Title from item., Reduced copy of a print with the same title by Isaac Cruikshank, published by S.W. Fores on January 16, 1799. See Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7, no. 9340., Publication information from periodical for which the plate was etched., Plate from: London und Paris. Weimar: Im Verlage des Industrie-Comptoirs, 1800, v. 5., p. 346., Numbered 'No. X' in upper right corner., Temporary local subject terms: Opposition -- St. Anne's Hill -- Emblems: tree of liberty as cake decoration -- Twelfth Night -- Furniture: dining table -- Armchairs -- Food: cake -- Bonnets rouges -- Pictures amplifying subject: placard with "Rules to be observed at this meeting.", and Mounted to 27 x 34 cm.
Publisher:
Im Verlage des Industrie-Comptoirs
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Erskine, Thomas Erskine, Baron, 1750-1823, Burdett, Francis, 1770-1844, Taylor, Michael Angelo, 1757-1834, Bedford, Francis Russell, Duke of, 1765-1802, Tierney, George, 1761-1830, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, and Byng, George, 1764-1847
"A burlesqued illustration of the quotation from 'Paradise Lost' etched below the design ... In the upper left corner of the design, and in the background, an aged St. Peter holds open a small arched door, putting one of his three massive keys into the lock. The irradiated doorway is 'Popish Supremacy'; through it is seen a table, also irradiated, spread with loaves, fishes (cf. BMSat 10697), and wine. A golden staircase receding in perspective ascends in a curve to the door from the summit of the globe, on which 'Ireland' (the more conspicuous) and 'England' are marked. A procession of petitioners winds up the globe from the lower margin of the design; its leaders have begun to ascend the stairs but have been struck by three mighty blasts of wind. These issue from the mouths of Pitt, Hawkesbury (just below), and Sidmouth (considerably lower) Their profile heads emerge from dark clouds on the extreme left. The blasts have overthrown the leading petitioners: Grenville, in bishop's robes, staggers back with outstretched arms, his crozier and mitre fall, and the Catholic Petition blows from his hands, tattered by the wind, in a stream of 'popish' objects which slants upwards across the design. Immediately behind him, full face, the spectacled Buckingham staggers backward. He is dressed as a monk. In front of the two brothers Moira has fallen on his back on the third stair, kicking wildly, his upright l. leg expressing his characteristic stiff rigidity. He wears a surplice over regimentals and spurred boots, and his sword has broken. He has dropped the halter of the Irish bull on which sits Fox, dressed as a cardinal, the central figure of the design. The bull, snorting flames, rears violently, throwing Fox back into a horizontal position. Round its neck is a tricolour ribbon inscribed 'Order of St Patrick', from which hangs a medal with a profile of 'Buonaparte'; on its head is a bunch of shamrock. Fox is a Papal Legate; he is about to fall, and drops his triple cross to which is attached a tattered tricolour banner, inscribed 'Catholic Emancipa[tion']. His cardinal's hat flies off; from his left hand blows a document with many seals: 'Hierarchical Powers of ye Legate-Cardinal Volpone'. Mrs. Fitzherbert, a Mother Abbess, has fallen headlong from the stairs on to the globe. Her r. hand is on Ireland, resting on an open book: ' . . by the Brighton Abbess System of Education for the benefit of Protestant Children'; her left wrist is on England. Her crozier rests on the globe. Her robes, rent by the fall, display bare posteriors and fat, kicking legs, suggesting the connotation of 'abbess' and bawd, see BMSat 5184, &c. Moira has flung his left arm across her. ..."--British Museum online catalogue
Description:
Title etched below image., Four stanzas of verse below image, two on either side of title: "And now St. Peter at heav'n's wicket seems ..., and Sheet trimmed within plate mark on upper and lower edges.
