Title from caption below image., Four lines of dialogue below image, two on either side of title: Duke. Shew me the place; I love to cope him in these sullen fits ... Vide As you like it, Act 2, Sc. 1., and One of a series of plates illustrating scenes from Shakespeare's plays, engraved after the drawings of Bunbury by various printmakers and published 1792-1796 by Thomas Macklin.
Publisher:
Published Novr. 10, 1795, by Thos. Macklin, Poets Gallery, Fleet Street
"Fox as Falstaff, enormously fat, with a pleased smile, stands declaiming: "The Laws of England are at my commandment. Happy are they which have been my friends; & woe to my Lord Chanr." On the right stands Hanger as Pistol, in a swaggering attitude, legs astride, left hand on his bludgeon (cf. British Museum Satires No. 6924), right on his hip. He is in Elizabethan dress, but wears an enormous cocked hat and a large sabre. He says: "Sir John, thy under lambkin now is King Harry the fifth's the man. I speak the truth. When Pistol lies, do thus; and fig me, like the bragging Spaniard." On the left, clasping his hands ecstatically, stands Sheridan as Bardolph, his face bloated with drink. He says, "O joyful day! - I would not take a Knighthood for my fortune." Between and behind Sheridan and Fox stands 'Shallow' (Duke of Norfolk), rather disconsolate, saying, "Sir John, I hope you'll pay me back my Thousand Pounds." In the background is the colonnade of Carlton House, and (left) the back of Fox's travelling-carriage, inscribed, 'From Bologna'. ..."--British Museum online catalogue
Alternative Title:
King Henry IV, the last scene and King Henry the Fourth, the last scene
Description:
Title etched below image, on either side of centered text., Printmaker from British Museum catalogue., Four lines of text centered below image: "To ride day & night; not to deliberate, not to remember, not to have patience to shift me, but to stand stained with travel & sweating with desire to see him ...", Below image in lower right: Shortly will be published a series of plate [sic] from K. Henry IV., Temporary local subject terms: Reference to Horace Walpole, 1717-1797 -- Regency crisis -- Shakespeare's Henry IV: II.V.V -- Buildings: Carlton House -- Vehicles: Travelling carriage., Beneath the design, written in ink: Fox-return'd hastily from the Continent on hearing of the King's illness-1788., and 1 print on laid paper : etching with stipple : plate mark 26.5 x 43 cm, on sheet 31x 48 cm.
Publisher:
Pub. Novr. 29, 1788, by S.W. Fores, N. 3 Piccadilly
Subject (Geographic):
England.
Subject (Name):
Shakespeare, William, 1564-1616., Falstaff, John, Sir (Fictitious character),, Fox, Charles James, 1749-1806, Hanger, George, 1751?-1824, Sheridan, Richard Brinsley, 1751-1816, Norfolk, Charles Howard, Duke of, 1746-1815, and Carlton House (London, England),
"George IV (right), as Henry VIII (see British Museum Satires No. 13664, &c.), wearing ermine robes and ruff, sits on a dais under a canopy, his eyes turned sideways to the right. In his right hand is a goblet; on a table before him is a decanter of 'Curacoa'. Against this, at a lower level, is a second table on which is the mace; on each side sits a cardinal, gaping in astonishment at Queen Caroline, as Katharine of Aragon; she stands facing the King at the end of the table (left), wearing quasi-Tudor robes. She declaims Queen Catherine's speech, abridged: "Sir, I desire you do me right and justice, And to bestow your pity on me: for I am a most poor woman, and a stranger, Born out of your dominions; -- If, in the course And process of this time, you can report, And perove [sic] it too, against mine honour aught, My bond to wedlock, or my Love and duty Against your sacred person, in Gods name, Turn me away ;-- and so give me up To the sharpest kind of justice." Under Castlereagh's foot lies 'Mag[na] Charta'; his vis-à-vis cardinal is Sidmouth. Next Castlereagh (right) sits a lawyer, writing (? Leach). Beside him is a large bag with its neck encircled by hissing serpents; it is placarded: 'A Green Bag! filled with Spite Envy Malice. Hatred Lies &c &c &c' [see British Museum Satires No. 13735, &c.]. On each side of the King stands a bishop holding a crosier, one the Archbishop of Canterbury, the other probably Pelham of Exeter, see British Museum Satires No. 13946. Behind the Queen and on the extreme left stands Wood in his alderman's gown. Beefeaters stand against the wall."--British Museum online catalogue
Description:
Title etched below image., Date of publication from the British Museum catalogue., Text following title: Principal characters, King of England by the ****, Queen of England by the Q****, Cardinal Wolsey - L**d C*********h [Castlereagh] &c &c &[c]., Sheet trimmed within plate mark., Publisher's advertisement below title: Just Pubd. "How to get un-married" [British Museum Satires No. 13770]., and Mounted on page 21 of: George Humphrey shop album.
