"A scaffold extends across the foreground: Fox raises an axe to strike the neck of George III, whose head is held by Sheridan. The scaffold is surrounded by a dense and cheering mob. On the right is the gate of the 'Crown & Anchor' tavern, and from two projecting lamp-brackets swing the bodies of Queen Charlotte and Pitt. The houses of the Strand recede in perspective and terminate in Temple Bar, with two heads on spikes; clouds of smoke appear to come from burning houses east of Temple Bar. On the clouds a meretricious Liberty sits enthroned and triumphant. The King's neck rests on a narrow block, his shaved head appears bald, his legs are held up by Horne Tooke, who stands on the left, saying: "O, such a day as this, so renown'd so victorious, Such a day as this was never seen Revolutionists so gay; - while Aristocrats notorious, Tremble at the universal glee." From Tooke's pocket projects a paper: 'Petition of Horne Tooke' (against the return of Fox and Hood for Westminster, see British Museum Satires No. 7690). The King, who supports himself on his hands, says, "What! What! What! - what's the matter now". Fox, enormously stout, straddles behind the King, full face his axe raised in both hands; he wears a mask with large circular eye-holes and fox's ears; he says: "Zounds! what the devil is it that puts me into such a hell of a Funk? - damn it, it is but giving one good blow, & all is settled! - but what if I should miss my aim! - ah! it's the fear of that which makes me stink so! - & yet, damnation! what should I be afraid of? if I should not succeed, why nobody can find me out in this Mask, any more than the Man who chop'd the Calf's-head off, a Hundred & Forty Years ago - and so here goes!" Sheridan kneels in profile to the left holding the King by the ear and nose, he looks up at Fox with a sinister scowl, saying, "Hell & Damnation, dont be afraid give a home stroke, & then throw off the Mask - Zounds, I wish I had hold of the Hatchet." Priestley, behind Sheridan, leans towards the King, saying, "Don't be alarmed at your situation, my dear Brother; we must all dye once; and, therefore what does it signify whether we dye today or tomorrow - in fact, a Man ought to be glad of the opportunity of dying, if by that means he can serve his Country, in bringing about a glorious Revolution: - & as to your Soul, or any thing after death don't trouble yourself about that; depend on it, the Idea of a future state, is all an imposition: & as every thing here is vanity & vexation of spirit, you should therefore rejoice at the moment which will render you easy & quiet". He holds a paper: 'Priestley on a Future State'. Sir Cecil Wray stands with his right hand on Sheridan's shoulder, saying, "Here do give me a little room Joseph that I may be in readiness to catch the droppings of the Small Beer when it is tapp'd; I never can bear to see the Small Beer wasted Joseph!" He holds in his left hand a small cask, 'For Small Beer', and a large pipe; in his pocket is a paper: 'Plan of Chelsea Hospital by Sir Ceci[l] Wray'. The Queen is cruelly caricatured; she swings against Pitt, who is in a death agony with crisped fingers."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching, hand-colored, on laid paper ; sheet 353 x 502 mm., Imperfect; sheet trimmed within plate mark with loss of imprint., and Watermark: A. Stace 18[...?].