Publisher:
Pubd. May 17th, 1805, by H. Humphrey, 27 St. James's Street
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Pitt, William, 1759-1806, Grenville, William Wyndham Grenville, Baron, 1759-1834, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Fox, Charles James, 1749-1806, Grey, Charles Grey, Earl, 1764-1845, Grattan, Henry, 1746-1820, Holland, Henry Richard Vassall, Baron, 1773-1840, Sheridan, Richard Brinsley, 1751-1816, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Erskine, Thomas Erskine, Baron, 1750-1823, Windham, William, 1750-1810, Tierney, George, 1761-1830, William IV, King of Great Britain, 1765-1837, Bedford, John Russell, Duke of, 1766-1839, Carlisle, Frederick Howard, Earl of, 1748-1825, Spencer, George John Spencer, Earl, 1758-1834, Norfolk, Charles Howard, Duke of, 1746-1815, Smith-Stanley, Edward, 1752-1834, Burdett, Francis, 1770-1844, and George III, King of Great Britain, 1738-1820
"A burlesqued illustration of the quotation from 'Paradise Lost' etched below the design ... In the upper left corner of the design, and in the background, an aged St. Peter holds open a small arched door, putting one of his three massive keys into the lock. The irradiated doorway is 'Popish Supremacy'; through it is seen a table, also irradiated, spread with loaves, fishes (cf. BMSat 10697), and wine. A golden staircase receding in perspective ascends in a curve to the door from the summit of the globe, on which 'Ireland' (the more conspicuous) and 'England' are marked. A procession of petitioners winds up the globe from the lower margin of the design; its leaders have begun to ascend the stairs but have been struck by three mighty blasts of wind. These issue from the mouths of Pitt, Hawkesbury (just below), and Sidmouth (considerably lower) Their profile heads emerge from dark clouds on the extreme left. The blasts have overthrown the leading petitioners: Grenville, in bishop's robes, staggers back with outstretched arms, his crozier and mitre fall, and the Catholic Petition blows from his hands, tattered by the wind, in a stream of 'popish' objects which slants upwards across the design. Immediately behind him, full face, the spectacled Buckingham staggers backward. He is dressed as a monk. In front of the two brothers Moira has fallen on his back on the third stair, kicking wildly, his upright l. leg expressing his characteristic stiff rigidity. He wears a surplice over regimentals and spurred boots, and his sword has broken. He has dropped the halter of the Irish bull on which sits Fox, dressed as a cardinal, the central figure of the design. The bull, snorting flames, rears violently, throwing Fox back into a horizontal position. Round its neck is a tricolour ribbon inscribed 'Order of St Patrick', from which hangs a medal with a profile of 'Buonaparte'; on its head is a bunch of shamrock. Fox is a Papal Legate; he is about to fall, and drops his triple cross to which is attached a tattered tricolour banner, inscribed 'Catholic Emancipa[tion']. His cardinal's hat flies off; from his left hand blows a document with many seals: 'Hierarchical Powers of ye Legate-Cardinal Volpone'. Mrs. Fitzherbert, a Mother Abbess, has fallen headlong from the stairs on to the globe. Her r. hand is on Ireland, resting on an open book: ' . . by the Brighton Abbess System of Education for the benefit of Protestant Children'; her left wrist is on England. Her crozier rests on the globe. Her robes, rent by the fall, display bare posteriors and fat, kicking legs, suggesting the connotation of 'abbess' and bawd, see BMSat 5184, &c. Moira has flung his left arm across her. ..."--British Museum online catalogue
Description:
Title etched below image., Four stanzas of verse below image, two on either side of title: "And now St. Peter at heav'n's wicket seems ..., Sheet trimmed within plate mark on upper and lower edges., 1 print : etching with aquatint on wove paper, hand-colored ; plate mark 38.5 x 46.3 cm, on sheet 42.5 x 52.3 cm., and Mounted on leaf 6 of volume 6 of 12.
