"Vesuvius in eruption ejects an inverted cone of flame, while streams of flaming lava pour down its sides and have already surrounded 'Flanders' and 'Holland' (both indicated by windmills (left)). Another stream has almost reached London, which is directly in front of the mountain and is represented by St. Paul's and the gateway of St. James's Palace. In order to avert the calamity a ramshackle procession advances in the foreground from the right. Sheridan, as a cardinal, walks in profile to the left, holding up the head of Fox in both hands. His hat has the crown of a bonnet-rouge. His tattered robes are held up by two train-bearers, the diminutive M. A. Taylor and Lord Derby; their rents reveal a bare thigh and ill-gartered stockings over bare feet. Beside Sheridan walks a dog with a human profile, Grafton, as in BMSat 8457. [Identified by Wright and Evans as General Fox, who was serving with distinction in Flanders.] In front of Sheridan walks Lauderdale, carrying bell, book ('Lauderdale's Jests', a paper emerging from his pocket), and candle (a conspirator's lantern). Behind (and towering above) the two train-bearers are the Duke of Norfolk holding up his cap of 'Libertas' on his staff of hereditary Earl-Marshal, and Lord Stanhope holding two bundles of flaming matches. Their followers on the extreme right are indicated by caps, spears, and a tricolour flag inscribed 'Vive la Repub[lique]'. Heavy clouds cover the sky, from it fall stones or lava upon 'Vienna' and 'Berlin'. A thunderbolt descends upon 'Rome', which is in flames. All the sansculottes are literally without breeches and all have bonnets-rouges. They appear more ready to welcome the catastrophe than anxious to avert it. In the coloured impression the flame and lava from Vesuvius and the robes of Sheridan are tricolour."--British Museum online catalogue
Alternative Title:
Horrors of the "Bocca del Inferno"
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Mouth of Hell -- Clergy: cardinals -- Views: St. Paul's Cathedral -- Views: St. James's Palace -- Cap of Liberty -- Emblems: staff of Earl-Marshal -- Allusion to the French Revolution -- Reference to St. Januarius -- Allusion to the lazzaroni -- Emblems: conspirator's lantern -- Flags: French flag -- Male costume: bonnet rouge -- Bells., and 1 print on wove paper : etching & aquatint ; plate mark 32.6 x 38.2 cm., on sheet 34 x 40 cm.
Publisher:
Pubd. July 25th, 1794, by H. Humphrey, No. 37 New Bond Street
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Taylor, Michael Angelo, 1757-1834, Smith-Stanley, Edward, 1752-1834, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Lauderdale, James Maitland, Earl of, 1759-1839, Norfolk, Charles Howard, Duke of, 1746-1815, and Stanhope, Charles Stanhope, Earl, 1753-1816
"Vesuvius in eruption ejects an inverted cone of flame, while streams of flaming lava pour down its sides and have already surrounded 'Flanders' and 'Holland' (both indicated by windmills (left)). Another stream has almost reached London, which is directly in front of the mountain and is represented by St. Paul's and the gateway of St. James's Palace. In order to avert the calamity a ramshackle procession advances in the foreground from the right. Sheridan, as a cardinal, walks in profile to the left, holding up the head of Fox in both hands. His hat has the crown of a bonnet-rouge. His tattered robes are held up by two train-bearers, the diminutive M. A. Taylor and Lord Derby; their rents reveal a bare thigh and ill-gartered stockings over bare feet. Beside Sheridan walks a dog with a human profile, Grafton, as in BMSat 8457. [Identified by Wright and Evans as General Fox, who was serving with distinction in Flanders.] In front of Sheridan walks Lauderdale, carrying bell, book ('Lauderdale's Jests', a paper emerging from his pocket), and candle (a conspirator's lantern). Behind (and towering above) the two train-bearers are the Duke of Norfolk holding up his cap of 'Libertas' on his staff of hereditary Earl-Marshal, and Lord Stanhope holding two bundles of flaming matches. Their followers on the extreme right are indicated by caps, spears, and a tricolour flag inscribed 'Vive la Repub[lique]'. Heavy clouds cover the sky, from it fall stones or lava upon 'Vienna' and 'Berlin'. A thunderbolt descends upon 'Rome', which is in flames. All the sansculottes are literally without breeches and all have bonnets-rouges. They appear more ready to welcome the catastrophe than anxious to avert it. In the coloured impression the flame and lava from Vesuvius and the robes of Sheridan are tricolour."--British Museum online catalogue
Alternative Title:
Horrors of the "Bocca del Inferno"
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Mouth of Hell -- Clergy: cardinals -- Views: St. Paul's Cathedral -- Views: St. James's Palace -- Cap of Liberty -- Emblems: staff of Earl-Marshal -- Allusion to the French Revolution -- Reference to St. Januarius -- Allusion to the lazzaroni -- Emblems: conspirator's lantern -- Flags: French flag -- Male costume: bonnet rouge -- Bells.
