"Fox reclines in an armchair of Gothic shape, his vast swathed legs resting on a cushion, his head against a pillow. He wears a dressing-gown and night-cap. His friends and colleagues stand round him. On his right. is Mrs. Fitzherbert, a meretricious 'Abbess' (cf. BMSat 5181, &c), holding a rosary and placing her hand under his chin; her face and breasts are covered by a large veil of transparent black. On his left. stands a bishop in lawn sleeves and mitre, a rosary hanging from his waist; he puts one hand on Fox's arm, and raises the other in admonition, saying, "O Tempora, O Mores! - Charley! dear Charley! - remember your poor Soul! - & if you're spared this time give us Emancipation - or!!!" His head is concealed, but he is identified by Lord Holland as O'Beirne, Bishop of Meath, educated as a Catholic, and a Whig pamphleteer. Mrs. Fitzherbert says: "Do confess your Sins Charley! do take Advice from an Old Abbess [cf. BMSat 10404] & receive Absolution! - here is Bishop O'Bother, 'twill be quite snug among Friends you know!" Fox says: "I abhor all Communion which debars us the comfort of the Cup! - will no one give me a Cordial?" Facing Fox, and in back view, stands the Prince, holding a handkerchief to his face; he says: "Alas! poor Charley! - do give him a Brimmer of Sack, 'twill do him more good Abbess, than all the Bishop's nostrums!" In his left hand he holds his cocked hat; in a coat-tail pocket is a pamphlet: 'Letter from N. Jeffreys'. Sheridan on the extreme right., furtive and bloated, puts his hand on the bishop's shoulder, saying, "Emancipation! - fudge! - why Dr OBother I thought you knew better!" In his pocket is a paper: 'Scheme for a new Administra[tion]'. Behind him stands Howick, in the extremity of grief, throwing back his head, and holding his handkerchief to his face. Three men stand, on the Prince's l., looking towards Fox, all weeping with raised handkerchiefs. Their heads rise one above and behind the other from the short Petty who wears a laced coat and bag-wig and has a large roll under his arm: 'New Taxes for 1806'. He says "Ah poor me! - If my Dancing-Days are over!" Windham says: "O Lord! what side can I tack round to Now!" The tall Moira says: "I must get back to Ballynahinch! Och! Och." [The allusion is to Moira's Irish estate and to Canning's verses, 'Ballynahinch' in the 'Anti-Jacobin', 9 July 1798, cf. BMSat 9235.] The three '(Ministerial) Grenvilles stand in the doorway (l.) apart from the mourners. Lord Grenville turns to Sidmouth, who is just within the room, putting a hand on his arm, and saying, "Well Doctor, have you done his business? - shall we have the Coast clear, soon?" Sidmouth answers, with sly satisfaction, "We'll see!" He holds a bottle labelled 'Composing Draft' [cf. BMSat 9849]. The spectacled Marquis of Buckingham looks round to say "O! Such a Day as This! so renown'd so Victorious"; his son, Lord Temple, continues: "such a day as This! was never seen!" In the foreground (l.) the fat Mrs. Fox faints in a small ornate chair; under her chair is a square spirits-bottle of 'True Maidstone', with a broken glass beside it. Lord Derby, wearing top-boots, bends over her, holding a bottle to her nose. He says: "My dear old Flame Bet, dont despair! - if Charley is pop'd off - a'nt I left to Comfort you - ?" On a stool at Fox's r. hand is a urinal decorated with Britannia, standing on a scroll: 'Negotiations for Peace between Great Britain & France'. On the ground beside him are a broken dice-box and dice. Behind the back of Fox's chair heavy fringed curtains are festooned, giving an impression of ducal magnificence, the scene being the Duke of Bedford's house in Arlington Street (or Stable Yard, St. James's)."--British Museum online catalogue
Description:
Title etched below image., Temporary local subject terms: Catholics -- Furniture: Gothic armchair -- Rosaries., Temporary local Medical Library subject terms: British politics., and Mounted to 29 x 41 cm.