Publisher:
Pubd. May 17th, 1805, by H. Humphrey, 27 St. James's Street
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Pitt, William, 1759-1806, Grenville, William Wyndham Grenville, Baron, 1759-1834, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Fox, Charles James, 1749-1806, Grey, Charles Grey, Earl, 1764-1845, Grattan, Henry, 1746-1820, Holland, Henry Richard Vassall, Baron, 1773-1840, Sheridan, Richard Brinsley, 1751-1816, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Erskine, Thomas Erskine, Baron, 1750-1823, Windham, William, 1750-1810, Tierney, George, 1761-1830, William IV, King of Great Britain, 1765-1837, Bedford, John Russell, Duke of, 1766-1839, Carlisle, Frederick Howard, Earl of, 1748-1825, Spencer, George John Spencer, Earl, 1758-1834, Norfolk, Charles Howard, Duke of, 1746-1815, Smith-Stanley, Edward, 1752-1834, Burdett, Francis, 1770-1844, and George III, King of Great Britain, 1738-1820
"The members of the Secret Committee of the Commons are seated round a table examining the documents relating to the United Irishmen and other revolutionary societies. A lamp on the table illuminates a large framed transparency [The transparency, a large pictorial design lit from behind, was a popular form of street illumination. On 5 Nov. 1813 (for the battle of Leipzig) Ackermann displayed on the façade of his 'Repository' Rowlandson's 'The Two Kings of terror, afterwards published as a print. Broadley, i. 338.] divided into four equal sections which hangs from the ceiling and conceals the heads of the Committee ; the four scenes depict the supposed intentions of the revolutionaries. The transparency is irradiated, throwing into deep shadow members of the Opposition in the foreground (right), who flee from the room in a body, terror-struck. The nearest (three-quarter length) are Erskine, clutching a brief-bag, Fox, M. A. Taylor, and Norfolk. Behind these are Tierney, Sheridan, and Nicholls; in the last row are Sir J. Sinclair, Burdett, Moira, Bedford. The two most prominent members, though in back view with heads obscured, suggest Pitt (left) and Dundas (right); they read papers inscribed 'Scheme to Overthrow the British Constitution, & to seize on all public Property and Invitation to the French Republic'. Over the edge of the table hang the bulky 'Reports of the Secret Committee of the House of Commons.' On the floor are four papers: 'Names of Traitors now sufferd to remain at large'; 'Oath of the Members of the Society of the United Irishmen in London'; 'Account of ye Lodge of United Englishmen, & of the Monks of St Ann's Shrine' [see BMSat 9217]; 'Proceedings of the London Corresponding Society with a list of all the Members.' [See BMSat 9189, &c] The transparency is suspended on tricolour ribbons. Titles are engraved on the frame: [1] 'Plundering the Bank'. A scene in the Rotunda; tiny figures hasten off with sacks of gold, the most prominent being Tierney with '£10000'. Sir William Pulteney (identified from his resemblance to BMSat 9212) staggers off to the left with two sacks; the poker-like Moira has a sack on his head; two men dispute over a sack, one being Walpole with his huge cocked hat, the other resembling Jekyll; Sheridan (right) slouches off with two sacks. Proletarians exult over small money-bags. [2] 'Assassinating the Parliament'. The interior of the House of Commons is realistically depicted; the Opposition violently attack the occupants of the Government benches, daggers being the chief weapon. Erskine (left) is about to murder Dundas; Fox strikes at Pitt, holding him by the throat, while Sheridan is about to stab Pitt in the back. The puny Walpole tries to drag the Speaker from his chair, while Burdett raises the mace to smite him. Sir John Sinclair raises a broadsword to smite a man held down by little M. A. Taylor. Volumes of 'Acts and Statutes' fall to the floor. [3] 'Seizing the Crown. \ Scene the Tower'. Exulting plunderers emerge from the gate of the Tower on to the drawbridge. Bedford, dressed as a jockey (cf. BMSat 9380), walks ahead with two sacks: 'New Coinage' and 'New Guineas'; Fox, [Identified by Grego as Lansdowne.] smiling, holds the crown; Lauderdale, wearing a kilt, carries the sceptre. Just behind is Sir George Shuckburgh. Stanhope (or Grattan) carries a sack, 'Regalia of E[ngland]'. On the right a chimney-sweep and others dance round a bonfire in which 'Records' are burning. Cf. BMSat 7354, where Fox carries off the crown from the Tower. [4] 'Establishing the French Government. \ St James s Palace'. French troops march with arrogant goose-step and fixed bayonets into the gateway of the palace; their large tricolour flag is inscribed 'Vive la Republique Français'. In the foreground is planted a tall spear surmounted by a bonnet-rouge (a tree of Liberty, cf. BMSat 9214, &c.); at its base are decollated heads wearing coronets and a mitre. They are cheered by spectators (right): Grattan holding 'Grattans Address', Norfolk holding his staff, Lord Derby in hunting-dress standing on an overturned sentry-box, Moira standing like a ramrod. ...."--British Museum online catalogue
Description:
Title etched below image., Two lines of text below title: Representing the Secret-Committee throwing a light upon the dark sketches of a revolution found among the papers of the Jacobin societies lately apprehended ..., and Sheet trimmed to plate mark.