Publisher:
Pubd. July 19th, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Tooke, John Horne, 1736-1812, Priestley, Joseph, 1733-1804, and Wray, Cecil, Sir, 1734-1805
Subject (Topic):
Axes, Executioners, Hangings (Executions), and Crowds
"A scaffold extends across the foreground: Fox raises an axe to strike the neck of George III, whose head is held by Sheridan. The scaffold is surrounded by a dense and cheering mob. On the right is the gate of the 'Crown & Anchor' tavern, and from two projecting lamp-brackets swing the bodies of Queen Charlotte and Pitt. The houses of the Strand recede in perspective and terminate in Temple Bar, with two heads on spikes; clouds of smoke appear to come from burning houses east of Temple Bar. On the clouds a meretricious Liberty sits enthroned and triumphant. The King's neck rests on a narrow block, his shaved head appears bald, his legs are held up by Horne Tooke, who stands on the left, saying: "O, such a day as this, so renown'd so victorious, Such a day as this was never seen Revolutionists so gay; - while Aristocrats notorious, Tremble at the universal glee." From Tooke's pocket projects a paper: 'Petition of Horne Tooke' (against the return of Fox and Hood for Westminster, see BMSat 7690). The King, who supports himself on his hands, says, "What! What! What! - what's the matter now". Fox, enormously stout, straddles behind the King, full face his axe raised in both hands; he wears a mask with large circular eye-holes and fox's ears; he says: "Zounds! what the devil is it that puts me into such a hell of a Funk? - damn it, it is but giving one good blow, & all is settled! - but what if I should miss my aim! - ah! it's the fear of that which makes me stink so! - & yet, damnation! what should I be afraid of? if I should not succeed, why nobody can find me out in this Mask, any more than the Man who chop'd the Calf's-head off, a Hundred & Forty Years ago - and so here goes!" Sheridan kneels in profile to the left holding the King by the ear and nose, he looks up at Fox with a sinister scowl, saying, "Hell & Damnation, dont be afraid give a home stroke, & then throw off the Mask - Zounds, I wish I had hold of the Hatchet." Priestley, behind Sheridan, leans towards the King, saying, "Don't be alarmed at your situation, my dear Brother; we must all dye once; and, therefore what does it signify whether we dye today or tomorrow - in fact, a Man ought to be glad of the opportunity of dying, if by that means he can serve his Country, in bringing about a glorious Revolution: - & as to your Soul, or any thing after death don't trouble yourself about that; depend on it, the Idea of a future state, is all an imposition: & as every thing here is vanity & vexation of spirit, you should therefore rejoice at the moment which will render you easy & quiet". He holds a paper: 'Priestley on a Future State'. Sir Cecil Wray stands with his right hand on Sheridan's shoulder, saying, "Here do give me a little room Joseph that I may be in readiness to catch the droppings of the Small Beer when it is tapp'd; I never can bear to see the Small Beer wasted Joseph!" He holds in his left hand a small cask, 'For Small Beer', and a large pipe; in his pocket is a paper: 'Plan of Chelsea Hospital by Sir Ceci[l] Wray'. The Queen is cruelly caricatured; she swings against Pitt, who is in a death agony with crisped fingers."--British Museum online catalogue
Description:
Title from caption below image., Printmaker from British Museum catalogue., Plate numbered "57" in upper right corner., Restrike for Bohn's "Supressed plates". Cf. no. 7892 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., On same sheet, verso: Alecto and her train at the gate of Pandaemonium ..., and Printed 1851.
Publisher:
Pubd. July 19th, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Tooke, John Horne, 1736-1812, Priestley, Joseph, 1733-1804, and Wray, Cecil, Sir, 1734-1805
Freedom of election, Rival candidates, a farce, perform'd at Covent Garden Theatre, and Rival candidates, a farce performed at Covent Garden Theatre
Description:
Title etched below image., Caption title above the image: The rival candidates, a farce, perform'd at Covent Garden Theatre!, Sheet partially trimmed within plate mark., Publication date based on British Museum catalogue, v. 6, no. 6511., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Election riots, 1784 -- Petticoat government -- Overturned coaches -- Eye-patches -- Market women -- Hustings -- Election favors -- Facade of St. Paul's Cathedral -- Covent Garden: Piazza -- Election flags -- Allusion to The rival candidates by Henry Bate Dudley, Bt., 1745-1824 -- Election slogans -- Cake stalls -- Allusion to 'Back stairs.'
Publisher:
publisher not identified
Subject (Geographic):
England and London.