Publisher:
Pubd. July 25th, 1794, by H. Humphrey, No. 37 New Bond Street
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Taylor, Michael Angelo, 1757-1834, Smith-Stanley, Edward, 1752-1834, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Lauderdale, James Maitland, Earl of, 1759-1839, Norfolk, Charles Howard, Duke of, 1746-1815, and Stanhope, Charles Stanhope, Earl, 1753-1816
Title from item., Later state, with additions to title, as described in British Museum catalogue., Temporary local subject terms: Music: 'Ballanamonioro' by Charles Morris, 1745-1838 -- Music: 'God save great George, our king' by Henry Carey, 1690?-1743 -- Opposition to Irish Propositions -- Music: concertos -- Coalition., and Mounted to 37 x 56 cm.
Publisher:
Published 25th April 1785 by Thomas Cornell, [Bruton] Street
Subject (Name):
Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, North, Frederick, Lord, 1732-1792, Norfolk, Charles Howard, Duke of, 1746-1815, Smith-Stanley, Edward, 1752-1834, Mansfield, David Murray, Earl of, 1727-1796, and Auckland, William Eden, Baron, 1744-1814
Title from item., Sheet trimmed partially within plate mark., Temporary local subject terms: Emblems of gambling -- Chequered wallpaper -- Orders: Garter -- Brooks's Club: Interior -- Scatology -- Sports: Cock-fighting -- Devil -- Literature: Swift, Theophilus, 1746-1815, scene from Gamblers, i.1.550., Partial watermark bottom center of sheet., and Mounted to 28 x 39 cm.
Publisher:
Pubd. as the act directs, by J. Brown, Rathbone Place
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fox, Charles James, 1749-1806, Smith-Stanley, Edward, 1752-1834, North, Frederick, Lord, 1732-1792, and Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809
Volume 2, after page 340. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Image Count:
1
Resource Type:
still image
Abstract:
"An altered copy of British Museum Satires No. 10389. The two principal figures are substantially the same, but Mrs. Fitzherbert's expression is less subtle; she looks down at her charge with an exulting smile. The feathers in her hair are set in a fillet inscribed 'Ich Dien', her breasts are almost bare, her drapery is more swirling. Her pouch is inscribed 'Amusements for Young Minds', its contents differ, and her book is a 'Missal'. Above them (left) ls inscribed: 'Angels ever bright and fair" Take, Oh Take me to thy Care,"'. The altar is larger and closer to the ascending figures. In place of the Virgin, the Prince of Wales (half length) stands behind it, looking down at the 'Guardian-Angel'. On the altar, which is inscribed 'Sanctum Sanctorum' is an irradiated chalice. The attendant cherubs are (left) Derby, (?) Grey, Grenville; and (right) Norfolk, Burdett, and Windham. Two cherubs have descended from the circle (right) and look fixedly at close range towards the child; they are Fox and Sheridan. The rays are inscribed: 'Bulls', 'Dispensations', 'Indulgences', 'Luxuries', 'Consecrations', 'Cannonizations', 'Remissions', 'Pardons', 'Beatifications', 'Permissions'. Below the ascending pair, in place of the Pavilion, is the roof of Carlton House."--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Altered copy of a print by Gillray, published 22 April 1805 by H. Humphrey. Cf. No. 10389 in the Catalogue of prints and drawings in the British Museum, v. 8., Text following title: The designer is particularly indebted to Mr. Peters for the hint for this subject., "Folios of caracatures [sic] lent out for the evening"--Beneath imprint., Printseller's stamp in lower right of plate: S.W.F., Four figures identified at bottom of mounting sheet, their names written in ink: Princess Charlotte; Mrs. Fitzherbert; C. Fox; R.B. Sheridan., Window mounted to 51 x 36 cm., and Mounted after page 340 (leaf numbered '163' in pencil) in volume 2 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Pubd. May 10th, 1805, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Fitzherbert, Maria Anne, 1756-1837, George IV, King of Great Britain, 1762-1830, Smith-Stanley, Edward, 1752-1834, Grey, Charles Grey, Earl, 1764-1845, Grenville, William Wyndham Grenville, Baron, 1759-1834, Norfolk, Charles Howard, Duke of, 1746-1815, Burdett, Francis, 1770-1844, Windham, William, 1750-1810, Fox, Charles James, 1749-1806, and Sheridan, Richard Brinsley, 1751-1816