Publisher:
Pubd. April 15th, 1799, by H. Humphrey, 27 St. James Street, London
Subject (Name):
Fox, Charles James, 1749-1806, Erskine, Thomas Erskine, Baron, 1750-1823, Taylor, Michael Angelo, 1757-1834, Norfolk, Charles Howard, Duke of, 1746-1815, Tierney, George, 1761-1830, Nicholls, John, 1745?-1832, Sheridan, Richard Brinsley, 1751-1816, Burdett, Francis, 1770-1844, Sinclair, John, Sir, 1754-1835, Bedford, Francis Russell, Duke of, 1765-1802, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Pitt, William, 1759-1806, Dundas, Henry, 1742-1811, Jekyll, Joseph, 1754-1837, Walpole, George, 1761-1830, Pulteney, William, Lauderdale, James Maitland, Earl of, 1759-1839, Shuckburgh-Evelyn, George Augustus William, Sir, 1751-1804, Smith-Stanley, Edward, 1752-1834, Stanhope, Charles Stanhope, Earl, 1753-1816, and Grattan, Henry, 1746-1820
"The members of the Secret Committee of the Commons are seated round a table examining the documents relating to the United Irishmen and other revolutionary societies. A lamp on the table illuminates a large framed transparency [The transparency, a large pictorial design lit from behind, was a popular form of street illumination. On 5 Nov. 1813 (for the battle of Leipzig) Ackermann displayed on the façade of his 'Repository' Rowlandson's 'The Two Kings of terror, afterwards published as a print. Broadley, i. 338.] divided into four equal sections which hangs from the ceiling and conceals the heads of the Committee ; the four scenes depict the supposed intentions of the revolutionaries. The transparency is irradiated, throwing into deep shadow members of the Opposition in the foreground (right), who flee from the room in a body, terror-struck. The nearest (three-quarter length) are Erskine, clutching a brief-bag, Fox, M. A. Taylor, and Norfolk. Behind these are Tierney, Sheridan, and Nicholls; in the last row are Sir J. Sinclair, Burdett, Moira, Bedford. The two most prominent members, though in back view with heads obscured, suggest Pitt (left) and Dundas (right); they read papers inscribed 'Scheme to Overthrow the British Constitution, & to seize on all public Property and Invitation to the French Republic'. Over the edge of the table hang the bulky 'Reports of the Secret Committee of the House of Commons.' On the floor are four papers: 'Names of Traitors now sufferd to remain at large'; 'Oath of the Members of the Society of the United Irishmen in London'; 'Account of ye Lodge of United Englishmen, & of the Monks of St Ann's Shrine' [see BMSat 9217]; 'Proceedings of the London Corresponding Society with a list of all the Members.' [See BMSat 9189, &c] The transparency is suspended on tricolour ribbons. Titles are engraved on the frame: [1] 'Plundering the Bank'. A scene in the Rotunda; tiny figures hasten off with sacks of gold, the most prominent being Tierney with '£10000'. Sir William Pulteney (identified from his resemblance to BMSat 9212) staggers off to the left with two sacks; the poker-like Moira has a sack on his head; two men dispute over a sack, one being Walpole with his huge cocked hat, the other resembling Jekyll; Sheridan (right) slouches off with two sacks. Proletarians exult over small money-bags. [2] 'Assassinating the Parliament'. The interior of the House of Commons is realistically depicted; the Opposition violently attack the occupants of the Government benches, daggers being the chief weapon. Erskine (left) is about to murder Dundas; Fox strikes at Pitt, holding him by the throat, while Sheridan is about to stab Pitt in the back. The puny Walpole tries to drag the Speaker from his chair, while Burdett raises the mace to smite him. Sir John Sinclair raises a broadsword to smite a man held down by little M. A. Taylor. Volumes of 'Acts and Statutes' fall to the floor. [3] 'Seizing the Crown. \ Scene the Tower'. Exulting plunderers emerge from the gate of the Tower on to the drawbridge. Bedford, dressed as a jockey (cf. BMSat 9380), walks ahead with two sacks: 'New Coinage' and 'New Guineas'; Fox, [Identified by Grego as Lansdowne.] smiling, holds the crown; Lauderdale, wearing a kilt, carries the sceptre. Just behind is Sir George Shuckburgh. Stanhope (or Grattan) carries a sack, 'Regalia of E[ngland]'. On the right a chimney-sweep and others dance round a bonfire in which 'Records' are burning. Cf. BMSat 7354, where Fox carries off the crown from the Tower. [4] 'Establishing the French Government. \ St James s Palace'. French troops march with arrogant goose-step and fixed bayonets into the gateway of the palace; their large tricolour flag is inscribed 'Vive la Republique Français'. In the foreground is planted a tall spear surmounted by a bonnet-rouge (a tree of Liberty, cf. BMSat 9214, &c.); at its base are decollated heads wearing coronets and a mitre. They are cheered by spectators (right): Grattan holding 'Grattans Address', Norfolk holding his staff, Lord Derby in hunting-dress standing on an overturned sentry-box, Moira standing like a ramrod. ...."--British Museum online catalogue
Description:
Title etched below image., Two lines of text below title: Representing the Secret-Committee throwing a light upon the dark sketches of a revolution found among the papers of the Jacobin societies lately apprehended ..., Sheet trimmed to plate mark., 1 print : etching & aquatint on wove paper, hand-colored ; plate mark 36.9 x 44.9 cm, on sheet 38.8 x 47.2 cm., and Mounted on leaf 10 of volume 5 of 12.
