publish'd according to act of Parliament, August 1, 1763.
Call Number:
Folio 75 H67 800 v.2 (Oversize) Box 2
Collection Title:
Plate 73. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A re-working of Hogarth's self-portrait of 1749 (Paulson 181); the artist has been replaced by a bear representing Charles Churchill wearing preaching bands and holding a tankard of beer in one paw and a knotty club in the other; the knots in the club are labelled 'Lye 1, Lye 2, Lye 3 ... Fallacy, Lye 10 ... ". The oval canvas rests on two books, on top is 'Great George Street : a list of the subscribers to the North Britons' and below 'A new way to pay old debts, a comedy by Massenger.' The dog Trump is urinating on a copy of Churchill's "Epistle to Hogarth". Leaning on the palette is a framed satirical print showing Hogarth himself (in a white hat) whipping a dancing bear (Churchill) and a monkey (John Wilkes) in front of a projected tomb for William Pitt from which a cannon fires at the dove of peace."--British Museum onlne catalogue
Description:
Title engraved below image., State and publisher from Paulson., Caption below title: But he had a Club this Dragon to Drub, or he had ne'er don't I warrant ye., "Price 1s. 6d."--Following Hogarth's name., Imperfect impression; price erased from this impression. Sheet trimmed within plate mark., Formerly on page 198 in volume 2. Removed in 2012 by LWL conservator., and Sheet trimmed to: 37.3 x 27.2 cm.
Publisher:
Wm. Hogarth
Subject (Name):
Churchill, Charles, 1731-1764, Hogarth, William, 1697-1764, and Wilkes, John, 1725-1797.
publish'd according to act of Parliament, August 1, 1763.
Call Number:
Sotheby 76+ Box 200
Image Count:
1
Resource Type:
still image
Abstract:
A re-working of Hogarth's self-portrait of 1749 (Paulson 181); the artist has been replaced by a bear representing Charles Churchill wearing preaching bands and holding a tankard of beer in one paw and a knotty club in the other; the knots in the club are labelled 'Lye 1, Fallacy (Infamous preceding the word in this state), Lye 3 ... ". The oval canvas rests on two books, on top is 'Great George Street : a list of the subscribers to the North Britons' and below 'A new way to pay old debts, a comedy by Massenger.' The dog Trump is urinating on a copy of Churchill's "Epistle to Hogarth". Leaning on the palette is a framed satirical print showing Hogarth himself (in this state in a black hat) whipping a dancing bear (Churchill) and a monkey (John Wilkes) in front of a projected tomb for William Pitt from which a cannon fires at the dove of peace"--British Museum onlne catalogue
Description:
Title engraved below image., State and publisher from Paulson., Caption below title: "But he had a Club this Dragon to Drub, or he had ne'er don't I warrant ye: Dragon of Wantley.", and "Price 1s. 6d."--Following Hogarth's name.
Publisher:
Wm. Hogarth
Subject (Name):
Churchill, Charles, 1731-1764, Hogarth, William, 1697-1764, and Wilkes, John, 1725-1797.
publish'd according to act of Parliament, August 1, 1763.
Call Number:
Kinnaird 78K(b) Box 225
Collection Title:
Plate 73. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A re-working of Hogarth's self-portrait of 1749 (Paulson 181); the artist has been replaced by a bear representing Charles Churchill wearing preaching bands and holding a tankard of beer in one paw and a knotty club in the other; the knots in the club are labelled 'Lye 1, Lye 2, Lye 3 ... Fallacy, Lye 10 ... ". The oval canvas rests on two books, on top is 'Great George Street : a list of the subscribers to the North Britons' and below 'A new way to pay old debts, a comedy by Massenger.' The dog Trump is urinating on a copy of Churchill's "Epistle to Hogarth". Leaning on the palette is a framed satirical print showing Hogarth himself (in a white hat) whipping a dancing bear (Churchill) and a monkey (John Wilkes) in front of a projected tomb for William Pitt from which a cannon fires at the dove of peace."--British Museum onlne catalogue
Description:
Title engraved below image., State and publisher from Paulson., Caption below title: But he had a Club this Dragon to Drub, or he had ne'er don't I warrant ye., "Price 1s. 6d."--Following Hogarth's name., and Imperfect impression; price erased from this impression. Sheet trimmed within plate mark.
Publisher:
Wm. Hogarth
Subject (Name):
Churchill, Charles, 1731-1764, Hogarth, William, 1697-1764, and Wilkes, John, 1725-1797.
A single plate with Laughing audience in the upper left, Rehearsal of the Oratorio of Judith in the upper right, and An emblematic print on the South Sea below and Rehearsal of the Oratorio of Judith: First etched as a subscription ticket for "A Midnight Modern Conversation" with seventeen men and boys rehearsing William Huggins's oratorio "Judith". Several of the singers hold sheet music with the notes and lyrics legible
Alternative Title:
Rehearsal of the Oratorio of Judith and Emblematic print on the South Sea
Description:
Titles engraved below images., Plate bound in as leaf 70: Hogarth restored / now re-engraved by Thomas Cook, 1806, Rehearsal of the Oratorio of Judith: Copy after Hogarth. See Paulson, R. Hogarth's graphic works (3rd ed.), no. 127., Laughing audience: Copy after Hogarth. See Paulson, R. Hogarth's graphic works (3rd ed.), no. 130., and Election carried by bribery and the devil: Copy after Hogarth's The South Sea scheme. See Paulson, R. Hogarth's graphic works (3rd ed.), no. 43.
