The collection includes photographs of many of Edmond Quinn's sculptures, including portrait busts and statues of Cass Gilbert, Edwin Markham, Clayton Hamilton, Edwin Booth, Oliver Wendell Holmes, Edgar Allen Poe, Walt Whitman, Henry Clay, Brander Matthews, James Whistler, James Stephens, Padraic Colum, and Victor Herbert. The collection also includes one photograph of Quinn in his studio with Vicente Blasco Ibáñez; a pencil sketch of James Stephens; letters from Edwina Booth Grossman, Charles De Kay, Winthrop Ames, and others; a draft biography for Who's Who; and clippings documenting the reception of Quinn's work
Description:
American sculptor and painter Edmond Thomas Quinn was born December 20, 1868, in Philadelphia, to John and Rosina McLaughlin Quinn. He studied under Thomas Eakins at the Pennsylvania Academy of Fine Art and under Jean-Antoine Injalbert in Paris. Major works include the statue of Edwin Booth as Hamlet in Gramercy Park, New York City, and the World War Memorial in New Rochelle, New York. He married Emily Bradley, of Newport, Rhode Island, in 1917 (she later married Shepherd Stephens). Quinn died in New York City in September, 1929, an apparent suicide by drowning. and In English.
Letters to the Irish nationalist leader John Dillon, including several sent during his imprisonment in Galway Gaol in 1891. Venturi offers support, political advice, and explanations of her own political and social convictions. Venturi disagreed strongly with Dillon's repudiation of Parnell during the Kitty O'Shea affair, and her letters express distress at this "desertion" on his part. Venturi also writes of her anticlericalism and antisectarianism, her belief in a "purer" or "higher" Christianity, and her disapproval of Dillon's theory that it is his "duty to feign belief." A lengthy letter of 1892 Apr 21 discusses Venturi's work for repeal of the Contagious Diseases Act and frames her support for women's rights in terms of a direct parallel between women as a subjected group and the Irish as a subjected race. and Other topics include reminiscences of Mazzini and of her father, the Radical and feminist William Henry Ashurst; books lent to Dillon and Venturi's opinions of authors including Byron, a particular favorite, Tolstoy, Edward Fitzgerald and Bret Harte; her admiration for Whistler's painting and her ownership of his "Chelsea in Ice."
Description:
Emilie Venturi (1820?-1893) was the intimate friend, political disciple, and literary executrix of Giuseppe Mazzini. Her first marriage ended in divorce; her second, to the Risorgimento volunteer Carlo Venturi, with his death in 1866. She was prominment in Josephine Butler's campaign for the repeal of the Contagious Diseases Acts, edited The Shield from 1871 to 1886, and supported the unification of Italy and nationalist causes in general throughout her life., Purchased from James Fenning on the Hazel M. Osborn Fund, 1991., and Several postal cards in French and Italian.
Subject (Geographic):
Ireland--History--1837-1901 and Italy--History--1849-1870
Subject (Name):
Ashurst, W. H. (William Henry), 1792-1855, Balfour, Arthur James, 1848-1930, Byron, George Gordon Byron, Baron, 1788-1824--Influence, Dillon, John, 1851-1927, Mazzini, Giuseppe, 1805-1872, Parnell, Charles Stewart, 1846-1891, Venturi, Emilie Ashurst, -1893, and Whistler, James McNeill, 1834-1903
Subject (Topic):
Anti-clericalism--England, Anti-clericalism--Italy, Home rule--Ireland, Irish question, Nationalism--Ireland, Nationalism--Italy, Nationalities, Principle of, Women social reformers--Great Britain--19th century, and Women's rights--Great Britain--19th century
