Copy of a benefit ticket whose design was formerly attributed to Hogarth: a stage scene with four performers in Congreve's 'The Old Bachelor', showing the scene in Act III where Noll receives a kicking from Sharper; print after a forgery purporting to be a benefit ticket for Joe Miller for his performance as Sir Joseph Wittol
Alternative Title:
Theatre Royal, Drury Lane. The old batchelor
Description:
Title from banner at top of image., Signed in design: W. Hogarth f., and Plate from: Ireland, S. Graphic illustrations of Hogarth. London : Published by R. Faulder, New Bond Street; and J. Egerton, Whitehall, 1794, vol. i, p. 128.
Publisher:
Faulder and Egerton
Subject (Name):
Congreve, William, 1670-1729. and Miller, Joe, 1684-1738.
Subject (Topic):
Actors, Fund raising, Theatrical productions, and Theaters
Volume 3, before page 159. Anecdotes, observations, and characters, of books and men.
Image Count:
1
Resource Type:
still image
Abstract:
"A stage scene with five performers in Gay's 'The Beggar's Opera'; a prison scene with three men standing and two women on their knees; a forgery purporting to be a benefit ticket for Thomas Walker for his performance as Macheath."--British Museum online catalogue
Description:
Title from text within ribbon at top of image; remainder of title from text below image., One of the suppositious 'Sympson' prints whose attributions have long been doubted; see Paulson 1965/60 Appendix I, pages 313-4 for more information., Dated to the 1790s in the British Museum online catalog, registration no.: Cc,3.122., Sheet trimmed within plate mark., Polly portrayed by Lavinia Fenton., Mounted to 38 x 27 cm., and Bound in before page 159 (leaf numbered '22' in pencil) in volume 3 of an extra-illustrated copy of: Spence, J. Anecdotes, observations, and characters, of books and men.
Publisher:
publisher not identified
Subject (Name):
Gay, John, 1685-1732., Walker, Thomas, 1698-1744,, and Fenton, Lavinia, 1708-1760,
Copy of a print by J. Sympson, Junr., after W. Hogarth's design. A benefit ticket illustrated with a stage scene from John Gay's 'The Beggar's Opera': a prison scene with three men standing and two women on their knees; print after a forgery purporting to be a benefit ticket for Thomas Walker for his performance as Macheath; illustration to Ireland's 'Graphic Illustrations of Hogarth'. and "Benefit ticket: a stage scene with five performers in Gay's 'The Beggar's Opera'; a prison scene with three men standing and two women on their knees; print after a forgery purporting to be a benefit ticket for Thomas Walker for his performance as Macheath; illustration to Samuel Ireland's 'Graphic Illustrations of Hogarth' (1794-1799)"--British Museum online catalogue
Description:
Title from ribbon at top of image; below "Theatre Royal Covent Garden / Pitt"., Signed within image: W. Hogarth invt. / J. Sympson Junr. sculp., After one of the suppositious 'Sympson' prints; see Paulson 1965/60 Appendix I, pages 313-4 for more information., Plate from: Ireland, S. Graphic illustrations of Hogarth. London : Published by R. Faulder, New Bond Street; and J. Egerton, 1794, v. 1, page 58., Polly portrayed by Lavinia Fenton., Ms. note in pencil Steevens's hand above print: £5.5.0; at top of print: 5., Ms. note beneath print in another hand in pencil: For Graphic illustrations of Hogarth ... its possession of Samuel Ireland, 1794, p. 58., and On page 233 in volume 3. Sheet trimmed to: 11 x 12.7 cm.
Publisher:
R. Faulder and J. Egerton
Subject (Name):
Gay, John, 1685-1732., Walker, Thomas, 1698-1744,, and Fenton, Lavinia, 1708-1760,
Copy of a print by J. Sympson, Junr., after W. Hogarth's design. A benefit ticket illustrated with a stage scene from John Gay's 'The Beggar's Opera': a prison scene with three men standing and two women on their knees; print after a forgery purporting to be a benefit ticket for Thomas Walker for his performance as Macheath; illustration to Ireland's 'Graphic Illustrations of Hogarth'. and "Benefit ticket: a stage scene with five performers in Gay's 'The Beggar's Opera'; a prison scene with three men standing and two women on their knees; print after a forgery purporting to be a benefit ticket for Thomas Walker for his performance as Macheath; illustration to Samuel Ireland's 'Graphic Illustrations of Hogarth' (1794-1799)"--British Museum online catalogue
Description:
Title from ribbon at top of image; below "Theatre Royal Covent Garden / Pitt"., Signed within image: W. Hogarth invt. / J. Sympson Junr. sculp., After one of the suppositious 'Sympson' prints; see Paulson 1965/60 Appendix I, pages 313-4 for more information., Plate from: Ireland, S. Graphic illustrations of Hogarth. London : Published by R. Faulder, New Bond Street; and J. Egerton, 1794, v. 1, page 58., and Polly portrayed by Lavinia Fenton.
