"A countrywoman (right), wearing a cloak apron, and pattens and holding out a volume of 'Wesleys Hymns', addresses a jockey standing before the door of 'The Ram Inn' (left): "Pray Young Man--- are there any Meetings in this Town?" He answers: "Yes Ma'am two a Year Spring and October." The dog at his feet wears a collar "Snap". Three persons standing on the doorstep watch with amused interest: a typical betting man in top-boots arm-in-arm with a young woman, and a stout rubicund man. Behind is the race-course; three horses (right) are almost neck and neck. Spectators on horse-back watch from 'Devils Ditch', and on the horizon (right) is the winning-post with a flag."--British Museum online catalogue.
Alternative Title:
Mistake at New Market, or, sport and piety, Mistake at Newmarket, or sport and piety, and Sport and piety
Description:
Later reissued without publication date. Cf. no. 10920. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate numbered '28' in upper right corner., Printseller's announcement following imprint statement: Price one shilling col[ore]d., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Tegg, Thomas, 1776-1845, publisher., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Subject (Topic):
Dogs., Gambling., Horses., Racing. , and Taverns (Inns)
"A small ugly man trots (left to right) deprecatingly beside his wife, a large, over-dressed, scowling termagant, on their Sunday outing. He carries her umbrella, cloak, pattens, and a bundle in a check handkerchief. She holds a fan. An elderly man (right) walking in the opposite direction looks angrily at the couple; he swaggers in front of his pretty young wife, who appears pregnant and walks carrying a little girl and an umbrella. Behind them is an inn with the sign: 'The Old Swant [sic] Ordinary on Sunday'. A couple sit on a bench."--British Museum online catalogue, description of an earlier state.
Alternative Title:
Hen peck'd husband and Hen pecked husband
Description:
Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 69-71., Cf. No. 10909 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Date of publication based on complete imprint on earlier state: London, Pub. Apr. 24, 1807 by T. Tegg, Cheapside., Later state, with first half of imprint statement burnished from plate., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Plate numbered "147" in upper right corner., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"Mrs. Clarke kneels on one knee in profile to the left, extending her arms towards a sacrificial pile of burning books, and looking up at an irradiated sun containing a profile bust portrait of the Duke of York. The books are on a rectangular altar, 'The Alter of Repentance', with classical mouldings, the corners being satyrs' heads. The books are inscribed 'Life of Mrs Clarke' and 'Memoirs'; with them are burning papers inscribed 'Love'; 'Darling'; 'Love Letter'. A mass of flame ascends to merge with the rays from the sun, from which the Duke looks down benevolently at Mrs. Clarke; she says, "Thus perish all that gives my Darling pain". She wears feathers and drapery in her hair."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Clarke, Mary Anne Thompson,--1776-1852--Caricatures and cartoons., Frederick Augustus,--Prince, Duke of York and Albany,--1763-1827--Caricatures and cartoons., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"The Duke of York, in a pilgrim's gown, wearing a mitre and with a crosier for his staff, approaches the corner of a house where two women, Mrs. Clarke and Miss Taylor, look eagerly from an open window. Behind him his path, 'Road to destruction', leads down from a country house in trees, Oatlands. Beside the path is a stone: 'Stumbling Block'. Near the house the Duchess of York kneels imploringly, raising her arms towards the distant Duke. Behind her is one of her many pet dogs (see British Museum Satires No. 11023). The Duke tramples on two open books: 'Thoughts on Connubial Happiness' and 'Thou shalt not commit Adultery'. He says: "Now for a meeting with my Dearest Dear". On the house many bills are posted: 'Man Traps are placed every Night in these grounds'; 'Diamonds by Mrs Clarke Lapidary to his Highness'; 'This evening will be performed Duke and No Duke [by Tate, 1685] By his Majesties Servts . . .'; 'Agency Office business transacted on moderate Terms'; 'Leakes Pills by appoint. . Taylor'; 'Suppression of vice'; 'To all-Journeymen Taylors wanted'."--British Museum online catalogue.
Alternative Title:
Bishop in an extacy and Pilgrimage from Surrey to Gloucester Place, or, The bishop in an extacy
Description:
Printmaker from British Museum catalogue., Temporary local subject terms: Oatlands Country house -- Mrs. Clarke., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Frederick Augustus,--Prince, Duke of York and Albany,--1763-1827--Caricatures and cartoons., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"Price one shilling couloured [sic].", Design consists of eight figures arranged in two horizontal rows, each figure having a caption etched above., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Plate numbered "105" in upper left corner., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
A reduced copy of a print etched by Gillray and published 16 May 1786 by William Holland. Cf. No. 7014 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Also issued separately., Later state; imprint has been completely burnished from plate., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Plate numbered "74" in upper right corner., Printmaker from British Museum catalogue., Publication information inferred from earlier state with the imprint: Pubd. May 10th, 1811, by Thos. Tegg, No. 111 Cheapside. Cf. Lewis Walpole Library call no.: 811.05.10.01.1+., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Gillray, James, 1756-1815, artist., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., and Tegg, Thomas, 1776-1845, publisher.
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Plate from: Markwell, M. Advice to sportsmen, rural or metropolitan, noviciates or grown persons ... London : Thomas Tegg, 1809., Publisher and date of publication from those of the volume in which the plate was issued., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"The guests sit at a long narrow table which stretches across a magnificent room with an ornate ceiling and chimney-piece flanked by draped canopies resembling high curtained beds with domed testers. Two men and a pretty young woman serve wine, one drawing a cork, the others spilling wine over the guests. Another slatternly waiter removes a soup-tureen, spilling its contents in the face of an elderly guest. A woman and a little girl with a begging dog play tambourine and triangle. The women diners are in full dress, decolletee and with feathers in their hair; some of the men wear bag-wigs. There are two monks, and some ill-bred gormandizing is going on. In the foreground is a large cluster of bottles inscribed 'Frotignac [sic]', 'Claret', 'Burgundy', 'Bla . .', 'Ro . . Vin de Paris'. The figures are caricatured, except for the young women. The scene is a combination of pomp with confused disorder, and of noisy joviality with self-centred gormandizing."--British Museum online catalogue, description of an earlier state.
Alternative Title:
French ordinary in Paris
Description:
Also issued separately., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 188., Companion print to: Paris dilligence., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Plate numbered "20" in upper right corner., Publication information based on earlier state with the imprint "Pubd. May 30, 1810, by Thos. Tegg, 111 Cheapside, London." Cf. No. 11625 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Reissue; imprint has been completely burnished from plate., and Title etched below image
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"In a bare room with a raftered roof couples are energetically dancing, holding hands behind their backs, or above their heads. The women, with one exception, are young and handsome, the men ugly and plebeian. A seated fiddler plays with closed eyes (right). Through a doorway partly covered with curtains the bride and bridegroom are seen embracing. On the wall is a placard: 'They dance in a round, cutting capers and ramping. A mercy the ground did not burst with their stamping.The floor is all wett, with leaps and with jumps, while the water and sweat, splish splash in their pumps'."--British Museum online catalogue.
Description:
Plate numbered "315" in upper right corner. and Title etched below image.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
Subject (Topic):
Couples. , Dance., Musicians. , Tailors. , and Weddings.