Publisher:
Pubd. April 15th, 1799, by H. Humphrey, 27 St. James Street, London
Subject (Name):
Fox, Charles James, 1749-1806, Erskine, Thomas Erskine, Baron, 1750-1823, Taylor, Michael Angelo, 1757-1834, Norfolk, Charles Howard, Duke of, 1746-1815, Tierney, George, 1761-1830, Nicholls, John, 1745?-1832, Sheridan, Richard Brinsley, 1751-1816, Burdett, Francis, 1770-1844, Sinclair, John, Sir, 1754-1835, Bedford, Francis Russell, Duke of, 1765-1802, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Pitt, William, 1759-1806, Dundas, Henry, 1742-1811, Jekyll, Joseph, 1754-1837, Walpole, George, 1761-1830, Pulteney, William, Lauderdale, James Maitland, Earl of, 1759-1839, Shuckburgh-Evelyn, George Augustus William, Sir, 1751-1804, Smith-Stanley, Edward, 1752-1834, Stanhope, Charles Stanhope, Earl, 1753-1816, and Grattan, Henry, 1746-1820
"'The Feast' is a steaming sirloin in a dish inscribed John Bull's Comfort, flanked by (left) a frothing tankard decorated with the Royal Arms and (right) a plum-pudding. The three harpies, Tierney (left), Shuckburgh, and Jekyll (right), malignantly vomit and excrete on the feast. Tierney hovers over the tankard, Shuckburgh over the beef; Jekyll, with webbed wings and barrister's wig and bands, is planted on the pudding. All do their worst to the beef, against the dish of which lies a carving-knife and fork."--British Museum online catalogue
Alternative Title:
Harpies defiling the feast
Description:
Title etched below image., No. 3 in a series of six prints with a frontispiece entitled: New pantheon of democratic mythology., and Temporary local subject terms: Roast beef -- Table settings: utensils -- Food: plum pudding -- Dishes: tankard with royal arms -- Mythology: harpies -- Reference to John Bull.
Publisher:
Pubd. May 7th, 1799, by H. Humphrey, No. 27 St. Jamess [sic] Street
Subject (Name):
Tierney, George, 1761-1830, Shuckburgh-Evelyn, George Augustus William, Sir, 1751-1804, and Jekyll, Joseph, 1754-1837
"'The Feast' is a steaming sirloin in a dish inscribed John Bull's Comfort, flanked by (left) a frothing tankard decorated with the Royal Arms and (right) a plum-pudding. The three harpies, Tierney (left), Shuckburgh, and Jekyll (right), malignantly vomit and excrete on the feast. Tierney hovers over the tankard, Shuckburgh over the beef; Jekyll, with webbed wings and barrister's wig and bands, is planted on the pudding. All do their worst to the beef, against the dish of which lies a carving-knife and fork."--British Museum online catalogue
Alternative Title:
Harpies defiling the feast
Description:
Title etched below image., No. 3 in a series of six prints with a frontispiece entitled: New pantheon of democratic mythology., Temporary local subject terms: Roast beef -- Table settings: utensils -- Food: plum pudding -- Dishes: tankard with royal arms -- Mythology: harpies -- Reference to John Bull., 1 print : etching on wove paper, hand-colored ; plate mark 26.3 x 19.9 cm, on sheet 33.4 x 23.7 cm., and Mounted on leaf 14 of volume 5 of 12.