Publisher:
Pubd. July 28th, 1806, by H. Humphrey, 27 St. James's Street
Subject (Name):
O'Beirne, Thomas Lewis 1748?-1823, Fox, Charles James, 1749-1806, Fitzherbert, Maria Anne, 1756-1837, George IV, King of Great Britain, 1762-1830, Sheridan, Richard Brinsley, 1751-1816, Grey, Charles Grey, Earl, 1764-1845, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Windham, William, 1750-1810, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Grenville, William Wyndham Grenville, Baron, 1759-1834, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Sidmouth, Henry Addington, Viscount, 1757-1844, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Fox, Elizabeth, 1750-1842, and Smith-Stanley, Edward, 1752-1834
"Fox as Dr. Busby birches Pitt and his supporters in a lofty hall with stone walls. Fox (left) sits under a statue of Justice which is in an alcove above his head, a birch-rod in her right hand, in the left, her scales evenly balanced. Pitt lies across Fox's knee, his posteriors scarred; he says, "O pardon me & I'll promise you on my honor that I will Honestly & boldly endeavour a reform!" Fox, his birch-rod raised to smite, says, "That's all Twaddle! - so here's for your India Task! there! there! there! & there's for blocking up the old Womens Windows & making them drink Tea in the dark! - there! there! & there's for------O I've a a a hundred accounts to settle - there! there! there! there! there! there." Those who have been already chastised are borne off (right), a sea of heads, on the backs of the Foxite party ..."--British Museum online catalogue
Alternative Title:
Dr. Busby settling accounts with Master Billy and his playmates
Description:
Title etched below image., Printmaker from British Museum catalogue., Two lines of quoted verse below title: "Illustrious burns, might merit more regard ...", Sheet trimmed to plate mark., Mounted to 41 x 29 cm., and Watermark in center of sheet.
Publisher:
Pubd. Feby. 4th, 1785, by J. Ridgeway, Piccadilly
Subject (Name):
Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Robinson, John, 1727-1802, Hill, Richard, Sir, 1733-1808, Sheridan, Richard Brinsley, 1751-1816, North, Frederick, Lord, 1732-1792, and Pitt, William, 1759-1806
Subject (Topic):
Sculpture, Justice, Scales, Buttocks, Chamber pots, and Spanking
"A satire on the peace negotiations and on Windham's Training Act. The scene is outside the 'Treasury', the lower part of its façade forming the background. Ministers and their supporters as 'Corporal and Conscripts' obey the orders of their 'Drill-Serjeant' Napoleon, who stands on the extreme left., his jack-boots firmly planted on cannon-balls him height. He extends his sword with an arrogant gesture, and fiercely orders: "Ground - Arms!" Next him, and in back view, but looking up at him, is Fox seated in an invalid's wheeled chair on the back of which are the coronet and feathers of the Prince of Wales. He is 'Grand Double Drums' and is vigorously beating a pair of kettle-drums, one inscribed 'GR' and crown, the other 'N' and crown. He wears a dressing-gown and bonnet rouge, and his enormously distended legs are straddled outside his drums. On Fox's r. is the 'Flugel Man', Grenville, going through the movement as a pattern to the other privates. He kneels on the left knee and grounds his musket, putting up his hand to shield his eyes; his bayonet is broken, as is its sheath. The 'Corporal & Conscripts' drawn up (r.) facing Napoleon attempt the movement with extreme awkwardness and obsequious haste, not excepting Windham the corporal, the end man (r.) of the front rank. Next him is Lord Holland, on both knees, with an amiable smile. Then Sheridan, very bulky and awkward, but unlike the others directing his musket towards Napoleon. Petty, on both knees, flings down his musket with an obsequious gesture. Next him Lord Temple grovels displaying spherical posteriors. Next, at the end of the line, and close to the gate of the Treasury, kneels Erskine, in wig and gown, raising his hat. In the second rank, behind Windham, is Howick, First Lord, deferentially raising a naval cocked hat; Sidmouth staggers back, throwing up his arms and dropping his musket which lands on his face. Next are Spencer, clumsily lifting his musket, and Ellenborough in wig and gown, with a blunderbuss which he seems about to dash violently on the ground. Behind him is Moira, stiff and tall, in uniform with cocked hat, holding up a musket exploding at lock and barrel. Behind and in shadow are (l. to r.) St. Vincent, Hanger, and the Duke of Clarence, all holding up the muskets which the next rank prevents them from grounding. Most of the 'conscripts' wear civilian dress with crossed bandoleers, and are in most unsoldierly confusion. By the Treasury gate and facing Erskine stands the 'Constable of the Corps', Talleyrand, holding a long constable's staff, crowned, his left. arm extended in a gesture of command; one twisted leg is supported by a stilt under the shoe. As ex-Bishop of Autun (see BMSat 8088) he wears a hat whose crown is a mitre, a long gown and bands over his coat, and a rosary. In his mouth is a pen. Above his head a bird with webbed wings and the head of Lauderdale flies towards Fox, clutching a paper: 'Terms of Peace'. In his mouth is a completely are olive branch. He wears a bonnet rouge, and his body is covered with tartan."--British Museum online catalogue
Description:
Title etched at top of image., Series of mocking military are etched below image and correspond with figures in the design: Drill-Serjeant [Napolean], Constable of the Corps [Talleyrand-Périgord], Grand Double-Drums [Fox], Flugel Man [Grenville], Corporal & Conscripts [remaining figures]., Figures identified by ms. annotations in modern hand throughout outer margin of print., and Mounted to 35 x 46 cm.
