"Mrs. Siddons as Elvira in 'Pizarro'. Her words are from Act III. iii (in Pizarro's tent). She stands with her head turned in profile to the left, right arm extended in a commanding gesture. She wears a high-waisted, quasi-classical dress, with a long cloak bordered with gold, folds of which are twisted round her left arm."--British Museum online catalogue
Description:
Title etched below image., Temporary local subject terms: Theater: actors in performance -- Literature: Richard Brinsley Sheridan, Pizarro, iii.3 -- Female costume: theater costume., Leaf 28 in an album with the spine title: Characatures by Dighton., 1 print : etching with drypoint on laid paper, hand-colored ; plate mark 22.3 x 17.4 cm, on sheet 31.1 x 25.5 cm., and Figure identified as "Siddons" in pencil in lower left corner of sheet.
Publisher:
Robert Dighton
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816. and Siddons, Sarah, 1755-1831
"Sarah Siddons as Lady Macbeth standing in a flagged hall in front of an archway, a view of mountains beyond, looking up resolutely to left, stepping forward and extending her right arm with clenched fist, her other hand at her breast, holding a paper"--British Museum online catalogue
Description:
Title engraved below image., "Shakspeare"--At head of title., Lettered below the image with the title, reference, quotation over eight lines: "Lady M. - Come to my woman's breasts ... To cry, Hold, hold!', and Sheet trimmed to plate mark.
Publisher:
Pub. June 4, 1800 by J. & J. Boydell, Shakspeare Gallery, Pall Mall & No. 90, Cheapside, London
Subject (Name):
Shakespeare, William, 1564-1616., Shakespeare, William, 1564-1616, Gruoch, Queen, consort of Macbeth, King of Scotland, and Siddons, Sarah, 1755-1831
Subject (Topic):
Characters, Lady Macbeth, In literature, Performances, and Actors
"Mrs. Siddons stands on the stage, her head turned in profile to the left, her left hand outstretched to take a heavy purse which hangs on a pitchfork emerging from clouds. To take it she has dropped a dagger which falls to the ground. In her left hand is a cup whose contents she is pouring on the ground. The panniers of her dress fly backwards revealing two bulging pockets, one full of guineas, the other of notes or cheques inscribed '£1000, £300', &c. She is saying: "Famish'd & spent relieving others woe, Your poor devoted Suppliant only begs, This morsel for to buy a bit of Bread." The black clouds of smoke from which the pitchfork projects rise in a pillar of cloud from the pit of the theatre where flames are indicated, from which come the words 'Encore! Encore!' In the background a temple of Fame on a mountain-top is collapsing, the pillars shattered; the figure of Fame falls backward, dropping his trumpet."--British Museum online catalogue
Description:
Title engraved below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Mythology -- Melpomene (Mythological character) -- Purses of money -- Falling figure of Fame -- Temple of Fame -- Symbols: daggers -- Symbols: goblets -- Theater stage., and Counter watermark.
Publisher:
Pubd. Decr. 6th, 1784, by J. Ridgeway, No. 196 Piccadilly, London
Subject (Name):
Siddons, Sarah, 1755-1831
Subject (Topic):
Purses, Coins, Pitchforks, Temples, Drinking vessels, and Daggers & swords
Illustration at the top of the letterpress broadside. "Mrs. Siddons leans back in her chair, majestically resentful. She addresses Harris, [Grego suggests Topham, whom he does not resemble, and who was living in Yorkshire.] patentee and manager of Covent Garden, who stands before her (l.), hat in hand. Between them stands the much taller J. P. Kemble, his left hand on his sister's shoulder. Mrs. Siddons leans one elbow on a table (r.) on which are three books: 'Salary Benifi[ts]', 'The Right of Woman', 'Duty of Man', and a bust of (?) herself, looking reproachfully towards the group. On the wall (r.) is part of a print: 'Propagation of a Lye', six figures from Bunbury's well-known plate, BMSat 7230 (1787). The text is a debate (printed in full by Grego): Mrs. Siddons complains to Harris of neglect on account of 'your Blind Bargain and Infant Roscius'. Harris, 'First Monarch', answers: 'if John Bull chooses to feed on slink calf, instead of substantial roast beef, yet consents to pay for the roast it is not for me to complain. . . . you have had your day. . . .' He reminds her of her good salary. Kemble, 'Second Monarch', supports him, and ends: 'Public taste ... is now in second childishness; and when mere oblivion takes place, then you shall make a sally, and should the Town require a filip [Philip] I will be at your elbow.'"--British Museum online catalogue
Alternative Title:
Child's play defended by theatrical monarchs
Description:
Caption title in letterpress below etching., Printmaker and date of publication from British Museum catalogue., Sheet trimmed within plate mark., and Watermark: E & C T Russell 1797.