Publisher:
Published by G.G. & J. Robinson, Paternoster Row
Subject (Geographic):
England, Scotland., and Great Britain.
Subject (Name):
Churchill, Charles, 1731-1764, Hogarth, William, 1697-1764, Wilkes, John, 1725-1797., South Sea Company., and Great Britain. Parliament
Subject (Topic):
Dandies, British, Food vendors, Laughter, Orchestras, Snuff, Theater audiences, Theaters, Elections, 1722, Membership, Quarantine, Law and legislation, Inheritance and succession, Naturalization, Political corruption, Elections, Bribery, Children, Clergy, Devil, Mirrors, Screens, and Political elections
"An engraving, which is in some respects the sequel to "The Addressers", British Museum Satires No. 4273, and "The Battle of Cornhill", British Museum Satires No. 4274, showing a party of workmen and tradesmen assembled in a room of the Merchant Seamen's Office, which was over the Royal Exchange. They are grouped about a large table, on which lies a long scroll or address. The president is a butcher, with a naked knife hi his hand; a tray at his feet contains a shoulder of mutton; doubling his fist, he cries: -- "I shall stick my Knife in Magna Charta, & cut up the Carcase of the Sill of Rights." A lean, hungry -looking man, sits grinning behind the butcher; next to the sitter stands a porter who declares: -- "D--mn his swivel Eyes I wish he may sink under his load." This refers to the marked squint of John Wilkes, who was at this time in prison and strongly opposed to the Court; see "John Wilkes Elected Knight of the Shire", British Museum Satires No. 4189, and "The Scotch Victory. (A.)", British Museum Satires No. 4196. A Dutchman, probably Mr. Muilmann, see "The Addressers", British Museum Satires No. 4273, declares: -- " Ah ! de gross Scrip for Mynheer too"; this is in reply to a Jew who exclaims: -- " Oh for a large portion of Scrip.", i.e. probably subscription scrip to Government loans, which was very profitable to the lenders, and often alleged to be used as a bribe by the ministry; see "The Battle of Cornhill", British Museum Satires No. 4274, and "Frontispiece to the Middlesex Petition", British Museum Satires No. 4289. A barber, with a shaving dish and napkin under one of his arms, and holding a wig in one hand, stands before the scroll, signing his name to it; he says: -- "I've got an order for a new Wig, only for signing my Name." A gaunt Scotch pedlar, with a bale at his back, and carrying a wand, declares: -- "Saumy mun sign too, gin it be to the Deel, for my gued laird's sake", i.e. for the sake of the Earl of Bute, the reputed patron of Scotchmen, see "We are all a comeing", British Museum Satires No. 3823. A baker, with a basket of bread on his shoulders, approaches the table and says: -- "Brother Merchants follow my example & you'll never want Bread." A meagre chimney-sweep, clad in sooty garments, advances to the table and remarks: -- "Who knows but I may be appointed to a Chimney at Court.""--British Museum catalogue
Alternative Title:
Principal merchants and traders assembled at the Merchant Seaman's Office ...
Description:
Title etched below image., Publication place and date inferred from those of the periodical for which this plate was engraved., Sheet trimmed within plate mark at bottom., Plate from: The Oxford magazine or, Universal museum ... London : Printed for the authors, v. 2 (1769), page 134., Temporary local subject terms: Interiors: Merchant Seamen's Office -- Food: loaves of bread -- Petitions: Address of the Merchant Trades of London, March 1769 -- Peter Muilman., and Mounted to 32 x 42 cm.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[not after 1 March 1777]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 53. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on bookmaking: a portly man grins as he makes a note in a small book as another scowls miserably, hands in pockets; on the left, three dogs bark at the pair, above them the wall has been chalked "45" and "[Wil]kes" (alluding to John Wilkes, see 1868,0808.4315) and a sign reads, "No Thouroughfare Here"; behind the men is the wall of a house, from an upper window of which appears a man's leg clad in a dark stocking (a "blackleg" or swindling bookmaker (OED)), below the window a gallows with a hanged man has been crudely drawn on the wall, a notice reads "Whoso Lays ... will be prose[cuted]" (presumably alluding to infringement of gambling regulations); from another window, above which is the sign "Catchpenny Alley", hangs the head of a goose, a small dog jumps up trying to reach it; another dog is seated at right; a pair to British Museum Satires No. 4719."--British Museum online catalogue, description of a later state
Alternative Title:
Catchpenny Alley
Description:
Title from later state., Early state, with artist and printmaker signatures only. For a later state with title, publication line, and drypoint shading of the image added, see no. 4717 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Date inferred from publication line on later state: Publish'd 1st March 1777., Sheet trimmed within plate mark on bottom edge., Campanion print to: Newmarket : a shot at a pigeon., Temporary local subject terms: Newmarket., and Mounted on page 53 of: Bunbury album.