Publisher:
Pubd. Septr. 1st, 1806, by H. Humphrey, 27 St. Jamess [sic] Street
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Fox, Charles James, 1749-1806, Grenville, William Wyndham Grenville, Baron, 1759-1834, Windham, William, 1750-1810, Holland, Henry Richard Vassall, Baron, 1773-1840, Sheridan, Richard Brinsley, 1751-1816, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Erskine, Thomas Erskine, Baron, 1750-1823, Grey, Charles Grey, Earl, 1764-1845, Sidmouth, Henry Addington, Viscount, 1757-1844, Spencer, George John Spencer, Earl, 1758-1834, Ellenborough, Edward Law, Baron, 1750-1818, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, St. Vincent, John Jervis, Viscount, 1735-1823, Hanger, George, 1751?-1824, William IV, King of Great Britain, 1765-1837, Talleyrand-Périgord, Charles Maurice de, prince de Bénévent, 1754-1838, and Lauderdale, James Maitland, Earl of, 1759-1839
"Pitt sits astride a huge pile of bundles strapped to the back of a bull (John Bull); he is about to enter a high archway inscribed 'Trea[sury]'. His pose and expression combine jauntiness with dignity. His head is in profile to the right, his right hand on his hip, he wears a large bag to his wig, and while pressing his hat under his left arm holds the (slack) reins of the bull; his long thin leg hangs considerably above the bull's back, owing to the height of the bundles. The sturdy bull, though with downcast head and closed eyes, is not weighed down with his burden. Dundas (right), in Highland dress, marches grinning in front of the bull, playing the bagpipes which are inscribed 'Union Pipes' and have a transparent bag filled with coins. The bull's burden consists of ten superimposed bundles, inscribed with figures relating to the Loyalty Loan. Some of these are '50 000!, 30 000!, East India Company 2 000 000!!!, Duke of Queensbury 100-000!, 100 000!, Pit[t] D. dass 10000 [partly obscured by Pitt's foot], 50000, Duke of Bridgewater 100 000!, Corporation of London 100 000!' Behind the bull and on the extreme left are crowded together four British Jacobins, much caricatured, wearing bonnets-rouges and looking up at Pitt with anger and dismay. Their heads rise vertically one behind the other; the foremost and lowest is Fox, clenching his fist, next Sheridan in profile; then Stanhope, the fourth a mere scrawl."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Watermark: Strasburg bend with date 1798?, and Mounted to 42 x 29 cm.
Publisher:
Pubd. by W. Holland, Oxford St.
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Stanhope, Charles Stanhope, Earl, 1753-1816, Bridgewater, Francis Egerton, Duke of, 1736-1803., and East India Company.
Subject (Topic):
Finance, Public, Economic conditions, John Bull (Symbolic character), Debts, Public, Loyalty Loan, and Musical instruments
"Pitt sits astride a huge pile of bundles strapped to the back of a bull (John Bull); he is about to enter a high archway inscribed 'Trea[sury]'. His pose and expression combine jauntiness with dignity. His head is in profile to the right, his right hand on his hip, he wears a large bag to his wig, and while pressing his hat under his left arm holds the (slack) reins of the bull; his long thin leg hangs considerably above the bull's back, owing to the height of the bundles. The sturdy bull, though with downcast head and closed eyes, is not weighed down with his burden. Dundas (right), in Highland dress, marches grinning in front of the bull, playing the bagpipes which are inscribed 'Union Pipes' and have a transparent bag filled with coins. The bull's burden consists of ten superimposed bundles, inscribed with figures relating to the Loyalty Loan. Some of these are '50 000!, 30 000!, East India Company 2 000 000!!!, Duke of Queensbury 100-000!, 100 000!, Pit[t] D. dass 10000 [partly obscured by Pitt's foot], 50000, Duke of Bridgewater 100 000!, Corporation of London 100 000!' Behind the bull and on the extreme left are crowded together four British Jacobins, much caricatured, wearing bonnets-rouges and looking up at Pitt with anger and dismay. Their heads rise vertically one behind the other; the foremost and lowest is Fox, clenching his fist, next Sheridan in profile; then Stanhope, the fourth a mere scrawl."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., 1 print : etching ; sheet 40.5 x 27.8 cm., Hand-colored. On laid paper with watermark: Strasburg bend with date 1798., and On the verso: an impression the outline for the print in black ink.