Publisher:
Printed by D.N. Shury, Berwick Street, for Ackermann, 101 Strand
Subject (Name):
Kemble, John Philip, 1757-1823 and Siddons, Sarah, 1755-1831
"Illustration to Bell's Shakespeare; Sarah Siddons as Isabella in Shakespeare's 'Measure for Measure'; whole length, to the right, arms extended, beseeching; wearing a long scarf that hangs from the back of her head, and around her body, a crucifix and beads at her waist; in oval. 1785."--British Museum online catalogue
Description:
Title from caption below image., Text above image: "Act 5 ; Measure for Measure ; Scene 1.", Verse below title: "Justice, O royal duke! vail your regard ; upon a wrong'd, I would fain have said a maid!", Sheet trimmed to plate mark., and In paper frame: 330 x 268 mm.
"Design in an oval. Thirteen heads arranged in four rows, the first, second, and fourth having three heads, the third four. In the uppermost row the Prince of Wales (left) and the King (right) face each other in profile; the likeness between them is stressed. Between and slightly above them is Queen Charlotte, in profile to the left, her hair inscribed 'Queen of hearts', cf. British Museum Satires No. 6978. In the next row Fox, full-face, is the central head of the design; Mrs. Fitzherbert (left) (unrecognizable) wears a low crown inscribed 'Queen would be', and the feathers of the Prince of Wales; George Hanger, in profile to the left, wears the large cocked hat made familiar by British Museum Satires No. 6924, &c. The next four heads are (left to right): Mrs. Siddons, wearing a low crown inscribed 'Queen Rant', looking wildly over her shoulder to the right; Burke, wearing spectacles and a cap or turban, his back turned to Pitt who is in profile to the right; on the left in profile to the right is the Duchess of Devonshire, wearing a low crown and a collar which are inscribed 'Queen of Fox'. In the lowest row the central figure is the broad back of North wearing his ribbon; on the left is Mrs. Abington, a ribbon in her much-curled hair inscribed 'Queen Scrub' (see British Museum Satires No. 7053); on the right, in profile to the left, is the Duke of Richmond."--British Museum online catalogue
Description:
Title etched below image., Initials "W.M." identified in British Museum catalogue as those of William Mansell., and Characters identified in pencil.
Publisher:
Pub. 26 March 1786 by W. Humphrey, Lancaster Court
Subject (Name):
Charlotte, consort of George III, King of Great Britain, 1744-1818, George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Abington, Mrs., 1737-1815 (Frances Barton),, Burke, Edmund, 1729-1797, Devonshire, Elizabeth Cavendish, Duchess of, 1758-1824, Fox, Charles James, 1749-1806, Fitzherbert, Maria Anne, 1756-1837, Hanger, George, 1751?-1824, North, Frederick, Lord, 1732-1792, Pitt, William, 1759-1806, Richmond, Charles Lennox, 3d Duke of, 1735-1806, and Siddons, Sarah, 1755-1831
Kemble, in tattered theatrical dress, stands at the gate of Northumberland House in the Strand, holding out his hat and bowing to the obese and oafish-looking Duke of Northumberland, who is placing a "Draft for 10,000 Pounds" in the hat; in his right hand he holds a paper which lists donations. Kemble is followed by his brother Charles and his sister Mrs. Siddons, both of whom are weeping. Her reticule is stuffed with papers and is inscribed "Humble solicitations..."
Alternative Title:
New dramatic resource : "a begging we will go! A scene from Covent Garden Theatre after the conflagration
Description:
Title etched below image. and Sheet trimmed within plate mark.
Publisher:
Publishd. Jany. 15, 1809, by H. Humphrey, St. James's Street
Subject (Geographic):
England and London.
Subject (Name):
Kemble, Charles, 1775-1854, Kemble, John Philip, 1757-1823, Northumberland, Hugh Percy, Duke of, 1742-1817, Siddons, Sarah, 1755-1831, Strand, The (London, England), and Covent Garden Theatre.
Subject (Topic):
Fires, Fools & jesters, and Harlequin (Fictitious character)
An oversized John Bull with a carbuncled-faced sits at a round table across from a very young looking William Betty and his father, both handsome and not caricatured. John Bull toasts the two, full wine glass in hand: "Youngster, heres to you I'm glad to see you in town. Old Master Roscius your health, and may you get such another boy every New Year's Day for the benifit [sic] of the English stage." Behind them pinned to the wall are two prints: the one a profile portrait of Mrs. Siddons, hangs from one corner only, and the other a portrait of J.P. Kemble. The three ostrich feathers on the back of Master Betty's chair may indicate the patronage of the Prince of Wales
Description:
Title etched below image., Printseller's stamp in lower right corner: S.W.F., and Description from British Museum catalogue of "Young Roscius and Don John" mounted on verso.
Publisher:
Pubd January 4, 1805, by S.W. Fores, No. 50 Piccadilly
Subject (Geographic):
Great Britain
Subject (Name):
Betty, William Hen. West 1791-1874. (William Henry West),, Siddons, Sarah, 1755-1831, and Kemble, John Philip, 1757-1823
Subject (Topic):
John Bull (Symbolic character), Theater, Actors, British, and Child actors