Subject (Name):
Fox, Charles James, 1749-1806, Hood, Samuel Hood, Viscount, 1724-1816, Wray, Cecil, Sir, 1734-1805, and Great Britain. Parliament
"A see-saw representing the state of the poll between Fox and Wray, Mrs. Hobart (left) seated on one end, the Duchess of Devonshire (right) on the other, in front of the polling-booth in Covent Garden. Mrs. Hobart, enormously fat, quite out-weighs the Duchess, and is, moreover, held down by Lord Hood who kneels behind her (left), while Sir Cecil Wray stands beside him watching the contest with an enigmatical expression. Fox stands behind the Duchess trying to hold down her end of the plank, but in vain; his uplifted left arm and closed eyes express the despair which he actually felt in the early days of polling (Russell, 'Corr. of Fox', ii. 267). The ladies face each other astride the plank, their arms outstretched, their bosoms bare. The plank rests on an irregular stone post. An excited crowd, very freely sketched, watches from the hustings and from below them; they scream encouragement to the rivals, waving their hats. Over the head of Wray is a playbill, 'The Rival Candidates Farce'; behind the Duchess is another, 'Duke and no Duke Play'. The former was a comic opera by Henry Bate (afterwards Bate-Dudley), first played 1775, the latter a farce by Tate, 1605."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Reissue by Humphrey of a plate originally published by Elizabeth Darchery; previous imprint statement has been burnished from plate and a new one etched in its place., Date of publication based on earlier state with the imprint "Pub. April 27th, 1784, by E. Darchery, St. James's Street." Cf. New York Public Library, Caricatures collected by Horace Walpole (catalog ID: b16513354), Walpole 64., Temporary local subject terms: Election favors -- Polls -- See-saws -- Playbills -- Hustings -- Literature: Sir Henry Bate Dudley, Bt, 1745-1824, The rival candidates -- Literature: Tate, fl. 1605, Duke and no duke., and Mounted to 31 x 43 cm.
Publisher:
Publishd. by Wm. Humphrey, No. 227 Strand
Subject (Geographic):
England and London.
Subject (Name):
Fox, Charles James, 1749-1806, Hood, Samuel Hood, Viscount, 1724-1816, Wray, Cecil, Sir, 1734-1805, Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, and Great Britain. Parliament
Leaf 19. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"The Duchess of Devonshire, carrying Fox on her back, approaches an alehouse. The host, a black man named 'Mungo', stands on his doorstep delightedly filling a glass for the Duchess; a fat disreputable slattern stands behind him. The Duchess, who supports herself by a large staff, holds a full purse in her hand, saying, "For the good of the Constitution give me a Glass of Gin", the suggestion being that she will pay a large sum for the gin to secure a vote (cf. British Museum Satires No. 6548). Her hat with ostrich plumes and fox's brush has a favour inscribed 'Fox ForNi'. Fox, one hand resting on her shoulder, waves his hat; they are both in profile to the right. Over the doorway of the alehouse (or perhaps brothel) is inscribed 'Mungo's Hotel Dealer in British Spirits'; the woman says, "Give the poor Man a Vote my Dear he is a good Man for the Ladies". A dog beside her barks at the visitors. The gabled roofs and casement windows indicated in the background suggest that this is an old and disreputable part of Westminster, resembling Peter Street as in British Museum Satires No. 6548. The crowd, which is very freely sketched, also suggests a low neighbourhood; a man and woman walk or dance along, their arms round each other's shoulders; he flourishes a full tankard. An excited group shout and wave their hats round two tall standards: one, 'Fox and Liberty all over the world', above two crossed executioner's axes, the other, 'Rights of the Commons' and 'No Prerogative', with a cap of Liberty on the pole."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson in the British Museum catalogue., Restrike, with etched lines added to plate to cover the bosoms of both women. For an early reissue of the plate by William Humphrey, see no. 6526 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Plate originally issued with the imprint "Pub. April 27th, 1784, by E. Darchery, St. James's Street". Cf. New York Public Library, Caricatures collected by Horace Walpole (catalog ID: b16513354), Walpole 64., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Grego, J. Rowlandson the caricaturist, v. 1, pages 127-8., Temporary local subject terms: Prudery: Plate altered., and On leaf 19 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Publishd. by Wm. Humphrey, No. 227 Strand and Field & Tuer
Subject (Geographic):
England and London.