"A fantastic representation of the supper at the ball given by the eleven Knights of the Bath installed on 19 May in Westminster Abbey, see BMSat 7318. Full accounts appeared in the newspapers, and the scene depicted appears intended for 'the Prince of Wales, Duke of York, and a select party of their friends' who 'supped privately in the cotillon room'. 'London Chronicle', 27 May 1788. The guests sit on each side of a long narrow table, scantily provided with food, the bench on the near side of the table showing legs and feet in characteristic attitudes. The design, long as it is, shows only a section of the table, the ends not appearing. [Pl. 1.] On the extreme left, on the near side two elderly and ugly ladies lean ingratiatingly towards Major Topham, the seat of whose breeches is decorated with Prince of Wales's feathers. On the opposite side, on the extreme left, is a couple identified as Sir J. Johnstone and lady. He is very unlike the herculean uncouth figure described by Wraxall, 'Memoirs', 1884, iv. 404. Next (opposite Topham) Lord Bathurst takes wine with Lord Stormont who grasps a decanter of French Wine. Burke, seated next Topham, on whom he turns his back, holds out an empty plate towards Hastings on the opposite side of the table who keeps to himself a whole ham; they regard each other with wary suspicion. On Hastings's left sits Mrs. Hastings, also looking warily at Burke. She is decked with jewels and wears a small crowned turban as a head-dress. Next her is a man wearing a ribbon and star, drinking, who is identified as the Marquis of Buckingham (K.G.). Opposite Mrs. Hastings sits a very fat lady talking to a lean man wearing epaulettes. They are identified as Mrs. Hobart [Whom she does not resemble] (actually Miss Jefferies) and Col. Jekyll. Next Jekyll, Lord Sandwich and an ugly (unidentified) man share the same jelly-glass, holding between them the plate on which it stands. On the extreme right, on the farther end of the table, a man of plebeian appearance drinks from a tankard; he is identified as Dr. Parr. The man between him and Buckingham is identified as the Duke of Portland, whom he does not resemble. [Pl. 2.] On the extreme left the Duke of Grafton turns towards the fat Mrs. Hobart (identified as Miss Jefferies). Opposite him a stout man drinking from a jelly-glass has been identified as Lord Nugent (whom he does not resemble). Next him Cornwallis, wearing ear-rings, puts his arm round the shoulder of a lady, identified as Lady Clive, who looks languishingly at him as she takes a (?) peach. Next her is Lord North. Opposite him is a man identified as Sir George Shuckburgh [He is unlike the Shuckburgh of Gillray's 'French Habits' (1798)] who takes his neighbour by the arm offering her a glass of wine; she demurs deprecatingly. On the farther side of the table, with no one seated opposite him, is the Prince of Wales, a fork held to his mouth (as in BMSat 8111), sitting impassively between Lady Archer and Lady Cecilia Johnston, two bedizened harridans, who ogle him, putting their hands on his shoulders. Next Lady Cecilia (right) is Mrs. Fitzherbert, ogling Wilkes, who sits next her, squinting and leering. On the near side of the table is a man in back view wearing a ribbon and (right) Lord Carlisle talking to Lord Heathfield who sits behind a sirloin of beef. Opposite him and on the extreme right is a pretty young lady identified as Miss Bingham. [Pl. 3.] On the extreme left, on the near side of the table, a middle-aged couple, holding knives and forks, turn to each other with animated smiles. Opposite them sits a good-looking young man wearing a ribbon and star (perhaps Lord Mornington). On his left the Duke of Richmond turns with an expression of pained surprise to Lord Rawdon. Opposite this pair two stout men turn to each other, both drinking. The central group of this plate, a pendant to that of the Prince of Wales on pl. 2, is the Duke of York sitting between two pretty young women, his right arm is round the shoulder of one, probably Lady Tyrconnel, the other holds his left arm and shoulder; both look languishingly at him. On the near side of the table are two more couples: Lord Amherst (caricatured) puts an arm round the waist of a lean and ugly old woman wearing the fashionable false 'derrière' in an exaggerated form. On the extreme right Lord Derby, his hand on his breast, drinks wine with the witch-like Lady Mount Edgcumbe. On the farther side of the table are two unidentified men, one of whom drinks from his plate; next him is a pretty young woman. On the extreme right Dundas turns to speak to his left-hand neighbour; he grasps a decanter and glass, spilling his wine. [Pl. 4.] On the farther side of the table Philip Francis turns to speak to Dundas. Opposite him, and on the extreme left, a stout lady, identified as Lady Salisbury (see BMSat 6115), sits in back view, her petticoats enormously inflated behind. She speaks to no one: Pitt, her right hand neighbour, leans behind the back of the Speaker (alternatively identified as Thurlow) to touch glasses with Fox, who smiles amiably, holding a decanter in his right hand. Cornwall bends avidly over his plate; he wears his Speaker's wig, the mace lies across his knees. Four