Publisher:
Pubd. by W. Holland, Oxford St.
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Stanhope, Charles Stanhope, Earl, 1753-1816, Bridgewater, Francis Egerton, Duke of, 1736-1803., and East India Company.
Subject (Topic):
Finance, Public, Economic conditions, John Bull (Symbolic character), Debts, Public, Loyalty Loan, and Musical instruments
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Sheridan, in Harlequin dress (cf. British Museum Satires No. 9916), rows an open boat, over which large waves are breaking, towards a rock on the horizon inscribed 'Cape Clear', The others in the boat are (left to right) Moira, in the bows, Yarmouth pumping hard, the Regent, McMahon, and Lady Hertford who steers with an oar. Her identity is made unmistakable by a scarf streaming from her décolletée dress, inscribed 'Manchester Stuff [cf. British Museum Satires No. 11878]. She says: Pull away Sherry--Til steer you--into--Blanket Bay'. Next her sits the Prince, vomiting, his head held by McMahon, who says, "This is Sorry--Work indeed." His hat, trimmed with his feathers and motto, 'Ich Dien', flies from his head, puffed by blasts from three winged (portrait) heads, two perhaps intended for Burdett and Whitbread. Sheridan says to Yarmouth: "Pump a way My Noble dont Flinch." Moira bestrides the bows of the boat clasping the flag-staff from which flies a Union Jack; he says: "I'll keep a good look-out a head for My Honours sake." Three other winds (unrecognizable), inscribed 'Mother Careys Chickens', blow against him (cf. British Museum Satires No. 11050). On the horizon, surrounded with breakers, are buildings: (left) 'Yarmouth Peer', and (right) above Lady Hertford, 'Cuckolds-point', surmounted by a head with wide-spreading horns."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Date precedes publisher's statement in imprint., Imprint statement separated into two halves, one on each side of title., Plate numbered "152" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., "Price one shilling coloured."--Lower left corner of design., and Leaf 7 in volume 3.
Publisher:
Pubd. by Thos. Tegg, 111 Cheapside
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Hertford, Francis Charles Seymour-Conway, Marquess of, 1777-1842, George IV, King of Great Britain, 1762-1830, McMahon, John, approximately 1754-1817, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, Burdett, Francis, 1770-1844, and Whitbread, Samuel, 1764-1815
Title assigned by British Museum catalogue., Printmaker identified by British Museum catalogue as Gillray signing with James Sayers's initials., Sheet trimmed within plate mark., and Temporary local subject terms: Warren Hastings's trial -- Reference to Sheridan's speech at Hastings's trial.
Publisher:
Publish'd 29th June 1789, by J. Aitken, Castle Street
Title assigned by the cataloger., Printmaker identified as possibly Gillray signing with James Sayers's initials from unverified data from local card catalog record., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Warren Hastings's trial -- Sheridan's speech at Hastings's trial., and Manuscript note in contemporary hand identifying Sheridan in lower right corner.
Publisher:
Pubd. June 29, 1789, by [S.]W. Fores, No. 3 Piccadilly
Tentative identification of Fox, Sheridan, Moira, Sir John Sinclair, and Sir George Shuckburgh in chairs, leaning against the sides of bunks in a ship, all sleeping or being ill
Alternative Title:
Margate hoy
Description:
Title from Draper Hill; alternative title from pencil inscription on verso: A Margate hoy. and Date from Draper Hill, who suggests that the drawing is a preliminary for one of the illustrations for the abandoned de luxe edition of Poetry of the Anti-Jacobin.
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Sinclair, John, Sir, 1754-1835, and Shuckburgh-Evelyn, George Augustus William, Sir, 1751-1804