Publisher:
Pubd. May 7th, 1799, by H. Humphrey, No. 27 St. Jamess [sic] Street
Subject (Name):
Tierney, George, 1761-1830, Shuckburgh-Evelyn, George Augustus William, Sir, 1751-1804, and Jekyll, Joseph, 1754-1837
"Britannia, buxom and beneficent, sits on one side of the 'Irish Channel'; on a smaller piece of ground stands Pat, his hands deep in his coat pockets, looking sideways towards Britannia. She sits with her shield and spear beside a pile of bales of goods and a cornucopia from which pour coins and jewels; she holds out a scroll: 'Union of Security Trade & Liberty'. She looks appealingly towards Pat, her right hand on her breast, one foot trampling on a book inscribed 'Discord' and a venomous snake. Tierney, Fox, and M. A. Taylor look out from behind bushes, gazing fixedly at Pat: Fox says, his hand before his mouth: "Hip! my old Friend Pat! - hip! - a word in your Ear! take care of yourself Pat! - or you'll be ruin'd past Redemption - dont you see that this damn'd Union is only meant to make a Slave of you! - do but look how that cursed Hag is forging Fetters to bind you, & preparing her knapsack to carry off your Property, & to Ravish your whole Country, Man, Woman & Child! - why you are blind sure! - rouse yourself Man! raise all the Lawyers & spur up the Corporations, Fight to the last drop of blood, & part with the last Potatoe to preserve your Property & Independence -" Tierney says "beware Pat", Taylor echoes "beware." Pat is a sturdy fellow with bare legs; his clothes are ragged, his broken spear lies beside him. Behind (right) is a building in flames. He says: "Plunder & Knapsacks! & Ravishments, & ruin of little Ireland! - why - by St Patrick, its very odd, now! for the old Girl seems to me, to be offering me her Heart & her Hand, & her Trade & the use of her Shelalee to defend me into the bargain! - by Jasus! if you was not my old friend, Charley, I should think you meant to bother me with your Whisperings to put the old Lady in a passion, that we may not buss one another, or be Friends any more.""--British Museum online catalogue
Alternative Title:
Whisper across the Channel
Description:
Title etched below image., Sheet trimmed within plate mark., and Temporary local subject terms: Irish Sea -- Irish Union, 1798 -- Pat Bull -- Expressions of speech: Irish 'Bother'.
Publisher:
Pubd. Decr. 24th, 1798, by H. Humphrey, 27 St. James Street
Subject (Name):
Fox, Charles James, 1749-1806, Tierney, George, 1761-1830, and Taylor, Michael Angelo, 1757-1834
"Britannia, buxom and beneficent, sits on one side of the 'Irish Channel'; on a smaller piece of ground stands Pat, his hands deep in his coat pockets, looking sideways towards Britannia. She sits with her shield and spear beside a pile of bales of goods and a cornucopia from which pour coins and jewels; she holds out a scroll: 'Union of Security Trade & Liberty'. She looks appealingly towards Pat, her right hand on her breast, one foot trampling on a book inscribed 'Discord' and a venomous snake. Tierney, Fox, and M. A. Taylor look out from behind bushes, gazing fixedly at Pat: Fox says, his hand before his mouth: "Hip! my old Friend Pat! - hip! - a word in your Ear! take care of yourself Pat! - or you'll be ruin'd past Redemption - dont you see that this damn'd Union is only meant to make a Slave of you! - do but look how that cursed Hag is forging Fetters to bind you, & preparing her knapsack to carry off your Property, & to Ravish your whole Country, Man, Woman & Child! - why you are blind sure! - rouse yourself Man! raise all the Lawyers & spur up the Corporations, Fight to the last drop of blood, & part with the last Potatoe to preserve your Property & Independence -" Tierney says "beware Pat", Taylor echoes "beware." Pat is a sturdy fellow with bare legs; his clothes are ragged, his broken spear lies beside him. Behind (right) is a building in flames. He says: "Plunder & Knapsacks! & Ravishments, & ruin of little Ireland! - why - by St Patrick, its very odd, now! for the old Girl seems to me, to be offering me her Heart & her Hand, & her Trade & the use of her Shelalee to defend me into the bargain! - by Jasus! if you was not my old friend, Charley, I should think you meant to bother me with your Whisperings to put the old Lady in a passion, that we may not buss one another, or be Friends any more.""--British Museum online catalogue
Alternative Title:
Whisper across the Channel
Description:
Title etched below image., Sheet trimmed within plate mark., Temporary local subject terms: Irish Sea -- Irish Union, 1798 -- Pat Bull -- Expressions of speech: Irish 'Bother'., 1 print : etching on wove paper, hand-colored ; plate mark 24.6 x 36.1 cm, on sheet 27.9 x 39.3 cm., and Mounted on leaf 79 of volume 4 of 12.