figures sit opposite this group: the ugly Pepper Arden who gazes admiringly at a pretty young woman on his left; she appears displeased at her position between Arden and a fat woman who puts both knife and fork to her mouth. Next the latter is Lord Lansdowne, who seizes affectionately the hand of Lord Sydney who turns towards him with a smile; they drink to each other. Next Fox on the near side of the table a plain and elderly couple drink to each other; both are thin. They are identified as Lady Powlett and Sir H. Powlett. Opposite them, and, like the lady on his left, intent on his plate, is a military officer identified as General Bligh. His neighbour is old and haggard, her hair elaborately dressed. Next her and on the extreme right two men carouse together, both wear stars; one is identified as the Duke of Bedford, the other (right) as the Duke of Norfolk (neither had an order). Opposite, a man wearing a ribbon pours out wine for an elderly and ugly lady who receives the attention with a gesture of satisfaction. They are identified as Sir George and Lady Yonge. He is identical with the ass whose profile is shown on the extreme right in BMSat 7318, who can hardly be Yonge who appears elsewhere in that print."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Text in lower right corner of plate 4: All the works of Bunbury, & Gillray, to be had of S.W. Fores, No. 3 Piccadilly., A design on four plates, the prints to be pasted together to form a long strip; the imprint is on plate 1, the title on plate 2 and plate 3, the inscription relating to Bunbury, &c, on plate 4., Framed to 31 x 216 cm., and Several of the figures are identified in different hands below design. For further information, consult library staff.
Publisher:
Publish'd June 4th, 1788, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Topham, Edward, 1751-1820, Bathurst, Henry Bathurst, Earl, 1714-1794, Mansfield, David Murray, Earl of, 1727-1796, Burke, Edmund, 1729-1797, Hastings, Warren, 1732-1818, Hastings, Anna Maria Apollonia von Chapuset, 1747-1837, Sandwich, John Montagu, Earl of, 1718-1792, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Cornwallis, Charles Cornwallis, Marquis, 1738-1805, North, Frederick, Lord, 1732-1792, Archer, Sarah West, Lady, 1741-1801, Johnston, Henrietta Cecilia, Lady, 1727-1817, Fitzherbert, Maria Anne, 1756-1837, Carlisle, Frederick Howard, Earl of, 1748-1825, Richmond and Lennox, Charles Lennox, Duke of, 1735-1806, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, George IV, King of Great Britain, 1762-1830, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Amherst, Jeffery Amherst, Baron, 1717-1797, Mount Edgcumbe, Emma Gilbert, Lady, 1729-1807., Smith-Stanley, Edward, 1752-1834, Dundas, Henry, 1742-1811, Francis, Philip, 1740-1818, Cecil, Mary Amelia, Marchioness of Salisbury, 1750-1835., Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Cornwall, Charles Wolfran, 1735-1789, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Lansdowne, William Petty, Marquis of, 1737-1805, and Sydney, Thomas Townshend, Viscount, 1733-1800
"Three officers stand stiffly at the bar at one end of a high panelled hall; through the open door behind them are seen steps leading to the Thames and one pillar of the south portico of Chelsea Hospital. Only the end of the long table (right) at which officers are seated is within the design, with four officers, two on each side, one holding a paper headed 'Charges'. A long label floats into the design from the right: 'Call William-Cobbett into Court, to make good his Charges!' An usher standing close to the accused, and looking through the wide doorway calls: "William Cobbett! William Cobbett!" Soldiers stand by the door, hat in hand, others are on the steps hailing a small boat with two occupants sailing across the river. One shouts: "Ho! William Cobbett". Cobbett, in the boat, shouts back: "Call away & be Damn'd--I'm off". Spectators, men and women, crowd the court; some are many rows deep on the farther side, some in a gallery over the wide-open doors. The heads and shoulders of others in back view in the foreground form a base to the design. Six men turn their heads in profile and Burdett and Derby are unmistakable. A head next Burdett resembles Wilberforce."--British Museum online catalogue
Description:
Title etched below image., Sixth print of eight in a series entitled: The life of William-Cobbett, written by himself., Below image is printed a second plate etched with text only: Plate 6th. The court-martial was assembled at Chelsea as I requested, and Captn. Powele and the other accused persons were placed at the bar ... Vide, my own memoir's in the Political Register, 1809., Series number etched above image, in upper left., and Sheet trimmed to plate mark.