Subject (Name):
Fox, Charles James, 1749-1806, Hood, Samuel Hood, Viscount, 1724-1816, Wray, Cecil, Sir, 1734-1805, Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, and Great Britain. Parliament
A short and obese Demosthenes (Charles Fox) with a worried expression on his face, appears to be delivering a pledge. He stands between tall and thin figures of Themistocles (Admiral Hood) on the left and Judas Iscariot (Sir Cecil Wray) on the right, who watch him with a condescending smile
Description:
Title etched below image., Printmaker from British Museum catalogue., and Publisher's name and address at end of imprint statement are stipple engraved and fainter than the text at the beginning of imprint, which is etched.
Publisher:
Pubd. April 8th, 1784, by W. Humphrey, No. 227 Strand
Subject (Geographic):
Great Britain, England, and Westminster
Subject (Name):
Fox, Charles James, 1749-1806, Hood, Samuel Hood, Viscount, 1724-1816, and Wray, Cecil, Sir, 1734-1805
Subject (Topic):
Politics and government, Political elections, Public speaking, and Clothing & dress
A short and obese Demosthenes (Charles Fox) with a worried expression on his face, appears to be delivering a pledge. He stands between tall and thin figures of Themistocles (Admiral Hood) on the left and Judas Iscariot (Sir Cecil Wray) on the right, who watch him with a condescending smile
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Reissue for the History of the Westminster election, 1784. See British Museum catalogue.
Publisher:
Pubd April 8th, 1784 by W. Humphrey, No. 227 Strand
Subject (Geographic):
Great Britain, England, and Westminster
Subject (Name):
Fox, Charles James, 1749-1806, Hood, Samuel Hood, Viscount, 1724-1816, and Wray, Cecil, Sir, 1734-1805
Subject (Topic):
Politics and government, Political elections, Public speaking, and Clothing & dress
"The Duchess of Devonshire (right) fights Mrs. Hobart (left). The right fist of the Duchess is near her opponent's nose, her left hand is on her hip. Mrs. Hobart, both fists extended, says: "I'll have no more for my Nose Bleeds"; the Duchess answers: "I have not done yet Madam." A backer stands behind each; Fox (right) says, "Well done Georgiana to her again". A hand extends from clouds holding a laurel wreath over his head. Wray, behind Mrs. Hobart, says, "If she Cant Beat her A Scrutiny Shall". A hand from clouds holds a fool's cap over his head on which is a butterfly and an ass's ear. Behind Wray, holding a cane, stands Lord Hood saying, "Alas poor Judas you will lose ye day". The dishevelled hair of the ladies hangs down their backs: Mrs. Hobart, very stout and 'décolletée', the Duchess, slim and wearing a riding-habit with a coat of military cut. She has two Fox favours in her hat, ostrich feathers (see BMSat 6530), and a fox's brush. The other has feathers in her hair and a large favour inscribed 'Hood & Wray'."--British Museum online catalogue
Alternative Title:
Rival canvassers
Description:
Title from item., Temporary local subject terms: Canvassing: Duchess of Devonshire -- Countess of Buckinghamshire -- Fighting: fist fights -- Laurel wreaths -- Fool's caps., Mounted to 32 x 43 cm., and Countermark center of sheet: W.
Publisher:
Publish'd as the act directs, June 16th, 1784, by H. McPhail, N. 68 High Holborn
Subject (Name):
Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, Fox, Charles James, 1749-1806, Hood, Samuel Hood, Viscount, 1724-1816, and Wray, Cecil, Sir, 1734-1805
Title from item., Printmaker from British Museum online catalogue., Temporary local subject terms: Elections: Westminster, 1784 -- Duchess of Devonshire as Britannia -- Shield of virtue -- Cap of Liberty -- Staff of Liberty -- Trumpets -- Laurel wreaths -- Emblems: Prince of Wales's feathers., and Watermark in center of sheet: fleur-de-lis.
Publisher:
Pubd. 23d May, 1784, by W. Humphrey, No. 227 Strand
Subject (Name):
Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Fox, Charles James, 1749-1806, and Wray, Cecil, Sir, 1734-1805
