Kean as Richard III, directed to the left, stands on a large volume with the word 'Shakespear' written on the top edge. Resting on his head and humped shoulders is a model of Drury Lane Theatre, a massive block, inscribed 'Whitbreads Intire.' On the roof is poised an ugly figure of Fame, blowing through a trumpet 'Puff Puff Puff', and holding behind her a second trumpet, from which issue the words 'Puff Puff P'. At the entrance to the theatre straddles a tiny Whitbread, his legs and arms projecting from a cask which forms his body; he says: "Now by St Paul the work goes bravely on" (altering Richard's words from 'this news is bad indeed'). Kean stoops, leaning on a cross-hilted sword, inscribed 'A Keen supporter'; he has misshapen bandy legs. He says: "Well, as you guess." He wears an ermine-trimmed cap encircled by a crown, slashed doublet and trunk hose, a sleeveless coat bordered with ermine and embroidered with a (Yorkist) rose, with flapped and spurred boots. (The figure, with the position of the arms altered, is a travesty of J.J. Hall's portrait of Kean interrogating Stanley on the approach of Richmond. The costume is correct.) The stage is indicated by curtains flanking the design. In the background are clouds of smoke.--Adapted from British Museum
Description:
Title from text etched below image., Complete imprint statement and dimensions supplied from British Museum impression., and Sheet trimmed within plate mark with loss of characters in the publisher's name.
Publisher:
Pubd. May 7th, 1814 by H. Humphrey, St. James's Street
Subject (Geographic):
England and London.
Subject (Name):
Kean, Edmund, 1787-1833, Kean, Edmund, 1787-1833,, Shakespeare, William, 1564-1616,, and Theatre Royal, Drury Lane (London, England)
"A scene from Act V of Murphy's play as performed at the private theatre of the Duke of Richmond at Richmond House, on 20 April 1787 and subsequently. Lovemore (Lord Derby) stands between Mrs. Lovemore (Mrs. Damer), who holds his right arm, and the Widow Belmour (the fat Mrs. Hobart). Beside the Widow, and on the extreme right, stands a very thin man dressed with exaggerated foppishness, his hat under his arm; he says, "As the man says in the Play your Lordship is right welcome back to Denmark". He is Sir Brilliant Fashion, played by the Hon. Richard Edgcumbe. Mrs. Damer says, "This is Lord Etheridge Madam", and Mrs. Hobart answers, "No Madam this is Lord Lovemore"; the speeches have been transposed by an engraver's error. In a stage box on the extreme left sit the Duke of Richmond and a lady (the Duchess?) holding an enormous muff, her high coiffure much exaggerated. The box is decorated with a group, two crossed cannon, lying on a plan of a fort, with a kettle-drum, surmounted by a laurel wreath, an allusion to Richmond's unpopular scheme for fortifying Portsmouth and Plymouth, see BMSat 6921, &c. The ladies have tiny faces, framed in elaborately dressed hair, which contrast with Lord Derby's large head. A draped curtain frames the stage; in the centre is the customary 'Veluti in Speculum'."--British Museum online catalogue
Alternative Title:
Veluti in speculum
Description:
Title from item., Attributed to Captain Mercer by the curator based on style., At top of print: Veluti in speculum., Temporary local subject terms: Horace Walpole refers to subject -- Richmond House Theatre -- Arms -- Richmond fortifications., and Watermark: E & P.
Publisher:
Pub'd Aprl. 23, 1787 by H. Humphries, Bond Strt
Subject (Name):
Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, Richmond, Charles Lennox, 3d Duke of, 1735-1806, Richmond, Mary, Duchess of, 1740-1796, Damer, Anne Seymour, 1748 or 1749-1828, Valletort, Viscount 1764-1839 (Richard Edgcumbe),, Smith-Stanley, Edward, 1752-1834, and Derby, Elizabeth Farren Stanley, Countess of, 1759 or 62-1829
A theater ticket with a scene from the play The mock doctor: Gregory, the mock doctor, holds the Charlotte's wrist, as they look at her father who points to his mouth indicating that she is mute. The print after a forgery purporting to be an admission ticket for a performance of Fielding's The Mock Doctor
Description:
Title etched below image. and Sheet trimmed within plate mark.
Publisher:
publisher not identified
Subject (Geographic):
England and London.
Subject (Name):
Fielding, Henry, 1707-1754.
Subject (Topic):
Benefit performances, Actors, Theatrical productions, and Theaters
Embossed: "Photograph by Carl Van Vechten". and Stamped verso: "Photograph by Carl Van Vechten / 101 Central Park West / Cannot be reproduced without permission".
Harrison Thomson as Prince [Desiré]. The Sleeping Beauty, in Howdy Mr. Ice.
Description:
Embossed: "Photograph by Carl Van Vechten". and Stamped verso: "Photograph by Carl Van Vechten / 101 Central Park West / Cannot be reproduced without permission".
Embossed: "Photograph by Carl Van Vechten". and Stamped verso: "Photograph by Carl Van Vechten / 101 Central Park West / Cannot be reproduced without permission".
A monument to David Garrick with a putto holding a copy of the portrait of Garrick by Sir Joshua Reynolds just below the urn at the top. Below them, the muses of Comedy and Tragedy mourn along with three other putti and various theatrical emblems. At the bottom of the monument is engraved a quote from Shakespeare: " ... take him for all in all, we shall not look upon his like again."
Description:
Title from a separately engraved plate below the image. The title is followed by a verse from Sheridan, in two columns, three lines each, and a dedication: "This plate is done from the grand scene in the Monody, in honour of Garrick at the Theatre Royal, Drury Lane, is respectfully dedicated by their most obedient humble servt. Thos. Letton. The portrait from a picture of Sr. Joshua Reynolds, in the collection of Sr. Thos. Mills." and Thin gold paper border mounted on wash-lined mount.
Publisher:
Pub. May 23, 1781, for the proprieor T. Letton, by Mr. Picot, facing Hungerford Coffee House, Strand & Mr. Harris, Sweetings Alley, Cornhill
Subject (Geographic):
England.
Subject (Name):
Garrick, David, 1717-1779
Subject (Topic):
Monuments, Actors, Monuments & memorials, and British
"The interior of a barber's shop. The barber, ranting and gesticulating wildly, holds up the open tragedy of Alexander the Great; in his right hand is a pair of tongs. His hair hangs loose and on his head is his barber's basin. He is fashionably dressed, but wears an apron, which, blowing aside in his violent action, displays a large hole in his breeches. A stool, jug, &c, have been overturned, hair-pins lie on the ground, a cat flees in alarm. His little apprentice (left), holding a wig and a tress of hair, looks on with amusement, as do a man and woman (right) who look over a flight of stairs which ascends from the room. The room is a poor one, with plaster coming from the wall, a broken candle on the chimney-piece, over which is a torn print of a tragedy-king reclining on a couch. Two wig-boxes stand on the floor, one inscribed 'Tragedy Wigs', the other 'Comedy Wigs'."--British Museum online catalogue
Description:
Title from caption below image., Numbered "588" in lower left corner., No. 38 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., and Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering.
Publisher:
Printed for & sold by Carrington Bowles, No. 69 St. Paul's Church Yard, London
In pencil verso: Man in left foreground is Jean-Pierre Cassel. / On ski trip in Megeve, France. and Stamped verso: Mediterranee Photo / Megeve / Copyright by Spadem
Subject (Name):
Bennett, Michael, 1943- and Cassel, Jean-Pierre, 1932-2007
Subject (Topic):
Actors, Choreographers, Dancers, and Theatrical producers and directors