Publisher:
Pubd. Decr. 24th, 1798, by H. Humphrey, 27 St. James Street
Subject (Name):
Fox, Charles James, 1749-1806, Tierney, George, 1761-1830, and Taylor, Michael Angelo, 1757-1834
"The resigning Ministers issue from the arched gateway of the 'Treasury', led by Pitt (right) who, with an oratorical gesture, holds out a document: 'Justice of Emancipating ye Catholicks'. Behind him is Dundas (Secretary of State for War), holding Pitt's right arm, and not in the usual Scottish dress (though he wears a tartan waistcoat). He holds a document: 'Advantages of the Union'; from his coat pocket issues a paper: 'Successes in the East'. Next walks Grenville (Foreign Secretary) in peer's robes holding a paper: 'Acquisitions from ye War. Malta, Cape of Good Hope, Dutch Islands' [Ceylon captured 1796]. Behind him walk Spencer (First Lord), holding 'Enemies Ships taken & Des[troyed]', and Loughboroug in his Chancellor's wig. Three heads are dimly visible in the shadow of the archway. From the left the Opposition, in the guise of a plebeian rabble, advance towards the Treasury gate but are held back by a sturdy grenadier sentry at the point of the bayonet. He is back view, with 'G.R' on his busby, and is probably George III, possibly Addington. Facing him, against the Treasury wall, is his sentry-box, placarded: 'G.R Orders for keeping all improper Persons out of the Public Offices'. The rabble are led by Sheridan and Tierney; the former a butcher with cleaver raised to strike, the latter a ragged cobbler wearing a bonnet rouge; he is about to fling a cat which he holds by the tail. Behind them are Jekyll, as a chimney-sweep with brush and shovel, but wearing a barrister's wig and (tattered) gown, Bedford dressed as a jockey and holding out whip and cap (cf. BMSat 9261, &c), Nicholls and Tyrhwitt Jones, both holding up hats with tricolour cockades. At the back are Norfolk, about to hurl a bottle of wine, and Burdett. There is also raised above the crowd an arm which has just hurled a full tankard of 'Whitbread's Entire' [see BMSat 10421]. Other missiles include a lighted squib, a bludgeon, vegetables, and a book: 'Jacobin Charges, Speeches Essays'. Bedford cries: "Push on, dam'me! - work 'em! - its our Turn now!" The sentry answers: "Your Turn! - no, no! - whoever goes out You'll not come in!" In the foreground, on the extreme left, are two dwarfish and ragged little newsboys blowing their horns; on the cap of one is 'Morning Chronicle' [see BMSat 9240]. Below the design: "Men in conscious Virtue bold! "Who dare their Honest purpose hold. "Nor heed the Mob's tumultuous cries; "And the vile rage of Jacobins - despise.""--British Museum online catalogue
Description:
Title etched below image. and Mounted on leaf 37 of volume 5 of 12.
Publisher:
Pubd. Feby. 24th, 1801, by H. Humphrey, 27 St. James's Street
Subject (Name):
Pitt, William, 1759-1806, Dundas, Henry, 1742-1811, Grenville, William Wyndham Grenville, Baron, 1759-1834, Spencer, George John Spencer, Earl, 1758-1834, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Norfolk, Charles Howard, Duke of, 1746-1815, Sheridan, Richard Brinsley, 1751-1816, Nicholls, John, 1745?-1832, Tierney, George, 1761-1830, Bedford, Francis Russell, Duke of, 1765-1802, Jones, Thomas Tyrwhitt, Sir, 1765-1811, Burdett, Francis, 1770-1844, and Jekyll, Joseph, 1754-1837