Publisher:
R. Faulder and J. Egerton
Subject (Name):
Gay, John, 1685-1732., Walker, Thomas, 1698-1744,, and Fenton, Lavinia, 1708-1760,
Benefit Ticket for Spiller: the comedian stands in the center under a set of scales; he supports a burning taper; at his feet is a pile of tickets for his benefit performance labelled 'Pit', 'Gallery', and 'Box'. He offers the tickets to people on the left who put their payment on that side of the balance, while a bailiff on the right taps him on the shoulder, holding out a 'Writ' and creditors add their bills for 'Tripe', 'Gin', Tobacco', 'Snuff', 'Ale', 'Beer' and "The Taylor's bill" to the other side of the balance. A scroll looped over the top of the scales is a banner labelled 'For the Benefit of Spiller', its ends reaching a window of a tavern on the left and the window of a debtor's prison on the right--See description in the British Museum online catalogue
Alternative Title:
Ticket for the benefit of Spiller
Description:
Title etched within image., Sheet trimmed within plate mark., and Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 2.
Publisher:
Publish'd May 1st 1788, by Molton & Co. No. 132 Pall Mall
Subject (Geographic):
England and London.
Subject (Name):
Spiller, James, 1692-1729.
Subject (Topic):
Actors, Bailiffs, Jails, City & town life, and Scales
"Benefit ticket for Spiller: the comedian stands in the center under a set of scales; he supports a burning taper; at his feet is a pile of tickets for his benefit performance labelled 'Pit', 'Gallery', and 'Box'. He offers the tickets to people on the left who put their payment on that side of the balance, while a bailiff on the right taps him on the shoulder, holding out a 'Writ' and creditors add their bills for 'Tripe', 'Gin', Tobacco', 'Snuff', 'Ale', 'Beer' and "The Taylor's bill" to the other side of the balance. A scroll looped over the top of the scales is a banner labelled 'For the Benefit of Spiller', its ends reaching a window of a tavern on the left and the window of a debtor's prison on the right ..."--British Museum online catalogue
Alternative Title:
Ticket for the benefit of Spiller
Description:
Title etched within image., See description of original print. No. 1815 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 2., and Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 2.
Publisher:
Samuel Ireland
Subject (Geographic):
England and London.
Subject (Name):
Spiller, James, 1692-1729.
Subject (Topic):
Actors, Bailiffs, Jails, City & town life, and Scales
Benefit Ticket for Spiller: the comedian stands in the center under a set of scales; he supports a burning taper; at his feet is a pile of tickets for his benefit performance labelled 'Pit', 'Gallery', and 'Box'. He offers the tickets to people on the left who put their payment on that side of the balance, while a bailiff on the right taps him on the shoulder, holding out a 'Writ' and creditors add their bills for 'Tripe', 'Gin', Tobacco', 'Snuff', 'Ale', 'Beer' and "The Taylor's bill" to the other side of the balance. A scroll looped over the top of the scales is a banner labelled 'For the Benefit of Spiller', its ends reaching a window of a tavern on the left and the window of a debtor's prison on the right--See description in the British Museum online catalogue
Description:
Title etched within image., Sheet trimmed within plate mark., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 2, no 1815., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 2., Title and date supplied by curator., Ms. note above in Steevens's hand: Spiller's Ticket. His ms. note in pencil above: See Nichol's Book, 3d edit. p.44 p. 444. His ms. note in pencil below: Sold for £5.5.0., and On page 86 in volume 1.
Publisher:
publisher not identified
Subject (Geographic):
England and London.
Subject (Name):
Spiller, James, 1692-1729.
Subject (Topic):
Actors, Bailiffs, Jails, City & town life, and Scales
Loutherbourg, Philippe-Jacques de, 1740-1812, printmaker
Published / Created:
May 1st, 1790.
Call Number:
790.05.01.06
Image Count:
1
Resource Type:
still image
Alternative Title:
From the Haymarket
Description:
Title etched below image., Sheet trimmed within plate mark., and For a discussion of this print refer to Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5 and v. 9, nos. 5361 and 9684.
Publisher:
Pubd. by Willm Holland, No. 50 Oxford Street
Subject (Name):
Delpini, Mr. -1828 (Carlo Antonio), and Haymarket Theatre (London, England)
"Portrait of George Frederick Cooke as Iago in Shakespeare's 'Othello'; standing three-quarter to front with plumed hat in his left hand, his left arm close to his waist, turned to face left; wearing cloak over slashed, embroidered doublet and ruff with tassles"--British Museum online catalogue
Description:
Title from caption below image., One line of verse below title: Oh, beware, my Lord of jealousy., and Library's impression with multiple tears, glued on buckram mount.
Publisher:
Published April 21, 1801, by Messrs. Wards, & Co. N. 6, Newman Street, London
Subject (Name):
Cooke, George Frederick, 1756-1812,
Subject (Topic):
Iago (Fictitious character), Fictitious characters, Actors, and British
