A satire on the theatre; an aspiring actor is shown in eight separate scenes
Description:
Title from item., Statement of responsibility and dimensions from impression in the British Museum online catalog (Registration no. 1948,0214.339)., Description based on imperfect impression; individual images and title trimmed, rearranged and remounted, with loss of printmaker signature and portion of imprint., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. by W. Holland Feb. 11, 1793 No. 50 Oxford Street
Title from item., Date supplied by curator., Place of publication derived from street address., Above image: Caricaturna 72., Originally published in Le Charivari, 14 January 1838., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Chez Aubert gal. véro-dodat and Imp. d'Aubert & Cie
Subject (Topic):
Robert Macaire (Fictitious character)., Deals, Colic, Negotiation in business, Actors, Pain, Costumes, Theatrical producers & directors, and Mirrors
"Satire on John Rich and his new theatre in Covent Garden with a procession moving from left to right across the east end of the market square and entering the colonnade leading to the theatre. John Gay is carried on a porter's back preceded by a crowd, one of whom cries "Gay for ever". He is followed by Rich, as Harlequin, driving an open carriage drawn by six satyrs, with Columbine and a spotted dog (a disguise adopted by Rich as Harlequin in "Perseus and Andromeda", 1730). Two authors bow obsequiously to Rich, another wheels a barrow of plays towards the theatre, bootblacks also bow, but in the lower right-hand corner, Alexander Pope defecates on sheets from the Beggar's Opera (the great triumph of Rich and Gay). Actors in costume, some identified in the verses below, follow the carriage, and a cart containing properties including "A Box of Thunder and Lightening", brings up the rear. Beyond the main procession is a large crowd of admirers and a closed carriage; St Paul's church in the background is clearly identifiable."--British Museum online catalogue
Alternative Title:
His triumphant entry into Covent-Garden
Description:
Title etched above image., Signed twice: once in the shadowing lower left of design (illegible) and again above first stanza., Formerly attributed to Hogarth. See Paulson., First recorded as having been published in 1811 by Robert Wilkinson. See British Museum online catalogue., "Price 6d."--Lower right., Three columns of ten lines each etched below image: Not with more glory through the streets of Rome ... For such a day he sees not ev'ry year., In Steevens's hand in pencil above the print: A pretended Hogarth which nevertheless has sold for £4.4.0. See Nicholss book, 3d edit. p. 161., and On page 54 in volume 1.
Publisher:
publisher not identified
Subject (Geographic):
Covent Garden (London, England)
Subject (Name):
St. Paul's Church (Covent Garden, London, England),, Gay, John, 1685-1732,, Hall, John, active 1734,, Quin, James, 1693-1766,, Pope, Alexander, 1688-1744,, Rich, John, 1692-1761,, Ryan, Lacy, 1694?-1760,, and Walker, Thomas, 1698-1744,
"Portrait after Reynolds (Mannings 656); three-quarter length standing, turned slightly to left, leaning on stick, with left arm resting on right hand, wearing patterned waistcoat; curtain behind."--British Museum online catalogue
Description:
Title engraved below image., State from: Smith, J.C. British mezzotinto portraits., Imperfect; sheet trimmed within plate mark with loss of title and imprint statement from bottom edge. Missing text supplied from impression in the British Museum, registration no.: 1833,0610.33., Window mounted to 51 x 36 cm., and Mounted opposite page 16 (leaf numbered '70' in pencil) in volume 1 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Publish'd June [the] 4th, 1771, accorg. to act of Parliament by W.W. Ryland in Cornhill
Purcell, Richard, approximately 1736-approximately 1765, printmaker
Published / Created:
[between 1762 and 1766]
Call Number:
Portraits G41 no. 5+
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait of David Garrick after Reynolds (Mannings 700); standing three-quarter length between Comedy and Tragedy, smiling towards the latter, but allowing the former to tug him towards her; landscape behind."--British Museum online catalogue
Description:
Title engraved below image., Charles Corbutt was a pseudonym used by Richard Purcell., Date range for publication from the British Museum online catalogue, registration no.: 2010,7081.1321., Text below title: Reddere Personae scit convenientia cuique., and For a larger version by Purcell, published by Sayer and Carington Bowles, see British Museum online catalogue, registration no.: Ee,5.144. See also: Smith, J.C. British mezzotinto portraits, v. 3, no. 31, page 1016.
Publisher:
Printed for Robt. Sayer, map & printseller at the Golden Buck near Serjeants Inn, Fleet Street
"The full face of Clifford, based on a fashionably swathed neck-cloth and high coat-collar, fills the design. The mouth is open as if shouting. The eyes and part of the cheeks are covered by circles representing huge spectacles. Each contains a symmetrical view of Covent Garden Theatre seen from the stage, showing pit, three tiers of boxes, and the centre of the two galleries (the 'pigeon-holes' not appearing), all crowded. The views differ only in the performers on the stage, two actors on the right (one clearly Kemble, probably as Macbeth), and on the left two actors and a file of soldiers. Superimposed on the middle of each circular design is a large 'O' (left) and 'P' (right). Round the broad rims of the spectacles: (left) 'Old House Old Prices & No Private Boxes' and (right) 'Old House Old Prices & No Pigeon Holes'. On the bridge across the nose: 'N.P.B.' (No Private Boxes, see British Museum Satires No. 11421)."--British Museum online catalogue
Description:
Title etched below image., Print made collaboratively by Isaac and George Cruikshank, with the latter responsible for the tiny figures in the spectacles. See British Museum catalogue., and Sheet trimmed to plate mark.
Publisher:
Pubd. by T. Tegg, 111 Cheapside
Subject (Geographic):
Great Britain
Subject (Name):
Clifford, Henry, 1768-1813, Kemble, John Philip, 1757-1823, Covent Garden Theatre,, and Covent Garden Theatre
Subject (Topic):
Theaters, Eyeglasses, Theater audiences, Actors, and Theatrical productions