Publisher:
Pubd. by J.L. Marks, 37 Princes St., Soho
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Wood, Matthew, Sir, 1768-1843, Manners-Sutton, Charles, 1755-1828, Pelham, George, 1766-1827, Leach, John, 1760-1834, and Shakespeare, William, 1564-1616.
"Prince Arthur kneeling to right, the paper with King John's order on the ground in front of him, clinging to Hubert's leg when faced with the executioners, who kneel to left with a brazier and a hot iron to blind the boy, while Hubert stands with one hand on a table set with an hourglass, book and crucifix, the other at his head, torn between his duty and his affection for the prince"--British Museum online catalogue
Description:
Title engraved below image.
Publisher:
Pub. Decr. 1 1798 by J. & J. Boydell, No. 90 Cheapside & at the Shakspeare Gallery, Pall Mall
"King Lear at the centre, his arm raised and looking up towards the dark sky, as Kent, behind him, attempts to coerce him out of the storm; Edgar, dressed as Tom O'Bedlam, sits huddled by a scant wooden shelter on the lower right, the Fool on the left crouching and looking warily towards Edgar, behind him stands Gloucester, holding a raised torch and reaching out his hand to Lear."--British Museum online catalogue
Description:
Title from published state., Lettered below image with title, two lines of verse from 'King Lear', Act III, Scene IV: "Off, off, you lendings. Come, unbutton here. (Tearing off his clothes.)]", Numbered '50' in lower left., Sheet trimmed within plate mark., and Mounted to 52 x 65 cm.
Publisher:
Publish'd March 25, 1793 by John & Josiah Boydell, at the Shakspeare Gallery, Pall Mall, & No. 90 Cheapside, London
Subject (Name):
Shakespeare, William, 1564-1616. and Shakespeare, William, 1564-1616
"Bolingbroke leading the captive Richard through London on horseback, the former on a white charger holding his crown, to the great acclaim of the people, including two ladies who hold up garlands of flowers on the right, Richard receiving the opprobrium of men to the left"--British Museum online catalogue
Description:
Title etched below image., Also lettered below image "Shakspeare", along with fifteen lines from the play, given to the character York; "York: Then as I said, the duke, great Bolingbroke ... And thus still doing, thus he past along.", and Numbered '57' in lower left corner.
Publisher:
Pub. June 4,1801, by J. & J. Boydell, at the Shakspeare Gallery, Pall Mall, & No. 90 Cheapside, London
Subject (Name):
Shakespeare, William, 1564-1616., Shakespeare, William, 1564-1616, Richard II, King of England, 1367-1400, and Henry IV, King of England, 1367-1413
"In the tower of London, Dighton and Forrest carry the murdered princes down stairs in their bedclothes, another man reaching up to receive them at left at the foot, only his hands seen"--British Museum online catalogue
Description:
Title engraved below image., Lettered above title "Shakspeare." in open letters., Sheet trimmed within plate mark., Mounted to 59.7 x 39.8 cm., and Embossed with ownership stamp "W".
Publisher:
Published Jany. 1st, 1795, by John & Josiah Boydell, at the Shakspeare-Gallery, Pall-Mall & at No. 90 Cheapside, London
"In the tower of London, Dighton and Forrest stand beside the bed of the two princes who are asleep, arms around each other, a book open at their side over a rosary. Dighton and Forrest hold a pillow, ready to smother the princes."--British Museum online catalogue
Description:
Title engraved below image., Description based on imperfect impression; sheet trimmed within plate mark., and Mounted to 39.5 x 60 cm.
Publisher:
Published June 4th, 1790, by John & Josiah Boydell, at the Shakspeare Gallery, Pall Mall & at No. 90 Cheapside
"On a street, a man with a walking stick waves his hand at a dog standing at left, behind his back two finely dressed young men converse, one gesturing to right as if suggesting that they should leave, a monk behind them walking to left, and a religious building over a wall in the background (Two Gentlemen of Verona)."--British Museum online catalogue, description of an earlier state
Description:
Title from text below image., Text below title: From the original drawing in the collection of Her Royal Highness the Duchess of York., Lines of dialogue on either side of title: Launce. O, tis a foul thing, when a cur cannot keep himself in all companies ... The two gentlemen of Verona., and One of a series of plates illustrating scenes from Shakespeare's plays, engraved after the drawings of Bunbury by various printmakers and published 1792-1796 by Thomas Macklin.
Publisher:
Publish'd Jany. 1st, 1794, by Thos. Macklin, Poets Gallery, Fleet St.
