is no coward, nor no flatterer [...] Pluck a red rose from off this thorn with me.'
Publisher:
Publish'd Jany. 1, 1795 by John & Josiah Boydell, at the Shakspeare Gallery, Pall Mall, & No. 90 Cheapside
Subject (Name):
Shakespeare, William, 1564-1616. and Shakespeare, William, 1564-1616
"Richard Plantagenet and the Earl of Somerset stand beside a rose-bush under a large tree, with Suffolk, Warwick, Vernon and another lawyer, each urging them to show their support for whichever party they believe has told the truth, to pick a rose, white for Plantagenet, red for Somerset. Trial proof with open figures."--British Museum online catalogue
Alternative Title:
First part of King Henry the sixth. Act II. Scene IV
Description:
Title etched below image., Sheet trimmed to plate mark., and 'Shakspeare' in open letters below imprint.
Publisher:
Publish'd June 24, 1790 by J. & J. Boydell, Cheapside & at the Shakspeare Gallery, Pall Mall, London
Middiman, Samuel, approximately 1750-1831, printmaker
Published / Created:
[29 September 1797]
Call Number:
Drawer 724 803B no. 29
Image Count:
1
Abstract:
"Poins and Hal, disguised, fall on Falstaff and company in a thick woodland with a large, broken gnarled tree on the left; they tie them up and rob them of the spoils they have just taken from travellers that passed that way earlier.'--British Museum online catalogue
Description:
Title engraved below image., 'Shakspeare' above title., and Also lettered with a quotation of seven lines on either side of title: "Fal. Come, my masters, let us share ... than in a wild duck. / P. Hen. Your money! / Poins. Villains! [rushing out upon them.''
Publisher:
Publish'd Septr. 29, 1797, by J. & J. Boydell, at the Shakspeare Gallery, Pall Mall & No. 90, Cheapside
Title from caption below image., Text below title: From the original drawing in the collection of Her Royal Highness the Duchess of York., Lines of dialogue on either side of title: Cam. How now, my good fellow? Why shakest thou so? Fear not, man ... Vide Winters tale., and One of a series of plates illustrating scenes from Shakespeare's plays, engraved after the drawings of Bunbury by various printmakers and published 1792-1796 by Thomas Macklin.
Publisher:
Publishd. May 24th, 1794, by Thos. Macklin, Poets Gallery, Fleet St.
Title from caption below image., Lines of dialogue on either side of title: Flu. I peseech you heartily, scurvy lowsy knave, at my desires, & my requests, & my petitions, to eat, look you, this leek ... Vide Hen. V, Act 5, Sc. 1., and One of a series of plates illustrating scenes from Shakespeare's plays, engraved after the drawings of Bunbury by various printmakers and published 1792-1796 by Thomas Macklin.
Publisher:
Publish'd August 1, 1795, by Thos. Macklin, Poets Gallery, Fleet St.
Title from item., Printmaker identified from an original drawing in the Huntington Library., One of a series of Drolls., Four lines of verse in two columns below title: Buck's with Truncheon's swagger and knock down ..., Plate numbered '150' in lower right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Literature: Foot-pads -- Watches: pocket watch -- Highway robbery -- Milestones -- Bludgeons., and Watermark: Strasburg bend (partial) with initials GR below.
Publisher:
Published 4th May 1795 by Laurie & Whittle, 53 Fleet Street, London
"In the foreground are Wellington and Peel as grave-diggers; Eldon, a stout elderly Hamlet wearing a cloak, stands (left) holding a skull, and saying: "Here's fine revolution and [sic] we had the trick to see it." Wellington stands in a grave, in profile to the left, wielding a pickaxe. His shirt-sleeves are rolled up, he wears a small cap; his military coat, cocked hat, and sword lie beside him. He says to Peel: 'Come take off the Orange Peel [see British Museum Satires No. 15683] quickly, I can't get on without you.' Peel, wearing garments of green slashed with orange, is about to take off an orange waistcoat (cf. British Museum Satires No. 15701). He answers 'I'll change my self before you can say Jack Robinson.' On the extreme right are the posterior and left leg of George IV (as in British Museum Satires No. 12803) who is scurrying off to the right, beside a tombstone which serves as sign-post and is inscribed 'To Hanover' [see British Museum Satires No. 15704]. In the middle distance (right) is the funeral procession, the coffin carried by four bearers with a pall inscribed 'Constitution 1829'. On it stand a large crown and mitre with papers: 'Magna Charta' and 'Bill of Rights'. It is followed by one mourner in cloak and scarf (J. B.), who covers his face with a despairing gesture, exclaiming 'Oh! dear! Oh! dear, what will become of Mrs Bull, & all my little Bulls?-- We shall have nothing but the Popes Bulls. Oh my--' Behind are (left) St. Paul's and (right) York Minster. The pediment of the former is inscribed 'St Pauls now St Patricks' [cf. British Museum Satires No. 11898]. On the steps, about to enter, is the Pope, rollicking indecently between a monk (left) and O'Connell (right) in wig and gown. The Pope: 'Och! my darling you have done the job. fal lal la!!' O'Connell: 'Huzza! Huzza! Ould Ireland for ever! Huzza!!!' Behind them (left) capers a ragged Irishman, playing bagpipes and shouting 'St Patrick day in the morning!! Och! my Darlings!' An Irish crowd is indicated in the background. Farther from the spectator is York Minster, blazing furiously, flames and smoke covering the sky; an incendiary with a firebrand (Martin, see British Museum Satires No. 15658) rushes from the building, striding across a paper inscribed 'Blanco [scored through] Black is White'."--British Museum online catalogue
Description:
Title etched below image., Attributed to Robert Cruikshank in the British Museum catalogue., Text beneath lower right corner of image: Hamlet, Act Vth, Scene a church-yard. Enter two clowns with spades., and Laid in James Sayers's Folio album of 144 caricatures.
Publisher:
Pubd. March 1829 by T. McLean, Haymarket
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
St. Paul's Cathedral (London, England),, York Minster,, Shakespeare, William, 1564-1616., Wellington, Arthur Wellesley, Duke of, 1769-1852, Peel, Robert, 1788-1850, Eldon, John Scott, Earl of, 1751-1838, George IV, King of Great Britain, 1762-1830, Leo XII, Pope, 1760-1829, and O'Connell, Daniel, 1775-1847
Portrait of David Garrick in the role of Richard III, bust only, taken from Hogarth's painting of him awakening from his troubled dream in the tent before the battle of Bosworth Field; in oval in rectangular brick frame with tablet below
Description:
Title engraved in tablet within image., Printmaker active in Basle., After the painting in the Walker Art Gallery, Liverpool. See O'Connell, S. London 1753 (2004), pages 135-6., and For a discussion of the original print see: Paulson, R. Hogarth's graphic works (3rd ed.), no. 165.
Publisher:
publisher not identified
Subject (Name):
Garrick, David, 1717-1779, and Shakespeare, William, 1564-1616.
Subject (Topic):
Dramatic production, Actors, British, and Portrayals