Publisher:
Publish'd Septr. 29th, 1809, by H. Humphrey, 27 St. Jamess [sic] Street
Subject (Name):
Cobbett, William, 1763-1835, Burdett, Francis, 1770-1844, and Smith-Stanley, Edward, 1752-1834
"Design in an oval. A travesty of the cameo known as the Marlborough Gem, now in the Museum of Fine Arts at Boston. The figures are light on a dark ground, as in the original. Miss Farren, tall, thin, with butterfly wings, her dress approximating to contemporary fashion, walks (left to right) on Lord Derby's left. He has the wings of Cupid, clipped, and is almost nude, with the fat limbs of a child together with a heavy paunch. He holds a dove, putting its beak to his lips. His scanty hair is in a small tail. Both are veiled. They are preceded by two winged boys, one with the torch of Hymen. A third follows, wearing a fool's cap simulating a cap of Liberty; he holds up an earl's coronet towards the bride, in place of the tray of fruit of the original."--British Museum online catalogue
Alternative Title:
Marriage of Cupid and Psyche
Description:
Title etched below image., A parody of Bartolozzi's engraving of the Marlborough Gem., Sheet trimmed to plate mark on right and left edges., Temporary local subject terms: Fool's cap as a bonnet rouge -- Cameos: Marlborough gem -- Crowns: earl's coronet -- Cherubs -- Torches: Hymen's smoking torch -- Marriages -- Birds: dove -- Wings -- Travesties., and Mounted to 32 x 48 cm.
Publisher:
Pubd. May 3d, 1797, by H. Humphrey, 27 St. James's Street
Subject (Name):
Smith-Stanley, Edward, 1752-1834, Derby, Elizabeth Farren Stanley, Countess of, 1759 or 62-1829, Psyche (Greek deity), and Cupid (Roman deity)
"Pitt (left), as a toreador, rides a rearing white horse (of Hanover) with a spear directed horizontally against a buil (John Bull) snorting fire and bleeding from many wounds. He wears a short tunic and sash; his saddle-cloth is a leopard-skin on which is a crest: the white horse of Hanover enclosed in a Garter ribbon inscribed 'Honi soit qui mal y pense', and surmounted by a crown. He looks alarmed and spurs his horse viciously. Two tiers of spectators in an arc of the arena are freely sketched. In the upper row George III looking through a glass is in the centre, on his left is the Queen, on his right Loughborough. The man next the Queen is (?) Grenville. In the lower tier Fox is conspicuous with (?) the Prince of Wales on his left; Sheridan stands behind them. The other spectators are members of the Opposition or ragamuffins. Those who can be identified are (right to left): Stanhope, Derby, Grafton, Lansdowne. A chimney-sweep applauds with brush and shovel. ..."--British Museum online catalogue
Description:
Title etched below image., Three lines of text beginning to the left of title and continuing below it: Description from the royal bull fight of 1795. Then entered a bull of the true British breed ..., Sheet trimmed within plate mark., and Temporary local subject terms: Opposition -- Treason -- Emblems : the White Horse of Hanover -- Male costume: toreador.
Publisher:
Pubd. Novr. 21st, 1795, by H. Humphrey, New Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Charlotte, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Lansdowne, William Petty, Marquis of, 1737-1805, Smith-Stanley, Edward, 1752-1834, Grenville, William Wyndham Grenville, Baron, 1759-1834, Stanhope, Charles Stanhope, Earl, 1753-1816, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, and Rosslyn, Alexander Wedderburn, Earl of, 1733-1805
